Silver Sculptures

Decorative 'Deer' Napkin Holder. Netherlands, early 20th century. Very stylish and decorative napkin holder with a deer at the front. A very elegant ...

Add a touch of elegance and dynamic beauty to any space with this stunning Silver Over Bronze Majestic Silver Horse Sculpture. Expertly crafted from high...

From Xiaoqinggou, Datong, Shanxi, China This beautiful Silver from the New Nevada Mine Batopilas Chihuahua Mexico is a one-of-a-kind specimen. Its sc...

Gio Ponti Hand Sculpture by Sabattini Silver-Plated Metal made in Italy 1978 Dimensions: 13½ h × 3¾ w × 3¼ d in

Christ crucified in silver 16th Century Italian school Measure: height: 40cm. very good condition.

Beautiful vintage Murano hand blown rainbow stripes, silver and gold flecks Italian art glass fish figurine. Attributed to the A.Ve.M. (Arte Vetraria Muranese) company. The fish has ...

Cut glass tortoise inkwell. Vintage turtle pillbox inkwell of cut glass carrying a mounted finial topped circular lidded well originally for ink but cha...

This pair of silvered wooden reliquaries are from France, circa 1750. The backs are still preserved by wax seals, indicating that the relics were never removed. Each reliquary has...

Silver sculpture depicting a piper, a dancer and a small dancing bear in the centre. Malachite base in the shape of a crescent moon Russia, around 1880.

“Swan”, silver sculpture mounted on a shell, by Gabriele De Vecchi. Sculpture representing a silver swan mounted on a shell forming the body and wings.

Pair of "Cariatidi" lamps in 800 silver. Completely hand-carved and embossed with scrolls motifs. Each part of the lamp has been finely embossed and chiseled by hand. The central pa...

Beautiful vintage Murano hand blown black and silver flecks Italian art glass Snoopy puppy dog sculpture / figure. Documented to the Gambaro & Poggi workshop, with original clear and...

Dansk International Designs Ltd. Small sculpture in plated silver. Rare sculpture, sold to Japan. 1970s. Marked. In excellent condition. Dimensions: L 7.0 cm x H 3.8 cm.

In 19th century Tibet, many men would have carried a flint striker along with several other tools that could help ensure survival in the often-harsh climate of the Tibetan Plateau. K...

A magnificent solid silver elephant centrepiece supporting a gilt saddle with a large red glass bowl in a pierced Silver Basket. The basket featur...

An extremely rare Harry Bertoia sterling silver brooch "Ginko Leaves." The brooch has been added to the Harry Bertoia Catalogue Raisonné and assigned the following catalogue raisonné number: D.JE.77. This piece comes from a private collection. Provenance will accompany the piece. The Brooch measures: 2.94 " long x 1.5 " wide x .30 " deep. Although associated with Mid-Century Modern furniture, Harry Bertoia was originally a jewelry designer who used both sterling silver, precious stones and gem stones. The brooch and closure are all handcrafted and the clasp is his unique design. The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d-Arzene, Pordenone, Italy. At age 15 he moved to Detroit, Michigan to live with his older brother, Oreste. He quickly learned English and the bus schedule and enrolled in Cass Tech High School in Detroit (1930-1936) where he studied art and design and learned the skill of handmade jewelry making. At that time, there were three jewelry and metals teachers Louise...

This charming early 20th-century French miniature statuette captures the playful elegance of a cherubic figure joyfully playing the violin. Crafted with meticulous attention to detai...

Michel Decoux, (1837-1924),a Belgian sculptor. Art Deco sculpture of a roaring stag in silver-patinated bronze on a black marble base. 1910/1920s. ...

An exceptionally large and rare French Art Deco original bronze sculpture circa 1927 by a well known artist Georges Lavaroff (1895-1991) It's quite uncommon to find this very large size and notably featuring the silver and parcel gilt finish. The artwork features a majestic female nude, adorned with a stylized cloak in alternating stripes of gold and silver, which showcases a pyramid shape. The Egyptian goddess is depicted as an undraped figure with arms outstretched above her head, holding a crescent moon. She wears a north star headdress that adds to her regal appearance. The cloak is embellished with stars and a comet, and the female figure rests on a bed of stylized clouds. The sculpture is presented on its original black and gold marble base. All of these attributes add to the uniqueness and value of the artwork, making it even more remarkable and sought after by collectors and art enthusiasts. Water bottle shown for scale. Documentation : Les bronzes Art Deco de Georges Lavaroff, sculpteur Russe a Paris 1930 Kastelyn et Mazzucotelli. Georges Lavaroff was born in Sibera in 1895. He studied medicine and painting. After the revolution of 1917 he moved to Moscow and became a member of the Russian artists association where he began to exhibit his work and take part in shows as a member of the Association of artists of Revolutionary Russia. He then worked in France from 1927 until 1935. This period was the richest point of his profession where he produced his most famous works of Art Deco figures...

This unique and one-of-a-kind sterling silver trophy bowling ball by the House of Williams is set on a round, stepped pedestal, mounted on a wooden trophy plinth. There are no inscri...

This Partridge by Alcino Silversmith 1902 is a handcrafted piece in sterling silver (925/1000) with fossil coral egg. Fully handcrafted, hammered and chiseled by excellent craftsmen...

This is an interesting and very unusual silver plated bronze bust of the famous four-faced Buddha. This history of this fascinating motif entails a fusion between the Hindu and Buddhist faiths. This high quality hot cast solid bronze was produced using the traditional "lost wax" process, otherwise known as the "cire perdue" method. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 15 x Width 14 x Depth 14 & Weight 2.45 kg Dimensions in inches: Height 6 inches x Width 5 inches x Depth 5 inches & Weight 5.4 lbs The four faced Buddha at the Erawan Shrine, Bangkok is actually Lord Brahma who is one of the Trinity of Hindu Gods. The other two are Lord Vishnu, the sustainer and Lord Siva the destroyer. Brahma is said to be born from a lotus leaf sprouting from the navel of Vishnu. The Thais call Brahma, Than Tao MahaProm or Phra Phrom. When Indian scholars spread Buddhism to Thailand, they brought with them Hindu culture and folklore, which has been inextricably linked with Thai culture and beliefs. Brahma has four faces and eight hands; a feature that could have given rise to the name four faced Buddha. He is the god of creation, mercy and benevolence. He sits atop a lotus leaf; the lotus flower is commonly used for prayers at Thai shrines...

Sterling Silver Horse Sculpture See pictures for details on condition.

Art Déco silvered/nickeled bronze rabbit sculpture designed by animalier swiss author Édouard-Marcel Sandoz to be manufactured by the french firm Susse Frères By: Édouard-Marcel Sandoz, Susse Frères Material: bronze, nickel, silver, metal Technique: polished, silvered, hand-crafted, patinated, metalwork, cast Dimensions: 2 in x 1.5 in x 2 in Date: early 20th century, circa 1930 Style: Art Déco, Animalier Place of origin: France This small sculpture, crafted by hand in nickel-plated bronze, depicts a rabbit with ears bowed in a gesture of meekness, its form affixed atop a sturdy base of matching material. In this case, the signature of artist...

Hallmarked in London in 1968 by Edward Barnard & Sons Ltd, this handsome pair of Elizabeth II period, Sterling Silver Fighting Cockerels, are cast in the traditional fighting pose. T...

Mid 19th Century Italian Grand Tour Sculpture Unique piece purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Hallmarked in Edinburgh in 1997 by Hamilton & Inches, and designed and modelled by Victor Hayton for the World Wildlife Fund, this incredible, Elizabeth II period, Limited Edition St...

Wonderful abstract bracelet cuff. All in sterling silver haute couture - iconic. This piece is not only a ready to wear creation but also the most dynamic piece of modern sculpture. ...

This special vintag tall lucite and silver plate elegant and organic arched sculpture was designed by Catherine Noll whose famous grandfather was Alexandre Noll. He was a well know sculptor who made fabulous sculptures out of carving simple wood. This sculpture which resembles a form of a horn was done in 1970. The arched form is lucite and the square base is silver plate. The lucite has gradients of gray tones as light hits it. It is organic modern with elegant lines. Catherine Noll was mainly a Parisian jewelry designer who started her illustrious design career back then. The materials she worked with in jewelry consisted of wood, ivory, Perspex and crystal. Catherine was in art school at the famous Beaux Arts when her noted and famous sculptor grandfather; Alexander Noll...

Chain seal in silver and jet. The seal features a rectangular silver plate with a carved noble coat of arms representing a two-headed eagle. The matrix is crowned by a frame with a w...

Stunning 20th century Italian solid silver monumental statue of a lion on a marble base, beautifully modelled as a seated roaring lion, fitted on a rectangular green marble plinth. H...

Wonderful abstract bracelet cuff. sterling silver stamped. it's seven inches long and straight an incredible design. a piece of art. Mid-Century, Space Age, Hollywood Regency, Ecle...

18th century Italian sliver leaf and mecca cross adorned with gold and silver plated crystal points and mica mounted on a mica and tourmaline in calcite matrix base. The crucifix originally came from a church in Tuscany. The gold and silver plated crystal points replicate the original sunrays or halo around the cross. The piece is mounted on a mica and tourmaline cluster that is in a matrix of calcite. The mica holds a shimmery appearance that can reflect light - like nature's disco ball. It perfectly coordinates with the silver leaf and mecca painted cross...

By Toby Henderson, Dine-Navajo, American, circa 1980s. This spectacular sterling figure of a Navajo spirit dancer by renowned Navajo silversmith Toby Henderson is highly detailed. Heavily worked and excessively concha stamped, it is the perfect way to connect with the spiritual world through Dine art! Excellent condition. Remarks: "Bring the balance of self and universe into your home." Size: 5 5/8 inches high by 2 inches wide Weight: 91.5 grams Hallmarks: TH below a partial sun, maker's mark for Tobey Henderson...

Pair of silvered gilt metal architectural elements depicting cherubs. The cherubs are mounted on a lucite base and are ready for your home.

A 925 sterling silver hand chased swan with an articulated neck and wings. Expertly crafted with eyes set with Garnet, made entirely by a master jeweller. ...

Fantastic silver bird (toucan) by Gabriele De Vecchi, Milano (IT). The body formed by a large pebble flanked by an impressive silver beak and fitted with a tail and legs decoration. ...

Heron by Alcino Silversmith 1902 is a handcrafted piece in sterling silver 925 with natural malachite egg and natural grenade eyes! The piece is totally handcrafted, hammered and c...

A large sterling silver ring.

One of a kind sculpture of Crucified Christ in carved wood and crystal eyes (one of them its loose), 18th century Hispano Filipino School. The crown, ...

Sculpture with Seashells and Base with Antique silver plate Candelabrum

Pontifical Guard Uniform - Swiss Guard in Sterling silver with enamel and gold finish. The base of the miniature is in plexiglass, while the body that s...

Fruit set - orange apple banana pine cone - in 999 silver Italy, a country that produces great wines and an ancient agricultural tradition, could not fail to dedicate its art also to create prestigious objects concerning this excellence for example this pure 990 silver fruit set...

A charming pair of decorative silver plate geese or mallard ducks, made in Spain in the twentieth century. The geese are very finely modelled with excellent details to the faces, f...

Extremely rare combination pendant attached to custom-made chain by Harry Bertoia in sterling silver, containing one Lapis Lazuli and one Coral. This piece comes from a private collection. Provenance will accompany the piece. The work has been added to the Harry Bertoia Catalogue Raisonné and assigned the following catalogue raisonné number: D.JE.78. Although associated with Mid-Century Modern furniture, Harry Bertoia was originally a jewelry designer who used both sterling silver, precious stones and gem stones. The pendant measures: 1.25" long x 1" wide. The necklace measures: 11" length with a measurement of 22" overall length. The chain and closure are all handcrafted and in his unique design. Lapis Lazuli measures 20mm round supported by one 6 mm red coral. Total weight is 33 grams. The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d-Arzene, Pordenone, Italy. At age 15 he moved to Detroit, Michigan to live with his older brother, Oreste. He quickly learned English and the bus schedule and enrolled in Cass Tech High School in Detroit (1930-1936) where he studied art and design and learned the skill of handmade jewelry making. At that time, there were three jewelry and metals teachers Louise Green...

What every pig lover must have. Only a couple of inches big but full of personality. This tiny sterling piglet sleeping sweetly with wonderful sculptural details down to its curly ta...

A magnificent, fine and impressive, large and rare antique cast sterling silver elephant sugar box; part of our continental ornamental silverware collection ...

Decorative silver (probably sterling) Koi fishing lure from Japan. A lovely piece to add to your decorative story on the desk, shelf, or perhaps in the kitchen. A wonderful patinated...

Owl Kachina by Gaspar, sterling and turquoise figure. Some of the Turquoise is missing from the base as seen in photos. Marked sterling on bottom.

Mellerio Paris, a large silver, gold, lapis lazuli, coral, and hardstone picture photo frame with two falcons. France, circa 2000 The frame resting on a lapis lazuli base with squa...

A luxurious gold- and silver-plated bronze escargot or snail cocktail stick set made in France c. 1930. It is a superb Hollywood Regency conversation piece, perfect for eating not ju...

Large silver, vermeil and diamond model of a lion by Asprey English, c. 1980 Lion: Height 12cm, width 38cm, depth 13cm Case: Height 19cm, width 49c...

Pedro Friedeberg handcrafted silver leaf hand clock, vintage early 1960s, with original label from dated service inside, 1969.

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

A magnificent, fine and impressive pair of antique European silver cow creamers; an addition to our continental silverware collection These magnificent antique cast 13 löthige silver creamers have been realistically modelled in the form of a bull and a horned cow, each in the style of 18th century creamers. Each creamer is embellished with Fine details reproducing the details of the bull/cow's hide and facial features. The back of each piece is fitted with a hinged shaped cover encompassed with floral decoration and surmounted with a finial modelled in the form of a fly/insect. The bull and cow's tails function as the creamer's handle. Creamers of this combination, incorporating both the cow and bull, are unusual and rare to the market. 13 löthige/loth is the equivalent of .812.5 (812.5/1000). Condition These antique silver cow creamers...

Eye catching mid century silver plate on copper hand crafted pitcher featuring a lizard handle with a black stone back. Attributed to Castillo.

An exceptional, fine and impressive vintage Indian silver table ornament of an elephant; part of our ornamental silverware collection This exceptional vintage Indian silver ornament has been realistically modelled in the form of an elephant. This vintage silver elephant ornament has been embellished with chased details reproducing the fine definition of the elephant's skin and anatomical features. The model is further ornamented with caparison ornamented with scenes depicting a rural setting with iconic wild, indigenous animals. This fabric effect covering is further embellished with a stylised floral motif decorated border and features two-dimensional tassels to the terminals. The silver elephant figure is ornamented with further floral and bead motifs to the head and back, in addition to a scalloped border to the underside of the elevated trunk. Condition This vintage Indian silver elephant...

A magnificent, fine and impressive, rare antique silver sugar box modelled in the form of a squirrel; part of our collection of rare silverware. This magnificent, fine and impressive antique cast silver sugar box has been realistically modelled in form of a squirrel perched on a branch. The silver sugar box is embellished with chased details reproducing the squirrel's coat and anatomical features, in additional to the naturalistic features of the branches, leaves and acorns. This exceptional and large antique silver squirrel sugar box is fitted with the original push fit head/cover. Such magnificent specially commissioned, large examples in this form are highly unusual and are not available on the open market. Condition This rare squirrel sterling silver sugar box is a magnificent gauge of silver, magnificent quality and in magnificent condition. Full British hallmarks struck to the body of the box and part hallmarks to the sleeve of the cover are all very clear; the hallmarks are struck deeply to the magnificent gauge of silver. Reflections in photographs may detract from the true representation of this large silver animal ornament...

A Pair of Opulent Sterling Silver-Gilt 925 Camel Incense Burners on Giltwood Stands, Circa 1900 Masterfully crafted, these pieces epitomize the grandeur and sophistication of the pe...

Pair of antique continental (late 19th century) silver cockerel (rooster) figurines measuring 7 1/2 and 7 3/4 inches tall respectively. Stamped with assay and maker's marks.