Silver Sculptures

Carrying import marks for Chester in 1908 by Berthold Muller, this charming, Antique Sterling Silver Model of a Stork, is realistically cast. The stork measures 9.25"(23.5cm) tall,...

This is a wonderful modern Sterling Silver and Quartz Duck by Grupo Gal. Numbered 940619 In excellent used condition. See photos for better details. H 10...

Hallmarked in London in 1935 by Francis Higgins & Son Ltd., this handsome Sterling Silver Model of a Snipe, is realistically cast. The model measures 4"(10cm) tall, by 6.5"(16.5cm) f...

Hand crafted Modernist sterling silver on mahogany wood wall plaque by Emaus Cuernavaca, circa 1960's. Made in Taxco, Mexico and has the artist initials name on the back tag. Wonderf...

Gilt bookends of two tropical fish on marble bases circa 1930. They are patinated in an interesting combination of silver bodies with gold tails and fins. The bodies of the fish, nat...

Asprey pair or horseriding solid silver figurines on marble bases Made London, 1977 Maker: Asprey & Co Fully hallmarked. Size: 14.9 x 7.8 x 22.5 cm Weight: 2812 grams total (1...

Buffalo carved in verdite hardstone sculpture figure with handmade applications and base in sterling silver 925 is a vintage sculpture with a conte...

This contemporary modern piece is composed by a vintage carved chinese natural Jade Bowl with handmade sterling silver 925 base by Alcino Silversmith 1902. This piece was designe...

Step into the enchanting world of the early 20th century with this 1910s French Silver-Plated Woman Sculpture. This captivating bronze masterpiece breathes life into the art of dance...

Mythic Fish by Alcino Silversmith 1902 is a handcrafted piece in Sterling Silver 925 and horn, hammered and chiseled by excellent craftsmen, giving this piece a much higher future va...

Pair of heavy quality cast silver cockerels in the traditional fighting pose. They are wonderfully modelled with a high attention to detail giving a lively and lifelike appearance. The tail feathers are individually hand cut and engraved to add an extra realistic quality to this fine pair. Dimensions are for one bird only Pair of particularly fine quality antique silver fighting cockerels...

The body of each ewer is beautifully embellished with a three dimensional design of grapevines following up to the handle. The handle part forms as a satyr, possibly representative o...

Hand hammered silver sculpture "Department of Interiors" by Jonah Meyer at Sawkille Co. Unique 1/1 piece completed in 2022.

French Victorian silver plated figure of two cupids, one on sleigh on white mica ice base

Pair of 20th century German silver swan drawn chariot with robed driver stamped, marked "CD 900". Accompanied by a similar German silver swan drawn chariot with fairy driver, marked ...

Contemporary Brown Agate bowl with horse by Alcino Silversmith 1902 is a handcrafted piece in 925 Sterling Silver and natural brown agate, hammered and chiseled horse application han...

A hand-hammered Jungin (pure Silver) vase with thumb print pattern. Mitsukoshi and Jungin stamps. With signed box.

Nan Nan Liu's sterling silver sculpture reflects her creative interest in natural forms and energies. In this profoundly dynamic and Kinetic example of her...

Bust in resin masterfully finished and coated with metallic chrome Italy 1990. Great decorative effect

Sculpture by French Sculptor Alain Descombes born in 1942 The " Bird", circa 1980s.

Chris Knight's work resides on the boundaries between art, craft, and design. This sculptural bowl in cast silver and stainless steel is covered in dozens of well placed crosses, all...

With an open container as his backpack and with detachable hat.

Brooch by Giorgio Vigna one of the kind silver and murano glass on a gold leaf. The system is a magnet

Fish with mother-of-pearl shell and eye of the tigerstone. This fish is a contemporary sculpture made of chiseled silver plate applicated to the natural mother pearl shell, is total...

A unique modern style hand-forged wrought iron tree form centerpiece with 12 hand-polished rock crystal spheres in various sizes. Each rock crystal sphere are resting on individual s...

A beautiful Solid Silver Model of an Elephant of exceptionally heavy weight. A carefully crafted model with a great attention to detail, this Model Elephant of of a notably heavy wei...

This beautiful Chinese export black lacquered pair of shelves is decorated with silver and gold leave images of the story of a Chinese warrior battle....

Finely crafted deer head executed in .950 silver, the antlers and chest are adorned with small crystal prisms, raised on a rock crystal cluster. Incised “Mellerio” “AMADOR NO. 10-25 ...

Pheasant by Alcino Silversmith 1902 is a handcrafted piece in 925 sterling silver with bone beak The piece is totally handcrafted, hammered and ...

Giraffe nº 1 by Alcino Silversmith 1902 is a handcrafted piece in 925 Sterling Silver with twisted head, hammered and chiseled by excellent craftsme...

1940 Porc porcupine holder in solid silver (the base on the other hand is in silver metal and posterior to the subject) hallmark "R" in a square with a point; English punch of Sheffi...

Christ crucified in silver 16th Century Italian school Measure: height: 40cm. very good condition.

This fine pair of French, silver, allegorical tazzas are tortoiseshelled. They include detailed wreaths on the walls of the base. A finely dressed woman holds each dish proudly above...

A decorative group of 6 large mounted natural native, copper and silver specimens displayed on our small painted plaster bases. Ex. British collection, this superb group includes native silver from Imider Mine in Morocco, one of the largest mines on the African continent, and native copper from Keweenaw, USA – also known as “Copper County” – where copper was highly sought after for its quality and purity. Further details below: A: Copper specimen...

Handmade silver Torah finials, chased, pierced, engraved, and cast, France, circa 1860. The finials are constructed with large open-work decorated ball ...

Antique early 20th century German Hanau solid silver figure modelled as a standing stork. The statue is stunningly well-refined and realistically modelled in every small detail, it s...

Antique 19th Century German solid silver figural table ornament modelled as a female fruit seller, standing on a large shaped-oval base embossed with flowers, right hand holding a wa...

Dramatic and unusual light sculpture. Amazing detail with miniature elongated cubes of clear glass individually sewn to each other by thin silver wire. A wonderful one-of-a-kind piece.

Porcupine spade holder in solid silver (the base on the other hand is in silver metal and posterior to the subject) hallmark "R" in a square with a dot: English hallmark of Sheffield...

Finely chiseled silver greyhound. On the base and below the base engraved maker's and silver marks. 2222 grams.

A 1970's Brutalist parrot by American brand Curtis Jere. The silver plate parrots stands inside a brass ring. Curtis Jere is a company of metalworks, ...

The Rock Sculpture from the Spectra Collection captures the untamed beauty of abstract geological forms. Conceived as if chiseled from the rocks of a surreal landscape, this piece is...

Antique Armorial door Escutcheon plate. A white metal armorial door escutcheon plate with engraved detail, featuring the City of Londons lion cre...

Relishing in the richness of Aztec culture and travel back to ancient Mexico with this Silver Aztec Danzante attributed to William Spratling. Adorned with emeralds and a bone stag head, this spectacle not only adds a touch of history but also pays homage to the cultural heritage of the Aztecs. AZTEC DANZANTE SCULPTURE...

A charming and high quality French 19th century Louis XVI st. Napoleon III period ormolu statuary grouping of Jean de la Fontaine's Fable "Le Loup plaidant contre le renard par-devan...

From a beautiful home in Santa Barbara. Slight chipping in silver leaf on back side. Beautifully detailed.

Exceptional pair of Victorian silver wager cups. Each of typical design in form of a female in an upright position holding a cup swinging above her head.

Late 18th c. Italian Scholar Silver Leaf Statue in Papier Mache and Wood. The base diameter measurement is 7.5 inches.

Sculpture designed by Henning Koppel for Georg Jensen, Denmark, 1970s. Sterling silver and ebony. Dimensions: H 16 cm/ 6 1/4", L 10 cm/ 4".

20th C Silver plated status representing arguing Roman Senator, France.

Posa Project, in collaboration with Carwan Gallery, combines volumes and geometric forms adapted to precise technical requirements. This new interpretation of falcon perches comes di...

scultura in resina bagnata in argento - firmato sulla base - seconda meta xx sec scultura in resina bagnata in argento - firmato sulla base - seconda meta xx sec Descrizione ...

Silver and iron sautoir necklace.

The verisimilitude of this pin to a leaf may be the result of its actually having been cast from one. But the unobtrusive nib at the end of the gently curving stem, by which the pin ...

Posa Project, in collaboration with Carwan Gallery, combines volumes and geometric forms adapted to precise technical requirements. This new interpretation of falcon perches comes di...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...