Stone Vases and Vessels

This freeform cup is made of colored crystal. This is a Scandinavian work, signed, circa 1970.

Meadow Spring is as colorful and lively as a flower meadow that comes to life during the first sunny days of spring. During the production the vases are rolled in crushed pieces of c...

A wonderful very fine French doré bronze and etched cut crystal centerpiece / jardinière with swags, bows and torches. Believed to be baccarat, unsigned.

Bohemian crystal glass vase. Beautiful condition

Immerse yourself in the opulence of fine glass artistry with this exquisite antique Moser crystal cut glass vase, intricately engraved with a "Swimming Fish" motif and adorned with l...

Important Edwardian sterling silver mounted heavy cut crystal perfume atomizer in a rare large size. The crystal cut in the traditional spiky pineappl...

Pair of French Louis XVI / Empire Style Onyx and Bronze Lidded Urn Cassolettes. Item features the most dramatic veins throughout the polished onyx stone with attractive cast bronze m...

Pair of French Neoclassical decorative urns made from globular, burgundy marble bodies nestled within decorative bronze cradles held by square bases, a...

Crackle and thunder – a magical wonder! At Kosta Boda, we marvel at beautifully preserved cracks in glass. The clear glass vase from the Crackle collection has an expressive, sculptural exterior created using an old handicraft technique where the hot glass...

Beautiful pair of white opaline glass vase hand painted at the end of 19th century. It will enhance any romantic place with a touch of luxury. Perfect condition for its age.

A stunning Pair of Louis XV Style gilt-bronze mounted and fleur de Pêcher Marble Cassolets. The bronze work is highly refined and ornaments are inspired by the Rocaille style.. Orig...

Serving Tray Sakai, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. A sublime serving tray, Sakai was design to uplift layback moments. An organic-sha...

This Borealis vase embodies the perfect fusion of sophistication and natural beauty. Crafted from stunning blue alabaster, the vase features a cylindrical silhouette that enhances it...

This vintage vase is an original decorative object designed by the Italian designers Luigi Radice and Pierangelo Gallotti in the 1960s. Circular green vase made in chrome metal an...

Triptych of Chinese vase holders in ebonized wood with marble top, end of the 1800. Elegant triptych of vase holders of end of the 1800 and early 1900 Chinese. The structure of the t...

Serving tray Alentejo, Lusitanus Home Collection, handcrafted in Portugal - Europe by Lusitanus Home. A sublime serving tray, Alentejo was designed to uplift layback moments. A roun...

This is a Ferdinand Barbedienne set of gilt bronze-mounted champleve onyx garniture. It consist of two urns and one large oval vase/jardiniere. The vase...

A Very Fine Pair of French 19th Century Gilt-Bronze and Veined-Green Greek Marble Pair of Royal Urns, after the model by Pierre Gouthière (French, 1732-1813) and a design by François...

The Primavera vase, created by Colette Guéden, is an emblematic work of Art Deco ceramics, distinguished by its vibrant French blue. Its refined design and elegant lines capture the ...

Orrefors sweden jar is a decorative object designed by Orrefors Sweden, in the 1970s.  Crystal vase, 7,5 x 11 cm. Very good conditions

Exquisite set of 3 cut glass crystal decanter bottles by the Stuart Glass Co. of England c1940. In excellent vintage condition with minimal wear. Bottles are signed on base and two h...

Beautiful French Gilt Palm Tree With Rock Crystal and Marble Base - Taller height - At the time of this listing I have another Palm Tree with Rock Crystal for sale that is a bit shor...

Impressive huge Turkish teapot handcrafted in brass featuring a fluted lid structure with finial on a bulbous container engraved with symbols and wearing a stone beaded necklace with...

Exquisitely hand-carved, this pair depicts a Greek legend. Zeus fell in love with the huntress Callisto, and she bore him a son named Arcas. In a fit of jealous rage, Zeus's wife turned Callisto into a bear. Time passed, and one day Arcas was out hunting. How was he to know that the bear he was stalking was his own mother?! On seeing that Callisto's life was in danger, Zeus whisked her up into the night sky out of harm's way. She can still be seen in the constellation Ursa Major, the Great Bear.

20th century Mid-Century Modern hand carved veined white Carrara marble vase, vessel made in Italy. This Vase is amazingly crafted, very deco...

Mid- 20th century art glass bowl from the 1950s-1960s, Val Saint Lambert. Beautiful organic form. Solid, delightfully heavy piece. Unmarked, previous owner state she had removed th...

By putting three layers of glass on one another in three distinct moments colored opaque glass, clear crystal and colored crystal one achieves the amazing effect of a material that p...

A small French crystal toiletry bottle from the early 20th century, with silver neck and faceted stopper. Born in France during the Roaring 1920, this petite toiletry bottle features...

Large modernist crystal vase Octagonal in shape, slightly wider at the top than at the bottom. Modernist style with its alternation of frosted and sm...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Son company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born from the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, and only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first, the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent, and finally polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two artisans, inventiveness that transforms crystal into reality material of the highest aesthetic value and inestimable value. All the items in the entire collection have never been used; they were part of the exhibition. Huge and monumental Florentine Renaissance-style vase...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Son company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born from the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, and only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first, the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent, and finally polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two artisans, inventiveness that transforms crystal into reality material of the highest aesthetic value and inestimable value. All the items in the entire collection have never been used; they were part of the exhibition. Large crystal vase; the decorations, in baroque style represent a series of "grotesques" The object is "a unique piece" signed by the Master, it was created in Marcello Galgani's workshop in 1983 and made with the techniques (grinding, engraving and polishing) that we explained in the description; for the shape, the Master was inspired by a vase present in a painting, preserved in the Uffizi Gallery in Florence by the sixteenth-century painter Jacopo Ligozzi...

A sculptural vase carved from Jurassic Fossil TOP, Búcaro 1 blends elegant curves and timeless geometry by designer Birgitte Due Madsen. Búcaro 1 is a refined sculptural vase crafte...

Created as the evolution of the Ogiva vase, Ellisse is an object that, thanks to its complex working while hot, achieves the perfect balance between its chromatic components, arousin...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection ...

Antique large marble mortar of the high period. Dating from the late Middle Ages, early Renaissance. This mortar is made of grey marble. The morta...

A pair of antique late 19th century bronze Apulian style urns. The Sienna marble base compliments the bronze twin scrolling handles and krater bowl above bodies depicting scenes of ...

Hand carved marble vessel by Tom Von Kaenel. Materials: marble. Dimensions: W 17 x D 17 x H 28 cm. Tom von Kaenel, sculptor and painter, was born in Switzerland in 1961. Already...

Heavy Murano glass, for Salviati. Clear glass outside, amethyst inside, with orange and green stripes.

This dazzling crystal vase with multiple colors crafted by M.F. Cristal de Paris, France. Stunning colors in perfect condition. It can enhance a...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Refined and elegant pair of French crystal bottles; their shape is classically bulb-shaped; they have simple and delicate grinding; the pointed caps have been ground with a precise facet to enhance the refraction of light; made in Beaux-Arts style between 1900 and 1905 by a Craft company near Paris; the Parisian style...

Superb and rare gray blue cubic sommerso vase designed and manufactured for seguso in murano in the 1970s. Handcrafted work of faceted glass using the "sommerso" technique (superposi...

The low cylinder vase with a check motif in the Cut In Number collection from Orrefors is ideal for top-heavy floral arrangements. The satin finished cuts on the vase beautifully emp...

With Reed, Swedish designer Monica Förster shows how to create a sense of organic movement by emphasizing folds. A quiet sway in the solid, moss green glass. The medium-size Reed is ...

With Reed, Swedish designer Monica Förster shows how to create a sense of organic movement by emphasizing folds. A quiet sway in the solid, moss green glass. The large Reed can be pl...

The billowy shape of Squeeze from Orrefors looks different from different angles, depending on its placement. After the vase is blown, and while still hot, it is “squeezed” together ...

The billowy shape of Squeeze from Orrefors looks different from different angles, depending on its placement. After the vase is blown, and while still hot, it is “squeezed” together ...

With Reed, Swedish designer Monica Förster shows how to create a sense of organic movement by emphasizing folds. A quiet sway in the solid, clear glass. The low Reed vase is well-sui...

The billowy shape of Squeeze from Orrefors looks different from different angles, depending on its placement. After the vase is blown, and while still hot, it is “squeezed” together ...

The billowy shape of Squeeze from Orrefors looks different from different angles, depending on its placement. After the vase is blown, and while still hot, it is “squeezed” together ...

The billowy shape of Squeeze from Orrefors looks different from different angles, depending on its placement. After the vase is blown, and while still hot, it is “squeezed” together ...

Ebon from Orrefors is a mouth-blown vase made in Sweden. The shape begins from a basic template, to which the glassblower adds the finishing touch. Each vase is, therefore, individua...

With Reed, Swedish designer Monica Förster shows how to create a sense of organic movement by emphasizing folds. A quiet sway in the solid, moss green glass. The low Reed vase is wel...

Beautiful vase in red Bohemian crystal, mouth blown and chiseled on the wheel, decorated with diamonds and vine leaves. Very nice vase, cut for an elegant interior decoration. The r...

Marble flower holder Attributed to Angelo Mangiarotti for Skipper, 1970 The inner support not in view where the planter rests is not perfect. The exterior condition is excellent. Tha...

Stunning hand cut cobalt blue lead crystal butterfly vase created as a work of art by the hands of the finest Czech glass workers. Its not signed but does have a sticker Ingrid hand ...

An elegant pair of French 19th century Neo-Classical st. Ormolu, patinated Bronze and marble tazzas/urns. This wonderful pair are raised by a black Belgian marble bases with curved f...

Bowl L in White Michelangelo and Black Marquinia marble Available also in the S version, and with a rotating mechanism. The hypnotic black and white stripes of the new Nova collect...

Vase in White Michelangelo and Black Marquinia marble. The hypnotic black and white stripes of the new Nova collection, designed by Jacopo Simonetti, offer a versatile way to add p...

Vase Liguria Large with structure in travertine and with solid bronze base and solid bronze inside. Also Available on request in : Liguria High Vase.

A Fantastic and Rare Pair of 19th Century French Baccarat Ruby Red Crystal Vases of Magnificent Quality. Each is beautifully hand-carved and detailed wit...