Tulipwood Case Pieces and Storage Cabinets

A fine quality antique French Louis XV style marble top & ormolu mounted tulipwood & kingwood bombe shape commode chest, circa 1900. The serpentine shaped top having the original var...

Antique Italian Louis XVI style walnut chest of drawers, 19th century. With a rectangular walnut top with tulipwood banding, 3 drawers with tulipwood banding and brass pulls, resting...

Primarily of tulipwood and kingwood with heavy gilded drawer mounts . Sturdy . Presents very well . The drawers reflecting the fabled tulip by the gilt rosettes. The veneers laid in...

A Rare Louis XV Ormolu-Mounted Tulipwood and Chinese Lacquer cabinet, c. 1750 (Regence Period) A truly magnificent, monumental, and one of a kind cabinet, painted throughout with gi...

This rare Italian marquetry bar cabinet from circa 1960 is a stunning piece of mid-20th-century craftsmanship, blending neoclassical inspiration with timeless elegance. Beautifully v...

A fine matched pair of French 19th-20th century Louis XV style gilt bronze-mounted (Ormolu) tulipwood, kingwood and satinwood floral marquetry Bombé his and her's commodes with marbl...

A fine French 19th-20th century Louis XV style gilt bronze-mounted kingwood, amaranth, satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bom...

Palatial French 19th-Century Louis XV style figural gilt bronze mounted tulipwood marquetry three-drawer bureau-plat cartonnier with Dual clock-works by Lenoir, Paris, surmounted wit...

A Fine French 19th-20th Century Louis XV Style Mahogany, Satinwood and Tulipwood Marquetry Gilt-Bronze Mounted Two-Door Buffet Server China Cabinet...

A Very Fine and Impressive French 19th century Louis XV style gilt bronze-mounted tulipwood, kingwood and fruitwood marquetry bombé two-drawer commode with marble top, by Maison Boud...

A French 19th/20th Century Louis XV Style Gilt-Bronze Mounted Kingwood, Amaranth, Satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bombé serpentine...

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

Serpentine top over bombe form two drawers and sides , cabriole legs. Bronze feet.

A fine French 19th-20th century Louis XV style gilt bronze mounted satinwood and tulipwood Bois Satiné and Bois de Bout floral Marquetry two-drawer commode of bombé serpentine form, ...

A very fine French 19th/20th century Louis XVI style mahogany, kingwood and tulipwood parquetry three-door vitrine with ormolu-mounted floral wreaths, ribbons, female masks and centr...

A very fine Period French Louis XVI Commode signed T.C. Oak and Walnut construction in the case and drawers. There are three upper drawers over two lower drawers. Heavy use of flowi...

This exquisite French Louis XV style commode showcases the artistry and refinement of 19th-century craftsmanship, beautifully combining elegance with function. The bombe-shaped cabin...

A very fine French 19th century finely chased ormolu-mounted kingwood, tulipwood, and satinwood marquetry and parquetry commode with original Breche Violette marble-top. With three l...

A Fine French 19th-20th Century Gilt-Bronze Mounted and Marquetry Meuble d'Appui à Hauteur (Side cabinet). The rectangular variegated white marble top with outset corners over a gilt...

20th century magnificent French Louis XVI style display cabinet Bois-Satiné veneer, all-round surface-covering mirror veneer on wood. Upright rectangular and rounded, glazed on thre...

A pair of French Louis XV style "Semainier" tall chest commodes with a Brêche d'Alep marble top. The slender walnut and tulipwood body, each fitted with seven drawers with gilt bronz...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...

Introducing a magnificent 19th Century Louis XV Bonheur Du Jour Desk, a true masterpiece of elegance and craftsmanship from the 19th century. ...

A Very Fine French Napoleon III Figural Ormolu and Porcelain (Probably Sevres) Mounted Tulipwood Meuble A Hauteur D'Appui, by Mathieu Befort, dit Befort Jeune. The rectangular shaped...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

A very fine French 19th century finely chased ormolu-mounted Regence style kingwood, tulipwood and satinwood marquetry and parquetry commode with brêche d' alep marble-top. The serpe...

A very fine pair of French Napoleon III figural ormolu and porcelain (probably Sevres) mounted tulipwood Meuble A Hauteur D'Appui. The rectangular shaped body fitted with a white mar...

A rare and impressive Hepplewhite style buffet or sideboard from the noteworthy Stately Homes Collection by Baker Furniture, circa 1980s. Made from Mahogany with crotch veneer drawer...

A Fine French 19th Century Louis XV Style Kingwood and Tulpwood Gilt-Bronze Mounted Vernis Martin Style Serpentine Meuble d'Appui (Side cabinet) with Marble Top. The triple-bombé single door body fitted with a Spanish Brocatelle marble top, the single front door centered with a painting depicting a park scene with a man seated across two ladies and a young man standing between them playing violin, the upper apron painting section depicting a lake scene with coastal trees, all surmounted with floral and acanthus ormolu mounts and raise on cabriolet legs with gilt-bronze sabots. Two interior wooden shelves. The lockplate stamped: "V.F. (Crossed keys...

English 18th Century Spinet Case by Crang & Hancock London Converted Writing Desk This is a fine example of the English spinet in its most fully devel...

Austrian Biedermeier Burl Walnut & Mahogany cask with carved molded edge cornice, flanking book matched hinged doors, tulip wood inlays, satinwood inlays, original steel engraved loc...

Presenting a stunning 19th Century French Napoleon III "Entre Deux" Cabinet, a remarkable example of the elegance and craftsmanship characteristic of the Napoleon III era. This exqui...

A thoroughly delightful pair of antique French walnut and tulipwood marble topped bedside cabinets, in the Louis XVI manner, Circa 1900 in date. They feature shaped rectangular Ital...

An elegant and high quality French 18th century Louis XVI period tulipwood and ormolu bureau plat desk. The three drawer desk is raised by four fine square tapered legs with beautifu...

A Napoleon III Ormolu-Mounted Marquetry Meuble d'Appui Of bow fronted arc-en-arbalette outline, the cabinet constructed using several fine woods including birds' eye maple, tulipwoo...

A Truly Magnificent 19th century Secre´taire a` Abattant by Maison Rogie´ of Paris After the original in the Wallace Collection, London, made in 1777 by Pierre-Antoine Foullet Con...

A fine French Louis XV style tulipwood floral marquetry and gilt bronze mounted two drawer bombé petit commode. The serpentine shaped commode with two front drawers, each with a pair...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...

Louis XV style bombe secretary inlaid marquetry, Ormolu Mounted. Signed Henry Dasson. This 19th century bombe tulipwood secretary is built with superior craftsmanship and intricate ...

We are delighted to offer for sale this exceptionally rare Alfred Beurdeley (1847-1919) Paris fully stamped Tulip and Kingwood with bronze mounts jewelry casket on stand This is one of the finest jewelry caskets I have ever seen, the quality is second to none, if you search works by Berurdeley you will see multiple pieces in the hundreds of thousands of pounds, these are some of the best and most collectable original handmade master craftsman pieces ever conceived. A Japanese lacquered cabinet of similar form made by Beurdeley which was larger sold in Sothebys in June last year for 216,125 Euros including fees The cabinet is made with bookmatched Tulip and Kingwood with gilt bronze mounts all-over, the leather top is the original which is nicely aged, there is also a functioning key which is needed to access the drop front Condition wise this piece has been cleaned waxed and polished, I have left the overall finish original however it can be fully restored to include a strip back and French polish should the new owners wish, this restoration would be completed at the new owners expense. On inspection I can see two panels which have timber shrinkage splits, there are some patina marks to the top and general patina marks Dimensions: Height 100.5cm Width 41.5cm Depth 31cm Please note all measurements are taken at the widest point Alfred Beurdeley, 1847-1919 Nationality: French Date of Birth: 1847 Place of Birth: Paris Place of Death: Paris Identity: Emmanuel-Alfred Beurdeley was a collector who came from a family of cabinetmakers, antique dealers and collectors. He was the illegitimate son of Louis-Auguste-Alfred Beurdeley (1808–82). His grandfather, Jean Beurdeley (1772–1853), who served in Napoleon's army, opened a small antique shop in the Marais district of Paris. In 1830 he bought the Pavillon de Hanovre, 28 Boulevard des Italiens, which became the Beurdeley firm's principal gallery until 1894. L.-A.-A. Beurdeley dealt in antiques and works of art and was also a cabinetmaker specializing in reproductions of seventeenth and eighteenth Century Furniture. His clients included Napoleon III and the Empress Eugénie. Life: In 1875 E.-A. Beurdeley took over his family's gallery and workshops and until 1894 concentrated on continuing the line of luxury furniture sold by his father. He was one of the most important Parisian cabinetmakers, and won a Gold Medal at the Exposition Universelle in Paris in 1878. He was appointed Chevalier de la Légion d'honneur in 1893 following the Universal Exhibition in Amsterdam. In 1895 he closed the Pavillon de Hanovre and retired to his hôtel in the Rue de Clichy. The rest of his life was spent acquiring and selling enormous collections of furniture, Chinese porcelain, paintings and drawings, including an extraordinary group of eighteenth century French drawings by François Boucher, Jean-Honoré Fragonard, Nicolas Lancret and Antoine Watteau in 1905. He also owned JW's La Dormeuse...

An impressive and very high quality French 19th century Louis XV st. Mahogany, tulipwood and ormolu bureau plat desk. The three drawer desk is raised by elegant cabriole legs with ha...

Continental antique Louis XV style parquetry inlaid bombe marble top commode, 19th century.

A very fine French Louis XV style Belle Époque mahogany and tulipwood ormolu-mounted vitrine cabinet with a Brêche violette marble top, attributed to François Linke (1855-1946). The ...

A very fine and palatial French 19th century Louis XVI style gilt bronze-mounted mahogany, satinwood, tulipwood and fruitwood marquetry and parquetry commode, after a model by Jean H...

A fine French 19th-20th century Louis XV style gilt-bronze mounted tulipwood chinoiserie marquetry two-drawer bombé commode with a veined rouge royal marble top. The serpentine shape...

Elevate your interior décor with this Fine French Walnut Inlaid Satinwood Art Nouveau Dresser in the Manner of Galle, a captivating blend of artistry and function that perfectly embo...

A fine quality Louis XV - XVI Transition style breakfront chest of drawers Exquisitely hand-crafted in Genova, Italy in the mid-20th century, the important Mediterranean port city ...

A rare and stunning fine quality French Transitional Tulipwood, Kingwood, ormolu, Brocatelle Violette secrétaire bookcase by renowned Parisian cabinetmaker Maison Gouffé. circa 1925 ...

A Pair of French 19th Century Side Cabinets or Cupboard commodes Veneered in Tulipwood and Kingwood with Marquetry Panels of Herons This pair of side cabinets or Cupboard commodes a...

An Exceptionally Rare Secrétaire à Abattant After the designs of Jean-Henri Riesener for Marie Antoinette By Paul Sormani of Paris Of upright rectangular form with canted corners a...

An exquisite and high quality French 19th century Transitional st. Tulipwood, Kingwood, Ormolu and Breche D'Alep marble commode, modeled after Pierre-Antoine Foullet. This exceptiona...

An Important 19th Century French Ormolu-Mounted Mahogany, Tulipwood and Amboyna Commode by François Linke The villefranche de conflet marble top above a frieze set with three drawer...

French Louis XV-XVI transitional period commode with lovely marquetry in satinwood, rosewood and tulipwood, Gris Sainte Anne marble top and three drawers. The commode features a cent...

This is a charming late 19th Century Louis XVI style tulipwood commode with an ochre yellow marble top above an inlaid frieze drawer situated over two long drawers, raised on square ...

A fine Louis XV two-drawer commode with Breche d’Alep marble conforming top in shades of pink and grey with molded edge and notched corners, all with rosewood and tulipwood crossband...

An Important Pair of Cabinets By Grohé Frères of Paris From a Noble Genoese Family Constructed primarily from matched tulipwood throughout, with purpleheart and bois de rose bandin...

Architectural bespoke painted kitchen island unit with five functional oak drawers and a double drawer on soft close drawer runners. A panelled back conceals a modest cupboard with a...

This is perhaps one of our favorite pieces and one of the most sophisticated and uniquely finished chests from the mid 18th century. An English - King George III, Hepplewhite flame m...

Antique French Louis XV transitional ormolu-mounted tulipwood & marquetry Bonheur Du Jour, Roger Vandercruse (dit Lacroix) , circa 1770. The desk is finely inlaid on all sides, ther...

A very fine French, 19th century Louis XVI style ormolu-mounted mahogany and tulip wood commode with a brèche violette marble top, after the model by Jean-Henri Riesener (1734-1806)....