Tulipwood Case Pieces and Storage Cabinets

A fine quality antique French Louis XV style marble top & ormolu mounted tulipwood & kingwood bombe shape commode chest, circa 1900. The serpentine shaped top having the original var...

A fine quality Louis XV - XVI Transition style breakfront chest of drawers Exquisitely hand-crafted in Genova, Italy in the mid-20th century, the important Mediterranean port city ...

Antique Italian Louis XVI style walnut chest of drawers, 19th century. With a rectangular walnut top with tulipwood banding, 3 drawers with tulipwood banding and brass pulls, resting...

A fine matched pair of French 19th-20th century Louis XV style gilt bronze-mounted (Ormolu) tulipwood, kingwood and satinwood floral marquetry Bombé his and her's commodes with marbl...

An 18th Century Louis XV French marquetry bureau de pente, or slant front desk, made with veneers of mahogany, rosewood and tulipwood with oak as a secondary wood. Slant front opens ...

A Rare Louis XV Ormolu-Mounted Tulipwood and Chinese Lacquer cabinet, c. 1750 (Regence Period) A truly magnificent, monumental, and one of a kind cabinet, painted throughout with gi...

A very fine Period French Louis XVI Commode signed T.C. Oak and Walnut construction in the case and drawers. There are three upper drawers over two lower drawers. Heavy use of flowi...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...

A French 19th/20th Century Louis XV Style Gilt-Bronze Mounted Kingwood, Amaranth, Satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bombé serpentine...

A fine French 19th-20th century Louis XV style gilt bronze-mounted kingwood, amaranth, satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bom...

A very fine and impressive pair of French 19th century Louis xv style gilt bronze-mounted kingwood, satinwood and tulipwood floral marquetry two-drawer bombé commodes attributed to François Linke, index number 1810, Paris, late 19th-early 20th century with a brêche d'alep marble top. Unsigned and unmarked, circa Paris, 1890-1900. François Linke (d. 1946) was awarded the gold medal for his Grand Bureau...

Continental antique Louis XV style parquetry inlaid bombe marble top commode, 19th century.

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

A Very Fine and Impressive French 19th century Louis XV style gilt bronze-mounted tulipwood, kingwood and fruitwood marquetry bombé two-drawer commode with marble top, by Maison Boud...

Austrian Biedermeier Burl Walnut & Mahogany cask with carved molded edge cornice, flanking book matched hinged doors, tulip wood inlays, satinwood inlays, original steel engraved loc...

This is a charming late 19th Century Louis XVI style tulipwood commode with an ochre yellow marble top above an inlaid frieze drawer situated over two long drawers, raised on square ...

A fine 19th century Louis XV style gilt-bronze mounted kingwood and tulipwood floral marquetry Bombé two-drawer commode with a Royal veined yellow marble top. The serpentine body wit...

19th century Louis XV style marble top, serpentine and bombay form chest. Marquetry commode with bronze ormolu mounts. Features 2 drawers.

This is an outstanding and very rare profusely inlaid dry martini bar. This is perfect for entertaining your guests without looking like a complete alcoholic. This hides the beverage...

A Louis XVI (Possibly Transitional LXV/LXVI) commode, French in origin and dating from the 1780s. The marble top a beautiful blend known as "Rouge Lanquedoc". The body composed of Ki...

A Regal pair of Louis XV style French ormolu-mounted marble top Bibliotheques with rosewood, Kingwood, Tulipwood, and mahogany veneers. These elegant French bookcases showcase the re...

This is a dresser in the manner of Galle, one of the most noteworthy designers of the Art Nouveau period. The piece is in good condition with minor signs of age and chips, small age ...

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

An exquisite 19th century Rococo secretary in mahogany with bombe front & sides, with floral & foliate inlays in tulipwood, kingwood & satinwood on the top, front panels of the drawe...

20th Century Louis XV style tulipwood french commode. Real marble top and bronze fittings. shadowed precious woods, veneered.

A very fine French 19th century finely chased ormolu-mounted kingwood, tulipwood, and satinwood marquetry and parquetry commode with original Breche Violette marble-top. With three l...

A pair of French Louis XV style "Semainier" tall chest commodes with a Brêche d'Alep marble top. The slender walnut and tulipwood body, each fitted with seven drawers with gilt bronz...

Two Drawer Chest of Drawers. Modern design two drawer chest with simple lines, matching 'Stripey' Walnut Grained tops, Two finely Beaded drawers resting on slender tapering legs. Mad...

A fine French 19th-20th century Louis XV style gilt bronze mounted satinwood and tulipwood Bois Satiné and Bois de Bout floral Marquetry two-drawer commode of bombé serpentine form, ...

A very fine French 19th/20th century Louis XVI style mahogany, kingwood and tulipwood parquetry three-door vitrine with ormolu-mounted floral wreaths, ribbons, female masks and centr...

Serpentine top over bombe form two drawers and sides , cabriole legs. Bronze feet.

Palatial French 19th-Century Louis XV style figural gilt bronze mounted tulipwood marquetry three-drawer bureau-plat cartonnier with Dual clock-works by Lenoir, Paris, surmounted wit...

This is perhaps one of our favorite pieces and one of the most sophisticated and uniquely finished chests from the mid 18th century. An English - King George III, Hepplewhite flame m...

An exquisite French antique chest showcasing a breakfront design, featuring its original Marquina Marble top elegantly positioned above three drawers. The superb craftsmanship of the...

A fine French 19th-20th century Louis XV style gilt-bronze mounted tulipwood chinoiserie marquetry two-drawer bombé commode with a veined rouge royal marble top. The serpentine shape...

This is a superb, absolutely gorgeous white-washed distressed Italian Baroque commode. The commode is distressed to look like an authetic Itali...

Stunning 19th century French Empire, neoclassical/Rococo Revival style Marquetry vitrine or display cabinet, of large proportions!! A real statement piece! Made of a fabulous variety of veneers, including kingwood, satinwood, tulipwood, harewood and walnut with quality classical ormolu mounts. It has ebonized pillars in the Empire style, with walnut and exotic hardwood friezes in the Rococo style. Double glass doors to middle section and single glass doors on either side. The glass on the doors are framed in ormolu banding. Floral Marquetry panels on front and parquetry on the sides. The front central section is a pullout / pull-out drawers with gorgeous walnut frieze panel and original carved walnut knobs. Scrolling pelmet on the top in 3 sections banded in ormolu beading. Scrolling base with cabriolet feet and ormolu mounts on base. Various ormolu mounts, floral mounts, mounts of Baachus and mounts of neoclassical female figures. In 3 sections. with 2 side cabinets and large central section with 3 section pelmet, stunning piece!!! The quality ormolu mounts are marked with the letter “R” and what appears to be “FR 678”. We were originally of the belief that this piece might have been made at the very end of the 19th century, but having regard to the quality of workmanship throughout this piece we are of the opinion that it was most likely made in the third quarter of the 19th century, circa 1870 and by an obviously top quality Parisienne maker with a surname beginning with “R”. It is definitely in the style of David Roentgen who was known for his Rococo/neoclassical styles. David Roentgen, (born Aug. 11, 1743-died Feb. 12, 1807, Wiesbaden, Duchy of Nassau), cabinetmaker to Queen Marie-Antoinette of France; under his direction the family workshop at Neuwied (near Cologne), founded by his father, Abraham Roentgen, became perhaps the most-successful firm of furniture production in the 18th century. After succeeding his father as head of the Neuwied workshop in 1772, Roentgen strove to broaden their clientele, an ambition that brought him first to Hamburg and ultimately to Paris (1774), where in 1779 he was spectacularly successful in selling his finest furniture to King Louis XVI of France for £3,300 to £4,000, an unprecedented sum for the time. Appointed cabinetmaker to the queen, Roentgen was granted admission (1780) as maître-ébéniste (master cabinetmaker) to the trade corporation of Paris cabinetmakers, making it possible for him to keep in Paris a stock of the furniture manufactured at Neuwied. Thus he was able to compete with such great cabinetmakers as Jean-Henri Riesener and Adam Weisweiler, reputedly his former pupil at Neuwied. After his first visit to St. Petersburg, Empress Catherine II the Great bought huge quantities of his furniture; King Frederick William II of Prussia was also his client. When in 1795 the French Revolutionary armies threatened to cross the Rhine, Roentgen evacuated his establishment and moved his stock farther inland. Unfortunately, he lost everything in his Parisian salon and in his Neuwied workshop, both of which were sacked by Republican troops. He was crushed, despite his appointment as court furnisher to the king of Prussia. Although he never succeeded in starting production again, former apprentices of his whom he helped to establish in the German cities of Berlin (David Hacker...

A fine French Louis XV style tulipwood floral marquetry and gilt bronze mounted two drawer bombé petit commode. The serpentine shaped commode with two front drawers, each with a pair...

An impressive and very high quality French 19th century Louis XV st. Mahogany, tulipwood and ormolu bureau plat desk. The three drawer desk is raised by elegant cabriole legs with ha...

20th century Louis XIV style cabinet Cabinet in the style of Louis 14th. tulip wood on solid pinewood. The fittings are pronounced and of exceptionally ...

A Fine French 19th-20th century Louis XV style ormolu-mounted tulipwood vitrine with marble top, in the manner of François Linke (1855-1946). The slender single door cabinet fitted w...

Rho Mobili of Italy has been one of the world's best and most noteworthy furniture manufacturers for the Emirates, heads of state, Famous Celebrities and noteworthy Dukes and Duchess...

A fine 18th century French Louis XVI marquetry commode, expertly crafted by master ébéniste Jean-Baptiste Lependu from solid oak secondary wood with tulipwood, kingwood and satinwood...

A thoroughly delightful pair of antique French walnut and tulipwood marble topped bedside cabinets, in the Louis XVI manner, Circa 1900 in date. They feature shaped rectangular Ital...

Antique French Louis XV transitional ormolu-mounted tulipwood & marquetry Bonheur Du Jour, Roger Vandercruse (dit Lacroix) , circa 1770. The desk is finely inlaid on all sides, ther...

An outstanding gilt bronze-mounted tulipwood, kingwood and sycamore parquetry breakfronted breche violet marble topped commode, in French Transitional style dating to the late 19th-e...

A mid-18th century George III period well figured mahogany serpentine chest, having tulipwood cross banded and boxwood line inlaid canted cornered top, above four graduated cockbeade...

A Truly Magnificent 19th century Secre´taire a` Abattant by Maison Rogie´ of Paris After the original in the Wallace Collection, London, made in 1777 by Pierre-Antoine Foullet Con...

An Italian neoclassical fruit wood cabinet with marquetry inlay of urn with flowers and veneered marble top. All resting on fluted legs. William...

A rare and impressive Hepplewhite style buffet or sideboard from the noteworthy Stately Homes Collection by Baker Furniture, circa 1980s. Made from Mahogany with crotch veneer drawer...

18th century Louis XVI marquetry commode or chest of drawers with tulipwood inlay veneer and oak and pine as secondary wood.

Introducing a magnificent 19th Century Louis XV Bonheur Du Jour Desk, a true masterpiece of elegance and craftsmanship from the 19th century. ...

Rouge marble top commode/chest of drawers having three drawers. Intricate floral marquetry inlay in Satinwood and tulipwood. Bronze mounts on front corner and at center bottom. Sabo...

This is an impressive 18th century Louis XV Tulipwood and Kingwood commode with a rouge variegated marble top over three long graduated drawers and overall embellished with ornate gi...

An important and extremely rare Louis XV style gilt bronze mounted bombe vitrine, firmly attributed to Maison Krieger. The back of the mounts on the four cornice corners and the floral swags cast with the monogram LM possibly for Leon Message; an old, possibly original label on the back with ink inscription: '1181 (?), galbee vitrine, Lxv, bois Violette..101'. This exceptional vitrine has a spreading pediment centred by a finely cast gilt bronze stylized acanthus, ‘C’-scroll and foliate cresting, above a glazed bombé central door and concave sides. The silk lined interior is fitted with adjustable shelves and the angles headed by superb gilt bronze figural espagnolettes with uplifted heads, plumes and ruffs. The lower galbée shaped section of the vitrine is mounted with foliate garlands and raised on cabriole legs with acanthus clasps and feet. An almost identical vitrine of the same proportions, construction and design, stamped to the lockplate ‘Mon Krieger...

This is a gorgeous and very sophisticated form of French dresser. When do you see them this wide? Almost never. This piece has a faux painted marble top and fine quality inlay and ha...

A very fine French, 19th century Louis XVI style ormolu-mounted mahogany and tulip wood commode with a brèche violette marble top, after the model by Jean-Henri Riesener (1734-1806)....

A fine 19th century harewood and diamond lattice-work serpentine commode in the mid-18th century style, having tulipwood crossbanded top with inset oval satinwood floral marquetry in...

A Very Fine French 19th-20th Century Louis XVI Style Mahogany, Tulipwood and Ormolu-Mounted Parquetry Three-Door Vitrine Commode 'Meuble d'appui with a Brêche Violette Marble Top, attributed to François Linke (1855-1946). The interior of the vitrine with three glass shelves, lined with a burgundy broque fabric and a mirror backing, flanked by a pair of side doors, each fitted with a pair of mahogany...

American Hepplewhite mahogany satinwood string inlaid secretary bookcase with a hinged fall front leather writing surface, central arched tulip wood inlaid cornice with original bras...