Canvas Wall Decorations

Original, vintage, Lee Reynolds signed, Mid Century Modern Oil Painting of colorful, abstract, yellow, white and orange hued wildflowers highlighted with sprays of vibrant dotted te...

Antique oil painting of boat at sea in giltwood frame Unsigned, this oil painting on canvas is framed in a chippy, giltwood frame. The oil does have age signs with some peeling and...

Michele Antonio Rapos (Turin 1733-1819), Still life of flowers and fruits, Oil on canvas frame: cm H 133 x W 124 x D 8 (canvas: cm 108.5 x 108.5) The painting depicts a triumph of ...

A Large Continental Oil on Canvas "The Prohibited Reading " after Karel Ooms (Belgium, 1845-1900). This beautiful executed painting depicts a historical scene of an old man and a young woman who are huddled over a bible. The pair is gazing in apparent concern or alarm, over the old man's shoulder, towards something outside of the picture. The scene is likely set in the 16th or 17th century when Protestants were prosecuted, amongst others, for reading the bible in the vernacular, a practice prohibited by the Catholic Church at the time. Signed (l/r) A. Ribas 15-12-913. Within a giltwood carved frame. circa: Probably Belgium, 1913. Karel Ooms was born in Dessel on January 27, 1845 as the youngest son of a large peasant family. At school his extraordinary talent for drawing was discovered. When he was twelve his hometown provided financial support which allowed him to study at the Antwerp Academy of fine Arts. One of his teachers at the Academy was Nicaise de Keyser, one of the key figures in the Belgian Romantic-historical school of painting and a painter of mainly history paintings and portraits. After graduating from the Academy 1865 Karel Ooms was welcomed with pomp in his home town Dessel. He painted two altarpieces for the local church Saint Nicolas, to express his gratitude to his city. Karel Ooms settled as an independent artist in Antwerp around 1871. He quickly established a reputation as a portrait painter. In addition, he received commissions for religious paintings and history paintings. He gained particular recognition with two large paintings...

A very fine 19th Century Country House oil on canvas painting of massive proportions, the painting has been cleaned with the frame restored and is attributed to George Morland (1763 ...

PRESENTING A GORGEOUS and HIGHLY DESIRABLE 19C Oil on Canvas Highland Rovers at Loch Earn by HR Hall. Circa 1890-1900 and painted by Henry Robinson Hall, ...

Hungarian Artist (1894-1960) "Reclining Nude", circa 1920s Measures: 19.5" H x 23.5" W, overall size is 28" x 32.5" Oil on canvas, inscribed lower right "Somody baratomnak szere...

Presenting a Peruvian Cusco School Revival painting from the mid 20th century, depicting the beloved figure of San Isidoro, the patron saint of farmers and laborers. This exquisite ...

Vivid and bright Dutch floral still life oil painting Brushwork so detailed and this really has a lot of verve and energy, would definitly lighten up any ...

Olle Agnell (1923-2015), Sweden. Oil on canvas. Modernist landscape. Coastal scene, 1960s. The canvas measures: 66 x 41 cm. The frame measures: 5 cm. in excellent condition. Si...

"Port à Venise" by Lasson Oil on Canvas Signed This stunning oil painting, "Port à Venise", offers a vibrant and slightly impressionist portrayal of the Venetian harbour. The artis...

Jennifer Gibbs draws artistic inspiration primarily from meditation and nature. Her extensive body of work ranges from abstract expressionism to delicate botanicals to her charcoal l...

Winter Landscape in Vigo di Fassa Technical information: Technique: Oil on panel Period: First half of the 20th century Subject: Alpine view – Vigo di Fassa (Trentino Alto Adige) M...

This artwork is a portrait of General Goethals, who served as the commanding officer of the Province of Antwerp during the Bourbon Restoration era. It was painted in 1826 by the reno...

JOSÉ FELIPE ABÁRZUZA RODRÍGUEZ DE ARIAS (Cádiz, 1871-Puerto Real, 1948). "Moors at Dusk". Oil on canvas. On the lower part there is a plaque with the artist's name and title. Frame f...

A Timeless Depiction of the English Fox Hunt The early 19th-century fox hunting scene, attributed to Dean Wolstenholme Elder, is a stunning representation of the aristocratic traditi...

The Archangel Raphael and Tobias, 17th-Century School Oil on canvas This 17th-century painting depicts one of the most renowned episodes from the Book of Tobit: the young Tobias, ac...

A loose wash of curves sweep across this expansive work by contemporary French artist Vincent Gassin-Gradstein. Layered, expressive, and reduced of figuration, a single square holds ...

Still life, classical palette for red and blue. Oil on canvas by Columbian artist, Carlos Nariño, who lives and works in Paris since 1985. Exhibits...

This is a large delightful antique oil on canvas painting after Watteau, depicting a "Party Picnicking", Circa 1780 in date. The painting depicts a group of people relaxing in the c...

Hamilton Hamilton (American, 1847-1928) A large and impressive oil on canvas "Othello and Desdemona" after the William Shakespeare's play "Othe...

Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of the Ottoman Empire, also known as Cossacks of Saporog Are Drafting a Manifesto. Late 19th Century. Monumental oil on canvas, set within an original carved giltwood frame. Unsigned. Measures: Canvas: 62 X 105in (157 X 266cm). Frame: 80 X 123in (204 X 312cm). This painting is after Russian artist Ilya Repin...

Rendered with reverent precision, this hand-signed 1996 depiction of the Great Sphinx of Giza emerges from its papyrus canvas in a luminous tableau of ancient mystique and modern art...

Raimundo De Madrazo y Garreta (Spanish School, 1841-1920) an exceptional and palatial oil on canvas "Portrait of Isabelle McCreery” depicting an elegant woman gracefully exiting a litter (Sedan Chair), situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues, a pair of swans and a lily pad frame the scene in the foreground, within it's original impressive and ornate French 19th Century Rococo Style gildwood carved and gesso frame. Signed and dated ‘R. Madrazo, 1880' (lower left). At the bottom center of the impressive frame there is a gilded, wooden cartouch bearing in italicized script “Portrait of Isabelle McCreery.” This is original to the frame. Sometime after the death of the artist, possibly at the time the painting was given to the Fine Arts Museums of San Francisco, the painter’s name was added in block letters. Provenance: The Fine Arts Museums of San Francisco (Donated by Mrs. Richard McCreery in 1950). M.H. de Young Memorial Fine Arts Museum, Golden Gate Park, San Francisco. Christie's New York, 31 December 1969, Sale Property of the Fine Arts Museums of San Francisco, Sold for the Benefit of Museum Acquisitions Funds. Lot 80A for $20,700 Canvas Height: 104 ¾ inches (266.1 cm). Canvas Width: 68 ½ inches (174 cm). Frame Height: 132 inches (335.3 cm). Frame Width: 87 ½ inches (222.3 cm). The work of Raimundo de Madrazo, an artist who lived in Paris the greater part of his life, is among the most representative and influential of the ‘school’ of Spanish painters resident in Paris during the nineteenth century.” (Carlos González and Montse Martí, Spanish Painters in Paris 1850-1900, London, 1989, p. 53). The wonderful imagination and artistic genius of Madrazo y Garreta established his fine reputation, and created an international demand for his exquisite portraiture. This particular work features an elegant woman who gracefully exits a litter, situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues. Isabelle McCreery was a member of the noted Gold Rush pioneer McCreery family of Irish background who settled in San Francisco in the mid nineteenth century. She later lived in Burlingame, an early San Francisco...

The category Antique Paintings Of Flowers, features a Beautiful Oil Painting On Canvas, from the late nineteenth or early twentieth century.  This is a pleasant still life, depictin...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Mid Century Modern Abstract Painting by Holger Jacobsen - 1973 Holger Jacobsen is a Danish painter who was born in 1918. Holger Jacobsen's work has bee...

Naïve Art Gouache Painting, Female Portrait - Picasso Tribute, Signed Godin 1960 Female portrait in shades of blue and red. Signed "Godin 60" at the bottom right corner. Most Prob...

PAINTING "Autumn landscape" Author - Danish painter Finn Wennerwald (1896-1969) Oil on a wooden board. dimensions: Frame: height 61 cm; width 80.5 cm depth 5 cm Image: height 46...

This striking modernist painting combines abstract art with a touch of surrealism, creating a bold yet serene composition. Featuring vibrant colors, including golden ochre, verdant g...

A funky big eye girl painting by a self taught artist-signed W.D.Rossi 1968.

Moody still life painting by Dutch artist Theo Swagemakers, featuring a white compote of fruit, a dark ewer, and a garlic bulb rendered in earthy tones. The work is signed lower left...

A large and stunning contemporary abstract painting by celebrated Australian Aboriginal artist Naata Nungurrayi (1932-2021), stretched and ready for display. A rare masterpiece of the museum quality dating from the peak of the artist's creative output in 2003. The canvas is singular in both the impressive size and tine quality, and it comes with full provenance and step by step photos (100 in total) recording the creation of this significant piece of work. The artist used fine dots as the sole element to compose a complex dreamtime landscape where Women's Ceremony took place in her ancestral time. The place is located at Marrapinti and its surrounds, where many water soakage holes were located. Dots in brilliant shifting and contrasting colors form ceremonial Tingari symbols performed by the women, black crawling tracks that may be associated with a site called Karilywarra (two carpet snakes) and mesmerizing Tali (sandhill) movements surrounding the canvas. The work is of the signature style of the artist, singular and easily recognizable. The fine quality of this work is exemplary. Medium: acrylic on Belgium Linen Cat no. NN200315 Provenance: Yanda Aboriginal Art, NT. The painting comes with a COA letter and an artist biograph issued by Yanda Aboriginal Art and a presentation album with 100 photos that documented the entire process of the creation of this large work of art. The edge of the painting bears name of the artist as well as the stamp of the gallery as shown. Reference and further reading: For a relevant work by the artist, See Plate 88 and Page 220-222 in the book "Past and Present Together: Fifty Years of Papunya Tula Artists" by Meyers and Skerritt. Another similar work is illustrated on plate 13 in "Pintupi" by Hamiltons. Artist's biography: Naata Nungurrayi (1932-2021) is an Australian Aboriginal artist who was born at the site of Kumil, west of the Pollock Hills in Western Australia. She is from the Pintupi group from Kintore, Northern Territory and is one of the senior elders of the Kintore women artist movement. Naata is the sister of George Tjungurrayi and Nancy Nungurrayi, and her son is Kenny Williams Tjampitjinpa...

Scott Kerr is a self-taught Contemporary Abstract Artist. As a young boy, he was exposed to the art world by his father through the works of a local Texas artist, David Brownlow. Ama...

18th century Giacomo Guardi old master painting of Venetian Lagoon. Provenance. Old master painting in oil on canvas by the artist Giacomo Guardi (1764...

Make a bold statement with this Vintage Boho Original Abstract Oil Painting on Canvas. Featuring vibrant colors and dynamic brushwork, this one-of-a-kind piece captures the essence o...

Leonard Thorpe "Nelson's Column" original oil painting, circa 1960 Nelson's Column is a monument in Trafalgar Square in the City of Westminster, Centra...

This painting, like most of Ren Hui’s exquisite artworks, celebrates his subjects using a pointillist style that he calls “uncomplicated and honest.” The beautiful pattern of gold on...

A captivating Russian oil painting titled “Night of Nowgorod” by Alexander Isachjow, dated 1974. Executed in the Realist style, the work depicts an architectural view of Novgorod, on...

19th-Century Romantic Continental School Painting, Undine / Ondine (Water Nymph) Painting, French or German School, c. 1840–1870 Oil on ca...

This is a modern abstract oil painting on canvas by Kay Hillman. The piece most likely dates to the late 70’s or early 80’s. The artist is American and passed away in 1996. It is sig...

An iconic view of Venise capturing the timeless beauty of the Grand Canal bathed in the golden hues of sunset. This evocative composition features the Campanile of St. Mark’s Square, with detailed classical architecture reflected in the still waters of the Venetian lagoon. A traditional sailboat with a warm ochre sail adds movement and charm to the serene atmosphere. Executed in a richly atmospheric and highly detailed manner, the work reflects the influence of 19th-century European landscape painting...

A romantic painting depicting two women sitting on the shore of a lake, looking at the sailboats. It is painted with oil on canvas. The painting is signed with E.L. Garrido. However,...

A rare offering. This amazing vintage hand painted Thangka depicts the Tibetan female celestial goddess Dakinis, whose ferocious expression subdues negative and demonic forces. In Alidh Asana posture, she wears a garland of human skulls, with a Khartwanga wand resting against her shoulder. Her face wrathful in expression, her feet firmly pressing down on devils masqueraded in human form above lotus base. With her right hand the deity holds a blue Kartika symbolizing severance of all material. With her left hand she drinks blood from a skull cup...

A charming early 19th Century oil on canvas of a large country house in parkland, with sheep, cattle and a pair of swans on a river with a gentleman fishing. Circa 1830. In the manne...

This oil on canvas, painted by Jean-Auguste Bard in 1838, was exhibited at the Salon the following year, as entry number 81. Jean-Auguste Bard (1812-1862) was a student of the renow...

Dutch School (18th century) Still Life with Lobster and Fruit oil on canvas 68 x 98 1/2 cm (26 3/4 x 38 9/16 in). framed 86 1/2 x 117 x 6 cm. (34 x 46 x 2 2/5 in.)

18th century continental portrait of a young lady, unsigned. Oil on canvas, oval painting and stretcher set in rectangular gilt frame.

A striking abstract painting by John Byle. John Byle was born in Detroit, Michigan. He studied art in Chicago and immigrated to Israel in 1951. Byle was th...

Painting "Portrait of an Ancestor", 19th century Dimensions: Frame height 134 cm, width 112.5 cm The painting height 102 cm, width 80 cm.

William Robert Tharsher (1908-1997) William Robert Thrasher, born in 1908 in Lamar County, Texas, was a dedicated artist known for his vivid depictions of the Texas landscape, wildli...

An old master style 18th century allegorical painting representing youth and old age, and/or beauty and wisdom, depicted by a beautiful young ...

2 Panel Letterman oil paintings on canvas with a beautiful wood frame with gold color trim inlay. The large piece measures 55.6 cm wide, the small one is...

This is some of the largest paintings Bertil Berntsson executed with oil on canvas in 1964. It was exhibited in the Liljevalchs konsthall in Stockholm. Coming with a good provenance ...

A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

Pair of circa 1940's oil on canvas Adam and Eve paintings with vintage frames. Measurements: Height: 74.25" Width: 32.75" Depth: 2.25"

oil painting, Oswald Grill, portrait, 1924, signed and dated The Viennese painter Oswald Grill studied at the Wiener Kunstgewerbeschule (Vienna School of Arts and Crafts) and at the...

Sublime California coastal oil on canvas plein air impressionist painting signed and dated. The landscape/Seascape image captures calm shoreline with a lush greenland and misty grey ...

Highly stylized, mid century modern, original signed and framed, oil painting, on canvas, of a colorful, pop art, abstract butterfly. This image is very similar to the works of Lee...

Fred Jessup, (Austrian, 1920-2007) titled, Three Doors, Signed lower right, verso titles on the stretcher, with signature plaque, oil on canvas 32 by 39.5 in., overall, 40 by 47 in....