Canvas Wall Decorations

19th century Italian School oil on canvas of Madonna and child. Gilt frame.

A large and impressive oil on canvas by Lee Reynolds Burr for Vanguard Studios. Heavy impasto brushstrokes on canvas with fire engine reds, black, white and yellow. Framed in a perio...

Dimensions (Frame) - H: 17 1/4in W: 24 3/4in D: 2 3/4in Dimensions (Painting) - H: 10 1/4in W: 17 3/4in This French Oil Panting on Canvas of Horse Scene By Emile Grau Sala...

Crimean War Soldiers Oil Painting on Canvas 19th Century Dimensions: 41 x 33cm, Good condition overall, with professional restorations to back of canvas From a private collection. ...

Media consists of fiber, paint, shellac on a linen canvas. Quality stretcher. Marcia Myers was an American painter best known for her large-scale Color Field abstractions. Emulating...

19th century oversized oil on canvas landscape depicting a home in the forest with a mountain range and a body of water with a boat. Mounted o...

Set of two noble male and female oil paintings in period delicate ornate Rococo wood frames. This pair of highly detailed portraits were purchased at a Swedish estate in the 1970's. ...

This is a magnificent set of four antique Italian oil on canvas paintings of the Four Seasons by Guiseppe Mazzolini (1806 - 1876), signed. These stunning paintings features four po...

PAUL EMILE LÉON PERBOYRE French, 1851-1929 Cuirassiers Sharing Wine with Rural Countryman Oil on canvas signed lower left "Perboyre" Item # 309ULM18A A rich historical painting that captures the heart and reality of the Franco-Prussian conflict, the scene depicts a troop of Cuirassiers stopping for the afternoon in a non-descript field in the French countryside. Presumably the owner of the field, an older man has come out in the heat of the afternoon to greet the soldiers with a basket of wine bottles, offering a glass to the officers while chatting casually with them. Perhaps he is a local guide offering a sense of what the soldiers might expect in the rural countryside, but more likely it is simply a moment of reprieve in the idyllic countryside and a distinct juxtaposition to the intensity and drama of Perboyre's battle scenes. The Franco-Prussian War (1870-1871) was the last use of "cuirassiers" in the French army with uniforms characterized by the distinct helmets known as a "casque à crinière" featuring a plume of horsehair. The cuirassiers wore a breastplate (cuirass) and the red trousers were a standard part of the French military uniform...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Jean Geoffroy (1853–1924), a listed French artis...

19th Century China Trade Ship Portrait of the American Clipper Ship ORIENTAL, under full sail on starboard tack leaving Hong Kong Harbor for Bost...

This beautiful Painting titled “The Recital” by Ted Jones (Irish 1952-2017) depicts a young girl in Traditional Irish Costume seated beside her music teacher. Wonderful oil on Canvas...

This magnificent 18th-century Spanish Colonial oil painting is a remarkable example of religious art, showcasing a stunning depiction of the Dormition of the Virgin. Measuring grandl...

A sun-drenched provençal landscape is brought vividly to life in this large 20th century post- impressionist style oil-on-canvas. Undulating hills in the distance provide an evocativ...

An exceptionally executed oil on canvas Baroque painting depicting "lovebirds" Paolo Malatesta and Francesca Da Rimini whispering to one another. At the feet of Paoio there is a dog symbol...

Wonderful painting by renowned French listed artist Pierre Peti-Gerard (1852-1933) depicting horsemen marching in a group, possibly getting ready for battle. In the background are be...

Peder Brøndum Sørensen (1931-2003), Danish painter. Oil on board. Figures and Houses. 1960s/70s. Signed PBS. In perfect condition. Dimensions: 74.0 cm x 64.0 cm. Total with frame: 93...

Beautiful 1970’s original oil on canvas painting by American listed artist Wade Reynolds. Title of the painting is “Youn Bride”. The painting depicts a young bride with meticulously...

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

J. Paramé is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon...

A vibrant French oil on canvas painting from the mid-20th century, depicting a working harbor surrounded by rolling hills of lush vegetation. Two figures are seen standing on a dock ...

"Twilight", 48 x 60”, depth 2” Acrylic on canvas. Gallery wrapped. Signed: Suzanne Clune NAWA Created: 2018 Suzanne Clune was born in the Hudson Valley into a family of e...

This is a magnificent antique Italian School, 19th Century, oil on canvas painting of a young lady reading a scroll,mid 19th century in date. ...

"Vital IV" is a one-of-a-kind wall-hanging piece as part of Vanessa Barragão's newest collection in a purple, pink, and red color palette. This piece is woven and handcrafted by the...

Beautiful oil painting on canvas, framed in an elegant carved and gilded wooden frame, complete with mirror. This work, belonging to the famous Florentine painter Raffaello Sorbi, bears the artist's signature at the bottom right and is dated 1863, placing it in his early youthful production. Sorbi's stylistic characteristics are clearly visible, in which the warm Macchiaioli tones blend with neo-Gothic and romantic subjects, taken from the Renaissance and the Middle Ages. In this case the painting portrays the meeting between Dante and Beatrice, set in Florence, in front of a church, probably the Badia Fiorentina, a place frequented by both Dante, Beatrice and their respective families. Against the backdrop of Renaissance Florence, you can see people entering and leaving the church, while on the sides of the main scene there are figures of the people and a little girl sitting on the steps. The central scene represents the meeting between a young Dante, wearing the characteristic red tunic...

17th century Virgin of the Assumption Oil on canvas, 93 x 81 cm Frame, 110 x 97 cm The present Assumption of the Virgin welcomes an innova...

A mid century modern American abstract expressionist painting. Palet knife Heavily applied and richly textured application of paint. Oi...

Countryside children from the late 19th century playing and attacked by geese on a farm. 19th century style oil on canvas style painting. Stretched on a piece of wood frame. Left sid...

Hand-sewed rice straw art by Arko. Title: Composition Accelerando #01 This work has the feelings of contemporary, tribal art, contemporary craft art, ...

In this listing you will find a large scale oil on canvas done by a Yugoslav artist Mihailo Đoković Tikalo. Painting depicts a surrealist scenery - an imaginary landscape, with a abs...

A Large Late 18th C Antique Portrait Oil Painting Of A English Clergy Man Set in a superb quality gilt frame. Circa mid 18th century 1790. This painting of a gentleman Clergyman in ...

Wear to canvas throughout with some punctures; requires restoration. From a private collection Free international shipping 18th Century Old Master Painting...

Modern impressionistic portrait of a smoking man by Costain. Oil on canvas.

Oil on canvas, painting by Georges Picard, spring, early 20th century, Art Nouveau period. Painting, oil on canvas by Georges Picard representing an interpretation of spring, early ...

A lovely pair of Dutch oil on panel framed paintings by Jan Evert Morel, (1777-1808), both signed lower left and late 18th Century in date. The painti...

This expressive oil on canvas captures the timeless charm of Montmartre, one of Paris’s most iconic and romantic neighborhoods. Signed “Dalian” and dated 1968 in the lower right corn...

A French still life painting, signed by the artist D. Roland. This oil on canvas painting depicts a vase filled with a whimsical and colorful bouquet of flowers on a tabletop. Surrou...

Traditional oil on canvas depicting a gorgeous woman draped in a diaphanous, layered sundress that delicately flows around her, accentuating her beautiful figure. The artist has masterfully captured the woman's beauty, with her elegant posture and delicate features. The use of light and shadow creates a striking contrast, enhancing the three-dimensionality of the figure and giving her a radiant presence within the courtyard. The painting is a remarkable example of French academic art...

Antique large German painting with an Italian landscape - Many European painters came to Italy to paint its beautiful natural landscape, full of sun. This painter was Franz Krause, born in Germany 31th March 1823 , died in Leitmeritz on 18th March 1878. If you want, You can use the large frame for a MIRROR, leaving the picture free...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Exquisite and colorful original oil on canvas painting by 20th century French painter, Joan Mayor, from the 1940s, depicts a ravishing woman or pin-up girl ...

19th century Victorian oil on canvas portrait painting of Great, Great Grandmother (Elizabeth Craford 1798-1865) by Laura Birge, circa 1870, signed middle left. Laura C Birge (b.1846 - 1928), was born in Seneca Falls, New York. As a young girl she learned, for several years, to draw with Clara Soule (1834 - 1902). She then went to New York City and studied under William Rimmer...

Vintage oil painting of fishing boats titled Spanish Traders by Harold Edward Collin (1936-1973) circa 1960 in date. The Impressionist painting freatures a pair of fishing boats on...

A beautiful, relatively large, black and white (white to off-white) abstract geometric artwork, oil or acrylic paint, on a hand-stretched canvas, circa mid to late-20th century. Artw...

Oil on Canvas Painting by Ralph Albert Blakelock. Know for his landscapes, Blakelock ((1847-1919, American), in this landscape captures lush landscape peaking beyond an open space wi...

This six panel Italian screen is from the Baroque period, circa 1700. The four central panels have been affixed to a foldable frame, while the two outer panels are detached. When all...

Julius Caesar Ibbetson 1759-1817 old master painting English, 18th century This English school painting by Julius Caesar Ibbetson (1759-1817) depicts a countryside farm house off of a road with a horse drawn wagon...

Frederick Arthur Bridgman La Fête des Bois, Les Bacchantes signed F.A. Bridgman (lower left) oil on canvas Dimensions: Height: 73" Width: 150" ( 185.4cm x 381cm) La fête des bois, les bacchantes imagines a celebratory procession of flower-crowned revelers parading joyfully through the woods. Bridgman exhibited a near identical version, approximately one third of its size, at the Paris Salon of 1896, no. 311 (for illustration, see Sotheby's, February 12, 1997, lot 71). The painting certainly raised eyebrows and stirred feisty commentary when it was exhibited at London's Royal Academy. As one critic wrote in the Atheneum: Provenance Sale: American Art Association, New York, The Works of F. A. Bridgman, March 14, 1899, lot 72 William Randolph Hearst (offered, his sale, Gimbel Brothers...

In good condition From a private collection Free international shipping 17th Century Old Master Oil Painting Adoration of the Magi

After William Hogarth (English, 1697-1764), originally done circa 1750 - this is likely done in the mid 1800's. "The March of the Guards to Finchley, also known as The March to Finc...

"Nicolina" – Late 19th Century Oil on Canvas by a Basque Artist A captivating and intimate oil on canvas titled "Nicolina," attributed to a Basque artist of the late 19th century. T...

"Vital VI" is a one-of-a-kind wall-hanging piece as part of Vanessa Barragão's newest collection in a purple, pink, and green color palette. This piece is woven and hand crafted by ...

1980s Maitland Smith Large Greyhounds Oil Painting after Maude Earl (English 1864-1943). The portrait showcases the two dogs posing on a country landscape. The painting is framed in...

A somber realism permeates this late 18th-century still-life oil painting, reminiscent of Heinrich Lihl's precise style from around 1780. Two deceased birds, their feathers meticulou...

Exceptional pair of oil paintings on canvas featuring two views of elegant homes in broad daylight. They are titled The Shadow of the Tree on the White Facade and The House with the ...

Silvio Poma Landscape With Shepherds oil on canvas painting depicting a dirt road in the middle of a tree-lined countryside with farmers grazing a flock of sheep. On the left side of...

A distinguished pair of noble portraits Likely painted by Hans Hansen (1769–1829) or another artist from Circle of Jens Juel. These portraits are masterfull...

Oil Painting from the Early 20th Century, Winter Rural Landscape We present you this oil painting from the early 20th century depicting a winter rural landscape. The painting is in ...

Large Vintage Russian Illustration for Alexander Pushkin’s Fairy Tale of Tsar Saltan Extraordinary Illustration of Pushkin’s Fairy Tale “Tsar Saltan” in oil on canvas. The large for...

Hedi Rothschild Kandel Israeli Artist (1912-2003) Portrait of Young Man Wonderful expressionist portrait. Hedi Kandel (born Rothschild) studied art in Nurenberg and medicine in Er...