Paint Wall Decorations

Emanuel Oberhauser (Austrian, 1854-1919) an exceptional quality full length oil on canvas painting of a Young Orientalist Queen or Odalisque, 19th c...

An English 19 th century oil on canvas of horse and jockey painting in carved gilt wood frame. This 19th c English oil on canvas is a 19 th c...

Pair of antique French 19th century oil on canvas provincial landscape paintings after "J. Vernet." In painted wood frames.

Mixed media work by Scott Kerr

Oil painting on wooden canvas, accompanied by a carved and gilded wooden frame, decorated with geometric and floral motifs. In the center, the scene depicts a battle, with two main c...

Gorgeous half-body portrait of a young woman with a Romantic Period aura. Pastel colors, wonderful details, including her bejeweled fingers and wrists. In what appears to be the orig...

A bust-length oil portrait of a young man, likely dating to the mid‑18th century (circa 1750–1780), depicting a distinguished officer or gentleman. He wears a dark, richly braided co...

A gorgeous 19th-Century Japanese Meiji Period Imari porcelain charger with a hand painted floral design in the traditional Imari colors. This fine large plate has lovely scalloped ed...

A beautifully executed painting after Bartolomé Esteban Murillo's celebrated Our Lady of the Rosary, faithfully capturing the grace, warmth, and devotional intimacy that made the Spa...

Delightful painting of a girl. Opaque tempura paint on artist board, framed. Signed Pedro Naranjo Molina, Seville Spain. Measures with frame 24" high x 20" wide Image measures 11" h...

Very expressive oil painting by Dutch artist Henri Titselaar. Oil on hardboard, size: 63 x 47 cm (24.8 x 18.5 inch). Framed and behind glass, with passe-partout. Signed and in very good condition.   Henri Titselaar (1917-2013) was a Dutch artist who worked in the style of the Fauvists, Bergense School and Groninger Ploeg...

An extraordinary Portuguese door from the early 19th century, fitted onto a custom wall-mounted cabinet for a unique storage option across rooms and decorating styles. Below a steppe...

A fantastic oil on canvas portrait from France, late 19th century, rendered in a stunning palette and technique that flatters the young lady’s complexion of angelic purity. The subje...

An unsigned 19th-century pastoral oil on canvas, probably English, depicting cattle and sheep at rest within an open rural meadow beneath a broad, cloud-filled sky. The composition i...

American Impressionist style oil painting on board of a still life with flowers next to a jug with gilt frame. (dated 1903)

László Neogrády (Hungarian, 1896-1962). A Winter landscape, oil on canvas. Signed lower left. László Neogrády was born in Budapest, the son of artist Antal Neogrády. He studied pain...

An exquisite example of this artist's traditional take on still-life realism, and a masterpiece in its own rite. This floral painting represents the artist's awe for botanical and floral scenes as well as his or her adept knowledge of tactile painting. With broad sweeping strokes and high texture, the artist paints a portrait of a small circular Ombre deep blue vase, filled with creamy white ranunculus or buttercups with berry color centers, green eucalyptus and small accents of white hydrangea. Oil on canvas. Framed roughly in a small wood frame, with gilt painted accent inside. How we would display: A botanical painting will forever bring a certain feeling of femininity and softness to a room. This piece would be wonderful displayed in a space with too many harsh lines. Alternatively, we suggest hanging this as part of a grouping of other floral portraits on a large wall to add interest. Another favorite of ours for art is to display pieces on their own in a bedroom. Such as a guestroom or child's room. Hung just above a nightstand (we currently love the idea of using a bombe chest), and just above a table lamp, (perhaps a lamp with a Caprani...

A distinctive Italian capriccio landscape, painted in oil on a shaped panel and presented in a softly worn giltwood frame. The composition draws from the Grand Tour tradition—romanti...

Paint on canvas stretched on a metal armature by New York City picking and art legend, Robert Loughlin. Featured in Patrick Parrish Gallery's “Robert Loughlin: 1998-2011” show in 202...

Richly colored and stunningly beautiful, this 1920s depiction of a female figure in Classic Greek garb, her hair in a bun and her dress radiantly dyed candy-apple red, was painted by...

Abstract oil on canvas painting, probably American, circa 1960s. Artist signed lower right. It measures 30"H x 36"W, framed. The canvas measures 17.5"H x 23.25"W.

Rare and remarkable set of nine 19th century Chinese watercolor paintings of fruit executed in a charming traditional style in lively colors on pith paper. Presented under glass in g...

VINTAGE ORIGINAL OIL ON BOARD PAINTING BY LEONARD BENNETTS (NEW ZEALAND, 1933-2004) Depicting a dramatic landscape with a gnarled tree in the foreground with further representations...

Beautiful watercolor by the well known artist Tarkay, This work was purchased in a charity auction and retains label also art work measure 16x 12 inches,...

Hermès-style wall-mounted shelf with faux leather bracket made of painted metal. The shelf has been created in the style of Jacques Adnet, the iconic French designer of home goods ...

Landscape oil painting. Framed.

French 1970’s constructivist style oil on canvas painting with stylised bird. Framed and underglaze.

19th Century French Neo-Classical wall carving or over-door. With shaped concave sides and flora surround mould. The central panel featuring a carved figure of Minerva, flanked by f...

Oil on board titled "Sky" by outsider artist extraordinaire Robert Loughlin, painted in 2011. Set into an aluminum jet engine turbine fan. The only work of numerous I've handled that I commissioned from Robert, a friend, colleague, and frequent supplier of vintage modern design. The turbine fan was a cool found object in the Machine Age tradition that I had no idea what to do with so I asked Robert to use it as a frame for one of his paintings. "Sky" was the result--an iconic image of The Brute with a jet stream of cigarette smoke...

Offered is a luminous limited edition print by artist Louis Shields, titled "The Lightness of Being." Created as part of Shields' 2018 Dancer Se...

Making brilliant use of a Fauvist palette and a Secessionist vocabulary, this remarkable painting depicts three figures in the Austrian region of the Tyrol, just south of Bavaria. Th...

Danish mid century still life vintage oil on canvas painting featuring a bouquet with a red, a pink and a white flower arranged in a bright blue vase, highlighted by a dark red backg...

Whaling Seascape "In the English Channel" by Gordon Grant (1875 - 1962), circa 1950, an oil on board seascape depicting a whaling brig and a fishing schooner on a lee shore - the cli...

Surrealist style cast plaster hand fist forearm wall mount sculpture in the manner of Richard Etts. Overall original ivory white lacquer painted cast plaste...

Oil on canvas landscape painting depicting a tranquil lakeside path bordered by cypress trees and winter foliage, rendered in a muted Impressionist palette of soft greens, grays, and...

Attributed to Joza Uprka (Czech 1861-1940) “Slovakian Woman” A Rare Oil on Canvas Painting Depicting two Czechoslovakian women in traditional outfits, one woman helping another put...

An Italian ten-panel wall plaque, with fleur de lis accents, from the early 20th century. This antique wall decoration from Italy features a long, rectangular-shaped wood frame with ...

A vivid and striking example of Art Deco painting, this depiction of St. Sebastian in tones of gold and pink-papaya shows the figure with a rich, brown complexion, wounded with four ...

A New England village street scene on a bright summer day. Beautiful rendering of light and shadow. Oil on canvas in a high quality closed corner frame Image 21 1/2 by 19 1/2. Maud...

Oil on canvas painting of group of gentlemen telling tales at the pub by German artist Fritz Wagner. The painting is signed in the lower right corner and presented in a period frame...

Full of both high joy and deep dejection, this dramatic scene depicts the culmination of a 1950s championship match between Ireland's two major soccer teams -- the IFA or Northern/Be...

Roger MUHL (1929-2008) Title : Bretagne (Brittany) Oil on canvas, signed lower right, depicting a view of Brittany, France, likely, though not definitively, the Presqu’île de Crozo...

A 1920’s red wrought iron shelf with four hooks. Originally a rack from a train compartment. The slatted shelf has scrolled struts, above a ball finial tipped bar supporting four hoo...

American Mid-Century (Impressionist style) oil painting of 4 jockeys on horses in a white pickled frame.

«Lovely Sky» ist ein sanftes, atmosphärisches Wandobjekt, inspiriert von einem ruhigen Wolkenhimmel. Die naturfarbene Jute wurde kalkweiss grundiert und in weichen, pastelligen Farbt...

Original oil on canvas painting of a man examining curiosities, among them a Daoist figure, wax seal stamp, coins and pocket watch. Unsigned. Condition: Minor pressure mark from stre...

A good antique Italian Grand Tour miniature hand-painted portrait on a porcelain plaque of Beatrice Cenci after the original by Guido Reni (1575-1642), the painting in a gilt brass micro mosaic frame...

Austrian Painting Portrait Of lady oil on canvas Signed Gustav Klimt Framed Art. Portrait of a beautiful woman with blue eyes and red lips in the Manner of Klimt . Work made in the distinctive style of the famous artist Gustav Klimt (July 14, 1862 - February 6, 1918) was an Austrian Symbolist painter and one of the most prominent founding members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. This painting is the perfect magic touch to a library, a bedroom wall, and living dining room. To decorate the wall on top of a console or credenza. In an entryway or On top of a fireplace mantel (fireplace). Antique Dealer Los Angeles CA West Hollywood Melrose Ave. La Cienega Blvd. Interior decor and Garden Landscape elements. Great Artwork for Collectors or as a decorative object for a housewarming gift idea. (Austrian, 1862-1918) Portrait of a lady oil on canvas signed lower center Gustav / Klimt Klimt was born in Baumgarten, near Vienna, the second of seven children, three boys and four girls. All three sons displayed artistic talent early on. His father, Ernst Klimt, formerly from Bohemia, was a gold engraver. Ernst married Anna Klimt (nee Finster), whose unrealized ambition was to be a musical performer. Klimt lived in poverty for most of his childhood, as work was scarce and the economy difficult for immigrants. Known for many beautiful artworks such as “the Kiss” “Apple Tree I” “Portrait Of Adele Block Bauer I” “The Tree of Life” “ The Maiden” “Water Serpents II” , Mother and Child, Lady with Fan, The Dancer etc. Gustav Klimt work helped define the Art Nouveau style in Europe. Klimt is known for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body and his works are marked by a frank eroticism. Amongst his figurative works, which include allegories and portraits, he painted landscapes. He is best known for The Kiss and Portrait of Adele Bloch...

“Big Sister Dance”: an oil on masonite painting by artist Åke Tügel (1925 - 2002), signed and dated, 1949. This stunning piece showcases extraordinary texture and boasts tones of bor...

A very interesting and unusual Pfoutz Original Farm Scene Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist and comes complete with what appears to be an original artist decorated/painted frame. The Pfoutz Original Farm Scene Oil Painting is signed on the front by the artist and appears to be dated 1948 on the rear. Known for his unusual subjects Pfoutz outdid himself with this effort, capturing the essence of a Lancaster County farm but with the startling twist of portraying a large turkey vulture in the foreground. Definitely unique. Overall frame Size approximately 33″ wide x 3″ deep x 26″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving from Kenya Province, S. Africa.” In 1953, Pfoutz was installed as President of the Lancaster County Art Association. A. Z. Kruse, New York City artist, writer and member of the faculty of the Brooklyn College and the Cartoonists and Illustrators School, Manhattan, was the guest speaker. In January of 1953, thirty-five Pfoutz oils were exhibited at the Old Custom House in Philadelphia, PA under the sponsorship of the Carl Schurz Memorial Foundation. Several Lancaster County landscapes and covered bridges were included as well as Katy, a Pennsylvania Dutch scene. Symbolic paintings included End of the Second Day, the artist’s visualization of the second coming of Christ, and Twilight, typifying the grief of mothers of all lands for sons lost in battle. In June of 1953, a Pfoutz oil made history in Lancaster. From the Lancaster New Era: “For the first in local art history, a painting has been withdrawn from an exhibition because of objections from viewers and hostesses serving at the show. The painting, Jeune Fille, a standing nude done by Pfoutz, was one of the paintings in the annual spring exhibition of the Art Association and had become the center of the controversy. Pfoutz said he took the painting down… ‘graciously but reluctantly.’ ‘From an artistic standpoint, there is nothing offensive about the painting,’ Pfoutz said. ‘This community just wants its nudes with clothes on.’ “It is most brilliant in color, and because it is so brilliant I thought it would make a nice lively spot for the show. This is the first time I’ve had to take a picture off the walls. I substituted a seascape for it.’ Pfoutz said he felt the painting brought a lot of viewers to the show because it was so controversial. It had never been exhibited before. ‘If this had been shown in a metropolitan city,’ he commented, ‘people wouldn’t have given it a second glance. But the viewpoint here is more conservative, even though I don’t think moderns would have minded.’ He said he felt the painting was neither ‘objectionable nor pornographic,’ but had complied with the wishes of fellow members of the Art Association who telephoned him to relay the protests they had received. The art controversy was the first to arise here publicly since the showing of Amish Grandmother, an oil by William Gropper which was part of the Gimbel Pennsylvania exhibit at the Griest Building several years ago. — Numerous viewers of Amish Grandmother, [a painting showing an Amish woman holding a white goose], expressed themselves quite vocally, calling it an affront to the Plain Folk. But it stayed on exhibit throughout the length of the Gimbel show. Pfoutz expressed no rancor, implying that if Gropper could take it so could he.” After his death, there were several shows of Pfoutz’ work organized by his son J. Earle, Jr. J. Earle, Jr. also saw to it that President Eisenhower would receive an oil called The Cow’s Path. The president first saw the painting in 1950 when, as president of Columbia University, he visited Lancaster to address a student assembly at Franklin and Marshall College. After his address was over, the then Gen. Eisenhower stopped at the Fackenthal Library on the campus to view an exhibition of Pfoutz’s paintings. The Cow’s Path intrigued him. For some time, as his aides fumed to get him back on his time schedule, Eisenhower and Pfoutz talked, as artist to artist. Prior to his death, Pfoutz requested that The Cow’s Path be given to the President if he wanted it. The painting was presented to Ike at the White House in November of 1959. Mrs. Eisenhower owned a Pfoutz painting titled, In the Manor. Though house painting was his livelihood, he worked for Millersville State Teachers College (now a university) for a time during World War II, and called himself “the Chimney Sweep of MSTC.” During that period he knocked out a dizzying canvas in the surrealist style (he thought it was terrible) and got into the campus newspaper when one of the students spotted it. Earle Pfoutz was not the humble, downtrodden artist, not the Douanier Rousseau type at all. As he developed his skill and style through the years, he also fashioned a resilient confidence in himself as an artist. Whether he was building his own home (he built two) or painting one for somebody else, he never lost faith in his ultimate recognition—though he was never sure he would live to see it. Whether he was working as a rigger for a hoisting company, in the Stehli Silk Mill of Lancaster, carving Cloister-style chairs, decorating old chests, cementing bricks from the old Safe...

Framed gouache painting on handmade paper by Caroline Rennequin. Flowers serie 2026 Caroline Rennequin is a Parisian multidisciplinary artist born in 1970, recognized for her work ...

Landscape by Livio Rosignano (b.Italy 1924-2015) oil on canvas.

This antique original oil painting from around the 1920s shows a still life of peaches arranged in a glass dish, surrounded by green leaves. It is presented in its original gilded fr...

White frame with picture fading all colors from cold to warm. From green to yellow to blue to red to lilac a mix of colors that fill an oil-on-canvas painting. The original painting ...

A gesticular abstract expressionist painting on canvas of oxide reds and earthtones against a neutral white ground, ca. 1970s, signed Barron.

Large (5' 9" x 4' 2") Modernist abstract painting circa 1960s by Worcester, Mass, born artist Phillip Callahan, (1918-1991). Callahan was a student at Boston’s School of the Museum o...

FRENCH SCHOOL "Portrait of a Girl with Flowers". Oil on canvas from the 18th century. Relined. Dimensions: 80 x 64 cm Good condition

I love the vibrant colors! This is a set of large scale oil paintings hand done on silk by Chelsea House. They are Asian inspired with their birds on branches surrounded by fruit and...

Armand Lara "Nomads 1882 #8" Mixed media on canvas. Artist Armond Lara is a contemporary artist of Navajo and Mexican descent. His artworks often include handmade paper, found objects, and mixed media including traditional Navajo beadwork. Lara studied at the Colorado Institute of Art in Denver and earned a Bachelor of Arts degree at Glendale College in California and also studied at the University of Washington...

JOHNSTON - Mid Century Modern - fine art print on paper - signed and dated upper right - unframed - Canada (likely) - circa 1974. Excellent vintage condition - upper left corner wit...