German Wall Decorations

Large Antique Greek Amphora Chromolithograph, Genick, 1883 Original antique color lithograph depicting an elaborately decorated ancient Greek amphora with a classical warrior scene,...

Greater Bird of Paradise Male & Female Hand-Colored Lithograph, c. 1875 Description: Original antique hand-colored lithograph depicting a magnificent pair of Greater Birds of Paradise, identified beneath the image as “Der gemeine Paradiesvogel (Paradisea apoda).” The composition shows the spectacular male Greater Bird of Paradise perched above a female. The male is represented with his characteristic golden-yellow ornamental flank plumes cascading dramatically around the body, contrasting with his dark chest and greenish-yellow head and throat. Two extremely elongated tail wires descend beneath him. The more restrained brown plumage of the female provides a striking illustration of the sexual dimorphism for which birds of paradise became celebrated. Birds of paradise were among the most extraordinary exotic birds known to European naturalists and collectors. Early specimens reached Europe from the Indonesian archipelago without their feet, contributing to centuries of myths that the birds lived perpetually in the air. This history is reflected in the scientific name Paradisea apoda, meaning essentially “footless bird of paradise.” The plate is numbered Fig. 139 and bears the German title “Der gemeine Paradiesvogel.” It was produced for a German 19th-century natural-history publication and is a fine example of the period's increasingly sophisticated ornithological illustration. Although the composition is reminiscent of the celebrated bird illustrations associated with John Gould, I would not attribute this particular plate directly to Gould. The available evidence does not establish Gould as its artist or publisher, and the German typography and figure numbering indicate that it belongs to a separate German natural-history publication. Greater Bird of Paradise Paradisea apoda “Der gemeine Paradiesvogel” Fig. 139 German School c. 1870–1880 Original hand-colored lithograph This is an original antique print from the 19th century, not a modern reproduction. Condition: Good antique condition with overall age-related toning, scattered light foxing and minor spotting and marks, particularly within the margins. Some minor handling wear is consistent with age. The colors remain attractive and the principal image is well preserved. Please study the photographs carefully as they form part of the condition description. Period: Late 19th Century Style: Victorian Medium: Hand-colored lithograph on paper Subject: Greater Bird of Paradise Bird of Paradise Paradisea apoda Male and Female Birds Tropical Birds Ornithology Natural History Keywords: Greater Bird of Paradise, Bird of Paradise, Paradisea apoda, Paradiesvogel, Der gemeine Paradiesvogel, paradise bird, tropical bird, exotic bird, male bird of paradise, female bird of paradise, Indonesian birds...

Lakeside Landscape Technical Information: Period: 1930 Origin: Germany Artist: Heribert Bahndorf (1877, Leipzig – 1947, Meersburg on Lake Constance) Medium: Oil on board Artwork dim...

Original Antique Print of Exotic Insects, Lanternfly and Mantis, c. 1790 Original antique hand-colored engraving depicting a spectacular collection of exotic insects, including a la...

A wonderful, vintage Roy Lichtenstein German poster featuring his iconic 1964 Pop Art painting "I Know How You Must Feel.....Brad". The German translates to "Oil and Magna on Canv...

Large Naturalistic Black Forest Carved Deer Trophy, ca. 1920s Item e8157 A rare antique wooden carved Black Forest red deer head handcarved in naturalistic style and fitted with real...

1678 Baroque Dressage Training Horse at the Pillar – Georg Simon Winter This original hand-coloured copperplate engraving depicts an advanced riding-school exercise from one of the ...

Extraordinary collection of 9 Artists-Plates by Rosenthal, Germany. Ranging from 1971 to the mid 1980s, this series from their artists ''Studio-Line'' features designs from artists s...

Title: Pair of Antique Dragonfly, Cicada & Exotic Insect Engravings – Bertuch, c. 1815 A decorative set of two original antique hand-colored copper engravings depicting an extraordi...

Christ Knocking at the Door, c.1900 German Devotional Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts one of the most tender ...

A richly detailed and visually captivating 19th century German genre painting attributed to Johann Sperl, depicting an animated rural village scene filled with figures, animals, and ...

Very rare wall mirror with a teak and plywood back. Made in Germany. Typical abstract design of the 1930s. The wooden back is made of 1 cm thick plywood. The front is teak. The two o...

Original Antique Print of an Atlas Moth by Bertuch, circa 1800 Original antique hand-colored copper engraving depicting the magnificent Atlas moth (Attacus atlas), one of the largest and most spectacular moths in the world. The plate is titled “Insecten XXVIII / Insectes XXVIII” and originates from Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder,” published in Weimar around 1800. The enormous moth is shown with its wings fully extended across a flowering branch. Its richly patterned wings are beautifully rendered in shades of rust, ochre, cream, black and pink, with the characteristic translucent, window-like markings prominently displayed. The combination of the dramatically oversized insect and delicate botanical background makes this one of the more visually striking natural-history subjects in Bertuch’s series. The Atlas moth is native to the tropical forests of South and Southeast Asia and is renowned for its extraordinary wingspan. Its distinctive wing tips have often been noted for their resemblance to the head of a snake, possibly serving as a defensive adaptation against predators. The engraving bears the inscription “Jacob H. Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, the work contained hundreds of finely engraved and hand-colored plates devoted to natural history, geography, science, technology, costumes and mythology. A particularly decorative and impressive antique natural-history print, well suited to collectors of butterflies and moths, entomology and early scientific illustration. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob H. Schmuzer Source: Bilderbuch für Kinder Plate: Insecten XXVIII / Insectes XXVIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Some marginal wear and small imperfections, particularly along the right edge. Original hand coloring remains strong and attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Atlas moth print, Attacus atlas, antique moth...

A killer original East German film poster for The Abyss, released in the DDR in 1990. This one goes deep: jet-black underwater space, punchy yellow lettering and a strange pink sea-c...

St Mary Protectress of Innocents, Antique German Chromolithograph c.1900 This exceptionally tender and beautifully composed late 19th–early 20th century German chromolithograph depi...

Luxurious art iron cast wall plate (Model 5001) based on a historical design by Karl Friedrich Schinkel. Made by Buderus Berlin, the folk saying calls those treasures ''Berlin Iron'...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique set of six framed 18th century first edition PHYTANTHOZA ICONOGRAPHIE botanical hand colored mezzotint engrav...

Antique Tea Botanical Print, Thea Chinensis, Hand Colored, c.1831 This elegant botanical engraving depicts Thea chinensis, the tea plant, one of the most influential commodities in ...

Antique Botanical Prints Set, German Wildflowers Atlas Plates, Stuttgart 1890 This refined collection of botanical plates originates from Naturgeschichte des Pflanzenreichs by M. Fünfstück, published in Stuttgart circa 1885. Created during the late nineteenth century’s flourishing period of scientific illustration, these works combine botanical accuracy with a restrained decorative elegance that translates beautifully into contemporary interior design. The plates present a diverse survey of European wildflowers, medicinal herbs, and native field plants rendered with delicate color and precise draftsmanship. Species illustrated include nettle (*Urtica dioica*), hops (*Humulus lupulus*), plantain (*Plantago*), sorrel (*Rumex*), chickweed (*Stellaria*), buttercups (*Ranunculus*), pinks and campions (*Dianthus* and *Silene*), meadow herbs, flowering field plants, and various alpine and woodland flora. The compositions balance botanical specimens with airy spacing, allowing each plant form to stand clearly while contributing to an overall harmonious visual rhythm. The soft palette of sage greens, muted blush pinks, and warm paper tones creates a calm and organic aesthetic well suited to modern interiors. Unlike highly saturated botanical imagery, these plates function as sophisticated architectural wall elements — ideal for organic modern spaces, Scandinavian interiors, country houses, wellness environments, or hospitality settings seeking authenticity and quiet natural texture. Displayed together, the prints form a cohesive botanical narrative that introduces movement, refinement, and historical depth without visual heaviness. Produced as educational plates yet executed with notable artistic sensitivity, these works exemplify the German tradition of merging science and design. Their balanced compositions and timeless subject matter make them particularly attractive for designers creating layered, nature-inspired interiors. The prints are offered unframed, allowing collectors and designers full freedom to select framing appropriate to their interior schemes. Any framed examples shown are intended solely for visual inspiration. Condition report: Very good antique condition with general age-related toning consistent with late nineteenth-century paper. Light surface wear and occasional minor spotting visible upon close inspection. Original centerfolds as issued. Paper remains strong and stable, presenting attractively overall. Framing tips: These botanical plates benefit from generous ivory or soft cream matting to emphasize their delicate compositions and preserve visual balance. Natural oak, walnut, or subtle antique gilt frames enhance the historical character while remaining compatible with modern interiors. Hanging as a structured grid or salon-style botanical wall creates a refined, designer-led installation with strong visual cohesion. Keyword block: antique botanical prints, German botanical atlas, M Fünfstück, Naturgeschichte des Pflanzenreichs, wildflower botanical prints, antique plant illustrations, European wildflowers art, botanical wall decor, vintage botanical plates...

Beautiful and large pair of sculptural iron and textured Murano glass wall lights/sconces, 1960s Lamp sockets: 1x E27 (US E26).

Mid-Century German Studio Pottery Wall Plaque with Fish Design, 1960s, in Very Good conditions. Designed 1960 to 1969. Additional information: Materials: Ceramic Color: Brown Styles...

A great looking hand carved original wooden Folk Art chamois head wall decoration. A great piece for a suitable ambiance in a trophy room or the office of a Hunter or Woodsman. More ...

Beautiful 1970's Reichel Skansen Wall Tapestry with abstract design. Nice example of a Mid Century wall decoration / rug. Yellow, ochre, rust, brown & mustard colourways. Measure...

Antique Greek Amphora with Winged Nike Color Lithograph, 1883 Original antique color lithograph depicting an ancient Greek amphora decorated with a striking representation of the winged goddess Nike, published in Berlin in 1883 as part of Albert Genick’s monumental work on Greek ceramics. The monumental black amphora is dominated by a single winged female figure rendered in terracotta red. The figure represents Nike, the ancient Greek personification and goddess of victory. She is shown in profile with outstretched wings and holding a staff-like object. A Greek-key meander border beneath the figure and stylized palmette ornament around the neck complete the vessel's decoration. The dramatic contrast between the deep black body of the amphora and the restrained terracotta-colored decoration makes this one of the particularly graphic and decorative plates from the series. The print originates from the second edition of Albert Genick’s important publication on Greek ceramics, published by Ernst Wasmuth in Berlin in 1883. The complete work comprised 36 large color lithographic plates, including four double-page plates, illustrating amphorae, vases, bowls and other examples of ancient Greek ceramic art. The lithographs were produced by the Berlin printing establishment Hein & Mosler. Albert Genick (1837–1906), a Berlin-trained architect, became particularly known for his precise graphic documentation of ancient ceramics. This publication is regarded as his principal work. Complete examples are rare, and individual plates from the series are increasingly difficult to find. Creator: Albert Genick (1837–1906) Publisher: Ernst Wasmuth, Berlin Printer: Hein & Mosler, Berlin Plate: II Date: 1883 Edition: Second edition Technique: Color lithograph Origin: Germany Sheet size: Approximately 68 x 46 cm (26.8 x 18.1 inches) Period: Late 19th Century Style: Neoclassical / Archaeological Revival Condition: Very good antique condition. The colors and deep black areas remain remarkably strong. Light age-related toning with minor scattered foxing and spotting, primarily in the margins. Minor edge wear consistent with age. Please study the photographs carefully as they form part of the condition description. An original antique lithograph printed in 1883, not a modern reproduction. The print is offered unframed. Any framed or interior images, if shown, are for presentation and inspiration only. Additional companion plates from Albert Genick’s series are available separately. Keywords: Albert Genick, Greek amphora, Nike goddess...

Ecce Homo, 1899 German Chromolithograph of Christ with Crown of Thorns (Dresden) This moving late-19th-century chromolithograph of Christ as “Ecce Homo” was printed in Dresden in 18...

Vintage Set of Six Roe Deer Trophies on Wooden Plaques Germany ca.1950/1960s A collection of six large vintage roe deer (Capreolus capreolus) antler trophies from the 1950/1960s, mo...

Jonstonus Friesian and Hungarian Horses Engraving, 1650 Description: Original antique copper engraving depicting two European horse breeds: the Friesian horse (“Equus Frisicus – Frisisch Pferd”) and the Pannonian or Hungarian horse (“Equus Pannonicus sive Hungaric – Hungarisches Pferd”). The upper composition shows the powerful Friesian horse standing in profile, distinguished by its heavy build, long flowing mane and feathered legs. Below, the Hungarian horse is represented in a dramatic rearing pose, creating a particularly lively and decorative equestrian composition. The engraving was published in Joannes Jonstonus’ important Historiae naturalis de quadrupetibus, Frankfurt am Main, 1650. The work was issued by the heirs of Matthäus Merian and forms part of Jonstonus’ celebrated multi-volume natural history of animals. Joannes Jonstonus (1603–1675), also known as John Johnston or Jan Jonston, was a Polish-born physician, naturalist and scholar. His extensive natural-history publications were among the important illustrated zoological works of the 17th century, preceding the systematic classification of Linnaeus by more than a century. From the first edition of Historiae naturalis de quadrupetibus, published in Frankfurt by the Merian publishing house in 1650. Plate II, titled within the engraving: “Equus Frisicus – Frisisch Pferd” “Equus Pannonicus sive Hungaric – Hungarisches Pferd” A beautiful early representation of the Friesian horse and an appealing decorative work for an equestrian, country-house or natural-history collection. Joannes Jonstonus (1603–1675) Historiae naturalis de quadrupetibus Frankfurt am Main Published by the heirs of Matthäus Merian 1650 Original copper engraving Plate II This is an original antique print published in 1650, not a modern reproduction. Condition: Good antique condition with overall age-related toning, scattered spotting and surface marks. Noticeable old staining and discoloration to the lower left corner and margin. Minor handling creases and wear along the sheet edges. The engraved image remains strong and well defined. Please study the photographs carefully as they form part of the condition description. Period Mid-17th Century Style Baroque Natural History Equestrian Subject Friesian Horse Hungarian Horse Equestrian Horses Natural History Zoology Frisian Keywords: Joannes Jonstonus, John Johnston, Jan Jonston, Matthäus Merian, Merian, Friesian horse, Frisian horse, Friesisch Pferd, Equus Frisicus, Hungarian horse, Pannonian horse, Equus Pannonicus, horse engraving, antique horse print, equestrian engraving, equestrian art, horse wall art...

Beautiful wooden wall plaque relief sign, made in the Brutalist style in Germany in the 1970s. This is a wonderful Zodiac sign. This can be used as a Wall decoration or as a decorati...

Antique Greek Amphora with Classical Figures Color Lithograph, 1883 Original antique color lithograph depicting an elaborately decorated ancient Greek amphora with a dynamic classic...

19th Century French Majolica Pottery Cherries & Strawberries Platter. 9.3 inches diameter.

A handsome mid-20th-century German pewter wall plate centered by an elaborate heraldic coat of arms. The relief decoration includes a shield, scrolling mantling, winged supporters, a...

Set of Six Vintage Roe Deer Trophies on Wooden Plaques Germany ca. 1960s A set of six vintage roe deer (Capreolus capreolus) antler trophies dating from the 1960s, each affixed to a...

Antique Greek Krater with Classical Procession Color Lithograph, 1883 Original antique color lithograph depicting an ancient Greek krater decorated with a striking classical process...

We adore the clean and contemporary design by Schleusing on the East German poster for Love with the Proper Stranger. It has a striking simplicity that feels modern and understated, ...

Original East German film poster the 1952 Musical Moulin Rouge. This poster would have been used outside the cinema at the film’s original release. This popular fictional story, set...

Mantis, Stick Insects & Grasshoppers – Antique Prints, Set of 3, 1908 Description: A striking set of three original color lithographs from Richard Tümpel's landmark natural history ...

Hangman's Bridge (Henkersteg), Nuremberg, Bavaria, Germany - Antique fine art hand colored engraving on heavy cream paper - architectural view - indistinctly signed by the artist low...

Original vintage advertising poster for Konsum designed by the German graphic artist Fritz Springefeld (1914-1988), featuring a lady's legs in stockings and purple high heel shoes wi...

Rivinus botanicals: Lotus, Lathyrus & Hedysarum, Leipzig, 1690s Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed to Augustus...

This beautiful, high-quality tapestry from the 1960s was made by hand from wool. The quality of the wool is excellent and the many decades have not affected its quality. The motif of...

French Limoges Majolica Porcelain Oyster Plate, circa 1890. with shells.

This limited-edition Art Nouveau poster, titled “La Fille aux Fleurs de Printemps”, is a modern homage to the elegance and floral romanticism of the fin-de-siècle period. Inspired b...

Pair Great Black Forest Wall Sconces with Deer Horns, Germany ca. 1900 An antique pair of Black Forest sconces for candles. Each made of original deer horns which are mounted on a t...

Original Antique Print of Roman Chariot Racing and Circus Maximus by Bertuch, c. 1800 Original antique hand-colored copper engraving illustrating ancient Roman chariot racing and the Circus Maximus, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around 1800. The plate is titled “Alterthümer VIII / Antiquités VIII” and contains four illustrations relating to Roman chariot racing and the famous circus games of antiquity. Fig. 1 presents a reconstruction of the Circus Maximus in Rome, the enormous ancient arena used for chariot races and other public spectacles. The elongated track is shown surrounded by tiers of seating, monumental entrances and the central barrier or spina, decorated with an obelisk, statues and other monuments. Fig. 2 depicts a dramatic Roman quadriga: a four-horse chariot racing at speed, with the charioteer leaning forward and wielding his whip. The richly ornamented chariot and animated horses make this the visual centerpiece of the plate. Fig. 3 illustrates details of an ancient horse harness or bridle, while Fig. 4 reproduces an ancient representation of a chariot and driver. The engraving is delicately enhanced with original hand coloring in restrained shades of green, ochre, red and brown and bears the engraved signature “Jacob H. Schmuzer” beneath Fig. 4. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, the work contained hundreds of engraved and hand-colored plates covering natural history, geography, science, technology, mythology, ancient history and costumes. An attractive early 19th-century representation of ancient Rome, particularly appealing to collectors of classical antiquity, equestrian subjects and Grand Tour imagery. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob H. Schmuzer Source: Bilderbuch für Kinder Plate: Alterthümer VIII / Antiquités VIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and scattered minor spotting. Some wear and irregularity along the right sheet edge and minor marginal imperfections. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Roman chariot print, chariot racing, Circus Maximus, ancient Rome print, Roman quadriga, four horse chariot, Roman horses, Roman antiquities, classical antiquity, Grand Tour print, equestrian engraving, Bertuch print, Friedrich Justin Bertuch, Jacob Schmuzer, hand colored engraving, Neoclassical print, antique Roman print

Jesus Blessing the Children – Antique German Catholic Chromolithograph, c. 1890 This beautiful late 19th-century German chromolithograph depicts one of the most tender and beloved scenes in Christian iconography: Jesus blessing the children. Christ stands centrally in a serene pastoral landscape, gently extending his hands in a gesture of protection and compassion, while two children approach Him with trust and reverence. The soft light of the halo frames His head, reinforcing the sacred presence, while the surrounding greenery and distant buildings create a peaceful biblical setting. This image reflects the powerful theme from the Gospel of Matthew, “Let the little children come to me,” and was widely used in Catholic devotional culture for home altars, schools, and parish settings during the late Victorian period. The gentle facial expressions, flowing robes, and rich harmonious colors are all characteristic of high-quality German chromolithography from the late 19th century. Chromolithography allowed for exceptional depth of color and painterly effects, closely imitating oil painting. This example shows especially fine tonal transitions in the robes, sky, and landscape, as well as excellent detail in the figures and foliage. The overall visual impression is warm, calm, and deeply devotional, making this print particularly appealing to Catholic art collectors and religious interiors. Pieces of this type were often displayed in framed settings above prayer corners, in churches, or in Catholic family homes and have become increasingly collectible as surviving examples in good condition grow scarcer. Its subject matter gives it lasting spiritual and decorative appeal and makes it a timeless devotional artwork. CONDITION REPORT Good antique condition overall. Light even age toning to the paper, consistent with late 19th-century chromolithographs. Minor softening at the edges and faint handling traces visible upon close inspection. No major stains, no tears, and no restoration observed. The colors remain vibrant and well preserved. FRAMING TIPS This print would be beautifully enhanced with a classic gold-leaf or champagne-gilt wooden frame combined with a wide ivory or warm cream mat. For a more contemporary sacred interior, a soft walnut or dark oak frame with museum glass would provide excellent contrast and visual depth while keeping the devotional character intact. TECHNIQUE Chromolithography MAKER German devotional publisher, Germany, circa 1890 KEYWORD BLOCK Jesus blessing children, Jesus the Friend of Children, antique catholic print...

A fine vintage roe deer antler horns hunting trophy on a carved black forest plaque, dated 1950. The plaque is hand carved with oak leaves, acorns, and branches and was found in an o...

Set of Five Roe Deer Trophies on Carved Plaques Germany around 1920 A set of five antique roe deer (Capreolus capreolus) trophies mounted on carved wooden plaques. The trophies were...

Antique Greek Amphora & Classical Pottery Lithograph, 1883 Original antique color lithograph depicting an ancient Greek amphora, published in Berlin in 1883 as part of Albert Genick’s monumental work on Greek ceramics. The plate presents a large two-handled amphora decorated in the red-figure technique, with two standing figures occupying the principal pictorial field. An ornamental palmette and floral frieze decorates the neck, while a Greek-key border runs beneath the figural scene. A small line drawing at upper right records a detail of the vessel’s construction. The restrained black, terracotta-red and cream palette closely evokes the appearance of the original ancient pottery and gives the plate a particularly strong decorative quality. The print originates from the second edition of Albert Genick’s important publication on Greek ceramics, published by Ernst Wasmuth in Berlin in 1883. The complete work comprised 36 large color lithographic plates, including four double-page plates, illustrating amphorae, vases, bowls and other examples of ancient Greek ceramic art. The lithographs were produced by the Berlin printing establishment Hein & Mosler. Genick (1837–1906), a Berlin-trained architect, became particularly known for his precise graphic documentation of ancient ceramics. This publication is regarded as his principal work and complete examples are rare; individual plates are also increasingly difficult to find. Creator: Albert Genick (1837–1906) Publisher: Ernst Wasmuth, Berlin Printer: Hein & Mosler, Berlin Date: 1883 Edition: Second edition Technique: Color lithograph Origin: Germany Sheet size: Approximately 68 x 46 cm (26.8 x 18.1 inches) Period: Late 19th Century Style: Neoclassical / Archaeological Revival Condition: Good antique condition. General age-related toning with scattered foxing and spotting, particularly visible in the surrounding margins. Some minor wear and discoloration toward the sheet edges, consistent with age. Please study the photographs carefully as they form part of the condition description. An original antique lithograph printed in 1883, not a modern reproduction. The print is offered unframed. Any framed or interior images, if shown, are for presentation and inspiration only. Keywords: Albert Genick, Greek amphora, ancient Greek pottery, Greek ceramics, Greek vase, amphora print, archaeological print, classical antiquity, ancient Greece, Greek art, red figure pottery, red figure vase...

German Majolica Leaves & Flowers Plate Circa 1900.

Rivinus botanicals: Cracca, Lotus lybica & Foenugracum, Leipzig, 1690s Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed to A...

Antique Greek Hydria with Classical Figures Color Lithograph, 1883 Original antique color lithograph depicting a monumental ancient Greek hydria decorated with classical figures and elaborate ornamental bands, published in Berlin in 1883 as part of Albert Genick’s important work on Greek ceramics. This impressive large-format plate presents a single monumental hydria, the characteristic ancient Greek vessel traditionally used for carrying, storing and pouring water. The vessel is dominated by a broad, almost uninterrupted black body, creating a particularly bold and graphic composition. Across the shoulder runs a red-figure narrative scene with several classical figures rendered in terracotta against the deep black ground. Immediately below the figural scene is an exceptionally decorative continuous frieze composed of repeating palmette and rosette-like motifs. The intricate terracotta ornament...

A gorgeous pink and gold gilt porcelain German dinner plate charger or wall art, circa early-20th century, Germany. Plate has a heavy gold gilt edge and center; both are embossed wit...

Andy Warhol's Endangered Species Portfolio of 6 Prints by Neues Publishing Company, 1989 The 1989 portfolio contains high-quality reproductions of six animals rendered in Warhol's s...

Vintage pull-down anatomical human chart, print of a painting for Dr. Neues & Co Kempen, Germany. The chart is part of the series: Biologisch-hygienisches Unterichtswerk des Deutsche...

Antique Chromolithograph Pair, Ceramics Through the Ages, Meyers 1898 This attractive pair of original chromolithographs illustrates the history and artistic development of ceramics...

German Majolica Leaves & Ferns Plate, Circa 1890.

17th Century A powerful and finely executed religious painting depicting Christ crowned with thorns and accompanied by two soldiers. The dramatic composition focuses on the sufferin...

Original German film poster for the 1966 Swedish film written and director by Ingmar Bergman, and stars Bibi Andersson, Liv Ullmann and Margaretha Krook. The film is about a young nu...

A beautiful, vintage alabaster handmade plate, framed with glass and gilt wood. Measuring 11.75" wide, 1.63" deep and 10" high. Displayed in a period giltwood frame. Image size, 4 1/...

Rivinus botanicals: Anonis, Hedysarum & Genista hispanica, Leipzig, 1690s Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed t...