German Wall Decorations

Stunning but heavy wall plaque in vibrant colors. On the back there is no signature of a maker or a label.

A handsome mid-20th-century German pewter wall plate featuring a fully rigged sailing ship in raised relief, its sails punctuated by heraldic double-eagle motifs. The deeply modeled ...

Germany, circa 1810 A set of three early nineteenth century scientific lithographic prints of fish by Johann Friedrich August Krüger in collaboration with engraver Ludwig Schmidt, a...

Antique Fruit Chromolithographs, Apples & Plums, Set of Six, Calwer 1854 This refined set of six original mid-19th century botanical fruit chromolithographs was published in Stuttga...

German Botanical Plates, Exotic Plants & Fruit Trees, Stuttgart c.1890 Description: A striking and visually diverse pair of antique botanical plates (Tafeln 57–58), published in Stu...

Original Antique Print of Roman Naval Battles and Warships by Bertuch, c. 1800 Original antique hand-colored copper engraving illustrating ancient Roman naval spectacles and warships, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around 1800. The plate is titled “Alterthümer XIII / Antiquités XIII” and illustrates the extraordinary Roman practice of staging mock naval battles, known as naumachiae. Fig. 1 depicts a large purpose-built naumachia: an oval amphitheater surrounding a flooded arena in which several vessels engage in a simulated naval battle. Additional ships are shown approaching through the monumental entrance and waterway below. Such elaborate spectacles were among the most ambitious forms of public entertainment in ancient Rome. Figs. 2 and 3 show detailed side views of ancient oared warships, illustrating their construction, banks of oars, raised sterns and military equipment. The combination of classical architecture, naval history and finely drawn ancient vessels makes this an especially interesting plate from Bertuch’s series. The engraving is signed “J. H. Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, it contained hundreds of engraved and hand-colored plates covering natural history, geography, science, technology, mythology, antiquity and costumes. An unusual and decorative early print combining ancient Roman history, architecture and maritime subjects. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: J. H. Schmuzer Source: Bilderbuch für Kinder Plate: Alterthümer XIII / Antiquités XIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Minor marginal wear. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Roman naval battle, naumachia, Roman warship, ancient Roman ships, Roman galley...

Antique German Shooting Target with Festive Couple Scene, Germany 1928 Item e8164 This antique German shooting target features a colorful print of a festive scene of a traditionally ...

Adoration of the Magi, c.1900 German Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts the Adoration of the Magi, one of the most cherished subjects in Christian art. Printed around 1900–1920 by a major German devotional press, the work displays the hallmarks of high-quality chromolithographic craftsmanship: deep, luminous color; soft tonal transitions; richly layered stone-based pigments; and a gentle atmosphere that recalls late 19th-century academic religious painting. The composition presents the Virgin Mary seated with the Christ Child, Joseph beside her, and the Three Kings kneeling in reverence as they present their gifts of gold, frankincense, and myrrh. A young attendant appears in the doorway holding another offering. The figures are rendered with delicately modeled expressions, soft haloes, and meticulously detailed robes—particularly the embroidered white garment of the kneeling king and the golden cloak of the standing monarch. These chromatic effects were achieved through multiple lithographic stones, a technique that reached its peak among German devotional publishers during this period. The multilingual caption along the lower margin identifies the print for international Catholic distribution: “Anbetung der Könige. Adoration of the Three Kings. L’adoration des rois mages. L’adorazione dei Magi. La adoración de los Reyes Magos. Pokłon Trzech Króli.” This reflects the broad export networks of German publishers who supplied churches, monasteries, and private devotional homes throughout Europe and the Americas. The note “Printed in Germany” confirms its origin, consistent with presses in Munich, Dresden, Cologne, and Limburg, known for producing richly colored religious chromolithographs from the late 19th to early 20th century. This work is unquestionably an original chromolithograph, not a modern reproduction. The image shows true stone-layered color rather than digital or offset dots, and the paper retains the matte texture, subtle toning, and characteristic stippled pigment structure associated with genuine early 20th-century chromolithography. The presence of the multilingual caption, period typography, and the “Printed in Germany” imprint further authenticate the piece. Condition Report: Very good condition. Colors vivid and unfaded. Minor age toning to outer margins and small handling marks consistent with age. No tears, losses, or repairs observed. The bottom title and imprint text are sharp and fully legible. Tips for Framing: Ideal for framing in a gilded or walnut frame to complement the warm palette and ceremonial richness of the scene. A cream or ivory mat enhances the devotional character and highlights the luminous tones of the garments. A darker frame with a wide mat can also create a refined, museum-style presentation. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 Keyword Block: adoration of the magi three kings epiphany art christ child holy family mary and jesus st joseph devotional art catholic art religious art chromolithograph german chromolithograph printed in germany antique lithograph german devotional print early 20th century religious print nativity scene christian iconography epiphany print anbetung der könige fine chromolitho religious ephemera magi kings christmas art holy family scene antique christian art...

European Owls – Antique Hand-Colored Bird Engraving, Vogel IX, c.1800 This finely executed hand-colored engraving presents six European owl species arranged in comparative study, issued as Plate IX (Vogel IX / Oiseaux IX). The plate belongs to the late 18th–early 19th century tradition of scientific ornithology, in which birds were illustrated side by side to support identification, classification, and study. The owls depicted correspond to species recognized today as the Long-eared Owl (Asio otus), shown prominently with its upright posture and distinct ear tufts; the Tawny Owl (Strix aluco), represented in both its grey-brown form and its warmer rufous color morph; the Short-eared Owl (Asio flammeus), identifiable by its paler facial disc and reduced ear tufts; the small but expressive Little Owl (Athene noctua); and a larger, more powerfully built owl commonly identified as the Eurasian Eagle-Owl (*Bubo bubo*), included to demonstrate contrast in scale and form. Each bird is depicted perched on a branch against a neutral ground, allowing close observation of plumage texture, facial structure, and stance. The hand-applied coloring enhances the naturalistic effect, particularly in the subtle gradations of brown, grey, cream, and rust tones characteristic of owl plumage. The bilingual German and French headings reflect the international scholarly audience for whom such plates were produced during this period of expanding scientific exchange. Plates like this were originally issued in ornithological volumes intended for scholars, collectors, and educated amateurs. Today they are valued both for their scientific relevance and their decorative appeal. The balanced composition of six distinct species on a single sheet makes this print especially attractive to collectors of natural history, bird enthusiasts, and interior designers seeking refined, nature-inspired wall art. Condition report: Good condition. Original hand coloring. Noticeable age toning and patina throughout, with scattered foxing and light surface marks consistent with age. Minor edge wear and small discolorations visible. No modern restoration observed. Framing tips: This print is well suited to a classic museum-style presentation. A soft ivory or light beige mat will complement the aged paper and muted coloration, paired with a medium walnut, light oak, or ebonized frame depending on the desired contrast. UV-protective glazing is recommended to preserve the original hand coloring. Technique: Hand-colored engraving Maker: European school, late 18th–early 19th century Keywords: antique bird print, owl engraving, European owls, ornithology print, hand colored engraving, Vogel IX, Oiseaux IX, natural history print, antique wildlife art, Strix aluco, Asio otus, Asio flammeus, Athene noctua, Bubo bubo, tawny owl, long-eared owl, short-eared owl, little owl, eagle owl, bird illustration, antique zoology, 18th century print, 19th century print, scientific illustration, vintage bird art, collectible print, natural history engraving, European wildlife, decorative wall art, interior design artwork, classic ornithology, antique nature print

German Botanical Plates, Wildflowers & Medicinal Plants, Stuttgart c.1890 Description: A visually engaging and scientifically rich set of four antique botanical plates (Tafeln 51–54...

A period hand woven horizontal rectangles in two yellows and off white in a strict 'implied verticals' geometric Bauhaus or Black Mountain Design. Approximately 26 x 25.75 x 3/8".

Antique Botanical Prints Set, German Flora & Orchids Atlas, Stuttgart 1885 This elegant group of late nineteenth-century botanical plates originates from Naturgeschichte des Pflanze...

Antique Islamic Lamps and Hookahs Object Study, Maximilian Egypt 1846 This highly detailed 19th-century Orientalist reference engraving presents a comprehensive visual inventory of ...

Ewald Kröner is considered to be the German reference artist for tufted art tapestries and carpets. For several decades since the 1960s he has promoted artistic tapestries. Kro¨ner i...

Oil on canvas with golden Baroque frame of wood and stucco. (S-138).   

In the Neighbor’s Garden, 1996 – Oil Painting by Alexander Michael Item e7649 This vivid oil painting from 1996 presents a lush garden scene, likely viewed from the edge of a terrace...

Vintage Set of Six Roe Deer Trophies on Wooden Plaques Germany ca. 1960s A collection of six vintage roe deer (Capreolus capreolus) antler trophies from the 1960s, each mounted on a...

Satirical German Military Engraving of Napoleon as the Little Corporal, c1835 This 19th-century German engraving presents a humorous encounter between a marching soldier and Napoleon Bonaparte, referred to here by his well-known nickname “the Little Corporal.” The guard refuses to let Napoleon pass, replying firmly: “Man passirt nicht — Und wär’ Ihr der kleine Corporal selbst; ich sage Euch man passirt nicht” (“One does not pass — and even if you were the Little Corporal himself, I tell you one does not pass”). The composition gently satirizes Napoleon’s legendary status, contrasting the anonymous authority of a common soldier with the figure who once ruled Europe. Produced around 1830–1850, likely in a German or Austrian print workshop, the engraving reflects the wave of post-Napoleonic satire that circulated widely in Central Europe. The artist captures the exchange with strong facial expressions, detailed uniforms and a richly rendered woodland setting. Prints of this type remain popular among collectors of Napoleonic history, military art and European caricature, while the crisp impression and large sheet size make it appealing as decorative wall art as well. A charming and historically engaging image from the early 19th century, combining humour, military history and well-executed engraving work. Condition: Strong impression; light age toning; minor handling marks; margins clean with no major tears or repairs. Suitable for immediate framing. Framing: Looks best floated on off-white or pale cream museum board in a thin black, dark walnut or antiqued gold frame. Museum glass recommended to preserve contrast and period detail. Keywords: Napoleon engraving...

Antique Sago Palm Botanical Print, Sagus Farinifera, c.1831 Description: This original botanical engraving depicts the sago palm, Sagus Farinife...

Baroque Garden and Palace near Vienna – Antique Architectural Engraving, 1649 This is a beautifully detailed 17th-century engraving, depicting a formal Baroque garden layout in Vien...

German Wildflower Botanical Plates, Chromolithographs, Stuttgart circa 1890 Description: A refined and visually rich set of four antique botanical plates depicting a wide variety o...

Terrace with Geranium Pot, 1994 – Oil Painting by Alexander Michael Item e7647 This oil painting from 1994 captures a sun-drenched terrace bursting with flowers and lush greenery. At...

This black painting has heavily textured acrylics on canvas. The artist created the piece using multiple techniques like palet knife, brush and chalk. It is in an old 19th century pi...

Artwork hand colored engraving by Maria Sybella Meriam, 1647-1717. Titled Surinam Insects. Pineapple and insects. This is an original print not a reproduction. An example of this is ...

G.H.L. - Princess Style - Vintage floral tapestry evening bag or purse - small size - fine detail to the 'Gobelin' style machine made tapestry purse - gilt metal frame and kiss lock ...

Antique Botanical Print – Exotic Orchid Odontoglossum Wattianum, c.1888 Description: A richly colored and finely detailed botanical print of the orchid 'Odontoglossum wattianum', or...

Mount Vernon Washington’s House – Antique Steel Engraving Virginia 1854 Description: This refined mid-19th century steel engraving depicts Mount Vernon, the historic estate and resi...

Antique Cosmos Study of Nebulae “Nebelflecke”, Meyers Leipzig c.1900 A visually striking and intellectually compelling antique chromolithograph titled “Nebelflecke” (Nebulae), publi...

Saint Joseph Visited by an Angel, Antique German Chromolithograph c.1900 This deeply symbolic late 19th–early 20th century German chromolithograph presents the powerful biblical mom...

Add distinguished character to a study or library with this finely executed antique wall plate. Crafted in Germany circa 1880, the large round porce...

Snakes Print: Boa, Python, Viper, Coral Snake – Antique 1867 This dramatic antique print depicts various snake species, including boas, pythons, vipers, and coral snakes, rendered i...

Large Mezzotint of Napoleon at the Battle of Waterloo German Print, c1850 A dramatic large-format mezzotint depicting Napoleon Bonaparte during the Battle of Waterloo on 18 June 181...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Title: New York City Hall – Antique Architectural Engraving of Manhattan, c.1850 This finely engraved nineteenth-century view depicts New York City Hall, one of the most important c...

Antique Honor Target with Bavarian Dancing Couple, Germany 1930 Item e8150 An antique commemorative shooting target dating from 1930. It depicts a traditional folk scene in which a m...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Antique Herbs and Mushrooms Botanical Prints, Natural History Set, 1852 Description This exceptional three-plate set combines aromatic herbs and fungi, drawn from Landwirthschaftlic...

1970s Wall Organizer Utensils by Dorothee Becker for Ingo Maurer

Title: Genesee Falls, Rochester – Antique Waterfall Engraving, New York State This dramatic nineteenth-century engraving depicts the spectacular Gen...

A beautiful antique pub scene themed wall decoration plate or sign. This decorative item would make a beautiful ornament on each wall. Made in the 1890s it i...

Vintage Honor Target with Forest Scene, Germany 1964 Item e8153 Vintage wooden shooting plaque featuring a hand‑painted forest scene with several deer. A stag with prominent antlers ...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

A tour poster for a series of performances of The Wall by Pink Floyd at the Westfalenhalle, Dortmund, Germany, from 13th-19th February 1981. Based on a narrative concept by Roger Wat...

Antique Gemstone Prints Set of 4, Blue & Green Minerals, Bauer c.1900 Description: A refined and visually balanced set of four antique gemstone prints, published circa 1900 in Bauer...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Large Majolica sunflower platter Villeroy & Boch, circa 1900.

Crocodiles, Lizards & Reptiles Print: Alligator, Monitor, Iguana – Antique 1867 This striking antique print depicts crocodiles, alligators, lizards, monitors, and iguanas, rendered ...

Ottoman Ambassador Portrait Engraving, Bernigeroth, Turkish Envoy, c.1740 A finely executed and visually striking mid-18th-century copperplate engraving depicting Tschanibei Ally Ba...

Small German Majolica Apples Plate Circa 1920.

Antique Caper Botanical Print, Capparis Spinosa, Hand Colored, c.1831 This elegant botanical engraving illustrates Capparis Spinosa, the caper plant, featuring its distinctive folia...

Artist or Maker: Johann Wilhelm Weinmann Title: "Lilium album peregrinum. Lilium buliferum, Knöpfigte Feuer Lilien. Lilium croceum minus, Feuer Lilien." Medium: Colored etching Catal...

Majolica grape plate Villeroy & Boch, circa 1890.

6 Limited Edition Orient collector plate (Aladin, Sindbad etc.) by Bjørn Wiinblad for Rosenthal. Diameter 15.5-16.5 cm This piece has an attribution mark, I am sure that it is comple...

Alpine Gentiana Botanical Wall Collection, Set of 10, Antique Chromolithos, 1897 Description: A beautifully curated collection of ten antique alpine botanical chromolithographs, fea...

Title: Original Antique Print of Peru, Bolivia & Chile – Lima Cathedral and Views, c.1855 Description: An original antique wood-engraved print titled "Peru, Bolivia, Chile", featuring a series of finely engraved views and ethnographic scenes from the west coast of South America. The print was published in Germany around the mid-nineteenth century. At the centre of the composition is a detailed view of the Cathedral of Lima, one of the most important landmarks of the former Viceroyalty of Peru. Surrounding this principal image are ten smaller engraved vignettes illustrating the landscapes, wildlife, architecture and people of Peru, Bolivia and Chile. The scenes include the Cathedral of Chuquisaca (Sucre, Bolivia), llamas and alpacas in the Andes, the Andean condor, Indigenous inhabitants, horsemen, traders, the marketplace of Santiago de Chile, a river scene on the Marañón, tropical Indigenous dwellings, and daily life across the region. Together they provide a fascinating nineteenth-century European overview of the geography, cultures and natural history of western South America. The print combines architecture, ethnography, zoology and landscape into a single decorative composition, making it both historically informative and visually attractive. Such composite engravings were intended to introduce readers to distant countries through carefully selected representative scenes. This is an original antique print printed...

Aztec & Early Mexican Costumes, Set of 2 Antique Prints, 1500–1525 This striking pair of early 20th-century costume plates offers a vivid and historically valuable depiction of Aztec and early Mexican dress during the 16th century. Illustrated by Max Tilke and published by Ernst Wasmuth A.G. in Berlin, these prints belong to one of the most respected costume‐historical series of the period. Tilke was known for his meticulous research and his ability to translate ethnographic sources into richly detailed, accurate visual reconstructions. These two plates are among the most vibrant and desirable in the entire publication. Plate 144 presents warriors and nobles in full ceremonial and military attire. Jaguar warriors, eagle warriors, officers, and elite fighters are shown with their distinctive feathered headdresses, painted shields, quilted cotton armor (ichcahuipilli), and symbolic iconography referencing Aztec cosmology and rank. The colors and patterns reflect authentic codex sources, making the plate particularly valuable to historians of pre-Columbian culture. Plate 145 focuses on social classes and civilian dress from the late pre-Hispanic and early colonial period. Market vendors, weavers, young nobles, priests, and high-ranking women appear wearing garments such as tilmas, breechcloths, embroidered huipiles, feathered adornments, and body paint. Together, the two plates offer a rare, well-documented overview of everyday and ceremonial dress from Mexico around 1500–1525. The printing quality is exceptionally fine, with rich color lithography capturing the tonal variations of feathers, textiles, and painted patterns. These plates make a powerful impression when framed and are well suited for collectors of ethnographic art, museum-oriented interiors, historians of Mesoamerica, and designers seeking authentic cultural references. It is now uncommon to find both Mexican plates...

Original vintage advertising poster - Day after day Trilysin The biological hair tonic that helps! The dandruff disappears The hair loss stops The hair grows again. Scientific hair care with Trilysin and Trilysin Oil - featuring a great design by the notable German graphic artist Ludwig Hohlwein (1874-1949) featuring a smiling lady wearing a colourful outfit putting some hair care on her blonde hair, a man standing behind her ready to help, and an image showing the cosmetic beauty bottles...

A traditional vintage pull-down school map illustrating North America, published by Westermann. Colorful print on paper reinforced with canvas. Measurements: Width 156 cm (61.42 inc...

Antique large German painting with an Italian landscape - Many European painters came to Italy to paint its beautiful natural landscape, full of sun. This painter was Franz Krause, born in Germany 31th March 1823 , died in Leitmeritz on 18th March 1878. If you want, You can use the large frame for a MIRROR, leaving the picture free...

A stunning vintage enamel sign from Germany around 1900. The sign in bright yellow with black lettering: “Schuttablage verboten! Das Forstamt” (closures prohibited! The Forestry Offi...