German Wall Decorations

Majolica plate puppies Villeroy & Boch, circa 1890.

Small German Majolica Flowers Plate Villeroy & Boch circa 1900.

Saint Radegonde Exorcising a Demon – Burgkmair Circle, c.1516 Woodcut A powerful and visually striking early 16th-century woodcut depicting Saint Radegonde performing an exorcism, t...

A circa 1725 oil on canvas portrait of Louis George Simpert, as Hereditary Prince, the future Margrave of Baden-Baden (Deutsch: Ludwig Georg Simpert, Markgraf von Baden-Baden) portrayed one-quarter length in powdered wig and wearing ceremonial armor and crimson sash newly fitted in a period molded giltwood frame with bead-and-reel inner border from the Eli Wilner collection. Canvas measures 24.5" x 19.25". A related, but later portrait of circa 1735, attributed to the same unknown painter, is held in the collection of Lichtenthal Abbey, Baden-Baden. Biography: Louis George or Ludwig Georg Simpert, Margrave of Baden-Baden, born June 7, 1702 at Ettlingen Palace was the son of Louis William, Margrave of Baden-Baden and his wife, Princess Sibylle of Saxe-Lauenburg. Hereditary Prince of Baden-Baden from birth, at the death of his father in 1707, he succeeded as Margrave of Baden-Baden at the age of four. As such, his mother was regent of Baden-Baden until he reached his majority on 22 October 1727 at the age of 25. He married Maria Anna of Schwarzenberg April 8, 1721 at Český Krumlov Castle. The couple were the parents of four children, of whom only one survived infancy. After the death of the first Maria Anna in 1755, he married the Princess Maria Anna Josepha of Bavaria on July 10, 1755; the daughter of Charles VII, Holy Roman Emperor and his Austrian wife Archduchess Maria Amalia. The second marriage remained childless. Due to his passion for hunting instead of military service, he became known as "Jägerlouis", "hunter Louis", a play on his father's nickname of Türkenlouis ("Turk Louis") due to his famous heroics against the Turkish army at the Siege of Vienna...

Antique Palm Tree Botanical Print, Exotic Tropical Plate, German Atlas 1885 An impressive original double-page botanical plate (Tafel 21) from M. Fünf...

Antique Olive Botanical Print, Olea Europaea, Hand Colored, c.1831 Description: This strong and highly decorative botanical engraving depicts Olea Europaea, the olive tree, shown wi...

German Majolica Leaves & Ferns Plate, Circa 1890.

Beautiful large vintage school map, school poster about the sunflower, paper on linen, by Jung Koch Quentell, dated 1973, Germany. Educational poster, which is also very decorative,...

Vintage BMF 95% Pewter Framed with Porcelain Plates "Four Seasons Wall Plates" Spring, Summer, Autum, Winter. Made in Germany. Made at the famous Ge...

Alsace Folk Costume, Griesheim, Traditional Dress, c.1875 This striking chromolithograph depicts women wearing traditional costume from Griesheim in Alsace, distinguished by large b...

Alpine Botanical Prints Set, Primula & Cortusa, Palla Atlas, 1897 Description: A refined and visually harmonious set of four original antique botanical prints from Dr. Eduard Palla’...

Alpine Botanical Prints Set of 5, Aretia & Douglasia, Antique Chromolithographs A rare and visually refined set of five antique botanical chromolithographs depicting alpine cushion ...

Antique Alpine Flower Prints Set of 8, Elegant Botanical Wall Decor, c.1897 A refined and highly decorative set of eight antique alpine botanical ch...

Snakes Print: Boa, Python, Viper, Coral Snake – Antique 1867 This dramatic antique print depicts various snake species, including boas, pythons, vipers, and coral snakes, rendered i...

A lovely little shelf made of hand carved wood, made in the black forest area in Germany. Found at an estate sale in Nuremberg, Germany. It is not marked. A nice addition to your col...

Oil Painting by Alexander Michael - 'Return to the Island', Lake Chiemsee The painting 'Return to the Island' from 1994 depicts a harbor scene on Lake Chiemsee, capturing a fleeting...

German Majolica Leaves & Ferns Plate, Circa 1890. one hairline.

St Joseph and Child Jesus with Lily, Antique German Chromolithograph c.1900 This beautifully composed late 19th–early 20th century German chromolithograph presents a tender devotional scene of Saint Joseph with the Child Jesus, one of the most beloved themes in Catholic sacred imagery. Saint Joseph is seated in a humble workshop interior, gently resting his hand on his chest while the Christ Child offers him a white lily, the universal symbol of purity, obedience, and divine election. Both figures are encircled by radiant halos, reinforcing the sacred intimacy of this quiet, fatherly moment. The composition is rich in symbolic detail: the carpenter’s tools behind Joseph reference his earthly labor and humility, while the soft pastoral landscape visible through the opening suggests God’s providence beyond the domestic sphere. The infant Christ, rendered with luminous skin tones and expressive gaze, embodies both innocence and divine authority. The lily rises vertically between them as a visual axis of spiritual virtue, creating a powerful yet gentle devotional message. This print was produced using true chromolithography in Germany around 1900, a technique requiring multiple lithographic stones—one for each color layer. The softness of the tonal transitions, the saturated yet harmonious palette, and the velvety matte surface all confirm authentic period production. The lower margin bears the multilingual title “Hl. Joseph / St. Joseph / S. Giuseppe / S. José / Swięty Józef,” as well as the ecclesiastical approval line “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirming official Church authorization for devotional distribution. The imprint “Printed in Germany” further supports its origin within the great German religious printing houses of the era. This type of high-quality devotional chromolithograph was originally intended for Catholic homes, chapels, schools, and religious institutions. Surviving examples in strong condition are now increasingly sought after by collectors of sacred art, Christian iconography, and historical devotional imagery. Condition report Very good condition. Strong, unfaded colors with excellent contrast. Light natural toning to the margins. Minor handling marks consistent with age. No tears, creases, restorations, or losses observed. The printed text and imprimatur remain crisp and fully legible. Framing tips This print presents beautifully in a warm gilt or dark walnut frame with a soft ivory mat to enhance the golden halos and the warm burgundy and olive tones of Joseph’s garments. For a more contemporary devotional presentation, a matte black frame with wide museum-style matting works equally well. Technique: Chromolithograph Maker: German devotional press, printed in Germany, circa 1900 SEO keyword block: saint joseph st joseph with child holy family art...

Blossoming Tree – Original Painting by Alexander Michael, 1975 This vibrant oil painting from 1975 by Alexander Michael features a tree in full bloom, dominating the composition wit...

A period hand woven horizontal rectangles in two yellows and off white in a strict 'implied verticals' geometric Bauhaus or Black Mountain Design. Approximately 26 x 25.75 x 3/8".

Antique print of various snakes including the buff striped keelback snake. This print originates from 'Bilderbuch fur Kinder' by F.J. Bertuch. Friedrich Joha...

A beautiful pewter wall plate featuring a sailing ship at full mast with heraldic double eagles on the masts Germany, Mid-20th Century Measures: 8.75"W x 1"D x 8.75"H. Good origin...

Roe deer heads, wall decoration, made of plaster, Germany, 1930s, set of two. An absolutely adorable pair of roe deer heads in the Black Forest style is ...

Persian-Turkish Faience Plate with Interlaced Pattern – Julius Lessing, Berlin 1890 Description: An elegant chromolithograph from Julius Lessing’s Persisch-Türkische Fayencen (Persi...

Surrealism - Symbolism Art Measures : 60x50,5cm Without Frame : 55,5x46cm Walter Lewy (1905–1995, Dortmund, Germany) was a German-born Brazilian painter and illustrator best known ...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique pair of framed 18th century first edition Phytanthoza Iconographie botanical hand colored mezzotint engraving...

Set of Three De Bry Botanical Engravings of Indian Fruits and Spices, c.1598 – Pineapple, Mango, and Pepper An exceptional trio of original copper engravings from Theodor de Bry’s P...

Large German Majolica Grapes & Acanthus Plate. 9 inches diameter.

German Majolica flowers plate, Circa 1900.

Felix Possart (German, 1837-1928) a large oil on canvas "A Spring Alpine Journey". The elongated painting depicting a mountain scene, possibly set in the Austrian or Swiss Alps, of a young man hiking in the Alps during springtime wearing Lederhosen and carrying a bucket and a water drum...

A polychrome glazed pottery wall plaque decorated with several fish, created by Helmut Schaffenacker of Ulm in the 1950s. Helmut Schaffenacker was a renowned German ceramist known fo...

Large Mezzotint of Napoleon at the Battle of Waterloo German Print, c1850 A dramatic large-format mezzotint depicting Napoleon Bonaparte during the Battle of Waterloo on 18 June 181...

Crafted during the vibrant 1970s, this Mid Century Abstract Color Lithography, signed and numbered, is a testament to the era's artistic dynamism. The lithograph bursts with bold col...

Collection of nine 18th Century tropical botanical engravings by Georg Dionysius Ehret. Hand coloured prints depicting local flora of Barbados. Each is dedicated to a prominent perso...

German Majolica stork plate with reeds and trees. circa 1900.

Large Peter Keil Sunburst Wall Sculpture in Painted Metal, Signed, 36" Diameter This striking sunburst wall sculpture is an expressive, large-scale work by Peter Keil, celebrated fo...

Jesus Appears to Mary Magdalene – Antique German Chromolithograph, c. 1895 This striking late 19th-century German chromolithograph depicts the moving biblical moment in which the risen Christ appears to Mary Magdalene following the Resurrection. Christ is shown standing in quiet majesty, halo radiant with divine light, His right hand placed gently over His heart in a gesture of compassion and reassurance. Mary Magdalene kneels before Him with deep devotion, her long flowing hair and rich garments emphasizing both humility and reverence. The composition is set within a tranquil garden landscape, traditionally associated with the Resurrection narrative, reinforcing the spiritual symbolism of rebirth, forgiveness, and divine mercy. Christ’s red tunic and deep blue mantle radiate warmth and solemnity, while the soft golden halo creates a luminous focal point that draws the eye immediately to His face. This scene, known in Christian tradition as *Noli Me Tangere* (“Touch Me Not”), represents one of the most emotionally powerful moments of the Gospel story. It became a highly favored subject in Catholic devotional art of the late 19th century, commonly displayed in prayer corners, chapels, religious schools, and family interiors. Produced using high-quality chromolithography, this print achieves exceptional painterly depth, with delicate shading in the flesh tones, refined folds in the drapery, and beautifully layered landscape colors. The gold highlights of the halos and the saturated reds and blues are especially well preserved, reflecting the superior production standards of German devotional publishers during this period. This is a visually commanding and spiritually meaningful artwork, highly desirable for Catholic collectors, sacred art interiors, and serious devotional art collections. CONDITION REPORT Good antique condition overall. Light, even age toning to the paper consistent with late 19th-century chromolithographs. Minor edge wear and very gentle corner softening visible upon close inspection. No major stains, no tears, and no restoration observed. Colors remain strong and vivid. FRAMING TIPS This print will display beautifully in a classic gilt or softly antiqued gold wooden frame to echo the sacred halo tones. For a more restrained interior, a dark walnut or black lacquer frame with a wide ivory mat and museum glass will create a dramatic devotional presentation. TECHNIQUE Chromolithography MAKER German devotional publisher, Germany, circa 1895 KEYWORD BLOCK Jesus and Mary Magdalene, Noli Me Tangere, resurrection scene, antique catholic print...

Swans on a Quiet Lake – Graceful Antique Bird Chromolithograph c.1880 This serene late 19th-century ornithological chromolithograph depicts a peaceful lakeside scene with swans in different stages of maturity, presented within a broad, open landscape of calm water, grassy banks, and distant trees. In the foreground, an adult white swan glides across the water with its neck elegantly curved, while nearby a grey-brown juvenile swan and an older, darker bird stand at the water’s edge. The composition gently illustrates growth and variation within the species, a common and instructive theme in natural history illustration of the period. The swan, long regarded as a symbol of grace, purity, and tranquility, was a favored subject in 19th-century European ornithological works. The contrast between the bright white plumage of the adult bird and the softer grey tones of the younger swans is rendered with great sensitivity, emphasizing differences in age and development. The surrounding landscape is deliberately understated, allowing the birds to remain the focal point while conveying a convincing natural habitat. Produced using chromolithography, this print displays soft, harmonious coloration and smooth tonal transitions. Pale blues and greens dominate the water and sky, complemented by gentle earth tones along the shoreline. Fine feather detailing and subtle reflections in the water demonstrate the technical quality of late 19th-century chromolithographic printing, which sought to combine scientific accuracy with decorative appeal. This print is ideal for collectors of antique bird prints, waterfowl imagery, and pastoral wildlife scenes. It also works beautifully in interior settings such as living rooms, bedrooms, nurseries, country houses, or calm contemporary spaces, where its balanced composition and soothing palette add a sense of elegance and quiet refinement. Condition report Good antique condition. Light foxing and mild age-related toning visible, mainly in the margins, consistent with chromolithographs of this period. The image area remains clean and well preserved, with no major tears or losses observed. Framing tips Frame with a wide off-white or soft beige mat and a natural wood, walnut, or simple black frame. This enhances the gentle color palette and gives the print a timeless, museum-style presentation. Keywords antique bird print, swan illustration, swans on a lake, waterfowl art...

Alexander Michael Oil Painting of an Autumn Walk in a Park, 1969 This evocative oil painting, dated 1969, is a work of German artist Alexander Michael. It captures a tranquil autumn...

Hunting Falconry Embroidered Tapestry Classical Female Portrait Wool, circa 1890 A Berlin wool work picture of a medieval lady with a bird of prey. Tapestry embroidered gros-point ...

Majolica grape plate Villeroy & Boch, circa 1890.

Introducing "Composition, Trilogy Blue" by renowned German artist Max Hermann Mahlmann (1898-1971), a leading figure in the influential Bauhaus movement. Mahlmann's artistic legacy s...

A late 19th early 20th century Berlin K.P.M. Porcelain Plaque titled "Der Eremit" (The Hermit) After the painting by Salomon Koninck (Dutch, 1609-1659)...

Bending Male Nude Study after de Lairesse German Drawing Manual c1745 Description: This compelling academic study of the male nude originates from the German edition of Gérard de La...

19th century German, likely Berlin Iron Works, cast iron charger with mythological figures of goddesses, putti, various animals and fish in relief. T...

French Majolica sun plate signed Villeroy & Boch, circa 1890.

Set of 9 Antique Greek Costume and Antiquity Prints by Wasmuth, Berlin c.1900 This impressive set of nine antique prints presents a richly detailed visual survey of ancient Greek li...

Molluscs & Marine Invertebrates Print: Octopus, Slug, Snails, Conch – Antique 1867 This detailed antique print depicts a wide range of molluscs and marine invertebrates, including o...

Aztec & Early Mexican Costumes, Set of 2 Antique Prints, 1500–1525 This striking pair of early 20th-century costume plates offers a vivid and historically valuable depiction of Aztec and early Mexican dress during the 16th century. Illustrated by Max Tilke and published by Ernst Wasmuth A.G. in Berlin, these prints belong to one of the most respected costume‐historical series of the period. Tilke was known for his meticulous research and his ability to translate ethnographic sources into richly detailed, accurate visual reconstructions. These two plates are among the most vibrant and desirable in the entire publication. Plate 144 presents warriors and nobles in full ceremonial and military attire. Jaguar warriors, eagle warriors, officers, and elite fighters are shown with their distinctive feathered headdresses, painted shields, quilted cotton armor (ichcahuipilli), and symbolic iconography referencing Aztec cosmology and rank. The colors and patterns reflect authentic codex sources, making the plate particularly valuable to historians of pre-Columbian culture. Plate 145 focuses on social classes and civilian dress from the late pre-Hispanic and early colonial period. Market vendors, weavers, young nobles, priests, and high-ranking women appear wearing garments such as tilmas, breechcloths, embroidered huipiles, feathered adornments, and body paint. Together, the two plates offer a rare, well-documented overview of everyday and ceremonial dress from Mexico around 1500–1525. The printing quality is exceptionally fine, with rich color lithography capturing the tonal variations of feathers, textiles, and painted patterns. These plates make a powerful impression when framed and are well suited for collectors of ethnographic art, museum-oriented interiors, historians of Mesoamerica, and designers seeking authentic cultural references. It is now uncommon to find both Mexican plates...

A beautiful vintage brass crane themed wall decoration. This decorative item would make a beautiful ornament on each wall. Made in the 1960s it di...

A gorgeous pink and gold gilt porcelain German dinner plate charger or wall art, circa early-20th century, Germany. Plate has a heavy gold gilt edge and center; both are embossed wit...

Miniature depicting a Vanitas Memento Mori painted in pencil on paper. The frame, made of ebonized fruitwood and finished with black wax, is round with a circleinside, bordered by a ...

Antique Tea Botanical Print, Thea Chinensis, Hand Colored, c.1831 This elegant botanical engraving depicts Thea chinensis, the tea plant, one of the most influential commodities in ...

This atmospheric early 20th-century oil on canvas painting depicts a vast green forest landscape. The work has an atmospheric feel, with vibrant colors. The painting is unframed and ...

Small German Majolica Apples Plate Circa 1900.

G.H.L. - Princess Style - Vintage floral tapestry evening bag or purse - small size - fine detail to the 'Gobelin' style machine made tapestry purse - gilt metal frame and kiss lock ...

1970s Wall Organizer Utensils by Dorothee Becker for Ingo Maurer

Early 18th c. German School View of a Frightened White Horse trampling a semi-nude female figure in a forest, herd of wild horses to left, an ancient bearded man on right, oil on lin...

Article: Ceramic wall plate Decade: 1960s Producer: in style of Atelier Schäffenacker, Germany This original vintage ceramic wall plate with abstract hand-painted and colorf...

Antique 18th C Portrait of a Gentleman in Red - Attr. To Johan Van Diest (Dutch, 1695-1757)