German Wall Decorations

Antique Bixa Botanical Print, Bixa Orellana (Annatto), c.1831 Description: This vibrant botanical engraving illustrates Bixa Orellana, the annatto plant, valued for its seeds which ...

Antique Botanical Prints Set, German Flora & Orchids Atlas, Stuttgart 1885 This elegant group of late nineteenth-century botanical plates originates from Naturgeschichte des Pflanze...

Antique Date Palm & Coconut Botanical Scene, Phoenix & Cocos, c.1831 Description: This richly illustrated botanical scene depicts the date palm (Phoenix dactylifera) and coconut pal...

Antique Chromolithograph of Jerusalem from the Mount of Olives, circa 1890 This captivating chromolithograph titled “Jerusalem” dates to approximately 1890 and presents a sweeping p...

Antique Sago Palm Botanical Print, Sagus Farinifera, c.1831 Description: This original botanical engraving depicts the sago palm, Sagus Farinife...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Ecce Homo, 1899 German Chromolithograph of Christ with Crown of Thorns (Dresden) This moving late-19th-century chromolithograph of Christ as “Ecce Homo” was printed in Dresden in 18...

European Bird Eggs Lithographs, Set of Two – Meyers Konversations-Lexikon, 1890s Description: This exquisite pair of chromolithographs, titled Eier europäischer Vögel I & II (Eg...

Original vintage sport poster - Germany 1936 IV Olympic Winter Games Garmisch Partenkirchen 6-16 February - featuring dynamic artwork by Ludwig Hohlwein (1874-1949) depicting a skier wearing a bib with the Olympic rings symbol on it, holding his skis on the left with his right arm in the air celebrating his victory in front of snowy mountain peaks visible in the background, the text below in red and white letters and information at the bottom - For particulars apply to the Organising Committee of the IVth Olympic Winter Games 1936 Garmisch-Partenkirchen Bavaria. Published by the Reichsbahn Centrale for the German Travel Agents...

1970s The Beatles 24-karat gold-plated record, unframed. Limited edition of 100, 11/100 with “Certificate of Authenticity” included. Golden Record on a red Velvet wooden plate. Nice ...

St Joseph and Child Jesus with Lily, Antique German Chromolithograph c.1900 This beautifully composed late 19th–early 20th century German chromolithograph presents a tender devotional scene of Saint Joseph with the Child Jesus, one of the most beloved themes in Catholic sacred imagery. Saint Joseph is seated in a humble workshop interior, gently resting his hand on his chest while the Christ Child offers him a white lily, the universal symbol of purity, obedience, and divine election. Both figures are encircled by radiant halos, reinforcing the sacred intimacy of this quiet, fatherly moment. The composition is rich in symbolic detail: the carpenter’s tools behind Joseph reference his earthly labor and humility, while the soft pastoral landscape visible through the opening suggests God’s providence beyond the domestic sphere. The infant Christ, rendered with luminous skin tones and expressive gaze, embodies both innocence and divine authority. The lily rises vertically between them as a visual axis of spiritual virtue, creating a powerful yet gentle devotional message. This print was produced using true chromolithography in Germany around 1900, a technique requiring multiple lithographic stones—one for each color layer. The softness of the tonal transitions, the saturated yet harmonious palette, and the velvety matte surface all confirm authentic period production. The lower margin bears the multilingual title “Hl. Joseph / St. Joseph / S. Giuseppe / S. José / Swięty Józef,” as well as the ecclesiastical approval line “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirming official Church authorization for devotional distribution. The imprint “Printed in Germany” further supports its origin within the great German religious printing houses of the era. This type of high-quality devotional chromolithograph was originally intended for Catholic homes, chapels, schools, and religious institutions. Surviving examples in strong condition are now increasingly sought after by collectors of sacred art, Christian iconography, and historical devotional imagery. Condition report Very good condition. Strong, unfaded colors with excellent contrast. Light natural toning to the margins. Minor handling marks consistent with age. No tears, creases, restorations, or losses observed. The printed text and imprimatur remain crisp and fully legible. Framing tips This print presents beautifully in a warm gilt or dark walnut frame with a soft ivory mat to enhance the golden halos and the warm burgundy and olive tones of Joseph’s garments. For a more contemporary devotional presentation, a matte black frame with wide museum-style matting works equally well. Technique: Chromolithograph Maker: German devotional press, printed in Germany, circa 1900 SEO keyword block: saint joseph st joseph with child holy family art...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

Chinese Peacock-Pheasant – Hand-Colored Bird Engraving by Edwards & Seligmann, c.1750–1776 This fine hand-colored engraving depicts the Chinese Peacock-Pheasant (Phasianus alis et caudâ oculatis), an exotic species admired in Europe for its ornate plumage. The bird is shown perched gracefully on a flowering branch, its feathers marked with striking blue and green eye-like spots. Decorative peonies frame the composition, enhancing the print’s ornamental character. The engraving bears multilingual titles: “Der chinesische Phasanenpfau” (German), “Le Paon-Phaisan de la Chine” (French), and the Latin classification Phasianus, alis et caudâ, oculatis. At the lower left, the note G. Edwards ad viv. delin. credits the original life drawing...

- rare - marked - original - can be framed and glazed.

An original hand-colored botanical engraving from Basilius Besler’s Hortus Eystettensis, published in Nuremberg in 1613. Executed at the transition between Renaissance naturalism and...

Original vintage travel advertising poster for Germany published by the German State Railway RDV Reichsbahnzentrale fur den Deutschen Reiseverkehr featuring a stunning Art Deco desig...

Jean Baptist Stahl Pate-sur-Pate/ Phanolith neoclassical court scene charger Germany, circa 1899 An exceptional large pâte-sur-pâte/ phanol...

Birds of Prey, Complete Set of 10 Chromolithographs – Eagles & Falcons c1890 This impressive and visually unified suite of ten large-format chromolithographs depicts some of the mos...

An Islamic "Alhambra" silvered bronze Quran cabinet in the Islamic Nasrid style, Attributed to Rafael Contreras, circa 1880. Of rectangular form with crest and pendant finials to...

Large Black Forest Red Deer Trophy on Carved Plaque - Germany 1937 A large 8-pointer red deer trophy (Cervus elaphus) from the Upper Palatinate in Bavaria, mounted on a brown wooden...

Orders of Knights, Antique Hand-Colored Print of Medieval Orders c.1880 This distinguished antique costume plate depicts several of the major medieval knightly orders, rendered with...

Antique print titled 'Madrid'. View of Madrid, published in Hildburghausen, Germany.

A finely executed Biedermeier oil painting from the 1820s, depicting a tranquil hunting scene with two dogs. Painted with meticulous detail, the composition captures the animals in a...

19th Century Framed Oil Painting on Canvas by R. Waldau is a stunning Bavarian landscape with a charming rural residence of multiple structures positioned by a small waterfall. Imag...

Wonderful image of Petra, Jordan Fine steel engraving after David Roberts Published circa 1840 The measurement given is the paper size Unframed.

Shells & Bivalves Print: Mussels, Oysters, Scallops, Clams – Antique 1867 This detailed antique print depicts a wide range of shells and bivalves, includ...

Adoration of the Magi, c.1900 German Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts the Adoration of the Magi, one of the most cherished subjects in Christian art. Printed around 1900–1920 by a major German devotional press, the work displays the hallmarks of high-quality chromolithographic craftsmanship: deep, luminous color; soft tonal transitions; richly layered stone-based pigments; and a gentle atmosphere that recalls late 19th-century academic religious painting. The composition presents the Virgin Mary seated with the Christ Child, Joseph beside her, and the Three Kings kneeling in reverence as they present their gifts of gold, frankincense, and myrrh. A young attendant appears in the doorway holding another offering. The figures are rendered with delicately modeled expressions, soft haloes, and meticulously detailed robes—particularly the embroidered white garment of the kneeling king and the golden cloak of the standing monarch. These chromatic effects were achieved through multiple lithographic stones, a technique that reached its peak among German devotional publishers during this period. The multilingual caption along the lower margin identifies the print for international Catholic distribution: “Anbetung der Könige. Adoration of the Three Kings. L’adoration des rois mages. L’adorazione dei Magi. La adoración de los Reyes Magos. Pokłon Trzech Króli.” This reflects the broad export networks of German publishers who supplied churches, monasteries, and private devotional homes throughout Europe and the Americas. The note “Printed in Germany” confirms its origin, consistent with presses in Munich, Dresden, Cologne, and Limburg, known for producing richly colored religious chromolithographs from the late 19th to early 20th century. This work is unquestionably an original chromolithograph, not a modern reproduction. The image shows true stone-layered color rather than digital or offset dots, and the paper retains the matte texture, subtle toning, and characteristic stippled pigment structure associated with genuine early 20th-century chromolithography. The presence of the multilingual caption, period typography, and the “Printed in Germany” imprint further authenticate the piece. Condition Report: Very good condition. Colors vivid and unfaded. Minor age toning to outer margins and small handling marks consistent with age. No tears, losses, or repairs observed. The bottom title and imprint text are sharp and fully legible. Tips for Framing: Ideal for framing in a gilded or walnut frame to complement the warm palette and ceremonial richness of the scene. A cream or ivory mat enhances the devotional character and highlights the luminous tones of the garments. A darker frame with a wide mat can also create a refined, museum-style presentation. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 Keyword Block: adoration of the magi three kings epiphany art christ child holy family mary and jesus st joseph devotional art catholic art religious art chromolithograph german chromolithograph printed in germany antique lithograph german devotional print early 20th century religious print nativity scene christian iconography epiphany print anbetung der könige fine chromolitho religious ephemera magi kings christmas art holy family scene antique christian art...

French Limoges Majolica Porcelain Oyster Plate, circa 1890. with shells.

Alpine Landscape Oil Painting with Tyrolean Mountain Village A large landscape painting, framed in a gold-colored frame. Painted on canvas with oil paints. The painting shows a scen...

Lovely Carved Wooden Lady Towel Holder ca. 1900 A large unique towel rail, hand carved and painted around 1900. The artwork is modeled as a beautiful maid carrying a bar as a towel ...

Original vintage music advertising poster for the Tristeza on Guitar Baden Powell & his quartet from Brazil album tour the poster featuring a photograph o...

Alsace Folk Costume, Griesheim, Traditional Dress, c.1875 This striking chromolithograph depicts women wearing traditional costume from Griesheim in Alsace, distinguished by large b...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also a...

- rare - marked - original - can be framed and glazed.

Original vintage motor sport advertising poster celebrating the Mercedes Benz victory at the European Grand Prix 1954 - Triumph der Silberpfeile Mercedes-B...

Antique Caper Botanical Print, Capparis Spinosa, Hand Colored, c.1831 This elegant botanical engraving illustrates Capparis Spinosa, the caper plant, featuring its distinctive folia...

Continuing a tradition going back decades, Josef Pieper painted a series of seaside scenes with multiple nude male figures, riding and leading horses along the shore, their strong bodies...

Holy Family at Work with Saint Joseph – Antique German Chromolithograph, 1900 This deeply devotional and beautifully detailed antique German chromolithograph depicts the Holy Family...

Beautiful decorative plates designed by renowned Danish artist Bjorn Wiinblad for Rosenthal. Germany. 1970s. Porcelain plates from the end of the 20th century based on the fair...

Swans on a Quiet Lake – Graceful Antique Bird Chromolithograph c.1880 This serene late 19th-century ornithological chromolithograph depicts a peaceful lakeside scene with swans in different stages of maturity, presented within a broad, open landscape of calm water, grassy banks, and distant trees. In the foreground, an adult white swan glides across the water with its neck elegantly curved, while nearby a grey-brown juvenile swan and an older, darker bird stand at the water’s edge. The composition gently illustrates growth and variation within the species, a common and instructive theme in natural history illustration of the period. The swan, long regarded as a symbol of grace, purity, and tranquility, was a favored subject in 19th-century European ornithological works. The contrast between the bright white plumage of the adult bird and the softer grey tones of the younger swans is rendered with great sensitivity, emphasizing differences in age and development. The surrounding landscape is deliberately understated, allowing the birds to remain the focal point while conveying a convincing natural habitat. Produced using chromolithography, this print displays soft, harmonious coloration and smooth tonal transitions. Pale blues and greens dominate the water and sky, complemented by gentle earth tones along the shoreline. Fine feather detailing and subtle reflections in the water demonstrate the technical quality of late 19th-century chromolithographic printing, which sought to combine scientific accuracy with decorative appeal. This print is ideal for collectors of antique bird prints, waterfowl imagery, and pastoral wildlife scenes. It also works beautifully in interior settings such as living rooms, bedrooms, nurseries, country houses, or calm contemporary spaces, where its balanced composition and soothing palette add a sense of elegance and quiet refinement. Condition report Good antique condition. Light foxing and mild age-related toning visible, mainly in the margins, consistent with chromolithographs of this period. The image area remains clean and well preserved, with no major tears or losses observed. Framing tips Frame with a wide off-white or soft beige mat and a natural wood, walnut, or simple black frame. This enhances the gentle color palette and gives the print a timeless, museum-style presentation. Keywords antique bird print, swan illustration, swans on a lake, waterfowl art...

Made in Germany by Gustav Heinkel for Majolika Karlsruhe, 1970s. It is made in glazed and hand-painted earthenware. This is a vintage piece, therefore it might show slight traces o...

606 wall unit by Dieter Rams for Vitsoe, 1960s Germany. The 606 is a well-known modular shelving system that became a benchmark of modernist design. The system is based on a simple a...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Title: Detailed 1730 Maritime Warship Print with Tools, Rigging, and Ship Cross-Section Description: This exceptionally detailed and decorative maritime print, published in Nurember...

Rosenthal porcelain wall plate by Bjorn Wiinblad, Germany, 1970s Square wall plate with round finish, designed by Bjorn Wiinblad for Rosenthal,...

A pair of botanical photogravures by Karl Blossfeldt (German, b. 1914 - d. 1932), "Urformen der Kunst", First Edition 1929, Berlin. Mounted in a wonderful pair of chip carved Tramp A...

Kippel and the Bietschhorn Oil on Canvas Technical information: Period: 1920 Approx Origin: Switzerland Artist: Humbert Heusser Technique: oil on canvas Artwork dimensions: 38 cm ×...

Antique Victorian Papier-Mâché wall shelve with Edelweiss Decoration A rare antique Papier-Mâché corner shelve with hand painted alpine landscape and edelweiss decoration. Manufactu...

A Black Forest period German wall carving from the 19th century depicting a hunting trophy. A striking relic from the 19th century, this Black Forest period German wall carving serve...

Victorian Beetle Prints Set of Four – Scarab & Stag Beetle Plates, 1893 Description: This decorative set of four natural history beetle plates originates from the influential Ge...

Museum Style Beetle Specimen Plates, Victorian Entomology Prints, Set of 8 Description: This striking decorative set of eight beetle plates originates from the celebrated German ent...

Antique map France titled 'Normannia Galliae celebris Provincia in terras suas Ballisiatus (..)'. Decorative regional map of Normandy, France, circa ...

Large German Majolica Leaves & Flowers Plate Circa 1900. 9 inches diameter.

This charming 19th century KPM porcelain plaque depicts a painting after German artist Christian Leberecht Vogel's popular work Die Söhne des Künstlers, executed in 1793. The beautif...

Incredible Mid-Century abstract brutalist door panel. Jagged edges and decorative carvings highlight its raw and dynamic geometric presence. An a...

Vintage BMF 95% Pewter Framed with Porcelain Plates "Four Seasons Wall Plates" Spring, Summer, Autum, Winter. Made in Germany. Made at the famous Ge...

Sacramento City California – Antique Gold Rush Port Steel Engraving, ca.1850 Description: This detailed mid-19th century steel engraving presents an early panoramic view of Sacramen...

Virgin Mary with Christ Child and Angel Musicians – German Chromolithograph, 1900 This exquisite antique German chromolithograph presents a tender and highly lyrical devotional sce...

Antique Chamois Trophy on Carved Plaque, Germany ca. 1930s Antique chamois (Rupicapra rupicapra) trophy mounted on a wooden carved plaque with ornate acorn and leaf carvings. The tr...

Antique Gamboge Botanical Print, Garcinia Cambogia, Hand Colored, c.1831 This original botanical engraving depicts Garcinia Cambogia, a tropical tree valued for producing gamboge, a...