German Wall Decorations

Bjørn Wiinblad wall Plate, produced by Rosenthal. ALADIN in the Enchanted Garden #4 Wall Plate Bjorn Wiinblad Rosenthal. Vintage porcelain collector plate by Rosenthal Studio Line, Germany from the series " Aladin im Zubergarten" plate "Aladin und die Wunderlampe IV". This decorative wall plate is titled "Aladin im Zaubergarten eingesperrt" (Aladin in the Enchanted Garden) and is number 4 in the collectible series of 12. The plate includes hanging hardware affixed to the back, shown. The various colors, together with the gold, make these plates true and precious collector's items. Bjørn Wiinblad porcelain Rosenthal Studio Line Collectable Plate. In pristine condition. Dimensions: 6.25 in. diameter. Artist: Bjørn Wiinblad. Plate Number: 4 (series of 12) Title: Aladin in the Enchanted Garden Hardware: Fixed, hanging. Aladdin and the Magic Lamp series was designed in the 60s by the Danish artist and chief designer of Rosenthal, Björn Wiinblad. Connoisseurs of Wiinblad's work know that this great artist worked in various industries and fields in the 20th century and had his works in renowned museums such as the Victoria and Albert Museum in London, the Museum of Modern Art in New York, the National Museum in Sweden, were collected from the Moderna Museet in Copenhagen and today have a high collector's value. Rosenthal is a German company that is well-known for its production of high-quality porcelain and other luxury goods. The company has a long history, dating back to the late 19th century, and it has collaborated with various artists and designers over the years to create unique and artistic pieces. This Bjorn Wiinblad Vintage Danish Modern Rosenthal porcelain " Aladdin " collector's decorative plate is a very special and unique piece to add to your collection. The porcelain collector's decorative wall plate is made by Rosenthal Studio Line, Germany from 1976 - 1982. Made of fine porcelain, the round decorative plate features a beautiful multicolor design of Aladdin with special metallic gold details. It is signed in the plate lower front and has an attached hanger on the reverse back side for easy wall installation. Characteristics of Wiinblad's work include whimsical round faced people, dressed vaguely in 19th Century costume. They are often surrounded by natural elements : twining vines, floral wreathes, and fantastical trees. When Wiinblad employed color, he did so with great assurance. His color palette is saturated and strong, often accented with metallic gold or silver. Bjørn Wiinblad was a Danish painter, designer, and artist known for his distinctive and whimsical style. He gained international recognition for his work, which often featured imaginative and decorative elements. Wiinblad was active from the mid-20th century until his passing in 2006. Bjorn Wiinblad ( 1918 - 2006 ) was a Danish painter, designer, and artist known for his distinctive and whimsical style in ceramics, silver, bronze, textiles, and graphics. He gained international recognition for his work, which often featured imaginative and decorative elements. His artworks have been exhibited internationally since the early 1950's. Wiinblad was named Man...

Title: New York City Hall – Antique Architectural Engraving of Manhattan, c.1850 This finely engraved nineteenth-century view depicts New York City Hall, one of the most important c...

Title: Erie Canal Near Little Falls, New York – Antique American Landscape Print, 1850 This evocative nineteenth-century engraving depicts a picturesque stretch of the Erie Canal ne...

Maker's mark: Christian Wagner, Rein, Kupfer, made in Germany with brass hanging rings.

Large German Majolica Leaf Plate, Circa 1900. 9 inches diameter.

Chinese Peacock-Pheasant – Hand-Colored Bird Engraving by Edwards & Seligmann, c.1750–1776 This fine hand-colored engraving depicts the Chinese Peacock-Pheasant (Phasianus alis et caudâ oculatis), an exotic species admired in Europe for its ornate plumage. The bird is shown perched gracefully on a flowering branch, its feathers marked with striking blue and green eye-like spots. Decorative peonies frame the composition, enhancing the print’s ornamental character. The engraving bears multilingual titles: “Der chinesische Phasanenpfau” (German), “Le Paon-Phaisan de la Chine” (French), and the Latin classification Phasianus, alis et caudâ, oculatis. At the lower left, the note G. Edwards ad viv. delin. credits the original life drawing...

Title: Set of 8 Antique Alpine Botanical Chromolithographs – Atlas der Alpenflora 1897 Description: An elegant and cohesive set of eight original antique botanical chromolithograph...

Germany, circa 1810 A set of three early nineteenth century scientific lithographic prints of fish by Johann Friedrich August Krüger in collaboration with engraver Ludwig Schmidt, a...

Swans on a Quiet Lake – Graceful Antique Bird Chromolithograph c.1880 This serene late 19th-century ornithological chromolithograph depicts a peaceful lakeside scene with swans in different stages of maturity, presented within a broad, open landscape of calm water, grassy banks, and distant trees. In the foreground, an adult white swan glides across the water with its neck elegantly curved, while nearby a grey-brown juvenile swan and an older, darker bird stand at the water’s edge. The composition gently illustrates growth and variation within the species, a common and instructive theme in natural history illustration of the period. The swan, long regarded as a symbol of grace, purity, and tranquility, was a favored subject in 19th-century European ornithological works. The contrast between the bright white plumage of the adult bird and the softer grey tones of the younger swans is rendered with great sensitivity, emphasizing differences in age and development. The surrounding landscape is deliberately understated, allowing the birds to remain the focal point while conveying a convincing natural habitat. Produced using chromolithography, this print displays soft, harmonious coloration and smooth tonal transitions. Pale blues and greens dominate the water and sky, complemented by gentle earth tones along the shoreline. Fine feather detailing and subtle reflections in the water demonstrate the technical quality of late 19th-century chromolithographic printing, which sought to combine scientific accuracy with decorative appeal. This print is ideal for collectors of antique bird prints, waterfowl imagery, and pastoral wildlife scenes. It also works beautifully in interior settings such as living rooms, bedrooms, nurseries, country houses, or calm contemporary spaces, where its balanced composition and soothing palette add a sense of elegance and quiet refinement. Condition report Good antique condition. Light foxing and mild age-related toning visible, mainly in the margins, consistent with chromolithographs of this period. The image area remains clean and well preserved, with no major tears or losses observed. Framing tips Frame with a wide off-white or soft beige mat and a natural wood, walnut, or simple black frame. This enhances the gentle color palette and gives the print a timeless, museum-style presentation. Keywords antique bird print, swan illustration, swans on a lake, waterfowl art...

Antique map titled 'Typus Totius Orbis Terraquei Geographice Delineatus, Et Ad Usum Globo Materiali Superinducendus'. Beautiful example of Scherer's map of the World, configured in 12 globe gores. California is shown as an island. Fascinating Northwest Passage...

Alsace Folk Costume, Griesheim, Traditional Dress, c.1875 This striking chromolithograph depicts women wearing traditional costume from Griesheim in Alsace, distinguished by large b...

Original vintage poster featuring the iconic 1960s Pop Art design by the notable artist Andy Warhol (1928-1987) depicting a colourful portrait of a smiling Marilyn Monroe (Norma Jean...

Germany 1500–1600, Set of Six Antique Hand-Colored Renaissance Costume Prints This exceptional set of six hand-colored costume plates presents a richly detailed visual history of German dress between 1500 and 1600, a century marked by artistic transformation, political upheaval, and the dramatic rise of the Landsknechts—Europe’s most flamboyant mercenary soldiers. Produced by Ernst Wasmuth A.-G. in Berlin after designs by Max Tilke, the series forms a cohesive and chronologically focused group illustrating both military and civilian fashion at the height of the German Renaissance. Plate 121 (1500–1525) introduces early Renaissance styles through richly dressed townspeople, artisans, and vividly attired Landsknechts in striped hose, puffed sleeves, and slashed fabrics. Their bold silhouettes and vibrant colors reflect an era that embraced display, individuality, and martial confidence. Plate 125 shifts attention to educated and urban society. Nobles, scholars, patricians, and elegantly dressed women appear in fitted gowns, fur-lined robes, tall hats, and structured outer garments typical of pre-Reformation Germany. This plate captures the rising influence of civic authority and intellectual life in cities such as Nuremberg and Augsburg. Plate 128 brings us deeper into mid-16th-century fashion, featuring court musicians, entertainers, and courtiers in short doublets, decorative hose, lightweight cloaks, and feathered caps. A second grouping includes finely dressed nobles and diplomats, highlighting the refinement and ceremony of German court culture. Plates 133, 134, and 135 together form an extraordinary triptych of Landsknecht fashion. These soldiers became famous across Europe for their exuberant and unconventional dress—massive slashed sleeves, multicolored fabrics, puffed shoulders, dagger-cut openings, exaggerated hose, and feathered hats. Represented here in various ranks and roles, the Landsknechts illustrate not only military history but also one of the boldest and most influential costume styles of the Renaissance. Their outfits remain some of the most recognizable in European fashion history. As a complete six-plate group, these prints present a compelling narrative of German Renaissance society—its militarism, its artistic ambition, and its richly diverse clothing traditions. The hand-coloring across the set is bright and consistent, showcasing atmospheric tones, strong contrasts, and careful attention to detail. Few collections display this level of completeness and visual harmony. Ideal for collectors of European history, early modern military culture, historical costume, or decorative antique prints with strong visual presence, this series also suits interior designers seeking classical themes, warm palettes, and refined historical character. Condition report: All six plates are in very good antique condition with gentle age toning and minimal edge wear. Image areas are clean and colors remain vivid. Plate numbers and captions clearly present. No tears, staining, or repairs. Framing suggestion: For a striking installation, frame the six plates in matching dark-stained or walnut frames with warm cream mats. They display beautifully in two rows of three, or as a vertical series of paired prints. Their strong color palette and rhythmic compositions create a dynamic yet elegant wall display. Technique: Hand-colored lithographs Maker: Max Tilke, printed by Ernst Wasmuth A.-G., Berlin, c.1880 Keywords: German Renaissance costumes, 1500s German clothing, Landsknecht soldiers, antique costume print, hand-colored lithograph, Max Tilke, Ernst Wasmuth Berlin, Renaissance fashion Germany, 16th century attire, historical dress Germany, court fashion 1500s, German nobles costumes, artisan clothing Renaissance...

Baroque Dressage Horse Training Scene, Georg Simon Winter, Hand Colored 1678 This original hand-colored copperplate engraving depicts an advanced dressage exercise from one of the m...

German Majolica Leaves & Ferns Plate, Circa 1890.

Antique Engravings of Reptiles, Fish, and Insects, Tab. V & VI, circa 1800 This fine double natural history engraving, titled “Tab. V” and “Tab. VI,” presents an engaging selection ...

Alexander Michael Oil Painting of a Coastal Landscape in Moreira, Spain 1986 This expressive painting by Alexander Michael, a German artist, was created in 1986. It captures a vibra...

Majolica grape plate signed Villeroy Boch Circa 1890.

Large Peter Keil Sunburst Wall Sculpture in Painted Metal, Signed, 36" Diameter This striking sunburst wall sculpture is an expressive, large-scale work by Peter Keil, celebrated fo...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

German Majolica Leaves & Ferns Plate, Circa 1890. one hairline.

Original vintage travel advertising poster for Munich Zoo Park / Zoologischer Garten Munchen by the notable German graphic artist Ludwig Hohlwein (1874-1949...

Ancient Greek Statue Studies – Original 1910 Wasmuth Antiquity Plate Description: This original early 20th-century plate presents a detailed study of ancient Greek statuary, publish...

Love this Design and color Designer - Dorothee Becker Maurer Producer - Design M Model - Ustensilo Wall Organizer Design Period 1970s Materials - Plastic Col...

Vintage Eames Lounge Chair poster

19th Century German Majolica Begonia Plate

Antique German Black Forest Wall Clock with Carved Bird and Florals, Circa 1880.

Antique Islamic Lamps and Hookahs Object Study, Maximilian Egypt 1846 This highly detailed 19th-century Orientalist reference engraving presents a comprehensive visual inventory of ...

Black Forest antique hand carved miniature wall pocket of a fringed game hunter's bag with woodcock, rifle and horn Rich, dark patina and very we...

Wassily Kandinsky print. Titled: Yellow-Red-Blue, originally painted in 1925, harmonious and perfect form among geometrical shapes. This is a...

Pacific Island Ethnography – Canoe, Architecture & Costume, Antique Print c.1890 This detailed ethnographic engraving documents aspects of daily life, material culture, and technolo...

GOTTFRIED SCHULTZ German, 1842-1919 Still-Life with Fruits and Wine on a Marble Surface with a Small Fly Oil on linen Signed upper left "G. Schultz" Item # 402UJE16Z An intricately painted still-life scene centered around a blown glass goblet of white wine centered on a marble table top. Red and white grapes spill across the surface with a sprig of the grape vine together with several large leaves resting on the top while peaches, a pear, two plums and an open apricot are laid out on the table. A single fly looks on at the table of sweet fruits and juices, its tiny body casting...

Bending Male Nude Study after de Lairesse German Drawing Manual c1745 Description: This compelling academic study of the male nude originates from the German edition of Gérard de La...

Antique Chromolithographs of European Seabirds – Gulls, Terns, Skuas, Geese and Gannets, c.1890 A vibrant set of six antique chromolithographs depicting seabirds and coastal waterfo...

A large antique 19th century Belle Époque style KPM hand painted plaque of a young German woman wearing a bay laurel wreath, impressed KPM and scepter...

Large Black Forest 8 Pointer Red Deer Trophy on Carved Plaque - Germany ca. 1940s A large 8-pointer red deer trophy (Cervus elaphus) from South Germany, mounted on a brown wooden pl...

Etruscan Antiquity Plate with Warriors, Banquet and Dancers, Wasmuth c.1910 Description: This original early 20th-century plate presents a refined study of Etruscan antiquity, publi...

Lac Derg in der Graffschafft Donegal - (Lough Derg in County Donegal). This engraving shows the pilgrimage island in Lough Derg, famous since the Middle Ages as a site of penitenti...

Fly Agaric & Chanterelle Mushrooms – Antique Botanical Lithograph Set, 1885 This refined set of three large-format botanical lithographs illustrates a celebrated selection of Europe...

Oil on canvas painting of group of gentlemen telling tales at the pub by German artist Fritz Wagner. The painting is signed in the lower right corner and presented in a period frame...

This striking, extra-large Ruscha wall disc sculpture showcases the distinctive craftsmanship of mid-century German art pottery. Designed with a vibrant fat lava glaze, this piece di...

Article: Wall rug Decade: 1970s Origin: Germany Producer: Schloss Hackhausen, Germany Design: Ewald Kröner This rug is a great example of 1970s pop art interior. Made ...

Pair of hand colored engravings of the Royal Palace and Brussels Park by Balthasar Friedrich Leizelt (also spelled Leizel, active 1750–1800) a German artist and copperplate engraver working from Augsburg. These are beautiful and evocative renderings of architecture, open space and perspective. 1- Place Royal A Bruxelles 2- Vue Du Parc A Bruxelles 22 inches wide 18 high Leizelt produced a series of European and American scenic views at a time when pictures of foreign countries and people were popular and designed for use in optical viewers. As is normal for these prints the series title is a mirror image because optical viewers made use of mirrors which reversed the image. The Age of Enlightenment sparked a great interest in science, so that optical toys...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Small Majolica sunflower plate Villeroy & Boch, circa 1900. Diameter / 6.6 inches.

Hand-Colored Botanical Lithograph of Nicotiana Tabacum and Nicotiana Rustica, 1854 This striking hand-colored botanical lithograph is from Carl Georg Calwer’s 'Deutschlands Tech...

Large and heavy ceramic wall tile depicting a southern landscape with cypress trees in a relief design. Designed and manufactured by Dietmar Liedke for Majolika Karlsruhe in the 1970...

Black Forest Chamois Trophy on Carved Wooden Plaque, Austria 1951 A decorative trophy of the chamois (Rupicapra rupicapra), mounted on a carved wooden plaque. The plaque is painted ...

German Majolica plate with morning glory on a blue basket weave and a brown border, circa 1900.

Agaricus Mushrooms – Antique Botanical Lithograph, German Mycology 1885 This botanical lithograph from 1885 focuses on Agaricus and related mushroom species, depicted with scientifi...

This painting is an oil on canvas and signed in the lower right, dating to about 1920. It does has craquelure which would be expected for an untouched painting of this age, but it d...

Artist Antonia Dombrowsky Color Etching - Etat 3/5 2000 Dimension Print Height 50 cm / 19.68 inches Width 30 cm / 11.81 inches Biography of the Artist 1935 Born in Düsseldo...

Silesian Folk Costume Scene, Prussia, Buchwald & Fischbach, c.1875 A lively genre scene depicting traditional costume from Buchwald and Fischbach in Silesia, with multiple figures e...

Antique Lighthouse Engineering Engravings, Set of 3, c.1800 This set of three large-format engravings depicts the design and construction of a lighthouse at sea, drawn from Karl Fri...

Adoration of the Magi, c.1900 German Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts the Adoration of the Magi, one of the most cherished subjects in Christian art. Printed around 1900–1920 by a major German devotional press, the work displays the hallmarks of high-quality chromolithographic craftsmanship: deep, luminous color; soft tonal transitions; richly layered stone-based pigments; and a gentle atmosphere that recalls late 19th-century academic religious painting. The composition presents the Virgin Mary seated with the Christ Child, Joseph beside her, and the Three Kings kneeling in reverence as they present their gifts of gold, frankincense, and myrrh. A young attendant appears in the doorway holding another offering. The figures are rendered with delicately modeled expressions, soft haloes, and meticulously detailed robes—particularly the embroidered white garment of the kneeling king and the golden cloak of the standing monarch. These chromatic effects were achieved through multiple lithographic stones, a technique that reached its peak among German devotional publishers during this period. The multilingual caption along the lower margin identifies the print for international Catholic distribution: “Anbetung der Könige. Adoration of the Three Kings. L’adoration des rois mages. L’adorazione dei Magi. La adoración de los Reyes Magos. Pokłon Trzech Króli.” This reflects the broad export networks of German publishers who supplied churches, monasteries, and private devotional homes throughout Europe and the Americas. The note “Printed in Germany” confirms its origin, consistent with presses in Munich, Dresden, Cologne, and Limburg, known for producing richly colored religious chromolithographs from the late 19th to early 20th century. This work is unquestionably an original chromolithograph, not a modern reproduction. The image shows true stone-layered color rather than digital or offset dots, and the paper retains the matte texture, subtle toning, and characteristic stippled pigment structure associated with genuine early 20th-century chromolithography. The presence of the multilingual caption, period typography, and the “Printed in Germany” imprint further authenticate the piece. Condition Report: Very good condition. Colors vivid and unfaded. Minor age toning to outer margins and small handling marks consistent with age. No tears, losses, or repairs observed. The bottom title and imprint text are sharp and fully legible. Tips for Framing: Ideal for framing in a gilded or walnut frame to complement the warm palette and ceremonial richness of the scene. A cream or ivory mat enhances the devotional character and highlights the luminous tones of the garments. A darker frame with a wide mat can also create a refined, museum-style presentation. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 Keyword Block: adoration of the magi three kings epiphany art christ child holy family mary and jesus st joseph devotional art catholic art religious art chromolithograph german chromolithograph printed in germany antique lithograph german devotional print early 20th century religious print nativity scene christian iconography epiphany print anbetung der könige fine chromolitho religious ephemera magi kings christmas art holy family scene antique christian art...

Lactarius Mushrooms – Antique Fungi Lithograph, Natural History Print 1885 This refined late 19th-century lithograph illustrates several species of Lactarius mushrooms, known for th...

Morel & Funnel Mushrooms – Antique Botanical Lithograph by Fünfstück, 1885 This elegant botanical lithograph from 1885 depicts a striking selection of European fungi, including ...

Duck Pond in Taufkirchen, 1975 – Oil Painting by Alexander Michael Item e7645 The oil painting 'Duck Pond in Taufkirchen', dated 1975, portrays a vib...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also a...

Alexander Michael Oil Painting of a Pont with Water Lilies 1972 A great oil painting which features water lilies, floating leaves, and reflected light, rendered with thick brushwork...