Art by Medium: Aquatint

Juan Valladares (Peru, b. 1938) "Divinite de l'Enfance" (épreuve d'artiste), Abstract Etching/Aquatint signed and titled in Pencil, Late 20th Century, 1977 Colors: Black, Brown, Gre...

Joanna Irvin Greenwich Window 1 Etching A/P Image: 15 x 10 Mount 27.0 x 22.0 cm Joanna Irvin - Joanna was born in Aberdeen and spent her childhood in Scotland and Ireland. She stud...

Artist: Joel Stewart – American (1959- ) Title: Eclipse Year: circa 1997 Medium: Aquatint on heavy paper Sheet size: 34.5 x 28 inches. Signature: Signed, dated lower right. Numbered lower left Edition:14. This one: 5/14 Condition: Very good Unframed This large aquatint is by the noted American artist, Joel Stewart (1959- ). The print is a bold composition with rich, yet soft colors. Stewart has lived and worked in Kyoto, Japan since the early 1990s. This print was printed in Kyoto in 1997 in a very small edition of 14. It is in very good condition with no flaws to note. JOEL STEWART – BIOGRAPHY (source: Artist's website) SELECTED EXHIBITIONS 2008 “MAKING WAVES – CONTEMPORARY JAPANESE PRINTS”, PHOENIX ART MUSEUM, Phoenix, AZ., Group exhibition Solo exhibitions on hold while construction of “Crossroads” folding screen installation project (begun January 2007) continues. Kyoto, Japan 2007 “ON THE CUTTING EDGE: CONTEMPORARY JAPANESE PRINTS”, LIBRARY OF CONGRESS, Washington D.C., Group exhibition “Crossroads”- Folding screen installation project initiated in January – Kyoto, Japan 2006 “MAHAFFEY FINE ART: 14 YEARS, 14 ARTISTS”, PORTLAND ART MUSEUM, Portland, OR., Group Exhibition “MODERN JAPANESE PRINTS: ETCHINGS”, LOS ANGELES COUNTY MUSEUM OF ART, Los Angeleges CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2005 “JOEL STEWART – RECENT WORKS”, AZUMA GALLERY, Seattle, WA., Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2004 “NEW PAINTINGS”, KATO GALLERY, Tokyo, Japan, Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2003 “20 YEARS”, VERNE GALLERY, Cleveland, OH, Group exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2002 “JOEL STEWART: NEW WORKS ON PAPER”, AZUMA GALLERY, Seattle, WA, Solo exhibition “RECENT PAINTINGS”, KATO GALLERY, Tokyo, Japan, Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2001 “JOEL STEWART – PAINTINGS”, KEIHAN ART GALLERY, Osaka, Japan, Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2000 “EAST MEETS WEST: TRADITION AND INNOVATION IN MODERN JAPANESE PRINTS”, CLEVELAND MUSEUM OF ART, Cleveland, OH “NEW WORKS ON PAPER”, AZUMA GALLERY, Seattle, WA. Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition “JOEL STEWART – PAINTINGS AND PRINTS”, REN BROWN...

Saint Clair Cemin, Brazilian (1951 - ) - The Wait, Year: 1978, Medium: Etching and Aquatint on Arches, signed and dated in pencil, Image Size: 11.75 x 11.5 inches, Size: 29.75 x 22...

Etching and aquatint, 1978 Handsigned by the artist in pencil and numbered XVII/L Catalog : [Guastello 372, p. 192] 75.00 cm. x 56.00 cm. 29.53 in. x 22.05 in. (paper) 50.00 cm. x 3...

Alfred Finsterer (1908-1996, German), "Mondhaubentanz - Male and Female Clowns Dancing", Abstract Figurative Etching numbered and signed in Pencil, 27 x 19.50, Late 20th Century Col...

Luis Enrique Camejo (Cuba, 1957) 'Sábanas blancas', 2022 sugar aquatint on paper Canson 320 g. 28.2 x 20.9 in. (71.5 x 53 cm.) Edition of 15 Unframed

Artist: Saint Clair Cemin, Brazilian (1951 - ) Title: Sorceress Year: 1980 Medium: Aquatint Etching, signed, dated and numbered in pencil Edition: 75, 12 AP Image Size: 9 x 11....

Martin Barooshian, American (1929 - 2022) - Hippo, Year: circa 1979, Medium: Etching and Aquatint, signed, titled and numbered in pencil, Edition: 50/60, Image Size: 9.25 x 11....

Eye, 2000 Howard Hodgkin Etching with aquatint and carborundum printed in colours Extensively hand-coloured in acrylic, on Two Rivers wove paper Signed, dated and numbered from the ...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche VI Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions in f...

"Fete" Mid Century Abstract Etching and Aquatint on Paper (Artist's Proof) Bold abstract composition by Renee Lubarow (French, 1923-2017). This piece is somewhat architectural or in...

Mi Octobre by Johnny Friedlaender, German (1912–1992) Date: 1969 Etching with Aquatint, signed and numbered in pencil Edition of 44/95 Image Size: 26.5 x 18 inches Size: 30 x 22 in. ...

Etching and aquatint, 1964 Edition : 9/24 Publisher : Le Point Cardinal (Paris) Printer : Georges Visat (Paris) Catalog : [Sabatier 1975 67.118] 32.50 cm. x 25.50 cm. 12.8 in. x 10....

Signed, titled and numbered from the edition of 50. This is an etching with gold leaf background. It shows Viramontes' mother, brother and two sisters. It is a salute to motherhood. ...

Harry McCormick, American (1942 - ) - Young Boy, Year: circa 1980, Medium: Etching and Aquatint on BFK Rives, signed and numbered in pencil, Edition: AP, Image Size: 4 x 5.25 inc...

Medium: Etching and aquatint Year: 2016 Image Size: 15.5 x 11.5 inches Edition of 25, signed and titled by the artist McCleary was born in Santa Monica, California. He graduated fro...

Artist: Keiko Minami, Japanese (1911 - 2004) Title: Castle Year: circa 1985 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 120 Image Size: 12 x 11 inches Size: 22 ...

Richard Haas Central Synagogue - Lexington Avenue Looking North, 1991 Etching and aquatint on wove paper Signed, dated and numbered 8/35 in graphite pencil on the front; bears the or...

Patient, Doctor, Death and Devil, is an original etching and aquatint on paper, realized by Emil Nolde in 1911, hand-signed, titled and numbered IV.5, total edition 30 copies in 5...

Born in Greenwich, Connecticut, Jack Coughlin studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is b...

A moody, evocative black and white abstract etching by pioneer Bruce Nauman. Bruce Nauman (born December 6, 1941) is an American artist. His practice spans a broad range of media inc...

Blohm studied painting at the Academy of Fine Arts in Munich, Germany and moved to New York in 1984, later establishing a second studio in Berlin. She is in numerous international co...

Roxana Hartmann (Bolivia, ) 'Habana', 2018 etching, sugar aquatint on paper Feltmark 300 g 16 x 11.3 in. (40.5 x 28.5 cm.) Edition of 10 ID: HAR-101-008 Unframed

An exceptional original color aquatint etching by renowned American printmaker George Elbert Burr (1859–1939), depicting the iconic peaks of Longs Peak and Mount Meeker in Colorado's...

David Driesbach studied at the University of Illinois in 1940 and 41. In 1942 he enlisted in the Marines and served until 1945. His artistic education ...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XX Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions in f...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XVIII Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions i...

This artwork titled "Centre Noeuds" plate #9, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This artwork "Untitled, Fantastic Scene" c.1975 is an original color etching with aquatint on wove paper by American surrealist artist Michael Bowen, 1937-2009. It is hand signed in pencil by the artist. The plate mark (image) size is 14.85 x 18 inches, sheet size is 21.5 x 26 inches. It is in excellent condition, has never been framed. About the subject: Nowhere is the intertwining of metaphysical, biographic and social narratives more evident than in the Café Life series painted in the 1980’s. Though the “series” was done in the 80’s, the pieces really revive the spirit of the Beat café scene, which began in the mid-1950’s and which was so instrumental to the particular spiritual and social vibe of the counter culture. And his Café Life observations continue over his artist life with scenes, such as the ones here, from Los Angles, Bolinas, Mexico and Italy. About the artist: Michael Bowen (December 8, 1937 – March 7, 2009) was an American fine artist known as one of the co-founders of the late 20th and 21st century Visionary art movements. His works include paintings on canvas and paper, 92 intaglio etchings based on Jungian psychology, assemblage, bronze sculpture, collage, and handmade art books. An icon of the American Beat Generation and the 1960s counterculture, Bowen is also known for his role in inspiring and organizing the first Human Be-In in San Francisco. Chronicled in books and periodicals reflecting on the turbulent 1960s, Bowen's historical impact on both the literary and visual art worlds is well documented. He remains influential among avant-garde art circles around the world. He started his art career at age 17, when he joined the American installation artist Ed Kienholz in his Los Angeles studio. There he met and joined with other influential Beat Generation artists including Wallace Berman, John Altoon, and Dennis Hopper. Bowen participated in the construction of the Ferus Gallery and Now Gallery created by Ed Kienholz and curated by Walter Hopps. Bowen attended the Chouinard Art Institute for several years during his formative artistic experiences in Los Angeles. In the late 50s and early 60s, Bowen continued his spiritual training and research. He investigated and practiced a variety of occult topics, Eastern philosophies, and mysticism, and his artwork reflected these themes. Bowen is often referred to as a mystic artist. As a lifelong student of the Bhagavad-Gita, Bowen's entire career has emulated the spiritual warrior archetype of Arjuna, fighting for the Bill of Rights of the United States Constitution. Michael Bowen moved to San Francisco in the late 1950s, and along with fellow artist comrades Arthur Monroe...

George Brookshaw's (1751-1823) beautiful Black Frontiniac Wine Grape hand-colored aquatint engraving, plate XVII from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a rich mottled background. The print is presented in a gold and burgundy-colored wood frame and a light gray mat. The print is in very good condition. Another Brookshaw engraving from his series of fruit illustrations is available on 1stdibs. It is framed and matted identically to this one. It can be viewed on our 1stdibs storefront by typing Timeless Intaglio...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche III Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions in ...

Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches Portrait of a plump and possibly perplexed owl in a nocturnal setting, by Franco-Iranian artist M...

Sonia DELAUNAY Composition 1970 Original etching Signed in pencil Numbered / 150 On Arches vellum 65.5 x 50 cm (c. 26 x 20 in) Excellent condition

Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brush marks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art Gallery of Ontario, Toronto, Canada 1976 R.C.A.Printmakers,Waddington Gallery,London 1988 'Exhibition Road',R.C.A,London 1989 Berkeley Square Gallery, London 1989,90 Austin Desmond Gallery, london 1990 Scottish Gallery, London 1991 Big Little Picture-Show,W.Jackson,London 1992 'Winter Seen III',W.Jackson Gallery,London 1993 1 st Egyptian Print Triennale, Giza, Egypt 1994 Art '94, london, with Art First La Galerie du Touquet (with Alain Morcot) 1995 Art...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XII Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions in ...

This moody composition depicts an abstracted waterscape—perhaps reeds waving gently, emerging from the water in which a cloudy sky is reflected. This etching is from Mark Tobey’s 197...

Original aquatint etching “Untitled” by the Germans artist, Ferdinand Springer. Signed in lower right margin in pencil by the artist and dated 1951. Condition is excellent. Edition size in pencil in lower left margin 98/200. Sheet size (full) is 115 by 22.75. Image size is 9.75 by 18.75. The artwork is housed in a thin antique silver contemporary frame. Overall framed measurements are 19.5 by 27 inches. Under glass. Provenance: A St. Petersburg, Florida collector. Ferdinand Springer, painter and printmaker, was born to a German father and a Swiss mother in Berlin on October 1, 1907. After graduating from high school in Potsdam, he studied art history at the University of Zurich. He began painting in 1927 and visited Milan where he met the Italian painters Giorgio Morandi and Carlo Carrà. Springer moved to Paris in 1928 where he studied with Roger Bissière at the Académie Ranson. In 1932, he learned intaglio techniques at Atelier 17 in Paris and, in 1937, he traveled to New York where he exhibited at the Julian Levy Gallery. During this time he met Alexander Calder and Salvatore Dali...

Eduardo Chillida (Spain, 1924-2002) 'Estampa VI', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqu...

Marc Chagall Fables : The Child and The Professor , 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (...

This artwork titled "Venice" 1965 is an original color aquatint on Arches paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered 42/100 in pencil by the a...

The Force is an etching and aquatint realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. From the serie "The Tarots" Dry stamp by Il Cigno Stamperia d’Arte. Ha...

Etching and aquatint on zinc, 3 plates, 5 colors, 1961 Handsigned by the artist in pencil and numbered 27/50 Printer : Jean Signovert (Paris) Catalog : [Schneider VII, page 206] Publ...

Artist: Gilou Brillant (1935- ) Title: Untitled Year: 1975 Medium: Aquatint Etching with Carborundum, signed in pencil Size: 22 in. x 30 in. (55.88 cm x 76.2 cm) Frame Size: 29 x 3...

Aquatint, lift-ground etching and aquatint on Georges Duchene Hawthorne of Larroque handmade paper 87.6 x 61 cm (34 1/2 x 24 inches) Edition of 52

Aquatint and drypoint 75.9 x 60.6 cms (29 7/8 x 23 7/8 ins) paper size 60.3 x 45.4 cms (23 3/4 x 17 7/8 ins) plate size Edition of 5

“Sky High” is a two-color a la poupee etching, aquatint, and drypoint, created in 2011, in an edition of 50. This impression is inscribed “15/50”. The paper size is 16 x 12 inches, ...

Medium: Intaglio and Chine Colle Year: 2020 Image Size: 18 x 12 inches Edition of 15 Signed, titled and numbered by the artist. A young woman with traditional Japanese fan in front ...

Artist: Kaiko Moti – Indian/French (1921-1989-) Title: Lioness Year: 1978 Medium: Color Aquatint on Arches paper Sight size: 19.5 x 23.25 inches. Sheet size: 25 x 30 inches Signa...

Untitled Chezan Date: circa 1980 Etching with Aquatint, signed and numbered in pencil Edition of 250 Size: 26 x 33.5 in. (66.04 x 85.09 cm)

This artwork titled "Centre Noeuds" plate #1, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Untitled, Planche 19 (Plate 19)" [Set of 2] Portfolio: Unité *Signed in pencil lower right. It is a...

The single letter "D", from the alphabet, illustrated by dragonflies. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real an...

The single letter "W", from the alphabet, illustrated by a whale. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and im...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 10 x 12 inches (254 x 306 mm), the full sheet. ...

Rotomagus, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Good conditions. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the se...

Edgar DEGAS (after) Whorehouse Scene : The Drunk Prostitutes Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (the gre...

Etching and aquatint, 1965 Handsigned by the artist in pencil and numbered 23/50 Publisher : Galerie Louise Leiris, Paris Printer : Crommelynck Catalog : [Baer n°1179 Bb1 T. V p. 201...

Amalia Avia (Spain, 1939) 'Llegada a Nueva York', 1982 engraving on paper, edition of 6 12.3 x 16.6 in. (31 x 42 cm.) ID: AVI1261-001-006 Unframed, Hand-signed by author Amalia Avia...

Artist: Gilou Brillant Title: Untitled 21 Year: circa 1975 Medium: Aquatint Etching, signed and numbered in pencil Edition: 99 Size: 35.5 x 25.5 in. (90.17 x 64.77 cm)