Art by Medium: Aquatint

Artist: Harry Hoehn, American (1917 - 1974) Title: Untitled Year: circa 1963 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 18/50 Image Size: 17.5 x 23 inches ...

Sharp, William (American, 1900-1961). MAXWELL STREET. Etching and aquatint, not dated, but circa 1940. Edition of 25, titled and signed in pencil and numbered 9/25. 8 5/8 x 10 3/4 in...

Tim Southall Ravens at the Tower Limited Edition Etching and Aquatint Edition of 75 Image Size: H 10cm x W 15cm Sheet Size: H 20cm x W 24cm x D 0.1cm Sold Unframed Please note that i...

Mu Tighe O’Donoghue, American (1942–2023) Date: 1979 Etching with Aquatint, signed in pencil Size: 30 x 22 in. (76.2 x 55.88 cm)

André Masson, French (1896 -1987) - Démone, Year: 1957, Medium: Etching and Aquatint, signed and numbered in pencil, Edition: 15/30, Image Size: 6 x 4.5 inches, Size: 15 x 11 in...

Artist: Sylvia Roth Title: The Empress Year: circa 1980 Medium: Etching with Aquatint, signed and numbered in pencil Edition: PP Image Size: 23.5 x 22 inches Size: 34 x 28.5 inches

Guillermo Silva Santamaria, Colombian (1922 -2007) - Fusilamiento, Year: circa 1963, Medium: Aquatint and Intaglio, signed, titled and numbered in pencil, Edition: C/A IV, Image S...

Klaus Böttger, German (1942 -1992) - Blase, Year: circa 1965, Medium: Etching and Aquatint, signed, titled and numbered in pencil, Edition: 20/50, Image Size: 5.5 x 7.5 inches, S...

Guillermo Silva Santamaria, Colombian (1922 -2007) - Los Justos, Year: circa 1963, Medium: Aquatint and Intaglio, Edition: C/A VI, Image Size: 7 x 13 inches, Size: 12.75 x 19 in...

Artist: Marino Marini, Italian (1901 - 1980) Title: SPARTICO (Bizzarria) (G.A.184) Year: 1975 Medium: Aquatint Etching, Signed and numbered in Pencil Edition: L/L Image: 14.25 x 19.5...

The Shrine Tighe O’Donoghue, American (1942–2023) Date: Circa 1985 Aquatint Etching, Signed and numbered in pencil Edition of 99 Size: 27 in. x 22 in. (68.58 cm x 55.88 cm)

Andre Masson, French (1896 - 1987) - Self-Portrait I (Portrait de l'artiste I), Year: 1946, Medium: Drypoint and aquatint on BFK Rives, signed and numbered in pencil, Edition: 50,...

Martin Barooshian, American (1929 - 2022) - Green Sea Turtle, Year: circa 1979, Medium: Etching, Aquatint and Intaglio, signed, titled and numbered in pencil, Edition: 50/60, Im...

"Pyramid Between Two Dry Lakes" is an original etching and aquatint by James Rosenquist. The artist signed the piece lower right and wrote the title and edition number (56/78) in the...

Artist: Antoni Clave, Spanish (1913 - 2005) Title: Carmen Year: 1978 Medium: Intaglio Etching with Aquatint, signed and numbered in pencil Edition: XXV/XXV Size: 30.25 in. x 22.5 in....

Canyon Stream by Harvey Kidder, American (1918–2001) Date: circa 1985 Aquatint Etching, Signed and Numbered in Pencil Edition of 150 Size: 25 in. x 35.5 in. (63.5 cm x 90.17 cm)

Chinois inventa, dit-on, la poudre a canon, nous en fit don (The Chinese invented gunpowder, they say, and made is a gift of it) Aquatint, roulette, drypoint, acid bite, and scorper...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Aldate's From Carfax (1813) Aquatint with original hand colouring 27 x 21 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of St Aldate's, overlooked by Christ Church's pale and magnificent Tom Tower. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Red Rock by Harvey Kidder, American (1918–2001) Date: circa 1985 Etching with Aquatint, signed and numbered in pencil Edition of 150 Image Size: 20 x 29.5 inches Size: 24.5 x 36 in. ...

Jacqueline Levy Morelle, Belgian (1921 - 1986) - Dance African, Year: 1969, Medium: Etching and Aquatint on BFK Rives, signed, dated, titled and numbered in pencil, Edition: 9/12, Im...

Aquatint on Strathmore Bristol paper. From the 6 + 4 portfolio. Hand signed, dated and numbered by the artist. From the main edition of 35. Artwork size 16 x 13 inches. Custom fra...

Peter Doig (born 1959 in Edinburgh) Lapeyrouse Wall, 2005 Medium: Etching with aquatint printed in red on wove paper, with full margins Dimensions: 29.5 × 39.2 cm (45.4 x 56 cm) Edit...

SHIPS THAT PASS IN THE NIGHT, (Barcos que Passan na Noite) 1999, color screenprint, signed in pencil, numbered 1/60, sheet 22 ½ x 27 ½”. From Jerusalem print workshop. Asaf Ben Zvi, Israeli contemporary artist, was born in Kfar Yehezkel, Israel, 1953. Studied at the Bezalel Academy of Arts and Design, Jerusalem and the Pratt Institute, New York. Laureate of numerous awards, notably the Rappaport Prize for an Established Artist for 2011, Tel Aviv Museum of Art. Lives and works in Jerusalem. He did his army service in a commando unit and fought in the Yom Kippur War. After his discharge from the army he settled in Jerusalem and became interested in bird-watching. In 1981 he began to study architecture at Bezalel, but transferred to the art department. During the period of his studies, he worked primarily in sculpture, but after a period of study in New York, he began to paint as well. From the mid-1980s he made use of simple figures, so abstracted in their form that they became symbolic figures. Some of these figures were connected to biographical baggage, while others were based on trivial events. Many of his works are based on poetic texts that show his interest in esthetics and in the relationship between the painter and society. Education 1981-1985 Bezalel School of Art and Design, Jerusalem, BFA 1985 Pratt Institute, New York.City, USA Teaching 1933 Bezalel School of Art and Design, Jerusalem. Since 1989 Kalisher School, Tel Aviv. Awards And Prizes 1981-82, The America-Israel Cultural Foundation, Sharett Fund Grant 1982-83, The America-Israel Cultural Foundation, Sharett Fund Grant 1987 Beatrice Kolliner Prize for a Young Israeli Artist, Israel Museum, Jerusalem 1989 Mendel Pundik Prize for Israeli Art, Tel Aviv Museum of Art, Tel Aviv 1991 Rafael and Hadassah Klatchkin Prize, America-Israel Cultural Foundation 1992 Prize for Plastic Arts, Ministry of Education 1994 Bank Discount Prize for an Israeli Artist, Israel Museum, Jerusalem 1997 Eugene Kolb Prize for Israeli Graphic Arts, Tel Aviv Museum of Art, Tel Aviv 2011 Prize for an Established Israeli Artist, Tel Aviv Museum of Art, Tel Aviv Environmental Sculptures 1982 Tel-Haisaf Ben Zvi was involved in ornithology until the early 1990s. In 1981, he enrolled in the Art department at Israel’s Bezalel Academy of Arts and Design. During his studies, he participated in a student exchange program at the Pratt Institute in New York. From the outset, Ben Zvi’s focus has been on nature and the environment. Ecological and human disasters and natural disasters initially played an main role in his work and received expression through various fields of color, with motifs such as a cross, a water flask, a wasp, butterfly or bird, symbolizing the fragile human existence steeped in an eternal struggle. In his later work, words penetrate the space of his paintings and art, reflecting on the private, public, local and universal realms. "Ben Zvi at his best is a visual poet, one who places words with great sensitivity to their tone and sometimes relinquishes the splendor of an image in favor of text and message." The Printer's Imprint: Twenty Years with the Jerusalem Print Workshop, Jerusalem Israel Museum, Jerusalem 15 November, 1994 - 14 February, 1995 Artists: Avraham Ofek, Fima (Roytenberg, Ephraim), Michael Kovner...

Le Tour Eiffel Charles Martin, French (1884–1934) Date: 1927 Etching with Aquatint on BFK Rives Image Size: 7.75 x 5.5 inches Size: 12.75 x 9.75 in. (32.39 x 24.77 cm)

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Martin Barooshian, American (1929 - 2022) - Mother Goose, Year: circa 1979, Medium: Etching and Aquatint, signed and numbered in pencil, Edition: Trial Printers Proof, Image Siz...

Midnight Observatory [2012] limited_edition etching and aquatint Edition number 69 Image size: H:20 cm x W:13.5 cm Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look An etching and aquatint depicting the Royal Observatory at midnight in winter, printed from a copper plate in deep blue. This view of the Royal Observatory in Greenwich Park as seen from One Tree hill...

Psyche & Armour Susan Hall, American (1943) Date: 1978 Etching with Aquatint, signed and numbered in pencil Edition of 78 Image Size: 28 x 21.5 inches Size: 35 x 28 in. (88.9 x 71.12...

Etching and aquatint, 1965 Handsigned by the artist in pencil and numbered 23/50 Publisher : Galerie Louise Leiris, Paris Printer : Crommelynck Catalog : [Baer n°1179 Bb1 T. V p. 201...

Born in Germantown, Pennsylvania, Earl Horter was a self-taught artist who began his career working in New York City as a draftsman at an advertising agenc...

Mademoiselle Irma from The Reincarnations du Pere Ubu Georges Rouault, French (1871–1958) Date: 1928 Etching with Aquatint, signed in the plate Image Size: 12 x 8 inches Size: 17 x 1...

Harry McCormick, American (1942 - ) - Man on Bench (Color). Medium: Aquatint Etching, Signed and numbered in pencil, Edition: AP, Size: 20 in. x 28 in. (50.8 cm x 71.12 cm)

Artist: Eric Fischl, American (1948 - ) Title: Beach Series 3 Year: 1989 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 38/100 Image: 33 x 41.5 inches S...

Joel Shapiro's post-minimalist work often references the human body, in a variety of poses, represented by geometric forms. In Untitled, 1992, a rust-red rectangle supports three black rectangles piled at varying angles. The forms have light, sketchy lines around them, reminiscent of Futurist dynamism markings or perhaps a draftsman's study of dimensions. A gelatinous blue form intersects the balanced rectangles, while further blue forms tumble out of a fanned series of black triangles. Shapiro has assembled mechanism, geometry, balance, fluid, solid and motion into this dynamic etching, which was published by Pace Prints...

Tighe O'Donoghue's geometric abstract composition features minimal detail and indistinguishable subject matter spotted with flecks and scratches of bright pink and blue. Dialects o...

Thermopylae Tighe O’Donoghue, American (1942–2023) Date: Circa 1981 Aquatint Etching, Signed and numbered in pencil Edition of AP Image Size: 20 x 16 inches Size: 30 in. x 22 in. (76...

En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, the taste of bitterness) Aquatint, drypoint, roulette and burnishing over heliogravure, 1922 Unsigned as ...

Alan Herman is a native New Yorker who graduated with a BFA from The Philadelphia College of Art, and an MFA from Temple University. After graduation he returned to New York and desi...

This incredibly detailed print by Tighe O'Donoghue is a fine example of the artist's mathematically-influenced work based in Magical Realism. Incorporating elements of industrialism ...

"The Catch (Les Mains du Pecheur)" is an original color aquatint by Le Corbusier. The artist signed the piece in the lower right and wrote the edition number, 10/30, in the lower lef...

Artist: Robert Morris, American (1931 - ) Title: Separate Walkways: The Wardens Above, the Inmates Below from In the Realm of the Carceral Year: 1979 Medium: Aquatint Etching, signed...

Artist: Janez Bernik, Yugoslavian (1933 - ) Title: No. 9 Year: 1968 Medium: Etching, signed and numbered in pencil Edition: 28/100 Image Size: 18.5 x 9.5 inches Size: 21.5 x 17 in. (...

Harry McCormick, American (1942 - ) - The Restaurant. Medium: Aquatint Etching, Signed and numbered in pencil, Edition: 175, Size: 20 in. x 26 in. (50.8 cm x 66.04 cm)

A superb impression of this scarce color aquatint and lift-ground etching on German Etching paper. Signed and numbered 27/36 in pencil, lower right. Printed by Catherine Mousley in t...

Lone Wolf [2022] Signed by the artist etching & aquatint Edition number 75 Image size: H:20 cm x W:30 cm Complete Size of Unframed Work: H:32 cm x W:42 cm x ...

Dine, Jim (American, born 1935). THE BROWN COAT. D'Oench/Feinberg 3 Color etching, soft-ground etching, aquatint, drypoint and electric tools, 1977. Edition of 50. Printed on Copperp...

Mouse and Chair (Color) Donald Saff, American (1937) Date: circa 1980 Aquatint Etching, signed and numbered in pencil Edition of 50 Image Size: 23.5 x 18.5 inches Size: 39 in. x 27.5...

S Dawson - Landscape, Year: 1966, Medium: Etching and Aquatint on Arches, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 14.5 x 21 inches, Size: 22.25 x 28....

Artist: Saint Clair Cemin, Brazilian (1951 - ) Title: Sorceress Year: 1980 Medium: Aquatint Etching, signed, dated and numbered in pencil Edition: 75, 12 AP Image Size: 9 x 11....

Countessian Barry Nelson, British/American (1937) Date: 1983 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of AP Image Size: 29.5 x 20.25 inch...

Faith Barry Nelson, British/American (1937) Date: 1982 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of AP Image Size: 29.5 x 20.25 inches Siz...

Regalion Barry Nelson, British/American (1937) Date: 1983 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of 15/15 Image Size: 29.5 x 20.25 inch...

Ducalion I Barry Nelson, British/American (1937) Date: 1983 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of AP Image Size: 20.25 x 29.5 inche...

Bald Eagle Martin Barooshian, Armenian/American (1929–2022) Date: circa 1979 Etching and Aquatint, signed, titled and numbered in pencil Edition of 50/60 Image Size: 14.25 x 14 inche...

L'Aieule (The Grandmother) Etching and aquatint printed in colors, 1904 Signed with the red stamp of the publisher, Gustave Pellet, Lugt 1193 and numbered (see photo) Edition: 100 (81/100) Reference: Arwas 202 iv/IV IFF 98 Condition: Excellent, the sheet aged as usual Image size: 14 1/4 x 18 5/8" Sheet size: 16 15/16 x 24 1/4" Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...

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Artist: Eric Fischl, American (b. 1948) Title: Vincent: A Delirium Year: 1993 Medium: Collection of 6 Aquatints with prose by Frederic Tuten, lithograph inset into cover, signed and ...

Tighe O'Donoghue's split-composition work features a spherical rendering of a planet in the night sky above a diagram of a keyed instrument, possibly a harpsichord, accompanied by an...

Akio Wakasa Miyakawa - Primitive Image (13), Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 3/10, Image Size: 11.5 x 19.5 inches, Size: 15 ...

This is a one of a kind aquatint printed in rich blacks. The image is 12 x 12 and is printed on a 20 x 20 piece of paper. The image depicts large trumpet flowers in a garden with d...