Art by Medium: Aquatint

Shah Mat Suite - MacDuff Tighe O’Donoghue, American (1942–2023) Date: 1981 Etching with Aquatint, signed in pencil Edition of V Image Size: 12 x 9 inches Size: 22 x 15 in. (55.88 x 3...

Robert Savoie, Canadian (1939 - ) - Bois Nocturne, Year: 1964, Medium: Etching and Aquatint, signed, dated, numbered and titled in pencil, Edition: 48/50, Image Size: 15 x 13.25 inch...

Artist: Barry Nelson, British/American (1937 - ) Title: Vega Year: 1978 Medium: Etching with Aquatint, Signed and numbered in pencil Edition: 50 Size: 30 in. x 22 in. (76.2 cm x 55.8...

Antoni Tàpies is considered one of the most significant Spanish artists of the 20th century and a leading exponent of European informal art. His work combines matter, signs and symbo...

Mouse and Chair (Color) Donald Saff, American (1937) Date: circa 1980 Aquatint Etching, signed and numbered in pencil Edition of 50 Image Size: 23.5 x 18.5 inches Size: 39 in. x 27.5...

This is a one of a kind aquatint printed in rich blacks. The image is 12 x 12 and is printed on a 20 x 20 piece of paper. The image depicts large trumpet flowers in a garden with d...

Joe Durante - Odyssey. Year: 1982, Medium: Etching with Aquatint, signed, dated, titled and numbered in pencil, Edition: AP, Image Size: 9.75 x 17.5 inche...

This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...

Between Air and Water #18 Color soft ground, Spit Bite Aquatint and Drypoint on Gampi Chine Colle, 1992 Signed, titled, and dated in pencil (see photo) Annotated: A.P.4 (see photo) C...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.88" Image size (each): approx. 8.13" x 12.63" Reference: Upcott III, page 1330 Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition Notes: Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall". "PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Faith Barry Nelson, British/American (1937) Date: 1982 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of AP Image Size: 29.5 x 20.25 inches Siz...

Bald Eagle Martin Barooshian, Armenian/American (1929–2022) Date: circa 1979 Etching and Aquatint, signed, titled and numbered in pencil Edition of 50/60 Image Size: 14.25 x 14 inche...

Ducalion I Barry Nelson, British/American (1937) Date: 1983 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of AP Image Size: 20.25 x 29.5 inche...

Mouse and Chair (Color) Donald Saff, American (1937) Date: circa 1980 Aquatint Etching, signed and numbered in pencil Edition of 50 Image Size: 23.5 x 18.5 inches Size: 39 in. x 27.5...

La Grande Cascade de Saint Cloud Color aquatint on watermarked Arches J Perrigot paper, 1905 Signed by the artist in pencil lower right. (see photo) Edition: 100. Numbered "39" in ...

Aquatint in colours with carborundum "Summer Sign" by Robert Motherwell from 1990. The edition on Whatman comprises 55 copies. The present copy is monogrammed in pencil below the...

In Juana, Stephen Lawlor presents a solitary female figure set against a deep, atmospheric ground. The face is intentionally obscured, allowing gesture, posture, and costume to carry...

Strapped to the board with black satin ribbon, the lily stem is suspended in the center of Tighe O'Donoghue's intriguing composition. Suspended in the realm of Magical Realism, the a...

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Illuminated with a glowing light, this mythical depiction of a knight on horseback holding a lance by Tighe O'Donoghue features the artist's signature delicate script and mathematica...

Victor Pasmore British, 1908-1998 Gardens of Hammersmith I, from Metamorphosis (Linear Motifs), 1945/1976 etching with aquatint 61 x 71.1 cm 24 x 28 in signed with initials, dated an...

Katz, Alex Alain, 1984 Vernis mou and aquatint on Hahnemuehle paper 18 1/8 x 15 1/2 in. 24 from the limited edition of 40 Hand Signed and Numbered Mint Condition

Vulcanus from the Celestial Meridian Suite Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed in pencil Edition of M 4/10 Size: 27 in. x 22 in. (68...

Henri Matisse (1869-1954) The Spanish Girl Etching and aquatint Unsigned Authenticated by the Chalcographie’s dry stamp Numbered on the reverse / 20 copies On vellum, 57 x 38 cm (c...

"Personaje con Sombrero" is a superb figurative abstraction by the renown Mexican artist Rufino Tamayo. An aquatint and etching in colors printed on a full sheet of watermarked woven handmade paper. The full sheet measures 29 5/8 inches H. x 22 inches W. Framed dimensions are 40 3/4 inches H. x 33 inches W. Signed "R Tamayo" and numbered "40/99" in white crayon by the artist. Printed and published by Poligrafa, Barcelona in 1979. Rufino Tamayo (1899-1991) is a modern master whose legacy is rooted in his contributions across a variety of media, including mural and easel painting, drawing, and the graphic arts. Produced between 1925 and 1991, his graphic work includes woodcuts, lithographs, etchings, and Mixografia prints — a new technique that was developed in the early 1970s to allow him to produce his prints in relief. Tamayo is one of the most celebrated Mexican Artists of the 20th Century. Heavily influenced by pre-Columbian art...

Artist: Marino Marini, Italian (1901 - 1980) Title: SPARTICO (Bizzarria) (G.A.184) Year: 1975 Medium: Aquatint Etching, Signed and numbered in Pencil Edition: L/L Image: 14.25 x 19.5...

Artist: Bertrand Dorny, French (1931- ) Title: Untitled - 357 Year: 1979 Medium: Aquatint Etching, Signed in Pencil Image Size: 21 x 17 inches Paper Size: 30 x 22 inches

Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: 64/99 Signed and Numbered in pencil Jean Miotte, 1926 - 2016 Miotte came o...

This detailed print by Tighe O'Donoghue features a series of script and symbols that create a magical, mystical atmosphere centered around Gaelic motifs and legends. All we are and...

A detailed abstract geometric print by David Shapiro featuring a blend of aquatint and etching methods on Sekishu, a type of handmade Japanese paper. One half of the composition feat...

Donald Baechler 2005: a set of 2 works: A set of two highly decorative signed limited edition Donald Baechler prints sure to standout in any setting. Included in the set: Donald Bae...

Sepia Aquatint. Edition 15/25 slice of watermelon on a table

Tides - Suite 2 Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed in pencil Edition of M 10 Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

Joan Miró Préparatifs D'Oiseaux II (Preparative of Birds II), 1963 Series: Préparatifs d'Oiseaux (Preparatives of Birds) Series, 1963 Aquatint on Rives paper. Image Size: 21 cm x 27...

Cradle Song Tighe O’Donoghue, American (1942–2023) Date: circa 1978 Etching with Aquatint, signed and numbered in pencil Edition of m 2/10 Image Size: 14.7...

Set within a thick border, Tighe O'Donoghue's scene of a boat accompanied by two spirits floating near the stars in the sky demonstrates his unique take on Magical Realism. Dialect...

Heropass Tighe O’Donoghue, American (1942–2023) Date: circa 1975 Aquatint Etching, signed in pencil Size: 30 x 22 in. (76.2 x 55.88 cm)

Echoing Green Tighe O’Donoghue, American (1942–2023) Date: circa 1978 Etching with Aquatint, signed and numbered in pencil Edition of m 2/10 Image Size: 14.5 x 17.75 inches Size: 22 ...

Cyclone Tighe O’Donoghue, American (1942–2023) Date: Circa 1985 Etching with Aquatint, signed and numbered in pencil Edition of 99 Image Size: 18 in. x 15 in. (45.72 cm x 38.1 cm) Si...

The Magic Pencils Susan Hall, American (1943) Date: 1978 Etching with Aquatint, signed and numbered in pencil Edition of 78 Image Size: 28 x 21.5 inches Size: 35 x 28 in. (88.9 x 71....

Tighe O'Donoghue's detailed depiction of a flower is highly reminiscent of anatomical drawings and mathematical studies due to the careful linework, detailed shading, and soft colors...

Sundial - Suite 2 Tighe O’Donoghue, American (1942–2023) Date: circa 1976 Etching with Aquatint, signed in pencil Edition of M 10 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Repose Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed and numbered in pencil Edition of 125 Image Size: 18 x 15 inches Size: 30 in. x 22 in. (7...

A Puzzle Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed in pencil Edition of 95 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Tighe O'Donoghue's fascinating composition incorporates elements of Surrealism and Metaphysical art that conjure mysticism and magic in an industrial and mechanical environment. An...

The Shrine Tighe O’Donoghue, American (1942–2023) Date: Circa 1985 Aquatint Etching, Signed and numbered in pencil Edition of 99 Size: 27 in. x 22 in. (68.58 cm x 55.88 cm)

Untitled - Seascape at Night Tighe O’Donoghue, American (1942–2023) Date: 1985 Etching with Aquatint, signed and numbered in pencil Edition of 99 Image Size: 11 x 14 inches Size: 22 ...

Tighe O'Donoghue's colorful depiction of an anemone withstanding a rainstorm retains the same mystical and anatomical elements as much of his other work while generating a calm and s...

20J1G-2020 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Edition of 30. Image size: 35.2 x 124.5 cm / 13.8 x 49 in Paper size: 46 x 135 cm / 18.1 x 53.1 in Clément's wo...

Etching and aquatint, 1972 Handsigned by the artist in pencil and numbered 42/50 Publisher : Pierre Belfond, Paris Printer : Atelier Bellini, Paris Catalog : [Agerup 225] 48.50 cm. x...

Lucio Fontana Untitled, from Serie Rosa (R. & R. E-30), 1966 Signed and numbered 4/50 in pencil (there were also a few artist's proofs) Etching and aquatint, on BFK Rives paper, ...

Joe Durante - Head over Heels. Year: 1976, Medium: Intaglio Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: ...

Jacques Herold (1910 - 1987) - Shrub, Year: circa 1975, Medium: Intaglio and Aquatint on Arches, Image Size: 5.5 x 3.5 inches, Size: 8.5 x 5.5 in. (21.59 x 13.97 cm), Description: ...

Merieanna Etching and aquatint, c. 1900 Signed by the artist in pencil lower right Titled in pencil lower right corner of sheet Annotated "4" lower left below image Publisher's dryst...

A detailed abstract geometric print by David Shapiro featuring a blend of aquatint and etching methods on Sekishu, a type of handmade Japanese paper. One half of the composition feat...

Joel Shapiro's post-minimalist work often references the human body, in a variety of poses, represented by geometric forms. In Untitled, 1992, a rust-red rectangle supports three black rectangles piled at varying angles. The forms have light, sketchy lines around them, reminiscent of Futurist dynamism markings or perhaps a draftsman's study of dimensions. A gelatinous blue form intersects the balanced rectangles, while further blue forms tumble out of a fanned series of black triangles. Shapiro has assembled mechanism, geometry, balance, fluid, solid and motion into this dynamic etching, which was published by Pace Prints...

Marc Chagall, Russian (1887 - 1985) - Poesie De Mots Inconnus (Ex-Libris), Year: 1949, Medium: Etching with Aquatint, Edition: 158, Image Size: 5 x 3.25 inches, Size: 13 x 10 in. (3...

Engraving, aquatint and mixed intaglio Signed, dated and annotated "AP" References And Exhibitions: Tschacbasov was a Russian/Amiercan artist who was widely exhibited and collecte...

Artist: Robert Motherwell Title: Game of Chance (B. 377) Year: 1987 Medium: Aquatint, lithograph and collage on HMP handmade paper Edition: 100; signed and numbered in pencil Sheet: ...

Artist: Roberto Matta, Chilean (1911 - 2002) Portfolio: Centre Neouds Year: 1974 Medium: Suite of 10 Aquatint Etchings on Japon paper, each signed and numbered in pencil Edition: 12...