Art by Medium: Etching

Salvador Dali (1904-1989) - Sainte Lucie Etching and watercolour from 1974. The edition 219/450. Dimensions of work: 90 x 63.5 cm. Hand signed. Reference: Field, 73-3; Michler, ...

This artwork titled "Un Longue Apres Midi" 1984 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It ...

"La Fuite en Egypte (The Flight into Egypt)" is an original etching by Claude Lorrain (Claude Gelee). This piece depicts the biblical story of Mary, Joseph, and the infant Jesus goin...

Salvador Dali Zebulun, from Twelve Tribes of Israel, 1973 Etching in colors on Arches paper Sheet size: 60 x 45.5 cm Numbered SA 88/195 Signed and numbered in pencil along the lower ...

Black and white etching on wire rod paper, representing the Greek myth of the Dioscuri, Castor and Pollux. Wonderful plate with very fresh impression and an elegant line, from the v...

Les Ames mortes (by N. Gogol) is a very rare suite of etchings realized by Marc Chagall (1887-1985). Complete set of 96 etchings hors-texte and 11 etched vignettes en-texte for the ...

Medium: original etching. This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 5 x 6 3...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Mendients a la Porte d'Une Maison (B176). Year: 1878 (of original 1648), Medium: Heliogravure, Size: 7 x 5.5 in. (1...

Stanley William Hayter Torero (de-accessioned from the Denver Art Museum), 1929-1933 Engraving on laid paper, third (final) state, on heavy BFK Rives...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

Etching, Engraving, Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published ...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Auguste Rodin, French (1840 - 1917) - Buste de Bellone, Year: 1883, Medium: Etching on Japon, Image Size: 6 x 4 inches, Size: 13 x 9 in. (33.02 x 22.86 cm), Reference: Thorson 11, ...

This print recalls a scene in Bloedel Donovan Park, Lake Whatcom, Bellingham, Washington. A fresh dusting of snow is falling against the backdrop of a lake and forest. Signed, titled...

Etching with drypoint on cream laid paper with a deckle edge, 7 7/8 x 13 1/8 inches ( 200 x 334 mm), full margins. Signed and numbered 27/100 in pencil in the lower margin. With two ...

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...

Theo Tobiasse Suite: Shavuot Festival Year: 1984 Medium: Original carborundum embossed etching lithograph in colors on Arches paper (deckle edged paper) Signature: Hand signed by the artist Publisher Nahan Gallery, New Orleans Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theodore Tobiasse...

Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minim...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Surrealist Gastronomy MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Transworld Art/ A & E Rich EDITION NUMBER: A 6/175 ME...

A set of nine prints. The Moon has had an importance in human culture since the dawn of history and likely before. Often revered as a feminine deit...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Rembrandt Dessinant (B22). Year: 1878 (of original 1648), Medium: Heliogravure, Size: 6.5 x 5 in. (16.51 x 12.7 c...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - La Mort de la Vierge (B99), Year: 1878 (of original 1639), Medium: Heliogravure, Size: 9.25 x 7.5 in. (23.5 x 19.0...

Medium: etching. Etched by Jules de Goncourt after Paul Gavarni. This impression on cream laid paper was printed in 1875 by Francois Lienard and published in Paris by L'Art. Plate si...

Medium: original etching. Executed in 1879, this is one of the "Danube Set" of Otto Bacher's German compositions from his travels in Bavaria. Printed on laid paper and published in B...

Erotic is an etching by Chas Laborde in the 1920s. This original print is hand-colored in watercolor. In very good condition, including white cardboard Passepartout, 52 x 37cm. This artwork belongs to the erotic series of Chas Laborde in which you recognize his authentic style of illustration. Chas Laborde (Buenos Aires, 1886 - Paris, 1941) Charles Laborde...

Nocturnal Melody 20 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian Ink, pastel and acrylic; etching on cardboard mounted on stretcher, dim...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

Sigismond Kolos-Vari, 'Nets', color etching with soft-ground and aquatint, edition 200 (1 of 60 artist's proofs), 1952. Signed and dated in pencil. Numbered L/LX in pencil. A superb, richly-inked impression, on heavy, off-white, Arches wove paper; the full sheet with margins (1 3/8 to 3 1/2 inches), in excellent condition. Published by the Guide de la Gravure, Switzerland, with their blindstamp in the bottom left sheet corner. Matted to museum standards, unframed. Image size 11 3/4 x 15 5/8 inches (298 x 397 mm); sheet size 15 x 22 1/4 inches (381 x 565 mm). ABOUT THE ARTIST Sigismund Kolos-Vari was born in Hungary and attended the School of Applied Arts in Budapest from 1915 to 1918 and then the School of Decorative Arts until 1925. The artist settled in Paris, and his first one-person show in 1928 at Galerie Miromesnil, which was highly successful, led to numerous subsequent exhibitions, including with the prestigious Galerie Bonaparte in 1929 and Galerie Povolosky in 1930. Kolos-Vari’s early success was abruptly interrupted by the outbreak of WWII when he was arrested by the Gestapo and imprisoned in the Gurs internment camp. During this period, he created a sketchbook for a little girl, which is now preserved at the Centre de Documentation Juive Contemporaine at the Mémorial de la Shoah in Paris. He managed to escape after two years, crossing the border into Switzerland. After the war, he returned to Paris with a renewed dedication to his painting, producing increasingly powerful compositions. His work was highly acclaimed when shown at an important 1946 exhibition at the Musée National d’Art Moderne de Paris, organized by Jean Cassou. The artist was then approached by the eminent art dealer Jean Bucher, who gave Kolos-Vary a major one-person show at his gallery in 1948. During this post-war period, Kolos-Vary participated in the radical Salon de Mai, 1949-1958, the Salon des Réalités Nouvelles, 1956-1961, and the Salon des Comparaisons, 1960-1962. Supported by his association with Stanley William Hayter and the landmark printmaking workshop Atelier 17...

Medium: etching (etched by Jacques-Felix Schnerb after the Renoir painting). Printed in 1908 at the Alfred Porcabeuf atelier and published in Paris by Gazette des Beaux-Arts. Image s...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Penwortham Church is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edit...

Pablo PICASSO Carmen, The Round Face, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog r...

A fine etching by Charles Hunt (1803-1877) and coloured using aquatint by C. Simpson after a painting by John Frederick Herring (1795-1865). It depicts The Baron, a Thoroughbred race...

Etching and drypoint realized by Sergio Barletta. Hand signed and numbered. Edition of 30 in roman numbers. Very good condition.

Large, scarce limited edition color aquatint by Alexander Calder, from a limited edition of 90. Signed by Calder and numbered in pencil. Printed and published by 2RC Edizioni d'Art...

Female Figure Underwater Realist Etching --"Separation" by Carol Bennett Unique etching of a female figure submersed beneath the surface of water by California and Hawaii artist Ca...

A stallion stooped to graze… Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings capture the character and spirit of his subjects....

John Beerman, American (1958 - ) - Two Rocks, Year: 1987, Medium: Color Etching Aquatint, signed and numbered in pencil, Edition: Working Proof, Image Size: 18 x 22 inches, Size:...

Letter of the Alphabet P from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belongs...

Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 110]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

Antoni Tapies (Spain, 1923-2012) 'Grille de papier colle', 1976 aquatint, collage, lithograph on paper Velin Arches 250 g. 24.9 x 35.5 in. (63 x 90 cm.) Edition of 50 Unframed ID: TA...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

London: Scatcherd & Whitaker, 1784. Etching with hand coloring in watercolor on cream wove paper, 7 1/2 x 10 (190 x 255); sheet 16 1/4 x 22 (414 x 560 mm), full margins. In good cond...

ARTIST: Salvador Dali TITLE: The Magicians L'Illusioniste MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 68/100 MEASUREMENTS: Paper: 1...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jan Uytenbogaert dit le Peseur d'Or (B281). Year: 1878 (of original 1639), Medium: Heliogravure, Size: 10 x 8 in. (...

A lower Manhattan landscape as it existed in 1922, with Trinity Church and City Hall visible in the background. New York: c 1922 Etching with aquatint on heavy-weight cream wove pap...

Lithograph on paper. Hand signed and numbered in pencil. Edition of 100. Very good condition.

This artwork titled "Marshland" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated, titled and numbered 31/40 in pe...

Below Stairs. 1930-31. Drypoint. Appleby 143. 10 1/4 x 7 3/4 (sheet 15 3/4 x 10 1/8). Edition 100, #31. A very rich, tonal impression on cream-colored laid paper. Unobtrusive soiling in the top left- and lower-left hand margins, just below the platemark; and light mat line just outside the platemark. . Signed and numbered in ink. Housed in a 20 x 16-inch archival mat, suitable for framing. A charming discussion between the chef and a scullery maid in a "Downtown Abbey...

"La Tempete" is an original etching by Claude Lorrain (Claude Gellee). This is Claude's earliest dated etching (1630). The work depicts a storm-tossed sea with ships on the verge of ...

Baroque 17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...

This piece titled "Like a Pen VE 16/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an ed...

Paul RENOUARD Dancing Class - "Classe du Premier Quadrille", 1893 Original etching Signed in pencil On Japan paper 32 x 48 cm (c. 12.5 x 19 inch) INFORMA...

This exquisite etching by Marc Chagall (1887–1985), titled Gogol et Chagall (Gogol and Chagall), originates from the celebrated folio Nicolas Gogol, Les Ames mortes, Eaux-fortes orig...

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...

This artwork titled "Nymphenberg Palace, Munich, Germany" c.1950, is a color etching on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962. It is hand signed and numbered ...

¿De qué mal morirá? from the first edition of Los Caprichos is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. The etching is part of the First Edition of "Los Caprichos" published by the Calcografia Nacional for the Real Academia of Madrid. Plate N. 40. Numbered on the upper right corner, with very fresh inking and sheet in good condition. Titled on the lower central margin " ¿De qué mal morirá? " (What's going to happen?). Good conditions. Dimensions of plate: 2 x 3.4 cm. Assez bonnes marges. A scene that makes us reflect upon the condition of poor people during the Spanish court...

Gillian Ayres Star Spangled, 2010 Sugar-lift aquatint and etching with carborundum printed in colours, extensively hand-coloured in acrylic paint, on BFK Rives wove paper, with full ...

A rare, signed image from a lesser-known female impressionist printmaker. c. 1900. Etching with drypoint on cream laid paper with a partial watermark, 11 x 5 1/4 inches (280 x 133 m...