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Ahn Hyun-JuLine 1222-01 by Ahn Hyun-Ju - Abstract painting, minimalism, bright colours2022
2022
$1,147.41
£858.05
€960
CA$1,581.92
A$1,736.20
CHF 912.40
MX$20,660.41
NOK 11,663.15
SEK 10,657.81
DKK 7,315.60
About the Item
Line 1222-01 is a unique painting by contemporary artist Ahn Hyun-Ju. The painting is made with polyester, acrylic and epoxy on aluminium, dimensions are 50 × 30 cm (19.7 × 11.8 in).
The artwork is signed, sold unframed and comes with a certificate of authenticity.
This painting challenges the observer’s vision: the vivid colour vertical lines interweave and superimpose in a downward directed movement. Many paradoxical impressions emerge from this pictorial oeuvre which changes depending on the viewer’s point of view.
Experimentation is at the very heart of Ahn Hyun-Ju’s approach and is a part of every aspect of her work: supports, shapes, materials, colour association… Her abstract paintings, influenced by 1960s and 1970s American minimalism, refute any metaphorical language and all narrative intentions. They are a part of a pure aesthetic quest.
- Creator:Ahn Hyun-Ju (1969, German)
- Creation Year:2022
- Dimensions:Height: 19.69 in (50 cm)Width: 11.82 in (30 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803113307772
Ahn Hyun-Ju
Born in Seoul, Ahn Hyun-Ju has lived and worked in Germany for over twenty years. Her work bears the mark of her training in both painting and sculpture. Her abstract paintings, influenced by 1960s and 1970s American minimalism, refute any metaphorical language and all narrative intentions. Their composition is characterised by the contrast between simple and minimalist geometric shapes with deep, intense colours. Ahn Hyun-Ju has been featured five times in the collective exhibition “Die Grosse” at the Kunstpalast Museum in Düsseldorf and in the collective exhibition “Colore non solo”, presented at the 51st Venice Biennale in 2005 and at the Kunsthistorisches Museum in Vienna in 2006. “How difficult is it to see a thing as a thing itself and recognize the beauty of the being itself? A thing without being a medium of meanings and metaphors which are based in our convention?”
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