Alex Gonzales

'Abstracted Figural', Carmel Art Association, San Francisco Art Institute

1958

'Midcentury Biomorphic Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...

Signed lower right, 'Schoener' for Jason Schoener (American, 1919-1997) and painted circa 1970. Titled 'Choruscating Landscape' (labels, verso). Accompa...

Signed lower right, 'Bonorat' and painted circa 1980 An elegant, modernist figural painting and early work by this Sydney-based Mexican artist who studied at the National School of Fine Arts in Mexico City (1982-84) and, subsequently, at the Museum of Modern Art in Sao Paulo, Brazil (1986). STUDIES 1982-1984 Painting and Drawing Ateliers – National School of Fine Arts, Mexico City 1985-1986 Artistic Experimentation – Carrillo Hill Museum, Mexico City 1986 Metal Engraving – Museum of Modern Art Sao Paulo Brazil SOLO EXHIBITIONS 1986 Art Gallery of Santos Municipal Cultural Centre, Sao Paulo, Brazil 1988 Art Gallery of Porto Alegre Municipal centre, R.S. Brazil 1991 Gallery Casa de la Cultura, Morelia Mexico 1994 The Beatty Gallery, Sydney 1996 The Beatty Gallery, Sydney 1996 Michael Burke Gallery, Brisbane 1997 The Beatty Gallery, Sydney 2019 ‘Golden Trinity’, Thienny Lee Gallery, Sydney 2019 ‘Continuous Thread, GAFFA Gallery, Sydney GROUP EXHIBITIONS 1985 Mail Art Network Kyoto City Museum, Kyoto Japan 1987 Banespa Cultural Centre, Sao Paulo Brazil 1988 IV National Contest of Fine Arts, Cubatao Brazil 1992 NCA Gallery, Sydney 1994 The Beatty Gallery, Sydney 1994/5/6 Selected for the “Fisher’s Ghost” Art...

Stamped, verso, with certification of authenticity for Suzanne Gertz (American, 1938-2003) and painted circa 1985, partial signature lower right. Suzanne Gertz first studied at the...

Unique monotype, signed and numbered 1/1. Artist Robert Roach lived in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints were inspired by the landscape, climate and ligh...

This artwork "Untitled #1" c.1990, is a large mixed media on paper by noted Mexican/American artist Gustavo Ramos Rivera, b.1940. It is hand signed and numbered E.V. 1/2 in pencil by...

This vibrant abstract work is by Gustavo Ramos Rivera (1940-) The work is a mixed media composition on paper. It measures 20.5 x 26.5 inches. It is mounted on heavy matboard that measures 26 x 33 inches. There are various techniques and materials employed in the creation of this painting. Collage, drawing, painting with oil paint, pastel crayon cardboard and other materials that I cannot identify. The painting is in very good condition. The matboard mounting has a bit of time stain on the edges. It is not presently framed. Gustavo Ramos Rivera was born in Ciudad Acuna, Mexico in 1940, and immigrated to the United States in 1969. He has lived and worked in San Francisco for over 40 years. Ramos Rivera’s work is in the permanent collections of prominent institutions including the Fine Arts Museum of San Francisco, The Mexican Museum in San Francisco and The Nevada Museum of Art. In 2006, the San Jose Museum of Art presented a retrospective exhibition of the artist’s work, which then traveled to additional institutions in California and Mexico. Through his use of color and a personal symbology, Ramos Rivera has created a language that is written throughout his paintings, monotypes, and collages. This singular expression functions on both an intellectual and emotional level and its deployment is reminiscent of the work of Paul Klee, Joan Miró, and Cy Twombly.(1) It also harkens back to the pre-Columbian Mesoamerican art...

Bright and colorful highly textured abstract with figurative elements by Weston (American, 20th Century). Signed and dated "Weston '92" lower right corner. Tempera on acrylic sheet. ...