Christophe Stouvenel

Destination Gandalf

2016

Christophe Stouvenel Economic Card Multi-layered stencils on 1958 geography atlas map Creation date 2020 Format 21 x 30.2 cm Signed lower right and countersigned on the reverse. PRIC...

Christophe Stouvenel « KIKI» - Conteur pour Bleu - 2018 Titre : Conteur pour bleu Année de création : 2018 80,5 x 60,5 x 3,5 cm (15,5 avec compteur) Techniques : Collage et assemblag...

Christophe Stouvenel North America Map Multi-layered stencils on 1958 geography atlas map Creation date 2020 Format 21 x 30.2 cm Signed lower right and countersigned on the reverse. ...

Christophe Stouvenel " KIKI " - Storyteller for Bleu - 2018 Title : Storyteller for blue Year of creation: 2018 80.5 x 60.5 x 3.5 cm (15.5 with meter) Techniques: Bonding and assembl...

During street fighting in Ramadi and Fallujah, Iraq, Richardson noted the impact of stray gunfire and its decaying effect on the city. One particular memory he has is of a plywood sign featuring the figure of a man hoisting a barbell over his head, an advertisement for a local gym. As months passed, the sign splintered to near oblivion, first the figure’s legs, then his head and arms, and finally, most of his torso disappeared as the fighting smoldered on. Nearly ten years later, Richardson began to develop his own bullet ridden and splintered war motifs. In wartime, cards are the time killer’s friend, a way to pass time between patrols, operations, and the work of war. In Iraq, U.S. troops were issued playing card decks featuring Iraqi officials wanted by the U.S. Government. In the Shotgun...

- This piece is exceptionally textural and reflective. - The three-quarter-inch edge is foiled in gold, on top of a sintra panel. - M. Clark uses an innovative technique to sculpt an...

medium: hardcover book, acrylic varnish My decades-long career in contemporary jazz directly informs my work as a visual artist.  Music, for me, has always had a visual component, with the diverse elements of music suggesting colors, shapes, and textures.  The juxtaposition of abstract shapes which come together as I work on a book, is very much how I perceive the interplay of melody, harmony, and rhythm. Improvisation is also key to my approach in both genres.  Within a jazz ensemble...

KOLLABS is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In their work, they create compositions juxtaposing undomesticated animals within domestic an...