Paper Mixed Media

Monica DeSalvo’s “Wind Systems” is a 16 x 12 inch abstract diptych with asymmetrical collages on chipboard. Bright yellow, blue, green, purple, and gray organic acrylic...

D. Tongen "Yellow,Blue, Black" 1980s 12.75"x10" period frame 17.75"x16.75 Soft pastel and pencil on paper Initialed in pencil lower right

Continental Drift, Contemporary Large Scale Abstract with Found Object Collage A gorgeous, substantial contemporary abstract expressionist oil painting/collage with bright blue and white background with red accents by Bay Area artist Michael Pauker (American, b. 1957). A collection of various found-object vintage postal...

This is a multi-paneled painting of Heather Hartman's investigation into the light and landscape of Tennessee. earth tones are combined with violets to give space for the light, crea...

Original work on Arches paper by Mary Early. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Represented by George Billis Gallery, NYC & LA --“Adhering collage elements to panels on which he can also paint, Cutlip gives just the right heft to his compositions, a balancing ...

Horizontal two-toned mixed media abstract painting/collage by Bay Area artist Michael Pauker (American, b.1957). Unsigned. From a collection of his work. Displayed in a metal window box...

A unique papercast work by American Abstract artist Michael Goldberg, American (1924–2007). Date: 1975 Pigmented cast paper, signed and dat...

Deborah T Colter is a contemporary abstract painter who lives on the Island of Martha’s Vineyard. Deborah graduated from the Rhode Island School of D...

"Second Theme" 1949 Abstract Mid 20th Century Geometric Non-Objective Hard Edge Burgoyne A. Diller (American, 1906-1965) "Second Theme" 1949. Pencil and crayon on paper. Signed and dated 'D. 49' (lower right). Image: 9 1/2 x 5 1/2 in. Andre Emmerich Gallery, New York. Martha Jackson Gallery, New York. Anderson Gallery, Buffalo, New York. David K. Anderson Grandchildren's Trust. BURGOYNE DILLER (1906-1965) Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to the development of non-objective art in the United States. Working in a hard-edged geometric style, he produced paintings, drawings, and collages that paved the way for the development of American Minimalism during the 1960s and 70s. Born in New York City in 1906, Diller began painting and drawing as a teenager growing up in Battle Creek, Michigan. Later, while attending Michigan State University in East Lansing on an athletic scholarship, he made weekend visits to the Art Institute of Chicago, where he familiarized himself with Impressionist and Post-Impressionist painting. He was especially drawn to the landscapes and still lives of Paul Cézanne, who modeled color to create structure and volume. In 1929, Diller moved to Manhattan and enrolled at the Art Students League, where his teachers included such progressive-minded painters as Jan Matulka, Hans Hofmann, and George Grosz. Hofmann's concept of the "push-pull" effect of form and color exerted a strong influence on his early work, as did his growing familiarity with Analytical and Synthetic Cubism, German Expressionism, and other vanguard European styles. Diller had the opportunity to see some of this work firsthand, but he also kept abreast of developments abroad by reading journals such as Cahiers d'Art. Diller completed his studies at the League in 1933, the year he had his first solo exhibition at the Contemporary Arts Gallery in New York. It was around this time that his paintings began to show the influence of the reductive, pared-down geometric compositions of the Dutch Constructivist Piet Mondrian and the equally restrained compositions of Kasimir Malevich and El Lissitsky...

Abstract collage by Iona Fromboluti. Fromboluti’s mixed media collages are a beautiful abstract compositions, comprised out of flowing shapes that overlap and interact with each oth...

Paper and Adhesive collage by Wayne Timm. Image or mat opening measures 8 x 8 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and ma...

Paper and Adhesive collage by Wayne Timm. Image or mat opening measures 11 x 13 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and ...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

"#227 – I WAS AFRAID" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto pages of a found copy of Ernest Hemingway's WWII romance novel. The art...

Roxane is an Atlanta-based, multi-disciplinary artist. Originally from the Midwest, she was influenced by the Native American spiritual sensibilities and respect for the Earth she en...

Sweet Emotions Mixed media acrylic, watercolor, ink marker, pastel on archival. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Art...

Paper size is 14 x 10 inches. Letraset, ink and pigment stick on handmade paper. Framed. Based in Andres, NY and West Orange, NJ, Lisa Pressman initially focused on sculpture before...

Desmond Mclean (1929-2015). Untitled, ca. 1960. Mixed media on paper. Sheet measuring 13 x 16.25 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; Americ...

Maryn Hunzeker, American, 1907 - 1972 Title - The Refinery. Possible mixed media on board (Paper, Collage, Oil, Ink) Not dated - We believe this to be circa 1950's - Signed lower right Another stunning vintage mid century abstract painting...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Abstract American Modernism Mid-Century WPA Era Drawing Woodstock 20th Century, Sight size is 16 x 12 inches. The drawing is currently at the framers. A photo will be posted asap. A...

Paper and Adhesive collage by Wayne Timm. Image or mat opening measures 11.75x 16 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg an...

*Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (Ahn Dong Kuk) was born in Seoul, Korea. He studied at Seoul University (BFA), graduate student at Miami University, Oxford Ohio 1962...

Between September 2018 and April 2019, I created 100 small paintings consecutively. I endeavored to make nothing else and viewed the project as an opportunity to experiment and solid...

Fusion Series original collage by renown artist Cecil Touchon painting collage is 12 x 18 on 22 x 30 heavy watercolor paper signed verso Cecil To...

Plastically materializing the energetic atmosphere typical of the meditative mental space and thereby inducing states of contemplation and introspection has been the purpose of the w...

In the Kingdom of Transience, everything is temporary, subject to constant change. Everything is unstable and volatile like the wind. The precariousness of our existence reminds us t...

Paper size is 12 x 9 inches. Mixed media on handmade paper. Based in Andres, NY and West Orange, NJ, Lisa Pressman initially focused on sculpture before moving toward painting in t...

Romans Suta Born on April 28, 1896 in the vicinity of Cesis (Latvia), died on July 14, 1944 in Tbilisi (Georgia), rehabilitated posthumously. Painter, graphic artist, decorative and stage designer, art critic and theoretician. Studied at the J. Madernieks' Art Studio (1913), Riga City Art School (1913-1915), and Penza Art School (1915 -1917). A prominent figure and active protagonist of modernist trends in Latvian art. Travels to Berlin and Paris, where he made the acquaintance of A. Ozanfant, Le Corbusier, and others. The influences of Cubism and Constructivism. A member of the Riga Artists' Group (1920-1924) and the Riga Graphic Artists' Society. Painter of still lifes and figural compositions. After the first experiments in Modernism, he turned to a more realistic manner of representation. The initiator and developer of a national constructive style, especially in interior design; the founder of Baltars creative workshop for porcelain painting (1924-1928); a designer and painter at Kuznetsov...

Painting on Canvas signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa Springs, Color...

Original work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

"Black on White" is a painting created by Enrico Benetta in 2010. This piece can be hung by itself, or be considered as part of a diptych with "White on Black". The painting comes unframed, with a total dimension of 28" x 59" x 5". This piece was made with acrylic paint, gesso, and corten steel - the signature materials that Benetta has become known for. Thanks to his excellent skills, the artist uses unconventional media to create truly unique artworks, that take the viewer to an aerial, restless dimension - despite the opposite nature of those materials. Benetta's work takes the heritage of Italian industrial design and fuses it with contemporary art, giving life to unique abstract pieces that spark the attention of art lovers worldwide. He studied Fine Arts in Venice, and his work has been featured in more than 25 exhibitions in the recent years, in addition to his collaboration with brands like Hermes...

American Artist 1922 – 2012 Served his country as a Sergeant in World War II, both stateside and in the Philippines. After the war, native Chicagoan Ronald Ahlström graduated from the School of the Art Institute, He became a prominent Abstract Expressionist collage assemblage maker working in a style similar to some of the New York school assemblage artists such as Robert Goodnough. Utilizing cutout letters in a concrete poetry style. He frequently exhibited his collages and paintings in the Chicago and Vicinity exhibits of the 1950s and 1960s. He worked as the curator of the Tacoma Art Museum in Tacoma WA during the early 1960s. He showed at Exhibition Momentum in the ’60s, and was selected for the Corcoran Biennial. Together with his colleagues and fellow-abstractionists Robert Nickle, Morris Barazani, Harry Bouras, George Kokines, and George Waite, he exhibited at McCormick Place in an independently produced survey of contemporary Chicagoans, circa 1962, under the banner 12 Chicago Artists. An adept and sensitive painter, Ahlström’s most personal work is as an abstract expressionist collage maker. Using strips of paper, sometimes weathered and beaten into rough hewn surfaces, he creates immaculately layered, lively, gestural compositions. He was the recipient of many art awards and prizes throughout his long career. His works are part of numerous private, corporate and museum collections. His work was published in many national and international art publications including Who's Who in America and Who's Who in American Art. he taught art at both high school and college level. His other passions included history, literature and music. He was an accomplished base fiddle and guitar player and often played professionally in clubs during the late 1940s and 1950s. In 1958, he was awarded the William H. Bartels Prize of five hundred dollars at the Art Institute of Chicago. Education: Art Institute of Chicago University of Chicago DePaul University Exhibitions: Art Institute of Chicago Annuals, Corcoran Biennial in Washington DC, 12 Chicago Artists 50 Chicago Artists European Exhibit at the US Information Agency Collage and Construction, Hyde Park Art Center, Chicago Tacoma Art Museum, Washington Henry Gallery, University of Washington, Seattle 50th Northwestern Annual, Seattle Art Museum, Chicago Invitational, University of Illinois One Man Exhibits: Rockford College, Rockford Il. Barat College, Lake Forest Il. Rodger Wilson Gallery, Chicago, Il. Touchstone Gallery, New York, NY. Joseph Faulkner, Main Street Galleries, Chicago, Il. Zriny Galleries, Chicago Il. Awards: Clyde Carr Prize, Art Institute of Chicago William H. Bartels Prize, Art Institute of Chicago James Broadus Clark Prize, Art Institute of Chicago Alumni of Art Institute Prize Singer and Sons Prize, Navy Pier, Chicago Abel Fagan Prize, Festival of Fine Arts, Lake Forest, Il. Ford Foundation Purchase Prize, Seattle, Wa. Collections: Art Institute of Chicago Barat College Tacoma Art Museum, Wa. Phibrook Art Center, Tulsa, Ok. Blue-Cross Collection, Chicago, Il. Atlantic Richfield Collection Illinois Bell Telephone Collection Container Corporation of...

lacquered Chinese newspapers

Steven H. Rehfeld (American, 1954) 'Untitled' - Blue Series, 2013 Oil paint, newsprint, gesso, wax, mixed media, canvas, stretcher bars The artist signed the back of the painting. A...

Frank Stella Homage, 1997, 1997 Mixed media with paper collage Signed, dated and inscribed " "Homage" to Dieter Honisch and many many good wishes, cheers again and again Many Many th...

"PaperLandscape" by Marilina Marchica – Original Collage on Papyrus and Antique Wallpaper, One-of-a-Kind with Custom Handmade Frame – 60x50 cm, 2025 Description: PaperLandscape i...

In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft in New York City and while working ...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Desmond Mclean (1929-2015). Untitled, ca. 1960. Mixed media on paper. Sheet measuring 12.5 x 19 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; America...

Paper size is 12 x 9 inches. Mixed media on handmade paper.

Brook Soss, "Beaut" – Elegant Mixed-Media Artwork in Sandstone and Acrylic Experience the quiet beauty of "Beaut", a graceful 30 x 17-inch mixed-media composition by Brook Soss. Feat...

Desmond Mclean (1929-2015). Untitled, ca. 1960. Mixed media on paper. Sheet measuring 12.5 x 19 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; America...

Monica DeSalvo’s “Stream of Cobbleness” is a 20 x 16 abstract collage composed of organically shaped fragments of acrylic monoprints in pink, green, yellow, green, teal, and blue. Th...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

"Fading Out, Fading In" from the "Presences" series by Joan Giordano Mixed Media, Caste Handmade Paper (made from Kozo or Abaca Paper with natural pigment), B...

Brook Soss, "Home I" – Contemporary Abstract Artwork in Sandstone and Acrylic Elevate your space with "Home I", a stunning contemporary mixed-media artwork by acclaimed artist Brook ...

Miles Davis Plays Cool Jazz Collage, c. 1970 Unsigned Titled by the artist lower left margin (see photo) Provenance: Acquired directly from the artist by his friend and patron Joseph...

"Sticking Together III" is a mixed media collage work on canvas featuring red, yellow, teal, white and black. Ellen Kierr Stein is inspired by the works of Nicolas de Staël, Romare B...

Collage No. 26 by Kim Fonder is an abstract original artwork that embodies a rich blend of layered paper and organic textures. Crafted on burlap over panel, this large-scale piece at...

This piece is an abstract botanical work on paper featuring hues of blue, tan, pink, green and white in a simple white box frame behind UV Plexiglas. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharina Grosse, Andy Goldsworthy and Lucy Dodd...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

KENNETH NOLAND Untitled, for Trustees of the Honolulu Museum of Art, 1984 Mixed Media collage with silver and colored foil on board. Signed on verso (back) with personal inscription. "for Twig and Laila" (Trustees of the Honolulu Museum of Art), Deaccessioned from the Honolulu Museum of Art Collection Inscription done in black marker and reads: "A Little Exercise For Twig and Laila With Thanks For A Wonderful 3 Days At ' Cedar House' On The 'Big Island'... 1 Sept 1984 Honolulu Hawaii." Frame included Measurements Framed: 12.5" x 12.5" x .3" Artwork: 8.75" x 8.75" This reflective Chevron collage was de-accessioned by the Honolulu Museum of Art. In 2018, it was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri, and is reproduced in the exhibition catalogue. Unique signed and dedicated mixed media collage with silver and colored foil on board by the important Color Field painter Kenneth Noland. It's quite a dazzling work, combining color field, geometric abstraction with Op Art, as the work changes appearance and color with the reflected and refracted light. - sometimes appearing light; sometimes darker. See the photos -- there's a light one and a darker one - and they both depict the same work. What's so impressive is that this work literally changes color depending on how the light reflects against it. The artist wrote a personal and heartfelt inscription on the verso to "Twig and Laila". (Twig (sic), which the artist deliberately misspells, is Thurston Twigg Smith, former publisher of The Honolulu Advertiser, who was married to New York philanthropist Laila Twigg Smith. Laila had lived in Hawaii since 1970, where she and her husband had put together a substantial collection of contemporary art. Unfortunately, the two divorced in 1996 and soon after she returned to New York. Two years later, in 1998, Laila died of liver failure at the young age of only 53. Laila was a major philanthropist and art collector who moved from Manhattan to Hawaii. She was a board member of the New Museum of Contemporary Art in New York and a major donor the Honolulu Museum in Hawaii. Laila donated the present Ken Noland...

Navigation by artist Lisa Weiss is a contemporary abstract blue, white, grey, and yellow mixed media on panel that measures 30 x 20 and is priced at $1,500. Lisa Weiss’ work is about mark making, patterning, spontaneous movement, momentary awareness and paring down to essentials. She is continually looking for ways to detach from the past and future with a focus on the here and now. Weiss’ paintings are process driven by movement, repetition, materials, and place. Her works are for beauty and contemplation. A professional artist from Tennessee, Lisa Weiss received her BFA in painting and sculpture from Middle Tennessee State University in 1990. She received a teaching assistantship to Louisiana State University in Painting and Drawing and completed her MFA in 1996. Lisa has exhibited her work nationally in solo and group shows for the past fifteen years. She is included in numerous public and private collections throughout America, Canada, United Kingdom, Australia and Holland. She has the honor of being in the Hunter Museum permanent collection. In the last seven years, Lisa has attended four artist residencies: Dorland Colony in California, Millay Colony in New York, Wurlitzer Foundation in New Mexico and the Nantucket School of Art on Nantucket Island. She has taught design, painting and drawing at the University of Southern Mississippi, Watkins College of Art and Film, Eastern New Mexico University and Winthrop University. Lisa has recently earned initial certification for teaching yoga from Yandara Yoga Institute in Todos Santos, Mexico. She has traveled the United States, Mexico and Europe. Lisa currently creates artwork in her studio in Franklin, Tennessee. Selected Collections Hunter Museum of Art: Chattanooga, TN. Hilton Hotel: Washington, DC. Iberia Bank: Memphis, TN Sand Point Corporation: Sand point, FL. Baptist Hospital: Nashville, TN. Glanker Brown Law: Memphis, TN. Harrahs: Las Vegas, NV. Hot Springs National Park: Hot Springs, AR. CoCa - Cola Bottling Co.: Knoxville, TN. Creative Arts Guild: Dalton, GA. Tennessee Watercolor Society: Nashville, TN. Private Collections: United States, Canada, United Kingdom, Germany, Australia, Holland Selected Exhibitions 2013 Tinney Contemporary: Three Person Show, Nashville, TN. 2012 Copper Fox Gallery - Inaugural Opening, Leipers Fork, TN. 2012 L. Ross Gallery: Paper Exhibition – Memphis, TN. 2012 L. Ross Gallery: Group Show – Memphis, TN. 2012 L Ross Gallery: Common Thread - Memphis, TN. 2011 Nina Kuzina Fine Art: Group Exhibition - Nashville, TN. L Ross Gallery: Paper Group Exhibition - Memphis, TN. Bennett Gallery: 7 in 11 Group Exhibition - Knoxville, TN. 2009 Waterworks Art Center: Seedlings Exhibition - Salisbury, NC. L. Ross Gallery: “Nature Forms’ – Solo Exhibition – Memphis, TN. 2008 Gallery Up: ‘Papillon’ – Solo Exhibition - Rock Hill, SC. 2007 Project A: ‘Sequence’ – Solo Exhibition – Nashville, TN. 2006 L. Ross Gallery: ‘Prana’ – Solo Exhibition – Memphis, TN. Bennett Gallery: ’New Works’ – Two Person Exhibition’ – Knoxville, TN. 2005 Upstream People Gallery: ‘7th Annual All Media International’ - Omaha, NE. L. Ross Gallery: ‘Inner Garden’ - Solo Exhibition Memphis, TN. 2004 Art Forms: ‘Between Moments’ - Solo Exhibition - Memphis, TN. 2003 Perry Nicole Fine Art: ‘Flux’ - Solo Exhibition - Memphis, TN. 2002 Eastern New Mexico University: ’Faculty Exhibition’ - Portales, NM. Art Forms: ‘Strong Voices’ - Group Exhibition - Memphis, TN. 2001 Hanson Gallery: ‘Remembrance’ - Group Exhibition - Knoxville, TN. Perry Nicole Fine Art: ‘Quest’ - Two-person Exhibition - Memphis, TN. 2000 Creative Resource Gallery: Group Exhibition - Birmingham, MI. Perry Nicole Inaugural Opening: ‘Ascension’ - Solo Show - Memphis, TN. 1999 Creative Resource Gallery: Group Exhibition, Harbor Springs, MI. National Miniature Exhibition: Group Exhibition - Salt Lake City, UT. 1998 Period Gallery: ‘National Miniature Exhibition’ - Omaha, NE. Exit Gallery: ‘Small Wonders’ - Solo Exhibition - Hattiesburg, MS. 1997 Blue Haus Alternative Workspace: Group Exhibition - Hattiesburg, MS. 1995 Ironworks Gallery: ‘Art for Arts Sake’ - New Orleans, LA. 1993 Parthenon Gallery: ‘Central South Exhibition’- Group Show - Nashville, TN. 1992 Dalton Creative Art Guild: Group Exhibition - Dalton GA. 1990 Parthenon Gallery: ‘Tennessee Watercolor Society Exhibit’ - Nashville, TN Awards and Honors 2008 Yandara Yoga Teacher Training: Todos Santos, MX. 2008 ‘The Conversation’: Inspired from the painting ‘Empire’: Rock Hill, SC. 2005 Nantucket School of Art & Design: Artist Residency, Nantucket Island, MA. 2004 Helene Wurlitzer Foundation: Artist Residency, Taos, NM. 2003 Maho Bay Environmental Arts Program: Artist Residency, St Johns...

Mixed Media painting on wood panel (Acrylic Paint, paper and vinyl on Wood Artist Panel) Born in Tallahasee Fl, William started his artistic career as a...

Nina Tichava is a pattern-based, abstract painter primarily focused on spatial relationships that emphasize the inherent surface quality, color, and visual variations in her work. Sh...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

Pigment & acrylic on rice paper