Serenity #2
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Tricia MaySerenity #22017
2017
About the Item
Artist Comments
I used a large vertical canvas to accentuate the tall aspen trunks in the foreground of my composition. The background is where I put the brightest colors. A lot of texture!
About the Artist
Drawing her inspiration from the outdoors, Tricia May describes her paintings as “impressionistic with a contemporary flair.” Her early work focused on the figure, but after moving to Idaho in 1992, she became fascinated with capturing the landscape. She is a founding member of the Plein Air Painters of Idaho, and enjoys painting on location, in the sunshine, whenever possible. Tricia’s love of being outside has rendered her quite prolific–her current “Tree” series numbers more than 400 paintings and counting. “I plan my paintings ahead using sketches, a value pattern, and color choices,” says the artist. “Then I allow intuition and spontaneity to take over, enjoying the process.”
Serenity #2
Tricia May
Oil painting on stretched canvas
Finished edges
Ready to hang
One-of-a-kind
Signed on front and back
2017
48 in. h x 30 in. w x 1.5 in. d
12 lbs. 0 oz.
- Creator:Tricia May
- Creation Year:2017
- Dimensions:Height: 48 in (121.92 cm)Width: 30 in (76.2 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Serenity #2. Tricia May. Oil painting on stretched canvas. Finished edges. Ready to hang. One-of-a-kind. Signed on front and back.
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 574851stDibs: LU92213706782
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Artist Valerie Berkely presents a fiery sunset above thick silhouetted trees. The warm rays of the sun brighten the landscape with cooling hues of violet spreading across the forest floor. With her finger painting technique, Valerie uses transparent oils on top of gold iridescent acrylic textures creating a luminescent glow. It results in a captivating image with a gentle flow of movement.
About the Artist
Valerie Berkely uses her finger tips as brushes to create her abstract paintings. For Valerie, the art is all about the process, the paint, her mood, and the moment. She admires the artist Wolf Kahn, who once said, “the picture is the conclusion of an experiment in which the hint of an image becomes actuality." Like Kahn, Valerie’s paintings combine pictorial landscapes with painterly abstraction. The vibrant primary colors capture the hues of the sun rising and setting, and the texture of her fingers across the surface divides sea, land, and sky. There is something very dreamy about these works, exemplified by their color, texture, and atmospheric quality. Valerie’s first “art epiphany†was seeing Seurat's La Grande Jatte at the Art Institute of Chicago. “Bowled me over! I actually fell down. And I knew I was to become a painter.â€
Words that describe this painting: small, trees, sunlight, sun, sunset, oilpaint, nature, forest, impressionism, etching, impressionism, nature, oil painting, purple
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