Framed Abstract Paintings

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts white delicate butterflies in ascension placed in a wonderful cloud white landscape. ...

Dibond mirror Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Sain...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Antique American modernist abstract oil painting by Lela "Jackie" Axline (1910-1998). Oil on board, circa 1940. Signed. Displayed in a period modern frame. Image, 15"L x 19"H.

'If you don't have anything nice to say, come sit next to me, Long Lunch Club- Invite only'. An original acrylic on canvas painting with brightly coloured markings adorning a pink po...

Henry Woolway, Seperated By The Moment, 2025 Acrylic on canvas board 44 x 40 cm ( 17.3 x 15.75 in) Artwork is hand-framed in dyed and waxed oak with a 2mm shadow gap around paintin...

Katheryn Holt (American, born 1951) "Rivers End" 2022 Oil Paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. In this captivating artwork, the artist ex...

James Hiroshi Suzuki, Japanese/American (1932 - ) - The Old Ones, Year: circa 1980, Medium: Acrylic on Canvas, signed lower right, Size: 46 x 6...

In her work, Noam explores the intersection of geometry, rhythm, and material through a refined visual language. Using repetition and variation, she constructs a structured grid that...

Artist: Dan Teis, American (1925 - 2002) Title: Abstract in Pastels Year: 1979 Medium: Acrylic on Canvas, signed l.r. Size: 54 x 60 in. (137.16 x 152.4 cm) Frame Size: 55 x 61.5 inches

Sergio Nates It Happened Twice, 2022 Acrylic on canvas Unframed dimensions: 30.50 x 18.50 in Framed dimensions: 32 x 20 in This one-of-a-kind acrylic painting on canvas comes framed...

Wonderful mid 20th century European modernist cityscape oil painting. Framed. Oil on board. Signed. Image size, 20H by 26L.

An expressive palette knife oil painting of harvest field views near Shurdington, Cheltenham. The thick, textured application of paint brings the l...

Finely painted American modernist still life oil painting. Framed. Oil on canvas. Signed. Image size, 22H by 28L.

27 Factory 9 100x80 -96 acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa d...

A one of a kind signed original painting . Now you see it ... Now you don't! Excellent condition as pictured and framed ..Signed on the verso and monogram initials on the front by ...

La obra no la veo firmada, pero hay una etiqueta en la parte trasera que si va firmada y titulada Medidas de la obra: 65 x 81 cm. Medidas del marco: 76 x 92 cm. El estado de conse...

Bruce Lauritzen has been making art since he was old enough to scribble on walls. At eight years old he was introduced to adult figure drawing at the College of Marin ''barn'' under ...

A conversation Oil, canvas, cardboard, 31, 5 x 27 cm

An abstract painting by Duayne Hatchett from his Trowel Painting Series. Oil on canvas, circa 1990. Signed. Framed. Duayne Hatchett was a visual artist whose work included print...

Expressionist portrait of a woman by Juan Carlos Breceda featuring purple, blue, green, yellow, and orange. Executed in 2001. Mixed Media. Framed ...

This large major Museum work measures 66"x82" it is by John CRASH Matos a true Legend of the Graffiti movement. Crash was first noticed through his murals on subway cars and is now regarded as a pioneer of the Graffiti art movement. His work is said to convey a "visual link between street life and established society". and in 1980, Crash curated the now iconic exhibition: "Graffiti Art Success for America" at Fashion MODA, launching the graffiti movement into a mainstream art movement. In 1983, Crash was given his first major gallery showing at the legendary Sidney Janis Gallery in New York City. The first time a Graffiti artist ever exhibited at a major gallery, around the same time Keith Haring started showing at the Tony Shafrazi gallery, taking street art and graffiti art from the streets to a fine art gallery. CRASH has been part of numerous museum and gallery shows around the world focusing on Graffiti and Street Art, and has works in many permanent museum collections. Crash also has painted Stratocaster guitars for Eric Clapton and John Mayer...

Subjective Farm Landscape 1940 Oil on canvas, 24" x 30" 37.5" x 31" x 2" framed - frame is original to this artwork Signed recto lower right: "rosenborg 40" & arrow box cypher. S...

Vintage American modernist forest landscape oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely fr...

Canvas Size: 39.5 x 39.5 in. Frame Size: 41.25 x 41.25 in. Signed, bottom left in red paint "Suari" In this captivating, vibrant painting on canvas, Pep Suari explores the fluid bou...

Balmy Days II is an original expressionistic abstract on canvas with many layers of paint, bold brush strokes and a little oil bar detail. Inspired by a mix of coastal living in Corn...

A important American Impressionist painting by Isabella Howland (1895-1974), "Ocho Rios", Jamaica, 1940. Howland was active in both Boston & New York, this impressionistic painting d...

The eye is a contemporary artwork realized by Genny Puccini in 1977. Mixed colored collage on paper. Hand signed and dated on lower right margin.

Golden Yellow & Brown Abstract Expressionist Mixed Media Art on Paper, 1999 - a Unique Original Painting - an extremely rare early work from leading British Contemporary Artist, ...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed verso.

Figural abstract inspired by Chinese art and calligraphy featuring a large totem-like form in textured earth tones with black Chinese characters in bold, black brushstrokes by Anna Wu Weakland...

Beautiful contemporary abstract expressionist collage/oil painting by Bay Area artist Michael Pauker (American, b.1957). Antique stamps, currency, and letters from different places a...

Multi-Color Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer A bold mid-century abstract expressionist piece exploding with heavy texture and vivid color by San Francisco artist Peter Witwer (American, 1928-1968). Darker colors are layered atop each other, building up from white, yellow, and red through greens and blues into dark purple and black. The composition is surrounded by an orange field, creating a strong contrast. Unsigned, but was acquired with a collection of Witwer pieces. Displayed in a vintage wood frame. Linen size: 30"H x 16"W Framed size: 31.25"W x 17.25"W Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Then to a San Francisco Collector and then to Robert Azensky fine Art Born George Peter...

William Stephens Shields, Jr., 1925 - 2010 "Eye on the Pie II" 1994 Oil on canvas 48"x36" artist framed Signed lower right William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild. Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

EMILY KAM KNGWARRAY (1910 - 1996) Country: Central/Eastern Desert, NT Language: Anmatjerre Community : Utopia, Soakage Bore/ Alhalkere Summer Abundance, 1993 Synthetic polymer paint...

Mixed Media collage on Paper As Seen at Art On Paper 2024 at The Mannix Project East Hampton NY Pier 36 NYC Comes with white mat & black frame 24"X20" FRAMED. Purchase individually ...

Katherine Bello Vronsky Oil on Canvas 2021 Size: 24x 24 x 1.5 inches (61 x 61 x 3.8 cm) Signed in front on lower right Signed, dated and titled verso COA provided *On Stretcher Fra...

Melanie Sherman Fifty Gestures, No. 3 - Large Series 2026 China Ink on Premium Paper Paper Size: 17 x 14 inches (43.18 x 35.56 cm) Matted Size: 27.5 x 19.75 inches (69.85 x 50.17 cm...

Polzeath, sunset by Rupert Aker [2021] original Acrylic on canvas Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:4cm Framed Size: H:64 cm x W...

This work is one of two panels depicting an autumn woodland in bright sunshine. This painting is available separately, but a second panel Bunny Woods in Bright Sunshine right panel, ...

Flowers on green background is an artwork realized by an unknown artist in 2013. Mixed colored oil painting. Includes frame. Signature by the artist and dediation on the lower mar...

Mid Century Modern, American Abstract Expressionist Painting on artist board. This wonderful work combines unique shades of orange yellow and purple and comes house in a contemporar...

Copenhagen-born American artist Soren Edsberg (1945-2021) combined abstraction with impressionism in this vision of Armageddon. The son of a Danish painter, Edsberg converted in 1961...

A hazy rendition of a flower garden by Soni Wallace, with the colors blending and folding in on one another. Framed behind glass, this pastel-toned painti...

The artist signed lower right. The painting size is 67"x47". Jenik Cook’s work embodies a lyrical form of abstraction where gesture, color, and movement merge into a deeply expressiv...

Impressive early American precisionist abstract oil painting by Lad Montgomery. Framed. Oil on canvas. Signed. Image size, 25H by 30L.

This superb Abstract Expressionist Scottish oil painting is by noted artist William Gear. It was painted in 1957 and is entitled Black/Red Figure no. 2. This abstract composition is ...

Colorful touch is an original contemporary artwork realized by Leo Guida in1970s Mixed colored tempera painting on plywood Includes frame: 50 x 58 cm Leo Guida (1992 - 2017). Se...

Untitled oil on canvas, signed and dated 1988 by American artist Giorgio Cavallon (1904-1989) on the reverse. Cavallon was a founding member of the American Abstract Artists and a ...

Park Blossom I and Park Blossom II diptych by Natalie Bird. Park Blossom I by Natalie Bird [2021] original Mixed media Image size: H:20 cm x W:20 cm Complete Size of Unframed Work: ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Born in 1986 in Saarbrücken, Germany, Amela lives and works as a visual artist in Munich. As the daughter of migrants from former Yugoslavia, she grew up bilingual and her live had taken place between Germany and Bosnia. This experience has had a particularly strong influence on the content of her work. The paintings of Amela Rasi...

R. Poch. 121 original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de la...

Diana Kurz Clifford, 1961 Signed and titled on verso Oil on canvas 55 x 50 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Aus...

Mixed Colors is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2018. Oil on canvas applied on plywood. Hand signed and dated by the artist on the back. Perfect co...

This abstract painting is by Charles Robb, son of the famous Canadian artist Jack Bush. Charles Robb’s lyrical, expressive paintings are highly regarded by critics and collectors wo...

Larry Zox Lexington, 1973 Acrylic on canvas 61 x 49 inches Provenance: Andre Emmerich Gallery, New York Janie C. Lee Gallery, Houston, Texas Private Collection, Greenwood Village, Colorado Exhibited: New York, Andre Emmerich Gallery, Larry Zox: New Paintings, March 10 - 28, 1973. Houston, Texas, Janie C. Lee Gallery, Larry Zox, February - April, 1974. A painter who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions, which question and violate symmetry. Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using a mechanical format with X number of possibilities." What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–74 solo exhibition at the Whitney Museum of American Art. Zox also at times used a freer, more intuitive method, while maintaining coloristic autonomy, which became increasingly important to him in his later career. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973–74, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum, which acquired fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. Zox’s earliest works were collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Stunning abstract Bay Area Figurative Movement piece titled "Napoleon's Ambition" by Katherine Barieu (American, 1917-2010), 1982. Signed and dated lower right corner. Presented in grey painted slat shadow box frame. Image size: 16"H x 16"W. Framed size is 17"H x 17"W x 1.50"D. Born in 1917, Katherine Barieau was among the artists associated with the University of California at Berkeley in the 1950s. She remained active in the regional art scene throughout the following decades, producing abstract and figurative work in oil, acrylic, watercolor, mixed media and collage. The daughter of Scottish immigrants, Barieau was raised in Cambridge, MA. She graduated from Wellesley College (BA 1938) and later settled in California. Her art studies culminated with her enrollment in the art department at the University California, Berkeley (MFA 1953). A quote from a 1992 artist statement reads, "I was caught up in the wave of Abstract Expressionism and influenced by the riches in the Unconscious (I had a Jungian therapist). I have never ceased to experiment with media and searching to find how best to express inner ideas. It was wonderful to be exposed to established and active painters, to have a chance to study with experienced painters, to have friends who were also exploring and involved." Her teachers included John Haley, James McCray, Glenn Wessels and Felix Ruvolo. Her friends included fellow UC students Paul Wonner, Theophilus Brown and Jerrold Davis - as well as Richard Diebenkorn after this return to Berkeley in 1953. Barieau also studied with the California watercolorist Alexander Nepote, and with the New York School Abstract Expressionists Esteban Vicente and Kyle Morris...