Danny Rolph

Orchard 9

2018

This edge filled canvas illustrates a dichotomy of calmness and chaos utilizing an intentionally limited palette, primarily of gold and deep purple. “Hearts Ablaze” invites the eye t...

Ed Touchette (b. 1948) is inspired by a love of architecture and public spaces to make paintings which express joyful wonder at our built environment — ol...

This painting by Roger Martin (1925–2015) depicts the "Dry Salvages," rock formations off the coast of Rockport MA made famous in T. S. Eliot's poetry. The...

Diane Ayott’s abstractions on paper, canvas, and panel are luxuriously physical objects resulting from the accrual of layer after layer of paint, color, and pattern, launched by imag...

Patton Blackwell's "Softly" comprises four gallery-wrapped canvases 71 x 31.5 in. each, 71 x 126 in overall. It can be hung on the wall as a painting,...

Acrylic paint on canvas Hand-signed and dated lower right

Acrylic paint on canvas Hand-signed lower right by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly according to ...

Acrylic paint on canvas Hand-signed lower right by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly according to ...

Acrylic paint on canvas Hand-signed lower right « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bursts and the colors dance...

Acrylic paint on canvas Hand-signed lower right « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bursts and the colors dance the jig while thundering. A charivari of African masks, children's drawings and neon colors invades the meticulously meshed backdrops with volcanic overflows. It seems that within a kindergarten class, merry feathered wizards have joined together to cover the canvas or the paper with totemic figures strewn with the most inventively unexpected graffiti, in a creative frenzy so bubbling that the anarchy that threat recovers as in spite of itself a semblance of balance. The graphic design performs an enveloping and virtuoso dance that passes from the most wisely academic exercise to the most exuberant and Dionysian lyrical expressionism. It's flamboyant, paroxysmal and wonderfully joyful. Should we detect here any influence of the spirit of "outsider art", today widespread worldwide? Perhaps, but then it is undeniable that the personal temperament of Mohammad ARIYAEI...