Edward Zelinsky

gold machine, Painting, Acrylic on Other

2024

Artist: Jakob Gold Work: Original Acrylic, Spray Paint on Canvas. Handmade Artwork, One of a Kind Medium: Acrylic Spray Paint on Canvas Name: Y-2021 Siez: 30 X 40 Style: Street...

This is a painting that I cannot explain. As I worked more and more I then understood that once again, unbeknown to me images appeared. :: Painting :: Abstract :: This piece comes wi...

Fool's Gold no.. 24 Acrylic on canvass board Every man wants a treasure Something loving and filled with pleasure With passion and companionship Is a remarkable accomplishment...

GRAFFITI / STREETART / Spray Paint, Acrylic on CANVAS Artist: Jakob Gold Work: Original Acrylic, Spray Paint on Canvas. Handmade Artwork, One of a Kind Medium: Acrylic Spray Pa...

Expressionist Abstract by Armand Rottenberg (French 1903-2000) Signed oil painting on board, unframed Board size: 29 x 21 inches provenane: the artists estate, France Stunning origi...

Stunning array of strong colors stand out in this original mid-20th century British abstract painting. The work dates to the 1950's-60's period and is of British authorship. The pa...

Hand signed verso, mixed media on two sections of joined canvas Work is titled "Ego Wall with Mess," circa 1983. Provenance: Brooke Alexander Gallery, New York, New York. bearing their label verso. 24 x 30 x 3-3/4 inches (61.0 x 76.2 x 9.5 cm) Hand signed on the reverse: Judy Rifka Judy Rifka (born 1945) is an American woman artist active since the 1970s as a painter and video artist. She works heavily in New York City's Tribeca and Lower East Side and has associated with movements coming out of the area in the 1970s and 1980s such as Colab and the East Village, Manhattan art scene. A video artist, book artist and abstract painter, Rifka is a multi-faceted artist who has worked in a variety of media in addition to her painting and printmaking. She was born in 1945 in New York City and studied art at Hunter College, the New York Studio School and the Skowhegan School of Painting and Sculpture in Maine. Rifka took part in the 1980 Times Square Show, (Organized by Collaborative Projects, Inc. in 1980 at what was once a massage parlor, with now-famous participants such as Jenny Holzer, Nan Goldin, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, and Kiki Smith, the roster of the exhibition reads like a who’s who of the art world), two Whitney Museum Biennials (1975, 1983), Documenta 7, Just Another Asshole (1981), curated by Carlo McCormick and received the cover of Art in America in 1984 for her series, "Architecture," which employed the three-dimensional stretchers that she adopted in exhibitions dating to 1982; in a 1985 review in the New York Times, Vivien Raynor noted Rifka's shift to large paintings of the female nude, which also employed the three-dimensional stretchers. In a 1985 episode of Miami Vice, Bianca Jagger played a character attacked in front of Rifka's three-dimensional nude still-life, "Bacchanaal", which was on display at the Museum of Art Fort Lauderdale. Rene Ricard wrote about Rifka in his influential December 1987 Art Forum article about the iconic identity of artists from Van Gogh to Jean-Michel Basquiat and Keith Haring, The Radiant Child.The untitled acrylic painting on plywood, in the collection of the Honolulu Museum of Art, demonstrates the artist's use of plywood as a substrate for painting. Artist and writer Mark Bloch called her work "imaginative surfaces that support experimental laboratories for interferences in sensuous pigment." According to artist and curator Greg de la Haba, Judy Rifka's irregular polygons on plywood "are among the most important paintings of the decade". In 2013, Rifka's daily posts on Facebook garnered a large social media audience for her imaginative "selfies," erudite friendly comments, and widely attended solo and group exhibitions, Judy Rifka's pop art figuration is noted for its nervous line and frenetic pace. In the January 1998 issue of Art in America, Vincent Carducci echoed Masheck, “Rifka reworks the neo-classical and the pop, setting all sources in quotation for today’s art-world cognoscenti.” Rifka, along with artists like David Wojnarowicz, helped to take Pop sensibility into a milieu that incorporated politics and high art into Postmodernism; Robert Pincus-Witten stated in his 1988 essay, Corinthian Crackerjacks & Passing Go that "Rifka’s commitment to process and discovery, doctrine with Abstract Expressionist practice, is of paramount concern though there is nothing dogmatic or pious about Rifka’s use of method. Playful rapidity and delight in discovery is everywhere evident in her painting." In 2016, a large retrospective of Rifka's art was shown at the Jean-Paul Najar Foundation in Dubai. In 2017, Gregory de la Haba presented a Rifka retrospective at the Amstel Gallery...

Time Is Golden - Modern Abstract Oil and mixed media golden abstract painting by Michael Pauker (American, b. 1957). A wooden panel is engulfed with gold as the focal color, with teal, red and yellow mixed in. Stamps can be shown glued around the paint, with stencils, buttons and tin apparent throughout the canvas. Image: 12"H x 24"W x 1.5"D Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40,” Adam Baumgold Gallery, N.Y., NY 2002 “Works on Paper,” Bryant St. Gallery, Palo Alto, CA 2002 Dolby Chadwick Gallery, San Francisco, CA (solo) 2002 Judith Litvich Contemporary Fine Arts, San Francisco, CA (solo) 2001 William Turner Gallery, Venice, CA 2001 “22nd Annual Paper in Particular,” Columbia College, Columbia, MO 2000 “Variations on a Theme,” Century Gallery, L.A. Mission College, Sylmar, CA 2000 “Altars and Installations,” Huntington Beach Art Center, Huntington Beach, CA 2000 “Text,” Ron Breeden Gallery, Orange, CA 2000 Triton Museum of Art, Santa Clara, CA (solo) 2000 Nevada Museum of Art, Reno, NV (solo) 1999 “Pieced Together: Explorations in Collage,” San Francisco, Museum of Modern Art Rental 1999 “Artist Book Show,” Gusto Gallery, Osaka, Japan 1999 “15th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 1999 Two Person Exhibition, Smallworks Gallery, Las Vegas, NV 1997 Judith Litvich Contemporary Fine Arts, San Francisco, CA (solo) 1996 Southern Oregon State...