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Adam MysockA Reliable Pardon2018
2018
About the Item
From Nicholas Poussin’s The Death of Sapphira, circa 1652
As we invariably test the waters of lying, we quickly learn to recognize the more forgiving members of an audience. Rest assured – someone loves you enough to overlook your dishonesty.
And it’s these people that indirectly encourage liars to escalate their fictitious experimentation. Each time we tell a greater lie, we turn to see how our most loving audience members receive us. If our supporters fail to draw a line in the sand, we grow braver with our lies and less tethered to anything grounding.
- Creator:Adam Mysock (1983, American)
- Creation Year:2018
- Dimensions:Height: 2.375 in (6.04 cm)Width: 2.375 in (6.04 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU10523513232
Adam Mysock
Adam Mysock holds a BFA degree in Painting and Art History from Tulane University and an MFA from Southern Illinois University at Carbondale. In collaboration with his studio practice, he has taught at the university level for more than 10 years, most recently as a Senior Professor of Practice at Tulane University in New Orleans, Louisiana.
About the Seller
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Located in New Orleans, LA
From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875
At some point the lying has to stop, right? But when? I’m no longer convinced that any external stimulus...
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21st Century and Contemporary Contemporary Figurative Paintings
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An Automated Message
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From a series of paintings by Ed Valigursky.
Our technology is staggering. We now have computers that can lie for us. For proof you only need to head over to any online comment boar...
Category
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A Fool
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From Jan Matejko’s Stańczyk, 1862
I’ve heard that in centuries past, the jester – or fool – was often one of the only people able to speak truth to power. Because of their inherent ...
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A Lack of Consequence
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From Rembrandt van Rijn’s Militia Company of District II under the Command of Captain Frans Banninck Cocq (The Night Watch), 1642
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Category
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A portrait of Fred Rogers, Mr. Rogers
I suppose I like to believe that liars know they’re lying. I like to believe it’s a controlled activity. And if they...
Category
21st Century and Contemporary Contemporary Figurative Paintings
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A Cautionary Tale
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A portrait of Pinocchio from Pinocchio, Disney, 1940
Are there any more recognizable stories about the difficulties that can accompany lying than that of Pinocchio? For the puppet-...
Category
21st Century and Contemporary Contemporary Figurative Paintings
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