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Giuseppe CanellaClash between Military and Guerrillas in Spain 1840ca.1840
1840
$17,952.05
£13,515.15
€15,200
CA$24,730.13
A$27,696.19
CHF 14,451.42
MX$338,297.03
NOK 183,864.08
SEK 173,313.93
DKK 115,704.46
About the Item
Oil on Canvas. Accompanied by expertise from Professor Fernando Mazzocca.
The painting belongs to a series of works by Veronese painter Giuseppe Canella set in Spain, following the artist's stay in that country between 1820 and 1823, which led him to stop by several Spanish cities, most recently Madrid where he attended court.
From his travels around Europe, Canella reported numerous drawings from which he took the cues for the works he later reworked in his Milan studio, often later presented at the Brera Academy Exhibitions.
In this 'work the reference is to a dramatic period in the history of Spain, marked by the uprisings constitution against King Ferdinand VII of Bourbon, which provoked French intervention in support of the monarchy against the insurgents.
In fact, the historical event is almost a pretext for Canella to evoke the ruggedness and charm of the mountainous landscape, which serves as a monumental backdrop to the clash between the army and the insurgents, small, almost indistinct figures.
The painting, in excellent condition, has only very slight color falls, which have already been restored.
It is presented in a coeval frame.
- Creator:Giuseppe Canella (1788 - 1847, Italian)
- Creation Year:1840
- Dimensions:Height: 30.32 in (77 cm)Width: 37.41 in (95 cm)Depth: 2.76 in (7 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Milan, IT
- Reference Number:1stDibs: LU680315697052
Giuseppe Canella
Giuseppe Canella (Verona, July 28, 1788 - Florence, September 11, 1847) was an Italian vedute painter. Giuseppe Canella receives the first rudiments in art from his father Giovanni, architect, fresco painter and scenographer. He began by performing scenographies and decorations for aristocratic residences in Verona and Mantua. Probably influenced by Pietro Ronzoni, he turned to landscape painting, approaching the genre of veduta in 1815, after a brief stay in Venice. He exhibited at the fine arts of the Academy of Brera (1818) and undertook a trip to Spain, the Netherlands and France where he stayed until 1832, traveling between Paris, Fontainebleau, Normandy, Alsace and the country from Baden. In 1831, he sent thirteen landscapes to the exhibition of the Academy of Brera where he obtained a certain success both from the public and from the critics, also comforted by the notoriety achieved in Paris by his presence in various salons and the orders of Louis Philippe d'Orléans and the awarding of the gold medal (1830). In 1832, he returned to Milan and devoted himself to painting urban vedute characterized by an interest in the chronicle of contemporary life and an atmospheric rendering. From 1835, he focused on landscape painting with subjects inspired by the Lombard countryside and the lake environment. The journey between Rome and Naples (1838-1839) is of fundamental importance in his artistic orientation. His son, who bears the same first name Giuseppe (1837-1913), is also a painter of vedute, quadratura and urban landscapes.
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