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Margaret Keane
Modernist Portrait of a Woman

$12,800
£9,771.01
€11,232.43
CA$18,011.89
A$20,029.97
CHF 10,520.17
MX$244,886.44
NOK 131,091.43
SEK 123,583.81
DKK 83,830.23

About the Item

A fine modernist portrait of a woman by American artist Margaret Hawkins Keane (1927-2022). Keane was born in Nashville,TN, and attributes her deep respect for the Bible and inspirations of her artwork to the relationship with her grandmother. In the 1960’s, while married to her second husband Walter, she was forced to paint and sell under his name, but during their divorce proceedings, she was able to prove that the paintings were actually done by her and the court determined that she was able to paint under her own name again. She became known for painting women and children with large black sad eyes, reflecting her time with her husband, but after the divorce, her style brightened considerably, and a move to Hawaii added to this change. Oil on canvas, signed lower right, a loose label attached on verso with artist’s name and appraised value, along with a frame restoration slip, and housed in a molded giltwood frame with fabric lined inset with gilt highlight. Dimensions: 24 in H x 18 in W, actual; 34 in H x 28 in W x 1.75 in D. Ref: 12184
  • Creator:
    Margaret Keane (1927 - 2022, American)
  • Dimensions:
    Height: 34 in (86.36 cm)Width: 28 in (71.12 cm)Depth: 1.75 in (4.45 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Very good overall condition, with minimal imperfections. Please contact us directly for a full condition report before purchasing.
  • Gallery Location:
    Milford, NH
  • Reference Number:
    Seller: 91231stDibs: LU931311223232

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This artwork titled "Madame Butterfly" 1986, is an original color serigraph with gold addition by noted American artist Margaret Keane, 1927-2022. It is hand signed and numbered HH 109/150 in pencil by the artist. The image size is 24 x 24 inches, framed size is 39.5 x 38.5 inches. Custom framed in a wooden gold frame, with green fabric matting, gold color bevel and three different colors fillet. It is in excellent condition, the frame have some minor restorations, barely visible. About the artist. Margaret D. H. Keane was born 1927 in Tennessee, and attributes her deep respect for the Bible and inspirations of her artwork to the relationship with her grandmother. She later became one of Jehovah's Witnesses, which she said changed her life for the better. In the 1960s, Margaret Keane's artwork was sold under the name of her husband, Walter Keane. He locked her in a room and forced her to paint,while taking credit for her work. Conflict over that issue was cited as one of the reasons they divorced. Neither wanting to relinquish rights to the artwork, Walter and Margaret's divorce proceedings went all the way to federal court. At the hearing, Margaret created a painting in front of the judge to prove that she was the artist. Walter declined to paint before the court, citing a sore shoulder. In 1986, the courts sided with her, enabling her to paint under her own name. Her works while living in her husband's shadow tended to depict sad children in a dark setting, but after divorcing, moving to Hawaii, and becoming one of Jehovah's Witnesses, her paintings took on a happier, brighter style. Keane is a fixture in popular culture. Some of her well-known fans over the years have included actresses Joan Crawford and Natalie Wood, whom she painted portraits of; filmmaker Tim Burton, who commissioned Keane to paint Lisa Marie; and animator Craig McCracken, whose characters the Powerpuff Girls are based on Keane's 'waifs'; additionally the Girls' schoolteacher is named "Ms. Keane". Cultural references • The American television comedy show Saturday Night Live once had a skit that featured her work, during the time when it was thought to be by her husband, as a parody of the reaction against modern art (e.g., Cubism or the New York Armory Show). "People don't look like that!" one comedian shrieks, before the picture in question was shown to the camera and audience as the punch line. • In Woody Allen's 1973 comedy Sleeper, the people of the future consider Keane to be one of the greatest artists in history, one of many references mocking the popular culture of the seventies. • Late Night with Conan O'Brien has "bumper" art in her style depicting a glum Conan O'Brien at his desk, next to a dog. • Weird Al Yankovic's song Velvet Elvis, in which the narrator says he needs "no pictures of Mexican kids with those really big eyes or dogs playing poker". • In season 3, episode 20 of 90210 (Women on the Verge), Annie is described as looking "like a Keane painting...
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