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Michael ToleDiana Contemplating the Sublimity of the Paleo Diet2018
2018
$8,600
£6,444.11
€7,554.38
CA$12,044.24
A$13,499.53
CHF 7,067.19
MX$166,576.12
NOK 88,777.08
SEK 83,567.42
DKK 56,356.17
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About the Item
This is a meditation on the curious relationship that has developed between contemporary body goals, the current perception of our “natural diet,” and the impact that diet may have on our environment.
In my current work, The Revisionist Histories, I am writing letters to art history, literature, and mythology in an attempt to redress past wrongs, re-draw archetypes, and reflect the social changes that have reshaped our society over the past century. As part of this agenda, I explore the evolution of gender norms, power dynamics, and representation within Western visual culture and what this implies for the negotiation between pleasure, justice, and our culturally specific discourse on beauty.
Oddly enough, this work is inspired in part by my pre-teen daughters’ growing musical interests which exposed me for the first time to the world of music videos (I had a sheltered childhood as my parents couldn’t afford cable TV). My daughters are primarily interested in pop divas such as Taylor Swift, Beyonce, Ariana Grande, and Katy Perry. Seeing a number of these videos, I observe that they employ an aesthetic that rests comfortably within Baroque and Rococo parameters, exhibiting chiaroscuro, ostentatious displays of wealth, over-the-top emotionalism, fantasy, self-aggrandizement, pastel color schemes, gender fluidity (a trait more Rococo than Baroque), and heaping piles of conventionally attractive young women in provocative poses. What differs between these eras are the themes of female agency and authorship, among other things. In addition to this, contemporary media from Target ads and Vogue, to Movies and Youtube, reflect social shifts that both borrow from the past, and transform it to reflect a growing sense of inclusivity. This dynamic is what my Revisionist Histories reflect.
We may not normally consider the genre of teen pop music videos and Target ads fodder for philosophical reflection, but the fantasies they create reveal truths about us, and those truths deserve our conscious consideration. To explore this, I set out on a mission to master Baroque and Rococo pictorial rhetoric, believing it to be the best vehicle to explore the continuity and disjuncture between 18th and 21st century Western visual culture. This tactic reflects Derrida’s assertion that a text/tradition must be deconstructed from within. Employing this tactic, I intend to create paintings that can hang side by side with old master works in a museum that, viewed at a glance, do not stand out from their neighbors, but upon further inspection begin to reveal to the viewer those aspects of culture that have evolved, and those that have remained the same over centuries, inviting comparison, analysis, introspection, and perhaps a chuckle.
- Creator:Michael Tole (American)
- Creation Year:2018
- Dimensions:Height: 40 in (101.6 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU10528677102
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Michael Tole says of his work…
This painting reimagines the moment when Cleopatra contemplates suicide after her battlefield loss to Octavian. In this revisionist history, Cleopatra thinks better of suicide, and at the last minute redirects her servants to pass the basket of fruit with the asp on to the triumphant Octavian who sweeps in with his entourage. In this scene, Octavian reaches for an apple, triggering the asp to strike. This, like most of my recent work, reimagines historical, mythological, and literary motifs to destabilize the inherent power structures within those narratives. The style adopted is Rococo, which coincided with the rise of Colonialism. The style therefore relates to the historical narrative of this piece which shows the conquest and colonization of a colonial ruler.
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Category
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Materials
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