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Francois Gerome
Parisian Lady in Blue

$4,400
£3,272.86
€3,831.87
CA$6,139.49
A$6,870.27
CHF 3,587.33
MX$84,462.77
NOK 45,258.31
SEK 42,587.84
DKK 28,588.67
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About the Item

Francois Gerome French, 1895 Parisian Lady in Blue Oil on canvas 24 ⅛ by 30 in, w/ frame 32 ¼ by 38 in Signed lower right Francois Gerome was born in Budapest in 1895. He attended the fine arts academy in Budapest where he learned to paint along with getting inspiration from the many other artists who studied there. Gerome came from a family of painters where he was taught as well under the tutelage of his parents. He is most well-known for his paintings of women depicted at picturesque spots throughout Paris including the Place de la Concorde and in front of the Opéra. In these representations, the women usually engage the viewer with their frontal pose and direct gaze outward. Gerome used oils, typically on canvas or on board.
  • Creator:
    Francois Gerome (1895, French)
  • Dimensions:
    Height: 32.25 in (81.92 cm)Width: 38 in (96.52 cm)
  • More Editions & Sizes:
    32 ¼ by 38 inPrice: $4,400
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Sheffield, MA
  • Reference Number:
    Seller: 016281stDibs: LU700315914772

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A Lady in a Garden
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Louis-Emile Adan French, 1839-1937 A Lady in a Garden Oil on board 9 ⅝ by 13 in, w/ frame 14 ⅞ by 18 ⅛ in Signed lower left French painter Louis-Emile Adan was born in Paris. Little is known of his earliest introduction to the visual arts, but he was admitted to the École des Beaux-Arts, where he initially studied with François-Edouard Picot (1786 – 1866), a successful painter who had himself been part of Jacques-Louis David’s studio, and who was one of the most popular professors at the École. Adan’s work during the 1860s embraced the mainstream tradition of neo-classicism espoused by J.A.D. Ingres (1780-1867). Simultaneously, Adan seems to have taken an interest in painting elegant young women. These images had considerable popular appeal, especially when they featured fashionable clothing in the latest styles. The decade of the 1880s was very busy, both with annual painting submissions to the Salon and with an expanding role as a book illustrator. Toward the end of the decade, Adan’s painting changed significantly. His earlier curiosity about Realist themes took on a new urgency as the artist explored the rigors of rural life. By the middle of the 1880s, Adan was actively engaged in the naturalist movement. Adan’s submissions for the 1889 Exposition Universelle in Paris showcased his naturalist aesthetic. His reputation as a distinguished painter was further recognized in 1892 when he became a Chevalier of the Legion of Honor, and again in 1900 when he was asked to sit on the jury of both the Salon and the Salon des Artistes Français. Museums: Macon, Agen, Pau, Alençon, Lyon, Mulhouse, Rouen, Nice, Péronne, Nantes, Pfister Art...
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