Zhang Da Zhong

After the Smoke

2014

ROBERT KENNETH WHITE – "SANCTUARY IN FEATHERS" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display HUMANITY AND HARMONY “Sanctuary in Feathers” captures a poignant moment ...

ROBERT KENNETH WHITE – "GIRL WITH RED HAIR" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A PORTRAIT STUDY OF STRENGTH AND INTROSPECTION In this emotionally charged p...

The diptych offers a unique interpretation of two iconic pop culture characters, Bart and Lisa Simpson. Both are depicted using plastic figurines, giving them a nostalgic and three-d...

LLuis Ribas (1949) - Self-portrait - Oil canvas Oil measurements 55x46 cm. Frameless.

Pamela Wilson's (US based) "Metempsychosis: Ginger Snapped" is an original, handmade oil painting that depicts a topless female model with a Baboon head. This is a secondary market...

Aixa Oliveras's (US based) "Desvelada" is an original, handmade oil painting that depicts a model laying in bed looking at her cell phone. This piece i...

Artwork sold with frame (100 x 120 x 7.5 cm) Henri Druard (1821–1877) was a French painter known for his genre scenes and depictions of everyday life in 19th-century France. Born in...

Jules Leonard Cerfontaine 1827 – 1897 Valenciennes Belgian – French Painter 'Madame de Joannès et ses Filles' Signature: signed lower right and dated ‘Jules Leonard 1881’, on the r...

Jean-François Portaels 1818 – Brussels – 1895 Belgian Painter 'Portrait of a Man in a Black Coat' A refined 19th-century portrait by Jean-François Portaels, depicting the sitter Ch. Lefebvre with poise and psychological depth. Characterized by its subtle tonal contrasts and elegant execution, this work exemplifies Portaels’s mastery as one of Belgium’s leading academic painters and portraitists of his time. Signature: signed middle lower left, dated 1878 and named ‘J. Portaels 1878. Ch. Lefebvre' Medium: oil on canvas Dimensions: image size 60,5 x 50,5 cm, frame size 64 x 53,5 cm Biography: Jean-François Portaels, also known as Jan Portaels, was a versatile Belgian painter born on April 3, 1818, in Vilvoorde and passed away on February 8, 1895, in Schaerbeek. He was celebrated for his genre scenes, biblical stories, landscapes, portraits, and Orientalist subjects. As a teacher and director of the Academy of Fine Arts of Ghent and the Académie Royale des Beaux-Arts in Brussels, Portaels significantly impacted Belgian art, becoming a pivotal figure in the Belgian Orientalist school. His works were known for their ‘everyday elegance and feminine grace,’ and he played a crucial role in influencing the next generation of Belgian artists, including notable figures like Théo van Rysselberghe. Portaels was the son of a wealthy brewer who also served as Vilvoorde’s mayor. Showing an early passion for drawing, he was sent to the Académie Royale des Beaux-Arts in Brussels in 1836, where he studied under François-Joseph Navez, a former student of Jacques-Louis David. Navez invited him to his studio, which was renowned at the time, allowing Portaels to refine his skills alongside other talented students like Charles de Groux and Joseph Stallaert. In 1841, Portaels moved to Paris, enrolling at the Ecole des Beaux-Arts and studying under Paul Delaroche. He became influenced by the emerging Orientalist movement, which was gaining traction in Paris. In 1842, he won the Grand Prix de Rome, which funded his travels across Italy and other regions, including Morocco, Algeria, Egypt, Lebanon, Judea, Spain, Hungary, and Norway. These journeys profoundly influenced his artistic vision, particularly his Orientalist works. Upon his return to Belgium in 1847, Portaels was appointed Director of the academy in Ghent. In 1849, he married Marie Hélène Navez, the daughter of his first teacher. Despite being offered the directorship of the Brussels Academy, he initially declined, opting to preserve his independence. He later accepted a teaching position at the Academy and eventually became its director in 1878, succeeding Eugène Simonis. Portaels was known for his broad range of artistic talents, including history painting, portraiture, and genre art. He was particularly recognized for his Orientalist depictions, often portraying the ‘Oriental woman’ with distinctive features like arched eyebrows and almond-shaped eyes. His style, marked by charm and elegance, distinguished him from the dominant artistic movements of Classicism and Romanticism. He was a pioneer in monumental art in Belgium, working with Jean Baptiste van Eycken to introduce fresco techniques like water glass painting...

Portrait of a young girl in a delicate, light-colored dress, painted in soft pastel tones. The composition of the portrait focuses on the figure of the girl, who is located in the ce...