1910s Art

Original vintage poster: Help the Greatest Mother in the World, The War Chest. Archivally linen backed. Very clean. Artist: Alonzo Earl Foringer. Lithograph, circa 1917-1918. Excellent condition. Note that this image was printed also with a red cross on it as a variation. Loosely based on Michelangelo's "Pieta," the image in this poster depicts a monumental Red Cross nurse...

Nature through the Mirror Nude and with a Whirlwind Style of Childe Hassam Exquisite watercolor on card stock in the style of Childe Hassam by American Impressionist Wilhelmina (Minn...

Original vintage poster: Patriotic League . Original Howard Chandler Christy's 1918 "Patriotic League" authentic World War 1 lithographic poster. Linen-backed and in excellent condition. This Christy girl...

Original CLEVELAND WAR FUND, ALL FOR VICTORY, vintage poster, museum linen backed. Presents in Good condition B+ due to restored tears. Printer: The Central Lithograph Co., Cleveland. Original World War One poster. Museum linen backed. Restored original fold lines. No paper loss, full lithograph. Please see the large images for the minor defects. Promoting the Salvation Army...

Rocky Inlet (France) Oil on canvas, relined, c. 1915 Signed: K A Buehr, lower right (see photo) Created during the artist's time in Giverny and Normandy Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibitiion at the North Franklin Street Gallery. Provenance: Gift of the artist to his wife, Mary Hess Buehr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Gallery Condition: Craquelure to the paint surface (normal with aging of 100 years) Relined Canvas size: 11 1/8 x 14 1/4 inches Frame size: 16 x 19 inches “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

Deux Baigneuses is an original artwork realized by Michel Simonidy in the first years of the XX Century. Pencil on paper. Passepartout included (cm 26.5 x 19). Mint conditions. V...

Building New York Watercolor on paper, c. 1915 Signed by the artist lower right (see photo) Partial watermark: "MADE IN ENGLAND... LINEN FIBER" Excellent, COLORS FRESH AND VIBRANT Br...

Early 20th Century oil painting of The First Church of Christ Scientist Boston, Massachusetts by Henrietta Dunn Mears (American,1877-1970), 1917. Presented in a giltwood frame. Sign...

William Meyerowitz (1898-1981), Armistice Day, 1918, etching with watercolor. Edition not stated. Signed in pencil. Signed and dated in the plate, lower left. Image size 9 3/4 ...

This impression is signed and numbered 24/25. The references for this work are: Auberty & Perussaux 191 and Ginestet & Pouillon E. 277. This is one of Jacques Villon’s great 1913...

Original WW1 poster: Keep this Hand of Mercy at its work. War Fund Week. One hundred Million Dollars. Original WW1 lithograph, archival line...

The Russo-Japanese War (1904–1905) marked a pivotal moment in naval warfare, and this circa 1900 original print vividly captures the intensity of battle. Titled "Our Torpedoes Attack...

Summer. 1914. Drypoint. Appleby 46. 6 7/8 x 4 7/8 (sheet 11 5/8 x 9 3/16). Edition 77. A fine impression printed on cream wove paper on the full sheet with deckle edges. Signed in pe...

Original poster: SOLDIERS-SAILOR AND WOMEN GUESTS welcome to the Y.W.C.A. hostess house "A bit of home within the camps". A sailor shakes the hand of a man while a woman is standing and smiling at them. Linen-backed original WW1 poster...

Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...

Original, WHAT WILL YOUR ANSWER BE when your boy asks you -- "Father, - what did you do to help when Britain fought for freedom in 1916?" horizontal, linen-backed, excellent condition ENLIST NOW. Poster showing, in silhouette, a boy in scout uniform addressing his father. This poster was also printed with the same text but using "Ireland" in the text. Iconic British World War 1...

This image is the 3rd etching created by Arms. It was printed byGrederick Reynolds in an edition of 116. Referenced as Fletcher #3 the image is the second in his Gable series. Lis...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lora Webb Nichols Mary and Maude Platt, 1912 15 x 15 inch gelatin silver print Image Size: 10.75 x 11 inches frame size 18 x 18 x 2 inches Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...

Very finely painted in muted pastel colors is an original oil on canvas board painting by the American artist, Norwood Hodge MacGilvery. Signed lower right. Titled verso along with ...

Evakuierte in Ostgaliezien ("Evacuation in East Galicia") is an original color lithograph on paper realized by Oskar Laske in 1916. Printed by k. k. Hof- und Staatsdruckerei Wien / Albert Berger...

Very rare xylograph of the artist, who was considered one of the 20th Century Masters in xylography. Title and signature printed on the lower margin. Very good condition. Passepartout included (cm 55 x 45). The artwork was made in Paris, where he used the name of his mother "Martini de la Valle...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Der Todseher is an original modern rare book written by Ernst Adolf Willkomm (Herwigsdorf, 1810 - Zittau, 1886) and illustrated by Alfred Leopold Isidor Kubin (Leitmeritz, 1877 – Zwickledt, 1959) in 1910. Original Edition. Published by Barsdorf, Berlin. 30 numbered copies of deluxe issue. Format: in 8°. The book includes 284 pages with six full page drawings. Mint conditions. Alfred Leopold Isidor Kubin (Leitmeritz, 1877 – Zwickledt, 1959) in 1910. He was an Austrian printmaker, illustrator, and occasional writer. Kubin is considered an important representative of Symbolism and Expressionism. Kubin is considered an important representative of Symbolism and Expressionism and is noted for dark, spectral, symbolic fantasies, often assembled into thematic series of drawings. Like Oskar Kokoschka and Albert Paris Gütersloh, Kubin had both artistic and literary talent. He illustrated the works of Edgar Allan Poe, E. T. A. Hoffmann, and Fyodor Dostoevsky, among others. Kubin also illustrated the German fantasy magazine Der Orchideengarten. Ernst Adolf Willkomm (Herwigsdorf, 1810 - Zittau, 1886). Willkomm was a German writer. Willkomm has published time-critical novels, travel sketches and short stories. With the title of his novel Die Europamüden in 1838 he took up a key word that had been coined by Heine in 1828 and with which an important aspect of thinking in the Vormärz was recorded. In the years 1845/46 Willkomm undertook a trip to Italy, whose experiences he processed in 1847 in the travel sketches Italian...

Lithograph on vélin des papeteries Lafúma paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Le manuscrit trouvé dans un chapeau, orné de dessins a la ...

Standing Nude with Japanese Lanterns Ink drawing on wove paper, mounted on wove paper support, c. 1916 Signed with the estate stamp B Provenance: Estate of the Artist ...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Georges Antoine Rochegrosse (1859-1938) Study for "Le Cocher" carbon pencil on thin paper 14.5 x 13 cm In good condition Framed : 36.7 x 31 cm Provenance: Estate of the artist and...

Original “Drafted Men” W. S.S. 5 Dollars vintage poster. World War 1. Linen backed and restored. This poster is rare and doesn’t appear in the Library of ...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Reading Soldier is a beautiful print in etching on paper, realized by Anselmo Bucci (1887-1955). Good conditions. Sheet dimension: 36.5 x 27 cm. T...

The Duomo, Florence Watercolor, 1914 Signed and dated lower center edge (see photo) Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi. Condition: Excellent Image size: 16 3/4 x 14 1/2 inches Frame size: 24 1/4 x 22 inches Donald Shaw MacLaughlan was born in Charlottetown, Prince Edward Island, Canada on November 9, 1876. His family moved to Boston, Massachusetts in 1890 where he began to experiment with different art media; watercolor, oil painting and finally, etching – with a few attempts at lithography. He spent much of his early years at the Boston Public Library studying the work of printmakers, from Durer and Rembrandt to the 18th century English, French and Italian masters. Like many American artists of the time MacLaughlan traveled to Europe to study in Paris, enrolling in the Ecole des Beaux Arts and studied further with Jean Leon Gerome and Jean Paul Laurens. In 1899 he began producing etchings, which became his major interest until his death in 1938. He became acquainted with James NcNeill Whistler (1834-1903) and other artists who created etchings and spent time studying the etchings of Rembrandt van Rijn (1606-1669) and other old masters in the collection of the Bibliothèque Nationale. Both Rembrandt and Whistler would have major influences on his art. In 1900 he created a set of 25 etched views of Paris and in 1901 exhibited two etchings in the Salon de la Société Nationale des Beaux-Arts. He returned to the U.S. in 1903, then went back to Paris the following year. He traveled extensively in Europe, visiting England, Switzerland, Italy and Spain as well as various locales in France. His etched views of Venice were well-known. MacLaughlan exhibited views of Paris, Rouen, Normandy and Italy in 1906 in a solo show at the American Art Association Galleries in Paris. He also displayed his work in the 1906 exhibitions of the Société Nationale des Beaux-Arts and the Société des Peintres-Graveurs Français. MacLaughlan even instructed other expatriate Canadian artists then living in Paris, most notably Clarence...

Antique original historical modernist landscape oil painting by Lee Roland Warthen (1893 - 1949) . Oil on canvas, circa 1912. Signed and titled on verso. Image size, 18L x 14H. H...

Signed lower left: Iosif Evstafievich Krachkovsky (1854 - 1914), and dated lower right - 1910. Summer View Of Well pole or Shadoof / sweep somewhere in Ukraine (due the specific wicker fences design). A hot summer day that causes thirst, water quenches it. Water, a symbol of life at all times. The well depicted in this painting. source of water and hence the source of life. Symbolism and philosophical overtones in this painting is the main message of the artist to us... Oil painting on canvas pasted on cardboard, framed, early 20th century. Size app.: 45 x 33 cm (roughly 17.7 x 12.99 in), framed by 56 x 44 cm (roughly 22.04 x 17.32 in). Very Good condition, age wear, canvas pasted on cardboard. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker than on our pictures, appearance also depends on sufficient light in your room. I. E. Krachkovsky - Polish-Russian landscape painter...

Image dimensions. 26x18 cm. La Secchia Rapita is a beautiful and rare color lithograph printed by Ricordi, Milan, in 1910. A nice poster for "La Secchia Rapita", by Alessandro Tass...

This sculpture was created by an unknown Baule artist from Ivory Coast. It depicts a man in a suit with a white hat. He stands with his hands in his pockets. 18 1/2" x 6 1/4" sculpture The Baule or Baoulé are an Akan people and one of the largest groups in Côte d'Ivoire. The Baoulé people are talented in African art. Their sculptures are renowned for their refinement, form diversity and the labor they represent. The sculptures do not only include face masks and human figurines...

Lyonel Feininger, “Kreuzende Segelschiffe 2 (Cruising Sailing Ships 2)” 1919, Woodcut. Prasse W175. Edition 275 unsigned for portfolio Die tunlte Jahresgabe des Kreises graphischer ...

Very nicely executed original still life oil painting on fiberboard by the Wales born artist, Edward Pritchard. Signed lower left. Circa 1915. Conditi...

Original THEY GIVE THEIR LIVES WSS, World War 1 lithograph vintage poster. They Give Their Lives, do you lend your savings? W.S.S.--War Savings Stamps....

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lora Webb Nichols 15 x 12 inch gelatin silver print Image Size: 14 x 8.5 inches frame size: 22.5 x 17.5 x 2 inches Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...

Rapsodia Satania by Pietro Mascagni is arare book. Realized in 1915. With the dedication of the writer, and dated "1917" Good conditions.

Original WW1 poster: Keep It Coming: "We Must Not Only Feed Our Soldiers at the Front but Millions of Women & Children Behind Our Lines" ...Waste Nothing. United States Food Administration. General John J. Pershing. The W. F. Powers Co. Litho N.Y. Linen backed. Good condition. Original WW1 lithograph ready to frame. The upper left outside boarder was repaired during the linen backing keeping this poster from being a 100 year old perfect condition vintage poster. This image created by the artist George Illion features a line of trucks with the word food on the side traveling to delivery needed supplies to our troupes and allies. One lone soldier is shown directing the truck traffic to keep moving. The trucks are done in an Army green since many computer monitors display different color tones. The “Keep” and “Coming” are done in a pumpkin orange lettering. This is an original World War 1 poster...

Image dimensions: 24 x 28 cm. La Delivrance De La Princesse Olga is an original print in etching technique on ivory-colored paper, realized by M. Roux after Eugène Delacroix . In v...

Original poster What the Liberty Motor Will do to the Hun. C. 1917. Original World War 1 antique military poster. Archival linen backed and ready to frame....

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Delovincourt: biography Delovincourt, is a poster artist. Delovincourt was an art nouveau artist. He was mainly active during the modern period. Delovincourt: his main works Delovinc...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Antique illustration of a golfer getting out of a sand trap by well listed illustrator Leslie Saalburg whose work appeared in Vanity Fair and Esquire.

Georges CONRAD (1874-1936) Tribute to Degas Ballerina : Sitting female nude Original India ink and pencil drawing Signed with the stamp of atelier On...

Grand Hôtel Regoledo is a colored lithographed original manifesto on cardboard, realized around 1914 by the Italian artist Aldo Mazza. This modern artwork ...

This original circa 1915 lithographic poster by artist T. Sala, titled Panorama de la Bataille de la Marne, stands as a compelling and highly rare visual testament to one of the defi...

Piccola pittura a olio ,luminoso paesaggio della Bretagna francese, molto luminoso,splendida cornice

Wonderful modern floral still life oil painting of ranunculus in white vase and mustard weed on table by acclaimed artist and art critic Walter Pach (American, 1883-1958), 1911. Pach...

Muskateer 28th Foot (Gloucestershire Regiment) 1746 in Watercolor on Paper A beautiful watercolor of a British Musketeer of the 28th (North Gloucestershire) Regiment of Foot, in full uniform standing with poise and readiness by English artist Clarence F. Bretherick (b. 1868). Signed lower right. Displayed in a rustic giltwood frame. Image, 12"H x 9"W. In 1892 Bretherick was appointed permanently on the Liverpool Weekly Post as artist to that journal, to be responsible for all illustrations therein. His great specialty was figure drawing, military figure subjects in particular. This particular watercolor is a fine example of his skill as an artist and his fine attention to detail. 28th (North Gloucestershire) Regiment of Foot. The regiment was first raised in 1694 by Colonel Sir John Gibson, the Lieutenant-Governor of Portsmouth, as Sir John Gibson's Regiment of Foot and was posted to Newfoundland to protect the colony there. They saw action in Flanders during the War of the Austrian Succession...

Work on canvas

Woman on a Patio Pastel on paper, c. 1915 Unsigned Provenance: Gift of the artist to his wife, Mary Hess Buehr By decent to the artist's niece, daughter of Will...

A unique original silver gelatin black and white photograph by Agence Meurisse, Paris. Car racing in Boulogne-sur-Mer, France, circa 1911. Features: Original silver gelatin print pho...