Skip to main content

1930s Art

to
857
3,386
1,237
920
541
346
Overall Width
to
Overall Height
to
7,585
21,489
164,328
235,131
2,050
2,302
4,966
6,477
5,744
15,242
20,908
26,058
18,830
14,131
5,391
2,478
489
404
245
112
108
106
69
12
12
5
2
2
3,575
2,404
314
3,905
1,776
1,606
1,154
1,108
704
460
432
422
358
336
317
299
290
290
238
228
224
216
197
2,022
1,617
1,358
1,218
899
261
147
105
89
61
1,858
1,102
3,478
2,915
Period: 1930s
It’s Never Too Late to Mend
It’s Never Too Late to Mend

It’s Never Too Late to Mend

By Norman Rockwell

Located in Fort Washington, PA

Signed by Artist Lower Right Commissioned from the artist by Coats & Clark thread company circa 1939 Exhibited at the Mint Museum, January 2022

Category

1930s Art

Materials

Oil

HAIL AND FAREWELL

HAIL AND FAREWELL

By Rockwell Kent

Located in Portland, ME

Kent, Rockwell. HAIL AND FAREWELL. Burne-Jones 55. Wood engraving, 1930. Edition of 120. 8 x 5 1/2 inches, 203 x 140 mm. Signed in pencil. In excellent condition.

Category

American Modern 1930s Art

Materials

Woodcut

American Impressionist oil painting by Kenneth How
American Impressionist oil painting by Kenneth How

American Impressionist oil painting by Kenneth How

Located in Colfax, CA

Soft and pleasingly calm depiction of a worker at a cottage near a wharf by American artist Kenneth Gayoso How. Kenneth Gayoso How, (1883–1950), was an American painter and artist kn...

Category

1930s Art

Materials

Canvas, Oil

Taos (Timeless Ritual) Native American 1939 Indian Portrait Drawing
Taos (Timeless Ritual) Native American 1939 Indian Portrait Drawing

Taos (Timeless Ritual) Native American 1939 Indian Portrait Drawing

Located in Wilton Manors, FL

Boleslaw Cybis (1895-1957). Taos (Timeless Ritual), Indian Negro Series, 6 of 18. Conte on paper, sheet measures 18 x 23 inches. Small tear in sheet left margin. Evidence of alter...

Category

Realist 1930s Art

Materials

Paper, Conté

1930’s French Impressionist Signed Oil Harvest Fields Haybales Landscape
1930’s French Impressionist Signed Oil Harvest Fields Haybales Landscape

1930’s French Impressionist Signed Oil Harvest Fields Haybales Landscape

By Suzanne Roche

Located in Cirencester, Gloucestershire

Suzanne Roche, French signed and dated 1930 signed oil painting on canvas, unframed canvas : 21 x 28 inches provenance: private collection, France condition: overall very good

Category

Impressionist 1930s Art

Materials

Oil

"Hungry Elephant" by Fox Photos

"Hungry Elephant" by Fox Photos

Located in London, GB

"Hungry Elephant" by Fox Photos An elephant named Mae West accepts an apple from a passing tram driver while taking her morning exercise along Gray's ...

Category

Modern 1930s Art

Materials

Black and White

“Untitled”
“Untitled”

“Untitled”

Located in Southampton, NY

Original multicolor linocut by the American artist, Lucina Smith Wakefield. Signed by the artist lower left margin. Circa 1930. Condition is very good, no issues. The linocut is hou...

Category

American Modern 1930s Art

Materials

Archival Paper, Linocut

PULLING CORN (FODDER HOPPER)  - Scarce Print!
PULLING CORN (FODDER HOPPER)  - Scarce Print!

PULLING CORN (FODDER HOPPER) - Scarce Print!

By Bernard Joseph Steffen

Located in Santa Monica, CA

BERNARD (JOSEPH) STEFFEN (1907 – 1980) PULLING CORN (FODDER HOPPER) c. 1935-45 Color serigraph signed with a full signature below the image at the lower right sheet edge . Unknown e...

Category

Modern 1930s Art

Materials

Screen

1st Class Travel (1934) Silver Gelatin Fibre Print

1st Class Travel (1934) Silver Gelatin Fibre Print

Located in London, GB

1st Class Travel (1934) Silver Gelatin Fibre Print (Photo by Fox Photos/Getty Images) September 1934: Mrs C Wylds behind the wheel with her pet pig at Terling in Essex. Additional...

Category

Modern 1930s Art

Materials

Black and White, Silver Gelatin

Naples, 1934
Naples, 1934

Naples, 1934

By Joseph Lindon Smith

Located in Soquel, CA

View overlooking Naples and Mt. Vesuvius by artist Joseph Lindon Smith (American, 1863-1950). Titled "Napoli" in pencil bottom left. Signed "Jos. Smith '34" in pencil lower right. Di...

Category

Realist 1930s Art

Materials

Paint, Paper, Pencil

“Resting the Camels”
“Resting the Camels”

“Resting the Camels”

By Elizabeth Paxton Oliver

Located in Southampton, NY

Beautifully detailed oil on heavy card stock painting of an orientalist scene with camels resting and two figures taking the shade under a tree with several large impressive building...

Category

Post-Impressionist 1930s Art

Materials

Oil, Board

Farm Tragedy (Untitled)
Farm Tragedy (Untitled)

Farm Tragedy (Untitled)

Located in Los Angeles, CA

Farm Tragedy (Untitled), c. 1930s, mixed media on plaster on panel, unsigned, 22 1/8 x 32 inches; label verso reads: "New York Artists Equity Association, New York, NY," provenance i...

Category

American Modern 1930s Art

Materials

Mixed Media

Two Figures 1939 - British Surrealist art figurative painting
Two Figures 1939 - British Surrealist art figurative painting

Two Figures 1939 - British Surrealist art figurative painting

Located in Hagley, England

This superb British 1930's modern art tempera Surrealist painting is by noted interwar artist Blair Hughes-Stanton. Painted in 1939 it is entitled two Figures 1939 verso and may rela...

Category

Surrealist 1930s Art

Materials

Tempera

'Cheetah Who Shops' Archival Photograph by Getty, 20 x 24
'Cheetah Who Shops' Archival Photograph by Getty, 20 x 24

'Cheetah Who Shops' Archival Photograph by Getty, 20 x 24

Located in San Rafael, CA

American silent film actress Phyllis Gordon (1889 - 1964) window-shopping in Earls Court, London with her four-year-old cheetah who was flown to Britain from Kenya. (Photo by B C Par...

Category

Contemporary 1930s Art

Materials

Photographic Paper

The Ledge

The Ledge

By Georgina Klitgaard

Located in Los Angeles, CA

Georgina Klitgaard (1893 – 1976) The Ledge, by 1931, oil on canvas, signed lower right, 32 1/8 x 50 1/8 inches, exhibited: 1) 44th Annual Exhibition of American Paintings & Sculptur...

Category

American Modern 1930s Art

Materials

Canvas, Oil

Couple on bench at Heidelberg castle, Germany 1936, Printed Later
Couple on bench at Heidelberg castle, Germany 1936, Printed Later

Couple on bench at Heidelberg castle, Germany 1936, Printed Later

By Karl Heinrich Lämmel

Located in Cologne, DE

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirties, Karl Heinrich Lämmel produced several photographic reports of cities, including Munich and Cologne. Photographs that have yet to be seen and appreciated. Lämmel's pictures show a different view of Germany. His documentation is an unparalleled and intriguing insight into the working and everyday life of the time. Impressive images of cities and their architecture before the destruction of WWII . The print is new, a Premium-FineArt-Print ( Hahnemühle 308g ), it comes in a secure role without passpartout and frame to reduce shipping cost. This sizes are limited to 25 copies per size. Description: Ein Paar sitzt auf einer Bank vor dem Schloss in Heidelberg, Deutschland 1930er Jahre. A couple sitting on a bench at Heidelberg castle...

Category

Modern 1930s Art

Materials

Black and White

"Chorus Formation" by Sasha

"Chorus Formation" by Sasha

Located in London, GB

"Chorus Formation" by Sasha 14th February 1933: The Albertina Rasch chorus girls who are appearing in 'Wild Violets'. Unframed Paper Size: 24" x 20'' (in...

Category

Modern 1930s Art

Materials

Black and White

Interior with Figures

Interior with Figures

By Arthur Osver

Located in Dallas, TX

Arthur Osver studied at Northwestern University and the Art Institute of Chicago. Osver was awarded the Prix de Rome in 1952. He taught at the Brooklyn Museum Art School, Columbia Un...

Category

American Modern 1930s Art

Materials

Canvas, Oil

Portrait of a Man from the Rif Region
Portrait of a Man from the Rif Region

Portrait of a Man from the Rif Region

Located in Stockholm, SE

This watercolour portrait by Finnish artist Hugo Backmansson depicts an Arab man from the Rif region of Morocco. Created during Backmansson’s journey to Morocco in 1939, the work cap...

Category

1930s Art

Materials

Paper, Watercolor

Dartmoor Ponies Early Morning Mist & Haze Devon Landscape 1930s Oil Painting
Dartmoor Ponies Early Morning Mist & Haze Devon Landscape 1930s Oil Painting

Dartmoor Ponies Early Morning Mist & Haze Devon Landscape 1930s Oil Painting

By Charles Walter Simpson

Located in Sutton Poyntz, Dorset

Charles Walter Simpson. English ( b.1885 - d.1971 ). Dartmoor Ponies, Devon. Oil On Board. Signed Lower Right. Image size 20.7 inches x 28.2 inches ( 52.5cm x 71.5cm ). Frame size 29.5 inches x 37 inches (75cm x 94cm ). Available for sale; this original oil painting is by Charles Simpson and dates from the 1930s. The painting is presented and supplied in a contemporary and sympathetic wood frame (which is shown in these photographs) mounted using conservation materials and behind non-reflective Artglass AR 70™ glass. The previous ply backboard has been retained and is secured onto the new replacement backboard for posterity. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with Harris & Sons, 70 George Street, Plymouth, Devon in July 1936. Charles Walter Simpson, known as Walter, was a leading figure in the Newlyn and St Ives art colonies in the early part of the twentieth century. He is perhaps best known in America for his horse paintings but is also widely acclaimed for his mastery of birds. It has been said that as a painter of wildfowl Simpson can have few rivals. He worked in oils, watercolors and tempera. Walter was born at Camberley on 8th May 1855. His mother was Leonora (nee Devas) and his father was Major-General Charles Rudyard Simpson of the Lincolnshire Regiment. Initially Walter was educated by a private tutor, and he later attended the Herkomer School at Bushey. As a youngster Walter was destined for a military career. However, this was prevented by a riding accident which affected both his hearing and sight. He had a considerable talent for drawing and determined to become an artist instead. Walter was initially largely self-taught, but then received guidance from family friends such as G.F. Watts and H.W.B. Davis, RA. He later studied for a short time under the renowned animal artist Lucy Kemp-Welch at Bishley, then with Sir Alfred Munnings, with whom he developed a life-long friendship, at Swainsthorpe. Munnings encouraged him to visit Cornwall, where he studied under Stanhope Forbes RA in Newlyn. Simpson’s first home in West Cornwall was Penzer House in Newlyn, where he was living in 1908. Finally, Simpson completed his studies at the Academie Julien in Paris in 1910. On his return from Paris, Simpson moved to Cornwall again and became engaged to fellow artist Ruth Alison just a couple of days after first meeting her. They were married in 1913, living first in Newlyn and then in Lamorna at “Brodriggy”. They had a daughter, Leonora, born in 1914. In 1916 Simpson and his family moved to St. Ives to set up their own School of Painting, which they ran from numbers 1 and 2 Piazza Studios. During this period Simpson dominated the St. Ives art scene. The family moved back to London in 1924 but returned to Cornwall in 1931. Altogether, they moved between West Cornwall and London eleven times. From his studio in Cornwall Simpson painted in earnest, often on a grand scale, producing wonderful large decorative canvases, specialising in wild ducks, gulls and other sea birds. He had a reputation as an outstanding animal and bird painter. Paget described Charles Simpson in 1945 as “undoubtedly the best bird painter living. He alone, of all artists past and present, can make his birds appear out of their backgrounds as one approaches them, or the light is increased as in nature…”. Simpson relished painting en plein air and Laura Knight commented, "He was so prodigal with paint, he could be traced by the color left on the bushes!". Simpson first exhibited at the Royal Academy in 1906, initially painting mainly non-sporting subjects. From then on, he was a regular contributor to the Royal Academy exhibitions. It was not until 1924, when a rodeo was held at Wembley during which he worked in the ring and produced a book call El Rodeo...

Category

Impressionist 1930s Art

Materials

Oil

“Trinity Church, Wall Street”
“Trinity Church, Wall Street”

“Trinity Church, Wall Street”

By Leon Dolice

Located in Southampton, NY

Original oil pastel on archival paper by the well known American artist, Leon Dolice. The painting depicts Trinity Church with several of the more contemporary buildings of Wall Stre...

Category

Modern 1930s Art

Materials

Oil Pastel, Archival Paper

Relaxing

Richard GeigerRelaxing, 1930

$1,625Sale Price|50% Off

Relaxing

By Richard Geiger

Located in Los Angeles, CA

RICHARD GEIGER "RELAXING" OIL ON CANVAS, SIGNED HUNGARIAN, C.1930 28 X 39 INCHES FRAMED 36.5 X 46 INCHES Richard Geiger 1870-1945 Richard Geiger was born in Vienna and first studied at the Vienna Art Institute with the academic painter Christian Ludwig Von Griepenkerl and, subsequently, in Paris with Francois Flameng...

Category

Art Deco 1930s Art

Materials

Canvas, Oil