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1930s Art

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Period: 1930s
Sylvia
Sylvia

Sylvia

By Erté

Located in San Francisco, CA

Artist: (Romain De Tirtoff) Erte (Russian, 1892-1990) Title: Sylvia Year: Circa 1935 Medium: Gouache on paper Paper size: 14.5 x 10.5 inches Signature: Signed lower rig...

Category

Art Deco 1930s Art

Materials

Gouache

"Idle Hours" WPA Mid 20th Century American Scene Social Realism Modernism Ashcan
"Idle Hours" WPA Mid 20th Century American Scene Social Realism Modernism Ashcan

"Idle Hours" WPA Mid 20th Century American Scene Social Realism Modernism Ashcan

By Daniel Ralph Celentano

Located in New York, NY

"Idle Hours" WPA Mid 20th Century American Scene Social Realism Modernism Ashcan Daniel Celentano (1902–1980) Idle Hours (Study for a larger oil) Oil on masonite, c. 1930s 10 1/2 x ...

Category

American Realist 1930s Art

Materials

Oil, Masonite

Action de Vin sur Le Moral (How Wine Affects the Morale)

Action de Vin sur Le Moral (How Wine Affects the Morale)

By Raoul Dufy

Located in Laguna Beach, CA

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...

Category

Post-Impressionist 1930s Art

Materials

Lithograph

Desolation, S.C. or Deserted Cabins, Beauford, S.C.
Desolation, S.C. or Deserted Cabins, Beauford, S.C.

Desolation, S.C. or Deserted Cabins, Beauford, S.C.

By Louis Oscar Griffith

Located in Fairlawn, OH

Desolation, S.C. or Deserted Cabins, Beauford, S.C. Etching & Aquatint, c. 1930 Signed by the artist in pencil lower right (see photo) Annotated "Trial Proof" in pencil lower left corner of sheet Provenance: Estate of the artist By decent Note: An impression of this image is in the collection of the Greenville County Museum of Art, Greenville, South Carolina Condition: Excellent Plate/Image size: 8 x 9 3/4 inches Sheet size: 12 7/8 x 15 inches Louis Oscar Griffith (1875-1956) Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts. In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop...

Category

American Impressionist 1930s Art

Materials

Aquatint

Ford Tour with a young woman - 1937

Ford Tour with a young woman - 1937

By Peter Cornelius

Located in Cologne, DE

Germany, 1937 – Photograph by Peter Cornelius In this expressive low-angle portrait by Peter Cornelius, taken in 1937, a young woman sits relaxed in the grass, leaning contentedly ag...

Category

Modern 1930s Art

Materials

Black and White

Family scene. Oil sketch on cardboard.
Family scene. Oil sketch on cardboard.

Family scene. Oil sketch on cardboard.

By Jules Pierre van Biesbroeck

Located in Paris, FR

Family scene. Oil sketch on cardboard. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Category

Post-Impressionist 1930s Art

Materials

Oil

Early View of Stockton, New Jersey
Early View of Stockton, New Jersey

Early View of Stockton, New Jersey

By Kenneth Nunamaker

Located in Bryn Mawr, PA

Kenneth Nunamaker never took a formal art lesson. His “training” began during his travels out West as a young man, where he painted in his spare time. It continued informally through...

Category

Impressionist 1930s Art

Materials

Oil, Board

"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art
"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art

"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art

By Stuart Davis

Located in New York, NY

"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art Stuart Davis (American, 1892-1964) "Street Signs" Modernist gouache and traces of pencil on paper in the proto-pop art style Davis is celebrated for, 1938, signed to lower right, framed. Image: 11 1/4 x 15 1/4 inches. Frame by Bark: 18 1/2 x 22 inches. LITERATURE: A, Boyajian, M. Rutkowski, Stuart Davis, A Catalogue Raisonne, Vol. 2, New Haven, Connecticut, 2007, vol. II, p. 632, no. 1232, illustrated. EXHIBITIONS: ACA Galleries, New York American Artists' Congress: Group Exhibition of Paintings and Sculpture, Dec. 3-16, 1939 (SDAB I, 12/3/39, p. 129). Outlines Gallery, Pittsburgh, Stuart Davis, Mar. 3-16, 1946. Coleman Art Gallery, Philadelphia, 5 Prodigal Sons: Former Philadelphia Artists: Ralston Crawford, Stuart Davis, Charles Demuth, Julian Levi, Charles Sheeler, Oct 4 - 30, 1947 (pamphlet), no. 12. PROVENANCE: The artist; Mr. and Mrs. Frank Bowles, New York, Apr. 3, 1956; thence by descent, Private Collection, New York. NOTES: According to the Catalogue Raissonne, "the title 'Street Signs' is recorded in the artist's account books...

Category

American Modern 1930s Art

Materials

Paper, Gouache, Pencil

"Odalisque yellow" Oil , cm. 40 x 50 1937  free shipping
"Odalisque yellow" Oil , cm. 40 x 50 1937  free shipping

"Odalisque yellow" Oil , cm. 40 x 50 1937 free shipping

By Giulio da Milano

Located in Torino, IT

Odalisque ,yellow,orange, orient Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize La Coupole de Montparnasse (from Kisling to Pascin, from Derain to Vlaminck). He is considered one of most representative exponents of the Turin’s artistic scene in the ‘30s-‘40s, close to the Gruppo dei Sei. His works can be found in the following museums: Turin, Modern Art Gallery...

Category

Expressionist 1930s Art

Materials

Canvas, Oil

Harlem (Three Cowboys)

Harlem (Three Cowboys)

By John Albok

Located in Denton, TX

John Albok Harlem (Three Cowboys), 1938 Vintage gelatin silver print, 9 1/2 x 7 1/2 in. Titled in pencil on mount margin. Signed and dated by John Albok in pencil, artist stamp in bl...

Category

Modern 1930s Art

Materials

Silver Gelatin

Pekingese Family of Dogs - Oil on Canvas by F.V. Rossi - 1939

Pekingese Family of Dogs - Oil on Canvas by F.V. Rossi - 1939

By Filiberto Vitaliano Rossi

Located in Roma, IT

Pekingese Family of Dogs is an original artwork realized in 1939 by Filiberto Vitaliano Rossi. Original oil on canvas. Hand-signed and dated on the lower right corner. Good conditions, except for some micro-holes on the canvas, very thin. Beautiful artwork representing several Pekingese dogs...

Category

1930s Art

Materials

Oil

“Woodland Vista”
“Woodland Vista”

“Woodland Vista”

By Winfield Scott Clime

Located in Southampton, NY

Oil on artist board painting by the American artist, Winfield Scott Clime. Signed lower left. Titled verso. Partial Lyme Association exhibition label verso. In good condition. Frame...

Category

Post-Impressionist 1930s Art

Materials

Oil, Board

Portrait (Untitled)

Portrait (Untitled)

Located in Los Angeles, CA

Portrait (Untitled), c. mid 1930s, hammered copper, 11 1/2 x 8 1/2 inches Beryl McCarthy Wynnyk was a California-based painter, sculptor, and craftsperson. She studied at the Califo...

Category

American Modern 1930s Art

Materials

Copper

woman in the wood, '30s - lacquer on wood panel, 50x51 cm.
woman in the wood, '30s - lacquer on wood panel, 50x51 cm.

woman in the wood, '30s - lacquer on wood panel, 50x51 cm.

Located in Nice, FR

Lacquer painting on silver foil representing a woman resting in the wood. Art deco painting from Italian painter Cavenago. Signed low in the center. On wood panel.

Category

Art Deco 1930s Art

Materials

Lacquer

William Gropper, (Choral Group)
William Gropper, (Choral Group)

William Gropper, (Choral Group)

By William Gropper

Located in New York, NY

An early serigraph (screen print) by William Gropper. There's a harpist to provide the music and a choir master conducting. The seated members of the group are individually drawn as ...

Category

Ashcan School 1930s Art

Materials

Screen

"Manhattan Night Life"
"Manhattan Night Life"

"Manhattan Night Life"

By Vaclav Vytlacil

Located in Lambertville, NJ

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Category

Abstract Expressionist 1930s Art

Materials

Canvas, Oil

Original 1933 poster by the artist J. Pillod - Castrol-Bugatti
Original 1933 poster by the artist J. Pillod - Castrol-Bugatti

Original 1933 poster by the artist J. Pillod - Castrol-Bugatti

By Jean Pillod

Located in PARIS, FR

This original 1933 poster by the artist J. Pillod is a captivating piece of automotive history, advertising Castrol oil with the iconic Bugatti car as its centerpiece. The poster beautifully combines the elegance of the Bugatti with the reliability of Castrol, making it a standout example of early 20th-century automotive advertising. The composition features a streamlined Bugatti car, symbolizing speed and luxury, set against a dynamic backdrop that emphasizes movement and modernity. The use of bold colors and clean lines reflects the aesthetic of the time, with a focus on both functionality and style. The poster’s typography is striking yet balanced, ensuring that the message about Castrol oil's superior performance is clear and compelling. This poster is printed on high-quality paper, showcasing the artistic and technical prowess of J. Pillod. The poster remains a cherished piece for collectors of vintage automotive memorabilia and those interested in the golden age of motoring. This 1933 Castrol-Bugatti poster...

Category

Art Deco 1930s Art

Materials

Linen, Paper, Lithograph

“Family”

“Family”

By Hazel Finck

Located in Southampton, NY

Oil on canvas. Signed and dated lower right 1930 Biography Hazel Finck Born in New Haven, Connecticut, Hazel Finck studied art with Guy Wiggins and Sigismund Ivanowski, a Russi...

Category

American Modern 1930s Art

Materials

Canvas, Oil

L'Ete (Summer), Surrealist Pochoir Print by Joan Miro
L'Ete (Summer), Surrealist Pochoir Print by Joan Miro

L'Ete (Summer), Surrealist Pochoir Print by Joan Miro

By Joan Miró

Located in Long Island City, NY

Artist: Joan Miro, Spanish (1893 - 1983) Title: L'Ete (Summer) from Verve (Vol. 1, No. 3) Year: 1938 Medium: Color Pochoir on Wove Paper, signed, titled and dated in the plate, verso...

Category

Surrealist 1930s Art

Materials

Stencil

Daffodils — 1937 Kachō-e Japanese Woodblock Print
Daffodils — 1937 Kachō-e Japanese Woodblock Print

Daffodils — 1937 Kachō-e Japanese Woodblock Print

Located in Myrtle Beach, SC

Nishimura Hodō, Daffodils (Suisen), woodblock print, April 1937, unsigned. A very fine impression with fresh colors, skillful Bokashi (color gradation), and gauffrage (embossing) in...

Category

1930s Art

Materials

Woodblock

Charles Pont, Splicing
Charles Pont, Splicing

Charles Pont, Splicing

Located in New York, NY

An old sailor is shown at work on a what must be a huge sailing vessel. He's splicing, or joining ropes together -- probably still a useful skill in the mi...

Category

Ashcan School 1930s Art

Materials

Woodcut