1940s Art

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Lawrence Beall Smith Windy Hill, 1948 Signed in pencil lower right margin Lithograph on wove paper Image 10 3/8 x 13 1/16 inches Sheet 11 15/16 x 16 inches From the edition of 250 ...

Watercolor drawing on paper realized by Mino Maccari in 1940s. Hand signed lower left. Very good condition.

Beautiful, soft mid-century landscape of a country lane winding through the countryside of Bucks County by Pennsylvania artist Cora W. Best (American, 1874-1958). In the style of her...

BETTY BALL "LA NOVA" PASTEL, SIGNED AMERICAN, DATED 1949 18 x 14 Inches

Backstage At La Scala 1948 by Slim Aarons Slim Aarons Limited Estate Edition A chorus girl reads a movie magazine in a dressing room at La Scala opera house, Milan, November 1948...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

Oil on canvas

Artist: George Grosz, German (1893 - 1959) Title: Aroused Year: 1940 Medium: Oil on Paper, signed l.r. Paper Size: 24 x 18 in. (60.96 x 45.72 cm) Frame Size: 36 x 30 inches Prove...

This exquisite lithograph by Hans Jean Arp (1886–1966), titled Composition sur fond bleu (Composition on a Blue Background), from the folio Derriere le miroir, L’art abstrait, No. 21...

Work on canvas Golden wooden frame 62.5 x 72 x 4 cm

Original HERE. Mister! AMOCO Service mid-century vintage poster. Archivally linen backed in very good condition, ready to frame. A- condition with a dime size touch-up in the low...

Wonderful 1940s genre landscape of traditional English cottage painted in the European style by Henry T. Harvey (English/American, 1908-2000). Signed lower right corner. Presented in...

1940's Carmel Landscape, Sycamore Grove by Nell Walker Warner Beautiful, substantial and period painting of Sycamore Grove, Carmel Valley by Nell Walker Warner (American, 1891-1970...

George Platt Lynes Photograph #12 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver portrait photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #12 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

Romantic landscape, oil on panel. A saw mill is viewed from across a rapid river in this delightful scene near Woodbridge, Ontario, by Bernice Martin. Title, date on verso. This painting is unframed. Woodbridge, Ontario, is a settlement named in 1855 after a wooden bridge that crossed the Humber River as an entry point into the town. Martin's work is rooted in the post-Impressionist, atmospheric landscape style made well known by J.W. Beatty a forerunner to the Group of Seven. “I look back on my life and my painting hours were the happiest. I’d spend long hours and forget time…my time was always measured by the passage of light.” —Bernice Fenwick Martin Born in Shelburne, Ontario, Bernice Martin studied at the Ontario College of Art under noted Canadian artists J.W. Beatty and Franklin Carmichael. After the death of Beatty in 1941, she found friendship in Peter Clapham Sheppard with whom she studied and worked with until his death in 1965. Working in oil, watercolor and woodcut, Martin focused on local scenes such as the Toronto harbor, small towns in Ontario and Northern landscapes including Muskoka, Haliburton, and Algonquin Park regions of Ontario. Martin’s works were showcased at the Royal Canadian Academy from 1945-1947 and displayed in solo exhibitions in Toronto galleries throughout her career at T. Eaton Co...

Fisherman on the River Nicolai Cikovsky, Russian-American (1894–1984) Date: 1949 Oil on canvas, signed and dated lower right Size: 24 x 30 in. (60.96 x 76.2 cm) Frame Size: 35 x 41 i...

5118 Antique Scandinavian oil painting of a beautiful young pigtsiled beauty Framed Image size 11.5x19" Signed C.Keskulla 1941

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

Edition of 165 copies including 20 etchings by G. Manzù. Copy on carta a Tino di Fabriano. Near perfect conditions. Realised by Officine Bodoni, Giovanni Mardersteig. Italian versi...

Artist born in Vienna, Austria in 1887. Died in 1970 in Geneva. Work on canvas

Impressionistic style watercolor of a cascading waterfall framed by tree branches heavy with greenery by artist Karl Teodor, 1943. Unsigned. Original...

Original. “OUR AMERICA, #3 USING MOTION PICTURES FOR SOCIAL VALUE.” vintage poster. Presented by the Coca-Cola Bottling Company. This poster displays the benefits of American Motion Picture making on society as a whole and is number three in the series of Our America, Motion Pictures. From leisure, as in entertainment, to the practical, like legal documentation and recording important events, are displayed in this poster. These benefits are shown in eight small windows along either side of a large ninth window, which is all brought into harmony by the use of green tones, and that the windows are set upon a mint green background. Presenting Facts of History. Our America Motion Pictures # 3. Using Motion Pictures for Social Values. 1. Using cartoons for amusement. 2. Reporting an important event. 3. Making biography dramatic. 4. Reporting athletic events. 5. Dramatizing a famous book. 6. Showing places of natural beauty. Y. Using motion pictures in legal cases. 8. Making pictures true to facts. We Can All Do Our Part! In 1943, during World War II, Coca-Cola created the “Our America” series of vintage motion picture posters...

Original WWII vintage poster: FOR THEIR FUTURE - BUY WAR BONDS. Original vintage WWII poster by the artist Munsett, 1943. U. S. Government printing: 1943-0-513138. Archival l...

Pencil sketch of a theater set designed to depict an elegant nineteenth century sitting room, circa 1950. Original artwork on paper displayed on a whi...

A simplified landscape oil painting by Joe Jones. This two-toned piece is nicely framed and signed. Modern Landscape Joe Jones, American (1909–1963) Date: circa 1940 Oil on Canvas, ...

"Race Order" by Bert Hardy Maserati racing cars in the pit during a road race at at St Helier, Jersey, Channel Islands, May 1947. Original publication: Pict...

Work on canvas Golden wooden frame 55 x 71.5 x 3.5 cm

Erotic Scene is an original xilography artwork realized by Mino Maccari in 1944. Hand-signed in the pseudonym of "Jean Baschie" which is the artist's signature in 1944 erotic series artwork...

This exquisite lithograph by Andre Derain (1880–1954), titled Le Repas chez Simon (The Feast at Simon’s House), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates...

This exquisite lithograph by Andre Derain (1880–1954), titled Le Diner (The Dinner), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 issue publis...

Gorbals Boys (1948) - Silver Gelatin Fibre Print (Photo by Bert Hardy/Getty Images Archive London) Possibly Bert Hardy's most famous image. Two boys in the Gorbals area of Glasgow. The Gorbals tenements were built quickly and cheaply in the 1840s, providing housing for Glasgow's burgeoning population of industrial workers. Conditions were appalling; overcrowding was standard and sewage and water facilities inadequate. The tenements housed about 40,000 people with up to eight family members sharing a single room, 30 residents sharing a toilet and 40 sharing a tap. By the time this photograph was taken 850 tenements had been demolished since 1920. Redevelopment of the area began in the late 1950s and the tenements were replaced with a modern tower block complex in the sixties. Original Publication: Picture Post - 4499 - The Forgotten Gorbals - pub. 1948 Additional Information: Unframed Paper Size: 20 x 16'' inches / 51 x 41 cm Printed 2024 Silver Gelatin Fibre Print Limited edition issued and stamped on front by the Getty Archive London Edition size 300 only NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 8'' 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' FRAMING AVAILABLE ON REQUEST Bert Hardy Albert William Thomas Hardy (19 May 1913 – 3 July 1995) was an English documentary and press photographer known for his work published in the Picture Post magazine between 1941 and 1957. Life and work Born in Blackfriars, Bert Hardy rose from humble working class origins in Southwark, London. The eldest of seven children, he left school at age 14 to work for a chemist who also processed photos. His first big sale came in 1936 when he photographed King George V and Queen Mary in a passing carriage during the Silver Jubilee celebrations, and sold 200 small prints of his best view of the King. His first assignment, at age 23, was to photograph Hungarian actor Sakall at the Mayfair Hotel. Hardy freelanced for The Bicycle magazine, and bought his first small-format 35 mm Leica. He signed on with the General Photographic Agency as a Leica photographer, later founding his own freelance firm, Criterion. General Photographic Agency General Photographic Agency a Fleet Street, London agency, sold photos at least between 1880-1950. Picture Post and World War II In 1941, Hardy was recruited by the then editor Tom Hopkinson of the leading picture publication of the 1930s to the 1950s, Picture Post. Founded in 1938 and funded by publisher Edward Hulton, the magazine's first editor was Hungarian émigré Stefan Lorant (1901–97) assisted by Hopkinson, who took over as editor from 1940. The picture-centric, left-leaning and reasonably-priced publication was highly successful and circulation soon rose to over a million. Hardy's photographer colleagues included Felix H. Man (aka Hans Baumann...

"Fill Her Up" by Bert Hardy 24th May 1947: Pit staff filling up Louis Chiron's (1899 - 1979) Maserati. Original Publication: Picture Post - 4364 - Road Racing In Jersey - pub. 1947 ...

Tempera on paper, realized in mid-20th Century. Hand signed in pencil lower right. Very good condition.

Swiss painter Sculptor, painter and ceramist. Landscape. Wall painting and drawing Work on cardboard

This striking 1942 lithograph poster, printed by the U.S. Government Printing Office, captures a pivotal moment in American history. The poster depicts President Franklin D. Roosevel...

STANLEY WILLIAM HAYTER (British 1901-1988) GREETING CARD FOR 1946-7 (Black / Moorheard 176) Engraving, soft-ground etching, signed and dated 1946. Wit...

Work on cardboard Golden wooden frame 54 x 44.5 x 3.5 cm

Churches of Lalibelà  is a modern artwork realized by Lino Bianchi Barriviera in 1948.. Black and white etching. Signed and dated on plate. Plate n.58 (as reported on the higher m...

Lithograph on papier vélin teinté, fait a la main paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Illuminations, 1949. Published by...

Signed, titled and dated cubist oil on canvas by French painter Andre Masson. The work depicts colourful insects. Signature: Signed lower right and titled and dated 1946 verso Dim...

Work on wood Golden wooden frame 46 x 38 x 3 cm

Work on canvas

Created C. 1943, award presented in 1965 to Gertrude Seperack for her design work in the fashion induustry. The bronze portion measures 14 x 8.5 inches. The Coty American Fashion Cri...

Wonderful rustic landscape of a farmhouse by Los Angeles artist Barbara Bisno (American, b-1925) with rolling hills and sheets on the line, 1948. Signed and dated "Bisno" right edge....

John Bowers Cubist Nude in Studio 1940s Charcoal on Paper 19"x 24.75", unframed Signed on left side in charcoal Came from a portfolio from the estate of John Bowers John Henry Bowe...

Rare and well executed modernist wall plaque by Richard Kuehne. Paint on gesso plaque. Signed. Silver leaf incorporated frame as photographed.

Ascari At Silverstone (1949) - Silver Gelatin Fibre Print (Photo by Express/Express/Getty Images) 25th August 1949: Italian motor racing driver Alberto Ascari (left) approaching St...

Nude is an original drawing in tempera and watercolor a on paper, realized by Jean Delpech (1988-1916). Hand-signed and date 1942, on the lower right. The state of preservation of t...

Handball In Central Park (1948) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) A group of young men playing handball at a court in the 95th Street playground, Central ...

Dinner Jazz (1949) - Silver Gelatin Fibre Print - Limited Estate Stamped (Photo by Slim Aarons/Getty Images) Premium Rates Apply. 1949: American Jazz trumpeter and singer Louis Arm...

Albert Heckman Woodstock Landscape Oil on board 12 x 16 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art...

Henri Matisse, French (1869 - 1954) - Florilege des Amours de Ronsard, Plate 84. Year: 1948, Medium: Lithograph on Arches, Edition: 320, Size: 10 x 11 in. (25.4 x 27.94 cm), Printer:...

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 8, Year: 1948, Medium: Etching on Arches, Image Size: 9.25 x 7.25 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), P...

This exquisite etching by Roger Vieillard (1907–1989), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerbier...

Beautiful poster created by Alban Wyss. ERP To rebuild Europe. The European Recovery Program (ERP), later known as the Marshall Plan, was a U.S.-sponsored...

To see our other original vintage warbird aeroplane posters, photographs and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller". Lancaster Bomber DS689 with Crew Original silver gelatin photograph c. 1943 21 x 16 cm Stamped to reverse ‘This Photograph has been Passed by Censor’ and ‘Copyright Aeroplane [Magazine]’ A photograph of the ground- and air-crew of DS689. The engine fitter second from left is Samuel Greisman. That the aeroplane has five operations marked on its nose suggests a date of late August or early September for the photograph. This photograph was publisehd in ‘Jews in Uniform’ by Michael Greisman, published by Aster Publishing. DS689 OW-S (identifiable from another photograph we have listed on account of the nose art...

Antique American oil painting of panoramic mountain range by George Browne (1918 - 1958). Oil on board, circa 1940. Signed on verso. Displayed in a period giltwood frame. Image, 1...

Dangerous Perch (1940) - Silver Gelatin Fibre Print (Photo by Fox Photos/Hulton Archive/Getty Images Archive London) Evacuee Barrie Peacop enjoys an ice cream as he sits on a mine ...