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1940s Art

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Period: 1940s
World War II original poster by the U.S. Office of War Information (O.W.I.)
World War II original poster by the U.S. Office of War Information (O.W.I.)

World War II original poster by the U.S. Office of War Information (O.W.I.)

Located in PARIS, FR

In 1945, as World War II was coming to an end, the U.S. Office of War Information (O.W.I.) produced the Work Together, Prospect Together poster as part of a broader campaign to promo...

Category

1940s Art

Materials

Paper, Lithograph

Shrub, Modern Intaglio by Jacques Herold
Shrub, Modern Intaglio by Jacques Herold

Shrub, Modern Intaglio by Jacques Herold

By Jacques Herold

Located in Long Island City, NY

Jacques Herold (1910 - 1987) - Shrub, Year: circa 1975, Medium: Intaglio and Aquatint on Arches, Image Size: 5.5 x 3.5 inches, Size: 8.5 x 5.5 in. (21.59 x 13.97 cm), Description: ...

Category

Modern 1940s Art

Materials

Aquatint, Intaglio

Paris: Colourful Shops, Impressionist Watercolor, Signed, 1940s
Paris: Colourful Shops, Impressionist Watercolor, Signed, 1940s

Paris: Colourful Shops, Impressionist Watercolor, Signed, 1940s

By Henri Miloch

Located in Cirencester, Gloucestershire

Paris: Colourful Shops by Henri Miloch (1898-1979) signed lower right watercolour and gouache painting on artist's paper, unframed Sheet:: 9.75 x 12.5 inches Very pretty painting b...

Category

Impressionist 1940s Art

Materials

Watercolor, Gouache

Frida Kahlo Portrait, Photograph by Leo Matiz

Frida Kahlo Portrait, Photograph by Leo Matiz

By Leo Matiz

Located in Long Island City, NY

A portrait of Frida Kahlo taken in 1945 by Leo Matiz. The photograph was printed in 1991 and hand-signed and numbered on the reverse. Unframed. Artist: Leo Matiz, Colombian (1917 ...

Category

Modern 1940s Art

Materials

Silver Gelatin

Ecole de Paris Mid 20th Century, Four Architectural Landscapes
Ecole de Paris Mid 20th Century, Four Architectural Landscapes

Ecole de Paris Mid 20th Century, Four Architectural Landscapes

By Henri Miloch

Located in Cirencester, Gloucestershire

Paris, France: Four Architectural Landscapes by Henri Miloch (1898-1979) unsigned watercolour and gouache painting on artist's paper, unframed Average sheet 9.00 x 12.00 inches (...

Category

Impressionist 1940s Art

Materials

Watercolor, Gouache

Painter - Original Lithograph by E. Hugon - 1945

Painter - Original Lithograph by E. Hugon - 1945

By Emile Hugon

Located in Roma, IT

Painter is an original lithograph on paper realized by Emile Hugon (1913-1998), in 1945, hand-signed and dated. The state of preservation is very good. Sheet dimension :32.5 x 25 cm...

Category

1940s Art

Materials

Lithograph

Ecole de Paris Mid 20th Century Pont Alexandre III
Ecole de Paris Mid 20th Century Pont Alexandre III

Ecole de Paris Mid 20th Century Pont Alexandre III

By Henri Miloch

Located in Cirencester, Gloucestershire

Paris: Pont Alexandre III by Henri Miloch (1898-1979) signed lower right watercolour and gouache painting on artist's paper, unframed Sheet:: 13 x 9.75 inches Charming painting by ...

Category

Impressionist 1940s Art

Materials

Watercolor, Gouache

Mid Century Country House Landscape
Mid Century Country House Landscape

Mid Century Country House Landscape

By Rene Weaver

Located in Soquel, CA

Vivid watercolor of a country house and grove of trees in a rural landscape of rolling green hills, with farm animals in the distance, by California artist Rene Weaver (American, 189...

Category

American Impressionist 1940s Art

Materials

Paper, Watercolor

Il a été maltraité et opprimé et il n'a pas ouvert la bouche - from "Miserere"

Il a été maltraité et opprimé et il n'a pas ouvert la bouche - from "Miserere"

By Georges Rouault

Located in Roma, IT

Wonderful original etching with aquatint realized by Georges Rouault between 1916 and 1923, published as a suite in 1948. Sheet in perfect conditions. The artwork is part of the important suite Miserere realized by Rouault between 1917 and 1923, considered as the most important religious graphic of XX century. Il a été maltraité et opprimé et il n'a pas ouvert la bouche represents an episode of Christ's passion. Miserere suite is divided in two themes: religious and profane; one is linked to Christ's passion and the other is dedicated to the human event, to the pilgrimage of pain on earth, made even more tragic by war. In the 58 original plates, Rouault lingers on the conditions of humanity. Like few other contemporaries, Rouault represents man, placing him at the center of an absurd and squalid theater. Interesting the use of contrasts and the shapes of the figures with black outlines. In this artwork the figure of Christ is placed in the center facing down. Georges Rouault (Paris, 1871) has been an interesting exponent of French Expressionism...

Category

Modern 1940s Art

Materials

Etching

The Dancer

The Dancer

By Miette Braive

Located in West Hollywood, CA

Belgian artist Miette Braive(1916-2000), was classically trained in Belgium, before moving to Paris to pursue her art career as first a student and then a contemporary of the famed F...

Category

1940s Art

Materials

Gouache

Sketch - Drawing by Mino Maccari - 1940s

Sketch - Drawing by Mino Maccari - 1940s

By Mino Maccari

Located in Roma, IT

Charcoal and watercolor drawing realized by Maccari in 1940s. Not signed. Very good condition, with another interesting sketch in china ink on rear.

Category

Modern 1940s Art

Materials

Charcoal, Watercolor

Landscape River The Banks of the Allondon Oil Painting on Canvas, Framed, 1946
Landscape River The Banks of the Allondon Oil Painting on Canvas, Framed, 1946

Landscape River The Banks of the Allondon Oil Painting on Canvas, Framed, 1946

By Edouard Arthur

Located in Genève, GE

Dimension with frame : 62.5 x 72 x 4 cm Swiss Modernism – Post-Impressionism – Modern Landscape Painting This expressive oil on canvas by Swiss painter Edouard Arthur (1917–2002), signed and dated 1946, depicts the banks of the Allondon, a picturesque river landscape in the Geneva countryside. The composition unfolds across a succession of broad planes, leading the eye from the lush vegetation and pale winding waters of the foreground toward cultivated fields, wooded hills and the distant mountain range. Arthur builds the landscape through simplified forms and a rich yet restrained palette of deep greens, blues, ochres and earthy tones, punctuated by luminous areas of white. The vigorous, textured brushwork and deliberate simplification of the landscape give the painting a distinctly modern character. Rather than seeking a purely descriptive representation, Arthur translates the Geneva countryside into an arrangement of color, rhythm and strongly defined masses. The dark blue band of the distant hills provides a striking contrast with the brighter foreground and contributes to the remarkable depth of the composition. Painted in 1946, the work belongs to an important period in Arthur's early career. The Musée d'Art et d'Histoire de Genève records another work by the artist entitled L'Allondon, dated 1946/1948, demonstrating his particular interest in this landscape during these years. Born in Ennetbaden in 1917 and later established in the Geneva region, Edouard Arthur was a Swiss painter, draftsman and engraver whose oeuvre encompasses landscapes, figures and still lifes. His work combines careful observation of nature with an increasingly modern approach to color and pictorial construction. A beautiful example of mid-20th-century Swiss landscape painting, capturing both the character of the Geneva countryside and the evolution of Swiss painting toward a more modern, expressive language. Edouard Arthur, Edouard Arthur Painting, Swiss Artist, Swiss Modernism, Swiss Modernist Painting, The Allondon, Allondon River, Geneva Landscape, Geneva Countryside, Swiss Landscape Painting, 1946 Painting, 1940s Art, Mid Century Painting, Post Impressionist Landscape, Modernist Landscape, Oil on Canvas, Signed Oil Painting, Swiss Fine Art, Geneva Artist, Swiss Post Impressionism, European Landscape Painting, Mountain Landscape, River Landscape, Countryside Painting, Vintage Swiss Art...

Category

Post-Impressionist 1940s Art

Materials

Oil, Canvas

Surrealist Mountain - Original Etching, 1946
Surrealist Mountain - Original Etching, 1946

Surrealist Mountain - Original Etching, 1946

By Jacques Villon

Located in Paris, IDF

Jacques Villon Surrealist Mountain, 1946 Original etching Printed signature in the plate On BFK Rives vellum, 25 x 32,5 cm (c. 9,8 x 12,7 inch) Edition limited to 300 copies (unnumb...

Category

Surrealist 1940s Art

Materials

Etching

Chaim Weizmann

Lotte JacobiChaim Weizmann, 1948

$977Sale Price|34% Off

Chaim Weizmann

By Lotte Jacobi

Located in Kansas City, MO

Lotte Jacobi Chaim Weizmann Photograph Year: 1948 Size: 13.9x10.8in Signed in the print Lotte Jacobi Copyright Annotation lower left, recto Ref.: 924802-1355 Lotte Jacobi (August 17, 1896 – May 6, 1990) was a leading American portrait photographer and photojournalist, known for her high-contrast black-and-white portrait photography, characterized by intimate, sometimes dramatic, sometimes idiosyncratic and often definitive humanist depictions of both ordinary people in the United States and Europe and some of the most important artists, thinkers and activists of the 20th century. Jacobi's photographic style stressed informality, and sought to delve deeper into the traits of her subjects than traditional portraiture. She made a point of photographing subjects in their own environments, and talking to them while she worked. She explained the reasoning behind her approach this way: "I just try and get people to talk, to relax, to be themselves. I don't like a passive, bored subject. I do portraits because I like people, and I want to bring out their personalities. Many photographers today, I think, are bringing out the worst part of people. I try and bring out the best." Jacobi is perhaps best known for her "portrait of Albert Einstein (Princeton, 1938), whom she photographed candidly, seated at his desk, dishevelled and dressed in a leather jacket, a work that was refused by Life magazine for its simplicity." Other personality-driven portraits include "Eleanor Roosevelt sitting back, gesturing, and obviously speaking in midsentence; Marc Chagall depicted as a jovial family man; Thomas Mann appearing as thoughtful as his work; and more candid, gentle portraits of Einstein." Other celebrated subjects included poets W. H. Auden, Robert Frost, and May Sarton; philosopher Martin Buber; writer J.D. Salinger; writer and activist W. E. B. Du Bois; scientist Max Planck; artist Käthe Kollwitz; the actress and singer Lotte Lenya; the singer and activist Paul Robeson...

Category

Modern 1940s Art

Materials

Photographic Paper

Chaim Weizmann

Lotte JacobiChaim Weizmann, 1948

$966Sale Price|35% Off

Chaim Weizmann

By Lotte Jacobi

Located in Kansas City, MO

Lotte Jacobi Chaim Weizmann Photograph Year: 1948 Size: 8.75x7.25in Annotated by hand on verso in pencil Ref.: 924802-1353 Lotte Jacobi (August 17, 1896 – May 6, 1990) was a leading American portrait photographer and photojournalist, known for her high-contrast black-and-white portrait photography, characterized by intimate, sometimes dramatic, sometimes idiosyncratic and often definitive humanist depictions of both ordinary people in the United States and Europe and some of the most important artists, thinkers and activists of the 20th century. Jacobi's photographic style stressed informality, and sought to delve deeper into the traits of her subjects than traditional portraiture. She made a point of photographing subjects in their own environments, and talking to them while she worked. She explained the reasoning behind her approach this way: "I just try and get people to talk, to relax, to be themselves. I don't like a passive, bored subject. I do portraits because I like people, and I want to bring out their personalities. Many photographers today, I think, are bringing out the worst part of people. I try and bring out the best." Jacobi is perhaps best known for her "portrait of Albert Einstein (Princeton, 1938), whom she photographed candidly, seated at his desk, dishevelled and dressed in a leather jacket, a work that was refused by Life magazine for its simplicity." Other personality-driven portraits include "Eleanor Roosevelt sitting back, gesturing, and obviously speaking in midsentence; Marc Chagall depicted as a jovial family man; Thomas Mann appearing as thoughtful as his work; and more candid, gentle portraits of Einstein." Other celebrated subjects included poets W. H. Auden, Robert Frost...

Category

Modern 1940s Art

Materials

Photographic Paper

Original Vintage WWII Poster Untreated Venereal Disease Deadly As A Bullet C1943

Original Vintage WWII Poster Untreated Venereal Disease Deadly As A Bullet C1943

Located in Boca Raton, FL

This powerful and visually arresting public health poster delivers a stark warning through bold symbolism and dramatic composition. Titled “Untreated Syphilis – Deadly as a Bullet,” ...

Category

1940s Art

Materials

Lithograph

Horse Face by Duval Eliot
Horse Face by Duval Eliot

Horse Face by Duval Eliot

By Duval Eliot

Located in Pasadena, CA

A view of historical and evocative watercolor landscapes of early California and the Southwest, portraits and figurative work from the 1930’s and 1940’s throughout her prolific 57 ye...

Category

Post-Modern 1940s Art

Materials

Lithograph

Norman Barr World War 2 Drawing
Norman Barr World War 2 Drawing

Norman Barr World War 2 Drawing

By Norman Barr

Located in San Francisco, CA

Norman Barr: 1908-1994. American scene Painter and muralist known for his realistic depiction of every day working class people. He is a very underrated unknown American artist who l...

Category

American Realist 1940s Art

Materials

Pen

On the Beach - 1940s Baroque Style Figurative Print, Ink on Paper, Signed
On the Beach - 1940s Baroque Style Figurative Print, Ink on Paper, Signed

On the Beach - 1940s Baroque Style Figurative Print, Ink on Paper, Signed

By Ben Messick

Located in Soquel, CA

On the Beach - 1940s Baroque Style Figurative Print, Ink on Paper, Signed Study of a female nude in the Baroque style, by acclaimed California artist Ben Messick (American, 1891-1981). Signed "Ben Messick 40" in plate and pencil lower left, by the estate. Unframed. Image size, 4.75"L x 10.5"H; overall mat size is, 16"L x 20"H. Some foxing to over-mat. The following is submitted by Jim Lafferty whose sources include the autobiography of the artist: William Washington Messick married Sarah A. Bristow January 2,1889 and from this marriage a son, Benjamin Newton Messick was born on January 9, 1891 on a farm near Strafford, Missouri. His art talent was apparent from the time he was a child and later recognized by his commanding officer in World War I. He completed his training in Los Angeles at Chouinard in the late-1920s and is well-known for his Regionalist scenes and Modernist paintings. He was an instructor at Chouinard through the 1950s & influenced a generation of LA Modernists. Little is recorded in his autobiography about Messick's life from his teen years and service during the War. He enrolled at Chouinard Institute in the Fall of 1925, and was given a three-year scholarship by Mrs. Chouinard. In 1925 he won a cash award at the Los Angeles County Fair for a group of pen and charcoal drawings done in the parks and streets of Los Angeles. These works give the appearance of being spontaneous and fluid. In 1930 Messick left Chouinard as a full-time student and rented an apartment on West Eighth Street to use as a studio and living quarters. He had his own ideas on what he was trying to accomplish in art. "If you should ask what is the message of my drawings, I should say that they may explain themselves or may be just a technical exercise." By the mid 1940s, Messick's position in the art world had been well established as a teacher, painter, printmaker, writer and critic. Over his life time he had over 400 shows and exhibitions. Starting in 1939 he produced a number of stone lithographs that appear to the untrained eye as original drawings. To Messick the image was the most important aspect of his lithographs, and his signature in the plate was sufficient. Hand signing each lithograph did not seem necessary to him. He exhibited prints widely including the Albany Print Club and the Metropolitian Museum. To further substantiate the authenticity of Messick's prints the Eclectic Gallery under the authority of the Messick family posthumously pencil signed each estate-acquired stone lithograph. Messick had a childhood fascination with the circus and started drawing and painting the circus in 1935. His circus work, especially his clown studies, and his lithographs became his trademark work for in the 1940s and 1950s. A critic for ART REVIEW described his Big Top work this way: "His circus canvases...

Category

Baroque 1940s Art

Materials

Paper, Ink

Hambleden Orchard (Farm with chicken, ox and oxcart)
Hambleden Orchard (Farm with chicken, ox and oxcart)

Hambleden Orchard (Farm with chicken, ox and oxcart)

Located in New Orleans, LA

This engraving is from an edition of 60. It is signed and dedicated. A farmyard scene with barn, chicken and ox. It is in excellent condition and is a fine impression. There is a stain in the lower bottom margin away from the image and well below the mat line Wilfred Fairclough...

Category

Modern 1940s Art

Materials

Engraving

Charles Locke, McCosh Walk, Princeton University
Charles Locke, McCosh Walk, Princeton University

Charles Locke, McCosh Walk, Princeton University

By Charles Locke

Located in New York, NY

This lithograph is signed in pencil under the image at the lower right. Just above that, in the image, are the artist's initials and the date, 1942. This well-known walkway on the P...

Category

American Modern 1940s Art

Materials

Lithograph

Formations

Formations

By Robert McIntosh

Located in West Hollywood, CA

Presenting a just discovered mixed media painting by American artist Robert McIntosh, (1916-2010.) Formations, is an original mixed media gouache on heavy artists paper, signed, da...

Category

Abstract 1940s Art

Materials

Mixed Media