Early 1900s Art

A.POURFILET (19th-20th Century) Still life with Peaches and Grapes Oil on card signed low left Old frame gilded with leaves Dim card : 33 X 41 cm Dim frame : 50 X 58 cm

Art Sz: 9 7/8"H x 6"W Frame Sz: 15 3/8"H x 11 1/4"W Cambridgeshire Liverpool Cup Prince Edward Derby Gold Cup

SOLD UNFRAMED Les pêcheurs de Concarneau by Georges Manzana Pissarro (1871 - 1961) Etching 22.5 x 17.7 cm (8 ⁷/₈ x 7 inches) Inscribed and dated lower left, and signed lower right...

Portrait of a Woman by Ludovic-Rodo Pissarro (1878-1952) Oil on canvas 55 x 46 cm (21 ⁵/₈ x 18 ¹/₈ inches) Signed lower right, Ludovic Rodo Executed circa 1906 This work of art is a...

Woman with Black Swans by Georges Manzana Pissarro (1871-1961) Monotype 26.4 x 19.5 cm (10 ³/₈ x 7 ⁵/₈ inches) Signed lower right, Manzana Executed circa 1908 Artist biography: Like...

Oil on canvas, signed and dated 1908 bottom left Image size: 15 1/2 x 19 1/2 inches (39.5 x 50.5 cm) Contemporary style handmade frame Exhibitions The Royal Academy, London, 1908 ...

Painting based on the Peplos scene (Block V, eastern Parthenon frieze, ca. 447-433 BC) by the Danish painter Sophie Holten (1858 Skuldelev - 1930 Rosk...

Children Amongst Foxgloves - Female Illustrator of The Golden Age by a female illustrator of The Golden Age Watercolor on paper, signed 'A. Bowerley' lower left. 11 x 20 in. (sight)...

Classic Vanity Fair 'Spy' aka Sir Leslie Ward colour print depicting "Cabs" aka The Earl of Shrewsbury and Talbot driving his motor car published July 30, 1903 from the 'Statesmen' a...

Charming hand-colour plate c1900 by Edward Penfield (1866-1925) Carts Series No.1. Print Sz:15 1/2"H x 22"W Frame Sz: 20"H x 26"W w/ Hermes orange mat

EMIL NOLDE 1867-1956 Nolde 1867 - 1956 Seebüll (German) Title: Conversation Unterhaltung, 1906 Technique: Original Hand Signed, Dated and Titled Etching in Colour on Heavy Van Gel...

Nu Assise by Ludovic-Rodo Pissarro (1878-1952) Charcoal on paper 31.3 x 24.2 cm (12 ⅜ x 9 ½ inches) Signed lower right, L.Rodo This work of art is accompanied by a certificate of authenticity signed and dated by Lélia Pissarro. Artist biography: Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father, he began drawing from nature at an early age. He was familiarly known as “Rodo” and generally signed his works "Ludovic-Rodo", or early on in his career simply "Rodo". The impact of Camille’s art and teaching on Rodo was considerable. His artistic production encompassed a wide range of media, including oil painting, tempera, watercolour, gouache, wood engraving, drawing and lithography. Rodo exhibited regularly at the Salon des Indépendants over a forty-year period. In 1894, at the age of sixteen, Rodo published his first wood engravings in the anarchist journal, Le Père Peinard. When Camille left France for the safety of Belgium during the anarchist upheavals of the same year, Rodo joined him there. Rodo moved into his first studio in Montmartre with his brother Georges in 1898. Works of this early important period until just after the death of his father in 1903 were post-impressionist and clearly painted under the influence of his father. By 1904 living in Paris, he found the nightlife and the habitués of the cafes, theatres, circuses and cabarets compelling subjects for his work and changed dramatically the style of his painting, affiliating himself to the Fauve artists. Rodo became close to artists such as Kees Van Dongen, Maurice de Vlaminck and Raoul Dufy. In 1905 he participated in the first Fauve exhibition at the Salon des Indépendants. In 1907 he visited Van Dongen in Rotterdam and the two artists continued to paint together, something they often did in Paris. In 1914 he married, though he never had children. Later that year at the outbreak of the War Rodo moved to England. Over the next seven years he lived mainly in and around West London. He worked closely with his brother Lucien to establish in 1915 the Monarro Group, formed with the aim of exhibiting work by contemporary artists inspired by Impressionism. Many of the works produced by Rodo while he was in England were of London landmarks but, he was also interested in the urbanisation of West London. After 1921, when Rodo had already returned to France, he divided his time between Paris and Les Andelys in Normandy, living and working closely with his elder brother Georges Manzana. Despite his rich artistic heritage and his achievements as an artist, Rodo is perhaps best remembered for his contribution to art history. For ten years he researched and compiled a catalogue of his father’s paintings...

Study of a Dancer and a Lady by Ludovic-Rodo Pissarro (1878-1952) Watercolour and pencil on paper 21 x 15.7 cm (8 ¼ x 6 ¼ inches) Signed with Estate stamp lower right Executed circa ...

Sz: 15 1/2"H x 10 5/8"W Daniel Aloysius Maher (October 29, 1881 – November 9, 1916) was an American Hall of Fame jockey who also became a Champion jockey i...

Sz: 15 1/2"H x 10 5/8"W Daniel Aloysius Maher (October 29, 1881 – November 9, 1916) was an American Hall of Fame jockey who also became a Champion jockey i...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Nude Reading by LUDOVIC-RODO PISSARRO (1878-1952) Black and colour pencil on paper 3...

Signed, "A Rackham" lower right Sotheby's New York - The work has recently been elegantly framed with a high end frame and archivalled matted and looks wonderful in person. Arth...

La Celle les Bordes by LUDOVIC-RODO PISSARRO (1878-1952) Watercolour on paper 35 x 25 cm (13 3⁄4 x 9 7⁄8 inches) Signed lower left, Ludovic Rodo Inscribed and dated lower right, La ...

Signed Lower Right by Artist Collier's Illustrated Weekly Cover, October 25, 1902

Art Sz: 9-7/8"H x 6"W Frame Sz: 16H" x 12-1/8"W

Art Sz: 22"H x 15 3/4"W Frame Sz: 30"H x 24"W Classic sporting colour plate by G. De Blaas featuring 'Karibo Vincitore Del (Italiano) Derby Real 1901 publis...

Hughson Hawley depicts a pathway lined with stone columns strung with patriotic garlands leading to an ornamented arch in his watercolor and pencil work...

Hand-coloured illustration artwork depicting the writer H.C. Chatfield-Taylor, a top authority on Moliere whose quote: 'Oh That Mine Enemies Would Read A Book' Hobart Chatfield Chat...

This shamanic figure was created by the Nepalese Dolpo people. It depicts a figure with arms in a possible gesture of prayer. 10 1/2" x 2" x 1 3/4" figure Dolpo is a region in Nepa...

Signed, "A Rackham" lower right Sotheby's New York Housed in an elegant , hi-end frame with museum glass. Arthur Rackham is widely regarded as one of the leading illustrators fr...

JULES PASCIN 1885-1930 Vidin, Bulgaria 1885-1930 Paris (Bulgarian/French/American) Title: Two Dancing Figures Technique: Original Stamp Signed and Ins...

This larger than life gold gilded bronze of a sea man with oars will decorate any area and be a great conversation piece. The composition and casting detail are amazing. This is the ...

Signature: Signed Upper Left Medium: Watercolor on Paper 1905 Calendar Art, a copy of the calendar is included.

Original watercolour depicting a lady in her garden signed FP & dated 1909 (LR) Art Sz: 5 3/4"H x 8 1/2"W Frame Sz: 14"H x 17"W

Colonel Bates Leads the 30th Colored Infantry at the Battle of the Crater Watercolor on Paper Circa 1903 15 ½ x 21 ½ Inches 25 ½ x 33 ½ Inches Framed LR: Graves This rare portrait of African American troops serving in battle during the Civil War depicts the 30th United States Colored Infantry at the Battle of the Crater, at Petersburg, Virginia. The regiment was composed of African American enlisted men commanded by white officers and was authorized by the Bureau of Colored Troops which was created by the United States War Department on May 22, 1863. The Battle of the Crater, July 30th, 1864, was part of the Siege of Petersburg, fought between the Confederate Army of Northern Virginia, commanded by General Robert E. Lee and the Union Army of the Potomac, commanded by Maj. Gen. George G. Meade (under the direct supervision of the general-in-chief, Lt. Gen. Ulysses S. Grant). At the top of the painting, Colonel Delevan Bates raises his saber to lead the charge of the 30th United States Colored Infantry. Bates was promoted to this command just prior to this battle, having served with distinction in the 121st New York Infantry at the Battles of Fredericksburg, Chancellorsville and Gettysburg. Though the Battle of the Crater would eventually be won by the Confederacy, it was here that Bates and 23 other troops would be award the United States highest award for bravery during combat, the Medal of Honor. After weeks of preparation, on July 30, Union forces exploded a mine in Maj. Gen. Ambrose E. Burnside's IX Corps sector, blowing a gap in the Confederate defenses of Petersburg, Virginia. From this propitious beginning, everything deteriorated rapidly for the Union attackers. Unit after unit charged into and around the crater, where soldiers milled in confusion. Grant considered the assault "the saddest affair I have witnessed in this war." The Confederates quickly recovered and launched several counterattacks led by Brig. Gen. William Mahone. The breach was sealed off, and Union forces were repulsed with severe casualties. Brig. Gen. Edward Ferrero's division of black soldiers...

Oil on board, signed lower left Inscribed and dated 1905 on reverse Image size: 8 1/4 x 10 1/2 inches (21 x 27 cm) Contemporary style hand made frame This is a scene of the outskirts of the village of East Ruston, found near the coast in Norfolk. The setting is a sand and gravel pit with the houses of the village just identifiable through the trees in the background. This small sand pit...

Ink and watercolour Image size: 3 3/4 x 5 3/4 inches (9.5 x 14.5 cm) Contemporary frame Provenance Private family collection This painting was created in the early 1900's when the Decadent Movement...

Ink & Watercolour Image size: 4 x 5 1/2 inches (10 x 14 cm) Contemporary frame Provenance Private family collection This painting was created in the early 1900's when the Decadent Movement...

Medium: Gouache on Board Signature: Signed Lower Right Seats of the Haughty, Munsey's Magazine illustration, December 1906 Literature: This illustration appeared in O. Henry's shor...

Date: 1909 Medium: Oil on Board Dimensions: 30" x 20" Signature: Signed Lower Right Image of an elderly man in a gun shop. John Newton Howitt...

This complete set of fifty etchings, aquatints and drypoints are each hand signed by the artist "Edgar Chahine" at the lower left margins. The folio was printed by A. Routy, Paris and published by Sagot, Paris in 1906. The justification page is additionally hand signed in ink by the artist “Edgar Chahine” and the paper type is handwritten “Hollande”. The impression is numbered in ink from the edition of 75 on the justification page. Each of the 50 plates are hand numbered in pencil to reflect their sequence and refers to the titles on the justification page. Note: In 1906 the Fiancé of Chahine Mary Jacobsen died and the artist lost all love for life. His friend and publisher Sagot send him to Venice, Umbria and Toscana for distraction. Edgard Chahine returned with a sensitive group of etchings from the Italian countryside. Literature: "Edgar Chahine: Catalogue de l'Oeuvre Grave", by M.R. Tabanelli, Published by IL Mercante de Stampe editeur, Milano, 1977. Reference: Tabanelli 180-229. Condition: Very good condition. The etchings, aquatints and drypoints in very good condition and printing with burr. The support pages and justification page with foxing staining. The folio cover...

ALBERT FERDINAND DUPRAT 1882-1974 Venice 1882 - 1974 (Italian/French) Title: Gondola on a Venetian Canal, 1904 Technique: Original Signed and Dated...

Signed Verso and on Wagon Right "Thomas R. Colletta"

At a certain size, painting a small painting with precise and meticulous detail becomes an art in itself. So is the case of "Three Children" by English Childen's book illustrator Amy Millicent Sowerby...

"She seated herself in the deep embrasure of a window close beside Tony's parapet." Illustration for the book Jerry Junior by Jean Webster (New York: The Century Co., 1907), illustra...

Signed Lower Right by Artist PROVENANCE: Private collection, Berkshire, NY Sotheby's, New York- The Illustration Art Collection of Kendra and Allan Daniel, April 11, 2011- Lot 84 ...

Medium: Watercolor on Paper Laid to Board Signature: Signed and dated 'Harrison Fisher/ 1904' bottom right All Aboard the Ship 'Tabasco' Young fashionable w...

Date: 1908 Medium: Gouache on Three Illustration Boards Dimensions: 2.50" x 32.50"; Two at 12.50" x 9.75", Overall 12" x 53" Signature: Each Signed or Monogrammed Large group of cup...

"Constance ripped the letter open and read it aloud." Illustration for the book Jerry Junior by Jean Webster (New York: The Century Co., 1907), illustrated page 149. The illustratio...

Medium: Oil Painting Signature: Signed Lower Right Lady

“Tom burst forth as a full-blown hero who had rescued the maiden from a watery grave...” Book illustration: Jo’s Boys, and How They Turned Out, by Louisa May Alcott; Publisher: (Litt...

Painting of puppies next to a steaming pot of food that is too hot to eat Karl Lindner was a 19th-century Austrian artist Date: 1903 Medium: Oil on Canvas Dimensions: 10.00" x 12.0...

Signed upper right Private Collection Luks was famous for painting people from impoverished slum areas. The work was most likely painted from life and portrays a youth haphazardly dressed. Luks describes the subject in quick rapid-fire brush...

Portrait of a man. Oil painting on canvas, signed and located "Roubaix, 1906". In this portrait, all attention is focused on the face, which is intrusively and self-consciously looking ahead. Except for the white collar and pocket handkerchief...

CHARLES - CLÉMENT CALDERON French, 1870 - 1906 VENICE TWILIGHT signed "C. Calderon" (lower right) oil on canvas 15-1/4 x 21-3/4 inches (38.5 x 55 cm.) ...

Story illustration for “The Land of Heart’s Desire” by Myra Kelly for McClure’s Magazine, published July 1904, illustrated page 244. The full caption reads: "Words ensued which were...

Medium: Ink and Gouache Signature: Signed Lower Right Story illustration for “Kit Carson, The Famous American Frontiersman” by William S. Bridgman for Munsey’s, published December 1...

Medium: Watercolor and Ink on Paper Signature: Initialed Lower Right Literature: A.H. Gleason, "The Saloon in New York," Collier's Magazine, May 2, 1908, vol. 41, p. 12, frontispie...

Medium: Gouache and Mixed Media on Board Signature: Signed Lower Left Illustration from Robert Louis Stevenson's classic poetry volume, 'A Chil...

Medium: Oil on Board Signature: Signed Upper Right Illustration for "Da Strit Pianna" by Wallace Irwin, Collier's Magazine April 25th, 1905

Original illustration for an article entitled "While the Mother Works: A Look at the Day Nurseries of New York" by Lillie Hamilton French, published in The Century Magazine...

Medium: Gouache and Watercolor on Board Signature: Unsigned Postcard illustration; publisher: (The Gray Lithograph Company), Circa 1903; The Male Gaze 120 years ago. We joke about how ridiculous it was when men got all titillated at the sight of a woman's ankles. It seems that it was thought ridiculous even then, when it was about the only part of a woman's legs a man was likely to get a glimpse of in public, as shown in this slyly humorous postcard illustration. Ostensibly, the cobbler has only a professional interest in studying the lady's footwear. In case you miss the point, he is reading the Observer and her stockings have a striking design to emphasize the ankle. As in later pinup art...

Medium: Pen and Ink, and Ink Wash on Paper Signature: Signed Lower Left The label affixed to the reverse suggests that this was an illustration for a fictional story and dates the d...

Medium: Unknown Signature: Signed Lower Right Saturday Evening Post Cover

Henry Mayo Bateman English, 1887–1970 Lady at her Vanity Watercolor on paper 9 ½ by 10 ½ in. W/frame 18 ½ by 19 ½ in. Signed & dated 1904 lower on left H. M. Bateman was noted for his "The Man Who..." series of cartoons, featuring comically exaggerated reactions to minor and usually upper-class social gaffes, such as "The Man Who Lit His Cigar Before the Loyal Toast", "The Man Who Threw a Snowball at St. Moritz" and "The Boy Who Breathed on the Glass at the British Museum." He was born in the small village of Sutton Forest in New South Wales, Australia. His parents were Henry Charles Bateman and Rose Mayo. His father had left England for Australia in 1878 at the age of 21 to seek his fortune, then returned to England briefly in 1885 before going back with an English wife. Soon after Henry was born, his strong-willed mother insisted that they return to London 'and civilisation'. He had one sister, Phyllis, three years younger. Henry remained in England for the remainder of his life except for one disappointing visit to his birthplace.[citation needed] Henry was always drawing from an early age, consistently producing funny drawings...