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Paul SnellIntersect # 2018012018
2018
About the Item
Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed.
Backed with Dibond and C-channel hanging system + keyhole option.
Available on request 5-6 week turnaround.
Edition: 2/3.
Paul Snell combines traditional and digital techniques to explore the possibilities of abstraction and minimalism in contemporary photo-media. He lives and works in Launceston, Tasmania.
Snell creates small production runs, printing each unique work in an edition of one to three. His process begins by capturing a location or an object on film with a traditional camera. He then digitally “decodes” the visual information present in that image. After reducing and simplifying the colors and forms, he begins an intensive “re-coding” process, during which the reduced formal elements of the work evolve their own self-referential relationships within a new composition. This process blurs the boundary between “taking” and “making” a photograph. When the digital composition is complete, Snell converts it into a Chromogenic print using the Lambda printing system, which allows luminous, vibrant, colorful photographic printing onto metallic paper. The print is then mounted onto Plexiglass.
The visual lexicon Snell has developed is informed by the Modernist history of painting, especially minimalism and hard edged abstraction.
Snell intends to create visually arresting works that allow viewers to enter into a contemplative, or even transcendent state. He achieves this through the deployment of rhythmic, harmonious visual structures such as concentric circular or linear patterns.
- Creator:Paul Snell (1968, Australian)
- Creation Year:2018
- Dimensions:Height: 46.46 in (118 cm)Width: 46.46 in (118 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU65933857971
Paul Snell
Paul Snell combines traditional and digital techniques to explore the possibilities of abstraction and minimalism in contemporary photo-media. Snell earned his Bachelor of Fine Arts at the University of Tasmania in 1989, his BFA (Honors) from the University of Tasmania in 1995, and his Masters of Contemporary Arts from the University of Tasmania in 2011. Snell has exhibited his work extensively throughout Australia and Tasmania, and selectively in the United States.
His work is included in numerous public and private collections, including that of ArtBank, the Devonport Regional Gallery, the Burnie Regional Gallery, and the Justin House Museum. Snell creates small production runs, printing each unique work in an edition of one to three. His process begins by capturing a location or an object on film with a traditional camera. He then digitally “decodes” the visual information present in that image. After reducing and simplifying the colors and forms, he begins an intensive “re-coding” process, during which the reduced formal elements of the work evolve their own self-referential relationships within a new composition. This process blurs the boundary between “taking” and “making” a photograph. When the digital composition is complete, Snell converts it into a Chromogenic print using the Lambda printing system, which allows luminous, vibrant, colorful photographic printing onto metallic paper. The print is then mounted onto Plexiglass.
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