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Alexandre ManuelLost in Abstraction 52018
2018
$5,400
£4,197.06
€4,785.61
CA$7,747.61
A$8,433.49
CHF 4,458.42
MX$101,970.83
NOK 55,890.81
SEK 52,313.71
DKK 35,727.32
About the Item
Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, each image conveys a serene temporality, transforming ordinary terrains into meditative spaces. Subtle traces of human interaction, such as a structure, a rock formation, or a maritime element, anchor the scene and highlight the fragile dialogue between humanity and the environment.
Manuel’s photographs invite the viewer into a contemplative experience, where time feels suspended and perception is attuned to light, atmosphere, and form. The resulting compositions are visually striking and emotionally resonant, evoking a sense of timelessness and poetic reflection.
This work exemplifies Manuel’s capacity to render the natural world with profound clarity and subtlety, offering collectors a moment of quiet beauty and a lasting engagement with the landscapes we inhabit.
- Creator:Alexandre Manuel (1979, Portuguese)
 - Creation Year:2018
 - Dimensions:Height: 40 in (101.6 cm)Width: 40 in (101.6 cm)Depth: 2 in (5.08 cm)
 - Medium:
 - Movement & Style:
 - Period:
 - Framing:Frame IncludedFraming Options Available
 - Condition:
 - Gallery Location:New York City, NY
 - Reference Number:Seller: AM101stDibs: LU1014317143612
 
Alexandre Manuel
ALEXANDRE MANUEL: EXPLORING THE LIMITS OF THE LANDSCAPE Born in 1979 in the Franche-Comté region, straddling the borders of Switzerland and France, Alexandre Manuel is an artist whose work has evolved into a profound investigation of the visual language and semiotics of photography. Now based in Portugal, Manuel holds a doctorate in Visual Semiotics, specializing in printed photography. A distinguished academic, he is also an auxiliary professor at several universities, having earned this title through the recognition of the French Ministry. Despite his academic achievements, Manuel’s passion for photography has always driven him to dedicate his life to the medium, where his visual exploration of nature and the human experience continues to evolve. THE LIMITS OF THE LANDSCAPE Manuel’s photographic practice revolves around the interrogation of landscape, particularly its limits and boundaries. Through his refined technique and use of long exposure, Manuel captures natural landscapes that convey a delicate tension between absence and presence. His images evoke an existential dialogue between humankind and the environment, drawing attention to the fragile relationship between man and nature. These visual statements probe the natural evolution of landscapes—often untouched by human intervention—and highlight their permanence or impermanence within the context of human experience. TIME AND SPACE IN PHOTOGRAPHY At the core of Manuel’s work is a fascination with temporality. His long exposure techniques, coupled with his understanding of atmospheric conditions, allow him to craft images that evoke a sense of serene timelessness. Manuel seeks to create spaces that are not merely representations of the natural world, but evocative landscapes where time becomes fluid, and the viewer’s imagination is free to wander. The tranquility of his work is underscored by the subtle presence of human influence, whether in the form of structures, rocks, or maritime locations—suggesting a continuity between humanity and nature, as they coexist in a quiet, unspoken harmony. A CONTINUOUS SCENE OF PEACEFULNESS In his own words, Manuel states, "I try to create a continuous scene that is untouched by time and only framed by traces of human contact in structures, rocks, and maritime locations." This approach reflects his desire to depict landscapes that transcend the constraints of time, offering a moment of stillness where the viewer can experience nature in its most pristine form. His photographs not only capture the beauty of the natural world but also invite reflection on the enduring, yet fragile, connection between humanity and the landscapes it inhabits.
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By Alexandre Manuel
Located in New York City, NY
Lost in Abstraction 5, China, 2018
20 x 20 inches
Edition of 7
40x40 inches
Edition of 5
60x60 inches
Edition of 3
Ask us for framing options.
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Lost in Abstraction 5, China (Black and White Landscape Photography)
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Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...
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2010s Contemporary Black and White Photography
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Lost in Abstraction 4, China
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Archival Pigment
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