Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

Stefanie Schneider
Max by the Fence - based on a Polaroid Original - Proof

1999

About the Item

Max by the Fence (29 Palms, CA) Proof Before Printing / 2005 Analog C-Print, hand-printed by the artist from a Polaroid, signed on the front. 128 × 125 cm The white border is for handling purposes and is not intended for framing or mounting. What is a Proof Before Printing? A proof is an essential step in the printing process, representing one of the final color trials before producing the full edition—typically between 5 and 10 iterations. These proofs are often not perfectly color-corrected, as their purpose is to refine the image toward an ideal representation. In this case, the goal is to achieve the best translation of a Polaroid photograph into an analog C-Print. Proofs inherently bear imperfections—sometimes a slight color shift, a missing border, or even a small kink. They are part of the print’s natural evolution, embodying the philosophy of Wabi-Sabi: the beauty of imperfection. This particular proof of Max by the Fence is so close to the final print that distinguishing them, even side by side, would be challenging. The number of proofs is determined by the attempts required to achieve the final edition. In essence, a proof is a "mistake on the way to being right"—a rare and unique artifact of the artist’s process. When all the proofs leading to an edition are gathered, they form what is known as a Paragon. “I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” — Marc Forster The Art of Stefanie Schneider Stefanie Schneider’s luminous visions unfold in the American West, poised on the threshold between reality and an elusive super-reality. Her photographic sequences weave ethereal narratives populated by enigmatic characters. The chemical alchemy of her Polaroids—unpredictable bursts of color and texture—disrupts the notion of photographic realism, immersing her subjects in trance-like dreamscapes. Like fragmented sequences of an old road movie, her images dissolve before conclusions can be reached, keeping alive the fluid interplay between dream, desire, fact, and fiction. Schneider received her MFA in Communication Design from the Folkwang Schule in Essen, Germany. Her work has been exhibited at institutions such as: Museum für Photographie, Braunschweig Museum für Kommunikation, Berlin Institut für Neue Medien, Frankfurt Nassauischer Kunstverein, Wiesbaden Kunstverein Bielefeld Museum für Moderne Kunst, Passau Les Rencontres d'Arles Foto-Triennale Esslingen

More From This Seller

View All
A Wish (Circle of Magic) from the 29 Palms, CA project - based on a Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
A Wish (Circle of Magic) from the 29 Palms, CA project - 2009 57x70cm, Edition of 10 plus 2 Artist Proofs. digital C-Print based on a Polaroid Certificate and signature label. Art...
Category

Early 2000s Contemporary Color Photography

Materials

C Print, Archival Paper, Photographic Paper, Color, Polaroid

Deliverance (Haley and the Birds)
By Stefanie Schneider
Located in Morongo Valley, CA
Deliverance (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Providence (Haley and the Birds)
By Stefanie Schneider
Located in Morongo Valley, CA
Providence (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory ...
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Dreamgirl I (29 Palms, CA) - analog, mounted
By Stefanie Schneider
Located in Morongo Valley, CA
Dreamgirl II (29 Palms, CA) - 1999 Edition 2/10, 58x56cm. Analog C-Print, hand-printed by the artist, based on the Polaroid. Mounted on Aluminum with matte UV-Protection. Signe...
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Daydream (Haley and the Birds) - diptych
By Stefanie Schneider
Located in Morongo Valley, CA
Daydream (Haley and the Birds), diptych - 2013 50x95cm including white frame, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the 2 original Polaroids. Certificat...
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

The Games we played (Till Death do us Part) - Contemporary, Polaroid, Women
By Stefanie Schneider
Located in Morongo Valley, CA
The Games we played (Till Death do us Part) - 2005 20x20cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on a Polaroid. Certificate and Signature label, art...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

You May Also Like

Rare Vintage Color C Print Photograph African Maasai Warrior Chromogenic Photo
By Carol Beckwith
Located in Surfside, FL
Carol Beckwith, (American, b. 1945), Maasai Portrait Chromogenic print on paper, from Beckwith's book "Maasai" (1980), Hand signed in pencil, dated and titled with name of sitter in margins, 19" x 16" Sheet. Carol Beckwith (1945-) is an American photographer, author, and artist known for her photojournalism documenting the indigenous tribal cultures of Africa, most notably in partnership with the Australian photographer Angela Fisher. Between them, Beckwith and Fisher have published 14 books, and have had their photos appear in National Geographic, Natural History, African Arts, The Observer Magazine, Time, Life, Vogue, Marie Claire and Elle. They continue to exhibit and lecture at galleries and museums worldwide, including The American Museum of Natural History and The Explorers Club in New York City, The Smithsonian Institution in Washington, DC, and the Royal Geographical Society in London. They have also collaborated on four films about African traditions. Together they have received numerous accolades, including the United Nations Award for Excellence, the Royal Geographical Society's Cherry Kearton Medal, two Anisfield-Wolf Book Awards, The Explorers Club Lowell Thomas Award, and the WINGS WorldQuest Lifetime Achievement Award. Carol Beckwith was born in Boston, Massachusetts, where she went on to attend both the School of the Museum of Fine Arts, Boston and Goucher College in Maryland. After obtaining her degree in Painting and Photography she won a traveling fellowship from the Boston Museum, which let her travel to other countries for the first time. She spent seven months in Japan, living in a Zen temple and studying calligraphy painting. She continued to travel through Southeast Asia and New Guinea, where she witnessed a "sing-sing", a gathering of 90,000 Highland warriors, in Mount Hagen, and paddled up Chambri Lakes in a canoe, an experience she called "one of the most wonderful, and in a way formative, experiences in my life." Her first trip to Africa was in 1973, when she was invited to spend Christmas with a friend in Kenya. Beckwith bought a 45-day roundtrip ticket and ended up staying eight months. There she encountered the Maasai people who invited her to witness a female circumcision ceremony. Astonished by the ritual, she then determined to spend more time with the Maasai. Beckwith studied photography in college but had initially intended to become a painter. It was during her travels through New Guinea that she realized the advantages of photography, saying that "there was such a vast amount of exciting material that I began to photograph instead, approaching photography with the eye of a painter in terms of light, color, composition. I wanted the images to be multi layered experiences in a way that a painting is. . . [Photography] seemed to be a more suitable medium for the pace of travel." Beckwith's first major collaboration was with Tepilit Ole Saitoti, an anthropologist and former Maasai warrior...
Category

1970s Contemporary Color Photography

Materials

C Print, Photographic Paper

Rare Vintage Color C Print Photograph African Maasai Warrior Chromogenic Photo
By Carol Beckwith
Located in Surfside, FL
Carol Beckwith, (American, b. 1945), Maasai Portrait Chromogenic print on paper, from Beckwith's book "Maasai" (1980), Hand signed in pencil, dated and titled with name of sitter in margins, 19" x 16" Sheet. Carol Beckwith (1945-) is an American photographer, author, and artist known for her photojournalism documenting the indigenous tribal cultures of Africa, most notably in partnership with the Australian photographer Angela Fisher. Between them, Beckwith and Fisher have published 14 books, and have had their photos appear in National Geographic, Natural History, African Arts, The Observer Magazine, Time, Life, Vogue, Marie Claire and Elle. They continue to exhibit and lecture at galleries and museums worldwide, including The American Museum of Natural History and The Explorers Club in New York City, The Smithsonian Institution in Washington, DC, and the Royal Geographical Society in London. They have also collaborated on four films about African traditions. Together they have received numerous accolades, including the United Nations Award for Excellence, the Royal Geographical Society's Cherry Kearton Medal, two Anisfield-Wolf Book Awards, The Explorers Club Lowell Thomas Award, and the WINGS WorldQuest Lifetime Achievement Award. Carol Beckwith was born in Boston, Massachusetts, where she went on to attend both the School of the Museum of Fine Arts, Boston and Goucher College in Maryland. After obtaining her degree in Painting and Photography she won a traveling fellowship from the Boston Museum, which let her travel to other countries for the first time. She spent seven months in Japan, living in a Zen temple and studying calligraphy painting. She continued to travel through Southeast Asia and New Guinea, where she witnessed a "sing-sing", a gathering of 90,000 Highland warriors, in Mount Hagen, and paddled up Chambri Lakes in a canoe, an experience she called "one of the most wonderful, and in a way formative, experiences in my life." Her first trip to Africa was in 1973, when she was invited to spend Christmas with a friend in Kenya. Beckwith bought a 45-day roundtrip ticket and ended up staying eight months. There she encountered the Maasai people who invited her to witness a female circumcision ceremony. Astonished by the ritual, she then determined to spend more time with the Maasai. Beckwith studied photography in college but had initially intended to become a painter. It was during her travels through New Guinea that she realized the advantages of photography, saying that "there was such a vast amount of exciting material that I began to photograph instead, approaching photography with the eye of a painter in terms of light, color, composition. I wanted the images to be multi layered experiences in a way that a painting is. . . [Photography] seemed to be a more suitable medium for the pace of travel." Beckwith's first major collaboration was with Tepilit Ole Saitoti, an anthropologist and former Maasai warrior...
Category

1970s Contemporary Color Photography

Materials

C Print, Photographic Paper

Floral Striped Dress, Goodwood Revival - Vintage Fashion Photograph
By Richard Heeps
Located in Cambridge, GB
This stylish artwork, 'Floral Striped Dress' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintage vibe. This artwork is a l...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

C Print, Photographic Paper, Color, Silver Gelatin

Red Polka Dot Dress, Goodwood Revival - Vintage Fashion Photograph
By Richard Heeps
Located in Cambridge, GB
This stylish artwork, 'Red Polka Dot Dress' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a ...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

C Print, Photographic Paper, Color, Silver Gelatin

Floral Wicker Bag, Goodwood Revival - Vintage Fashion Photograph
By Richard Heeps
Located in Cambridge, GB
This stylish artwork, 'Floral Wicker Handbag' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintage vibe. This artwork is a ...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

C Print, Photographic Paper, Color, Silver Gelatin

Red Polka Dot Dress, Goodwood Revival - Vintage Fashion Photograph
By Richard Heeps
Located in Cambridge, GB
This stylish artwork, 'Red Polka Dot Dress' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a ...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

C Print, Photographic Paper, Color, Silver Gelatin

Recently Viewed

View All