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David KoppelPrince Light leak2022
2022
About the Item
Paper size 35 x 24”, Image size 25 x 20" Limited Edition of 10
Working on a freelance basis for The Sun, Koppel was despatched to Regent Street's Tower Records in 1987 to photograph Prince who was visiting the store on an unscheduled stop during the European leg of his Sign O The Times World Tour.
By the time the star emerged from the store a huge crowd had gathered, and Koppel was surrounded by Police, bodyguards, fans and members of the general public.
Easing his way to the car door parked at the edge of the pavement, Koppel manoeuvred himself into a prime position to get shots of Prince in his polka dot suit as he approached the car door flanked by his bodyguards and entourage. At the moment Prince got near the car an overzealous minder pushed Koppel in the chest and pinned him to the boot of the Daimler, keeping the photographer flat on his back on the boot of the car. In a split second movement, disentangling his right arm holding his camera, Koppel was able to reach out and fire off a few shots and captured a perfect shot of Prince shaking hands with a fan and getting a full length crop of Prince grinning as he approached the waiting limo.
In the days of film, if light leaked onto the unexposed negative it created an orange or red glow, considered to have ruined the film. Nowadays, light leaks can be digitally manufactured to create a nostalgic, ethereal feel. What was once considered a mistake has now been elevated to fine art.
All prints are embossed with the photographers stamp, numbered and signed by the photographer David Koppel in pencil on lower right margin.
Printed on Hahnemühle Photo Rag 308gsm fine art paper. This acid- and lignin-free classic meets the most exacting requirements for age resistance and is specially designed for FineArt applications. Whether it is used for FineArt photography or art reproductions, the ideal combination of structure, print quality and weight makes Photo Rag® one of the most versatile FineArt papers.
All works are sold unframed. Watermarks do not appear on actual prints.
- Creator:David Koppel (1961, British)
- Creation Year:2022
- Dimensions:Height: 24 in (60.96 cm)Width: 30 in (76.2 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Norwich, GB
- Reference Number:1stDibs: LU2376215422732
David Koppel served his photographic apprenticeship in the rough-and-tumble world of the Fleet Street paparazzi in 1980’s London when his skills captured the very essence of the Me Decade that gave birth to the celebrity culture of today. Koppel’s classic photographs of Frank Sinatra, Marlon Brando, Jack Nicholson, the Rolling Stones, David Bowie, Paul McCartney, Eric Clapton & the Royal Family appeared in every major newspaper and magazine and marked him out as that rarity amongst press photographers: the artist with a camera. Building on the reputation gained through the photographs for the book Still Waters, his black-and-white portraits of ordinary people now rank among the many famous names in his portfolio. Koppel also went one better and in 2002 bought the St Giles St Gallery , bringing the best of local and international contemporary art and photography to Norwich, including the works of Sir Peter Blake, Terry O’Neill, David Bailey, Maggie Hambling, Storm Thorgersson, Tim Woolcock and Colin Kent with international shows such as the $11 Million Picture Show ( the most expensive piece of Beatles memorabilia to ever go on sale) and The Unseen Beatles by Frank Herrmann, along with CREAM: the best of The Sunday Times Photographers. His own photographic work had already been recognised with an exhibition of “Pap Art” – now a Koppel trademark – in Zurich and a glowing write-up in the Sunday Times magazine. This led him to experimenting with digital images of his photographs on canavs. His collaborative work with the artist John Kiki in this medium has produced several exhibitions and continues to generate interest both here in the UK and abroad, with shows in London, Norwich and Zurich. Continuing to experiment and explore collage, under the umbrella of Pap Art, Koppel started to re-master old ‘celebrity’ works , merging them with memorabilia collected over many years, connected with his work as a jobbing photographer for the press.
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