Miniature Figurative Photography

Parrot is a Vintage Photograph was realized in the 1960s. Good conditions. Stamped on the rear.

"Peter Pan" A Young Ballerina In Costume San Francisco 1960 Photograph of a young ballerina circa 1950's by Photographer Richard Edwards (American,. The young girl is photographed p...

Back to the Future Part II is a black and white photograph realized in 1989. A Vintage Photo depicting Michael J. Fox in a scene from "Back to the future part II". Hand written not...

Extraction of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Inauguration of the Science Palace in Rome is a vintage photograph in black and white realized in the 1950s. Good conditions.

Vase with Relief-  Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions.

Saint Michel Relief- Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions.

Vase with Relief-  Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions with foxing.

Peacock Relief- Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions with foxing.

Bizerba electronic 5000 is an original photograph realized by an Anonymous photographer. The brand's name and model is on objects in the photo. Good conditions.

San Marco Church, Venice photograph is an original black and white photograph taken in the San Marco church in Venice, realized by Osvaldo Böhm. Si...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features guests at the La Jolla Beach and Tennis Club, La Jolla, San Diego. This is an estate stamp...

Vintage Photo. The Italian Actress Alessandra Martines discussing the script with the director during a film scene.

Anna Magnani - Vintage Photo is a vintage b/w photographic print on single-coated paper, realized in the Mid-20th Century. Good conditions. Anna Magnan...

Serena Puppet - Vintage Photograph is a vintage black and white photograph realized in the 1980s. Puppetry of "Samson and Delilah" Good conditions with slight foxing.

Baths of Caracalla is a vintage photograph realized by Ludovico Tuminello in the early 20th Century. Titled on the lower. Good conditions except for some foxing.

The Tower of London is a vintage black and white Photograph that was realized in the 1960s. One of an 11 pictures series Good conditions. The description on the rear.

Elton John certificate of marriage 1984 is a black and white photograph realized in 1984 The photograph depicts Elton John Rock superstar and his bride Rena...

Jewish Holiday- American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Century. W...

Jacqueline Bouvier and her daughter is a vintage photograph realized in the 1960s. Good conditions.

Manuel Benítez Pérez El Cordobés - Bullfigter is a photograph realized in the 1960s. Good conditions.

Ancient Customs and Traditions of Guatemala is a lot of six albumen prints made by unknown photographer. Prints in very good condition, applied on a front/rear of a single cardboard...

Puerto Ricans - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Century. W...

Vintage Photo. Paola Borboni as "Cassandra" in the play written by Marguerite Yourcenar at the festival of Altomonte. Entertainment directed by Alessandro Giupponi. photo by Tommas...

Susan Hacker -Israel Museum, Sculpture Garden, Jerusalem, Israel, 1979 Silver Gelatin black/white photograph, printed in 1983, hand signed, titled (Jeru...

Cupola- Ceylon Photo Reportage is a Vintage b/w Photo realized in the 1960s by Folco Quilici. Good conditions. Stamped on the rear.

Authorization for the Fiera of S. Giustino in Chieti realized in 1789. Written in the Italian language. Good conditions.

Christian Museum -  Vintage Photo is a black and white photograph realized in the early 20th century by Alinari. Consular diptych depicting Boethius and Lampadius. Ivory bas-relief ...

Reliquary, Christian Museum is a black and white photograph realized in the early 20th century by Alinari. Preserved in the Christian Museum of Brescia. Titled in the lower Italian...

Roman Era Ivory-  Vintage Photo is a black and white photograph realized in the early 20th century by Alinari. Location, Brescia Italy. Titled in the Italian language on the lower....

Victory or Venus-  Vintage Photo is a black and white photograph realized in the early 20th century by Alinari. Location, Brescia Museum Italy. Titled in the Italian language on th...

Stone Relief-  Vintage Photo is a black and white photograph realized in the early 20th century by Alinari. Good conditions and aged.

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Vintage Photo. The Italian Actress Franca Marzi posing in the photo studio.

No Edition Selenium toned print Signed, titled and dated in pencil on verso by Mario Algaze Printed 1996 Paper size: 14 x 11 in. Image size: 9 1/2 x 9 1/2 in. Mario Algaze is a contemporary Cuban-American photographer whose work articulates the counter-culture of Latin America, the Caribbean and Cuba. In 1960, at only thirteen years old, Algaze was exiled from Cuba. He relocated to America and settled in Miami, Florida. Miami offered a rich cultural mecca that encouraged Algaze to travel throughout Central and South America. These trips allowed him a glimpse of belonging within a familiar culture. In finding his identity after exile, he began photographing Latin America in the 1970’s while reconnecting with the feeling of home. His photographs embody the everyday of Latin life. Between his travels in the late 70’s, Algaze studied visual art at Miami Dade College. Algaze’s masterful command of light illuminates his street scenes that detail the struggles and victories of Latin culture. The vision Algaze has made him an award-winning photographer and in 1985 was the recipient of the Individual Florida Artist Fellowship and in 1989, received the Cintas Foundation Fellowship in Visual Arts. A retrospective collection of his work from 1974-2008 is showcased in his book A Respect for Light: The Latin American...

Vintage Photo. The American Actor John Wayne in the early 1970s.

Ancient views of Aden is a set of 2 original vintage albumen prints on single cardboard: 34 x 26 cm. Two Images one front 28 x 22 and on the rear 22.5 x 28. They were realized betw...

Palazzo del Comune, Pistoia, photograph is an original artwork taken in Pistoia, Italy, realized by an Anonymous photographer. Titled on the lower with description in Italian. Very G...

Vintage Photo. The Italian Actress Valeria Golino during the filming of a movie with a director.

Queen Elizabeth II and Prince Philip is a vintage photograph realized in the 1958. Good conditions. Stamped on the rear.

Winston Churchill - Vintage b/w Photo realized in the 1960s. Copyright by Associated Press Photo. With the Stamped on the rear. Good conditions.

A burning house, the vintage photograph is an original vintage photograph realized in sensible moment by an Anonymous photographer Good conditions.

The Firefighter is an original vintage photograph realized by an Anonymous photographer. With the stamp of copyright "Associateded Press" on the rear and hand-notes. Good conditions.

Vintage photo representing San Paolo house, on via degli Strengari, an famous street in the historical centre of Rome. Photos of Alinari editions.

Vintage Photo. The Italian Actress Valeria Golino during the filming of a movie.

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Tipper Gore at Democratic Fund Raiser 10/1/1992 Photographer is Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, it's off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen, Jim Dine, Nam June Paik). The many images of Andy Warhol include the well-known one with his Brillo boxes at the Stable Gallery in 1964. Woody Allen, Diane Arbus, W. H. Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Kooning, Jim Dine, Mark di Suvero, Marcel Duchamp, Bob Dylan, Federico Fellini, Allen Ginsberg, Robert Indiana, Mick Jagger, Jasper Johns, Kusama, John Lennon, Sol Lewitt, Roy Lichtenstein, Nam June Paik, Elvis Presley, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Lou Reed, James Rosenquist, Mark Rothko, Ed Ruscha, Robert Smithson, Susan Sontag, Andy Warhol, and others. McDarrah’s prints have been collected in depth by the J. Paul Getty Museum and the National Portrait Gallery, Washington. His work is in numerous public and private collections. Mary Elizabeth "Tipper" Gore (née Aitcheson; born August 19, 1948) is an American social issues advocate who was the second lady of the United States from 1993 to 2001. She is the estranged wife of Al Gore, the 45th vice president of the United States, from whom she separated in 2010. In 1985, Gore co-founded the Parents Music Resource Center (PMRC), which advocated for labeling of record covers of releases featuring profane language, especially in the heavy metal, punk and hip hop genres. Throughout her decades of public life, she has advocated for placing advisory labels on music (leading critics to call her a censor), mental health awareness, women's causes, children's causes, LGBT rights and reducing homelessness. Gore co-founded the Parents Music Resource Center (PMRC) with Susan Baker...

Vintage Portrait of Giorgio Gaber Photograph , hand dedicated lower center. 1980s. 20 x 29 cm <; 27 x 37 cm with frame. Good conditions!

Manuel Benítez Pérez El Cordobés - Bullfigter is a photograph realized in the 1960s. Good conditions.

Vintage Photo. The American Actress and Singer Abbe Lane.

Royal Family is a vintage b/w photograph realized in the 1960 at Balmoral in their holiday. Good conditions. Description paper on the rear.