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Mitchell Funk
Stonehenge and Eclipse with Pink Sci-Fi Glow

1981

About the Item

Shipping should be around $100 - Signed, dated, numbered 3/15, lower right, unframed, other sizes available, printed later Mitchell Funk is a pioneer of Sci-fi and did a lot of work for Omni Magazine. This work was done is 1981 and looks very contemporary today. "Stonehenge and Eclipse with Pink Sci-Fi Glow" was done all in-camera without any digital manipulation. Mitchell Funk is a pioneer of " Color Photography" In 1970 he participated in one the first " Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur". 1971 Included he was included in the visionary book "Frontiers of Photography" Time Life. Color ! American Photography Transformed. Amon Carter Museum. He has had more than 50 Photography Magazine Covers and has had covers on Newsweek, New York Magazine, Fortune and Life Magazine among others
  • Creator:
    Mitchell Funk (1950, American)
  • Creation Year:
    1981
  • Dimensions:
    Height: 60 in (152.4 cm)Width: 40 in (101.6 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Miami, FL
  • Reference Number:
    1stDibs: LU38536799602

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Red Sun. Green Skyline New York, Nikon Advertising Campaign
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Modern Photography Cover, Surreal Landscape
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Historically , newsstand magazines have used a standard set of practices when it came to choosing their cover image. Their goal was to use a image that people could instantly relate to. The idea being, if an image pops off the page it will attract more attention and then generate more newsstand sales. For editors, choosing a cover was first a marketing decision and then an aesthetic one. That is why most magazine covers and (that includes art magazines) pretty much looked the same. They used familiar images, mostly of celebrities, beauty people or news items of that would beckon and aggressively reach out to the prospect. In this Modern Photography Cover of August 1983, they chose a radical departure. Their cover image that was the opposite of the norm. Mitchell Funk’s Graphic Surreal Landscape...
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