Stuart Möller

Cocoa Banana Oversize limited edition signed

2022

Sun Palm I by Stuart Möller A solitary palm tree in strong sunshine monochrome sepia. Oversize 40x30" inches / 101 x 76 cm paper size editioned 1 of 5 only and signed on front b...

'Black Leaf' Hand Signed Limited Edition Print Stuart Möller Beautiful Archival Pigment Print of a banana leaf in Sri Lanka. 24 x 20 inches / 61 x 51 cm paper size - hand signed a...

'' SIGNED, Limited Edition by Stuart Möller Beautiful large Archival pigment print of a shoreline in Sri Lanka, heavily textured, jagged rocks and cacti. 30 x 20" inches paper siz...

Slim Aarons - Milan Cathedral - Estate Stamped The duomo or cathedral in the Piazza del Duomo, Milan, 1960. Gorgeous print measuring a large 40 x 40" inches / ca 101 x 101cm's. E...

"Untitled (Nr. 0003)" Landscape Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminat...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso.

30"x40" edition of 5, photograph signed by the artist. This photograph depicts a constructed landscape created entirely out of white paper. The quality of light and color are achieved through the staging of the scene the aritst, Ken Ragsdale, creates. A scenic overlook into a vast landscape, with a camper in the foreground of the campsite, creates a dreamlike vision. Far off into the distance what appears almost as a mirage is a ferris wheel form, perhaps from a carnival or fair, or just in imagined. The installation landscape scene created by Ken Ragsdale exisits only to be photographed. With each scene, the artist meticulously cuts paper and folds each component to be captured by his lens. This photograph of cut paper constructions depicts a bus ride through a forest scene from the artists memory. The hues of ambient amber, green, red and blue are created through lighting the staged scene created in white paper Ken Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. This series focuses on a time period of 1974-78, in the regions of Northern Idaho, to Eastern Oregon and the areas between. As his working drawings solidify the dimensions of the objects which represent his memories from that era, Ragsdale considers the landscape, terrain and weather, filtered through his personal memories and experiences. 

Once the composition and components are determined as to capture the aura of a memory, schematic drawings are documented and prepared for hand assembly. Laboriously the schematics are cut out, folded and tabbed to create their final 3-dimensional formats. As each object is placed and the structures oriented, Ragsdale modifies the scenes to perfectly frame each scenario for the final photograph. From simple sheets of white Bristol Vellum, the atmosphere and lighting brings each image to life and allows for a reminiscent view of a wistful past. Pacific Northwest native Kenneth Ragsdale’s work, derived from personal memories, involves a mixture of drawing, painting, sculpture, paper-craft, theatre lighting...

30"x40" photograph of created landscape of paper. from the series: "The Hundred- Acre Wood" signed on reverse edition of 5. This photograph depicts the artist's vision of the American landscape, created in paper and then photographed to create this atmospheric image. The limited edition photograph captures a feel of Western United States farming, with a quality of light from the Hudson Valley. A union of artistic vision from West Coast to East Coast, Ken Ragsdale is a master of material construction, light and photographic composition. The installation landscape scene created by Ken Ragsdale exisits only to be photographed. With each scene, the artist meticulously cuts paper and folds each component to be captured by his lens. This photograph of cut paper constructions depicts a bus ride through a forest scene from the artists memory. The hues of ambient amber, green, red and blue are created through lighting the staged scene created in white paper Ken Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. This series focuses on a time period of 1974-78, in the regions of Northern Idaho, to Eastern Oregon and the areas between. As his working drawings solidify the dimensions of the objects which represent his memories from that era, Ragsdale considers the landscape, terrain and weather, filtered through his personal memories and experiences. 

Once the composition and components are determined as to capture the aura of a memory, schematic drawings are documented and prepared for hand assembly. Laboriously the schematics are cut out, folded and tabbed to create their final 3-dimensional formats. As each object is placed and the structures oriented, Ragsdale modifies the scenes to perfectly frame each scenario for the final photograph. From simple sheets of white Bristol Vellum, the atmosphere and lighting brings each image to life and allows for a reminiscent view of a wistful past. Pacific Northwest native Kenneth Ragsdale’s work, derived from personal memories, involves a mixture of drawing, painting, sculpture, paper-craft, theatre...