Photographic Paper Photography

Colosseum View is a vintage print in salt silver realized by Ludovico Tuminello in the early 20th Century. Good conditions except for some foxing and folding.

The Homeless Families is  a black and white vintage photo, realized in 1960s. The photo depicts the homeless families who have found accommodation in the school. Good conditions an...

Anna Magnani and Massimo Ranieri (Rai) is a vintage b/w photographic print on single-coated paper realized by RAI prints. Good condition. Anna Magnan...

The solar panels is an original vintage photograph realized by an anonymous photographer. Good conditions.

Princess Margareth and husband in London - is a photograph realized in 1962. Good conditions. The artwork is depicted in a well-balanced composition.

Italtel Center in 1980s is an original black and white photograph realized by an Anonymous photographer. With the typed notes on the paper attached to the image- Italian description-...

Josèphine Baker serves breakfast in Brussels is an orignal black and white photograph realized in 1964. The photo shows the famous singer serving sweets to 3 of his children In Brus...

Vintage Portrait of Anna Magnani (AP) with Alberto Sordi is a vintage b/w photographic print on single-coated paper realized by Associated Press Photos. Good condition. Anna Magnan...

Vintage Photo. Lightly damaged (Folds on the angles).

Vintage Portrait of Anna Magnani is a vintage b/w photographic print on single-coated paper, realized in The Mid-20th. Good conditions. Anna Magnani was born in Rome, Italy (not i...

Vintage Photo. Ornella Muti in a scene from "Private Access", a 1989 Italian drama film by Francesco Maselli.

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Olivetti Scarmagno is an original photograph realized by an Anonymous photographer. Typed notes on the rear. Automatic high temperature, testing of high integration circuits Good ...

Ancient Portrait of Japanese gymnasts is an original vintage albumen print on single cardboard: 26 x 34 cm. Realized between the 1880s and the 1890s. Image 21 x 26 cm. Caption in I...

Vintage b/w photograph of the very original Italian singer-songwriter Franco Battiato at his debut, in the Eighties, when he returns to Pop music after...

Girl in the mountain in a school holiday is an original black and white photograph realized by the Gherlone photography agency. With the stamp of "Gherlone, Torino" on the rear. Good...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

Large scale print, 24 X 34 inches. Framed to 29.5 X 39.5. This was described as Polaroid transfer print. It has the feel of a Frisson print. It is hand signed in pencil and dated. It is done in a sepia color tone. David Aschkenas is a self-taught photographer making fine art and freelance photography for the past 25 years. He has been the recipient of grants from the NEA and the Polaroid Corporation. He makes photographs for corporations and editorial clients around the world. Aschkenas has been a photographer in Pittsburgh for 30 years, specializing in editorial and fine art photography (he shot Richard Serra's Tilted Arc in the early 1980's) Inspired by Weegee, James Van Der Zee...

Portrait of Giorgio Gaber in 1959 is a vintage photographic print on single-coated paper. Photograph probably made by Gianni Piccione for News Blitz. Ink print of photographer (Pic...

Ancient views of Shanghai is a set of 4 original vintage albumen prints on single cardboard: 34 x 26 cm. Image 21 x 15.5 cm, 2 of 10.5 x 14....

By photographer John Minihan, Yves Saint Laurent, French designer with two fashion models, Betty Catroux (left) and Loulou de la Falaise, outside his 'Riv...

Soldiering is an original black and white photograph realized by an Anonymous photographer in 1930s in Italy, during Fascism. With the stamp of "Gherlone, Torino" on the rear. Good c...

This piece is an original vintage photograph from the original negative taken by Milton Greene in 1954. This image depicts Hollywood Icon, Marilyn Monroe, and bears the Milton H. Gre...

This photograph of Marilyn Monroe was shot by photographer, George Barris, in 1962 in Los Angeles, California. This photograph is from a ...

View of Honganji Temple in Kyoto is an hand-inked Albumen print with aniline applied on hardcover. Very good conditions. Cardboard cm 26 x 34; Print cm 22x 27 Yokohama School print...

1969: French singer, Francoise Hardy sitting on a motorbike. (Photo by Reg Lancaster/Express/Getty Images) As an authorized Getty Images Gallery partner, we offer premium quality pr...

This piece is an original photograph shot by George Hurrell in 1932, and printed at a later date. It depicts legendary American film star, Clark Gable, who was known as the "King of...

Saul Leiter 3 Carolyn Brown and Remy Charlip Photography 14 x 11 inches Provenance Estate of Carolyn Brown, New York 2025. Saul Leiter (1923-2013) was born in Pittsburgh to a fath...

This photograph of Marilyn Monroe was shot by photographer, George Barris, in 1962 on Santa Monica Beach in California. Taken only two w...

Historical Photo- Fiumicino Airport- Chilean Immigrants 1975 is a black and white vintage photo. It belongs to a historical album including historical moments, royal families, and p...

Palm Beach Shoppers, 1968 - Outside Lilly Pulitzer Beach Resort Fashion Boutique by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Beneath Trees on Spanish Coastline in Nature, brightly dressed guests enjoy conversation and cocktails at the home of Sebastiano Bergese in Marbella, in Spain 16 x 20" print. Limite...

The latest and final release in Australian photographer Tom Blachford’s long-running project, Midnight Modern, will be exhibited for the first time at TOTH Gallery in New York. Loos...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

This is a vintage Marc Riboud photo of a Menashe Kadishman sculpture in the Billy Rose sculpture garden at the Israel Museum. Hand signed and editioned. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. Marc Riboud (French: 1923 – 2016) was a French photographer, best known for his extensive reports on the Far East: The Three Banners of China, Face of North Vietnam, Visions of China, and In China. Riboud was born in Saint-Genis-Laval and went to the lycée in Lyon. He photographed his first picture in 1937, using his father's Vest Pocket Kodak camera. As a young man during World War II, he was active in the French Resistance, from 1943 to 1945. After the war, he studied engineering at the École Centrale de Lyon from 1945 to 1948. He moved to Paris where he met Henri Cartier-Bresson, Robert Capa, and Chim, David Seymour, the founders of Magnum Photos. By 1953 he was a member of the organization. His ability to capture fleeting moments in life through powerful compositions was already apparent, and this skill was to serve him well for decades to come. Over the next several decades, Riboud traveled around the world. In 1957, he was one of the first European photographers to go to China, and in 1968, 1972, and 1976, Riboud made several reportages on North Vietnam. Later he traveled all over the world, but mostly in Asia, Africa, the U.S. and Japan. Riboud has been witness to the atrocities of war (photographing from both the Vietnam and the American sides of the Vietnam War), and the apparent degradation of a culture repressed from within (China during the years of Chairman Mao Zedong's Cultural Revolution). In contrast, he has captured the graces of daily life, set in sun-drenched facets of the globe (Fès, Angkor, Acapulco, Niger, Bénarès, Shaanxi), and the lyricism of child's play in everyday Paris. In 1979 Riboud left the Magnum agency. Riboud's photographs have appeared in numerous magazines, including Life, Géo, National Geographic, Paris Match, and Stern. He twice won the Overseas Press Club Award, received the Lifetime Achievement Award at the 2009 Sony World Photography Awards and has had major retrospective exhibitions at the Musée d'Art Moderne de la Ville de Paris and the International Center of Photography in New York. Riboud was made an Honorary Fellow of the Royal Photographic Society in 1998. One of Riboud's best known images is Eiffel Tower Painter, taken in Paris in 1953. It depicts a man painting the tower, posed like a dancer, perched between the metal armature of the tower. Below him, Paris emerges from the photographic haze. Lone figures appear frequently in Riboud's images. In Ankara, a central figure is silhouetted against an industrial background, whereas in France, a man lies in a field. The vertical composition emphasizes the landscape, the trees, sky, water and blowing grass, all of which surround but do not overpower the human element. An image taken by Riboud on 21 October 1967, entitled "The Ultimate Confrontation: The Flower and the Bayonet," is among the most celebrated anti-war pictures. Shot in Washington, D.C. where thousands of anti-war activists had gathered in front of the Pentagon to protest against America's involvement in Vietnam. Select Exhibitions 1958 Photographs From The Museum Collection (Museum of Modern Art, New York) 1959 30th Anniversary Special Installation - Towards the "New" Museum (Museum of Modern Art) 1960...

This photograph of Marilyn Monroe was shot by photographer, George Barris, in 1962 at the North Hollywood home of Barris' close friend. Taken only two weeks before her death, this p...

This photograph of Marilyn Monroe was shot by photographer, George Barris, in 1962 on Santa Monica Beach in California. This photograph is from a collection entitled "The Last Photos...

Saint-Tropez Beach 1971 - French Riviera Sunbathing on Gold Sand and Blue Sea by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "S...

Sheila Metzner’s unique photographic style has positioned her as a contemporary master in the worlds of fine art, fashion, portraiture, still life and landscape photography. Looking at Metzner’s photographs is a captivating experience. Innocent, sensual, and sexual, each photo, regardless of subject, exhibits and elicits deep emotion. It is nearly impossible to just glance at Metzner’s photos; they beg to be studied. She says, “Photography in its most basic form is magic…This image, caught in my trap, my box of darkness, can live. It is eternal, immortal. The child in the image will not age as the living child will.” Sheila Schwartz was born in 1939 to an orthodox Jewish family in a poor section of Brooklyn. While attending the School of Industrial Art in Manhattan (now the High School of Art and Design), she was awarded the Mayor Robert F. Wagner scholarship to the college of her choice. She chose Pratt Institute, where she majored in visual communication. Her fondness for painting and sculpture also led her to study with abstract artists Jack Tworkov and James Brooks. After graduating in 1961, Sheila worked as an assistant to Lou Dorfsman at CBS Network Advertising. Five years later, she was hired by the Doyle Dane Bernbach advertising agency as its first female art director, and in 1968 she met and married director, creative director, and painter Jeffrey Metzner. While pregnant with their first child, she was riding in a cab with her mentor and friend, photographer Aaron Rose, discussing whether or not to give up her career in advertising. “He said, ‘You should be a photographer. You live like an artist. You have a good eye, you’d be good at it.’ ” Metzner started taking pictures, amassing them slowly over the next 13 years, while raising her and Jeffrey’s five children—Raven, Bega, Ruby, Stella and Louie. Jeffrey’s two daughters from a previous marriage, Evyan and Alison, were also a regular part of the family. “When they were really small, I’d be with them during the day, photographing and printing at night. At eight or nine in the evening, when they were all asleep, I’d take a shower to wake up and put on high heels and lipstick, which I wore then, to give me the feeling of being ready to work.” She continues, “My children never interfered. When I couldn’t travel because of them, I would find a place in upstate New York and call it Antarctica or Egypt. I found microcosms.” Nine years later, Metzner had accumulated a box of 22 pictures. One of them, a black-and-white photograph titled “Evyan, Kinderhook Creek,” caught the eye of John Szarkowski at the Museum of Modern Art, which he included in his famous and controversial exhibition “Mirrors and Windows: American Photography since 1960.” The New York Times art critic Hilton Kramer loved the picture and soon it became the dark-horse hit of the exhibition. Later that year, Metzner’s first solo show at the Daniel Wolf Gallery in New York drew record crowds. Metzner was now ready to work in color, but not just conventional color. Of her subjects, she once said, “If I use a rose, I want it to be the essential rose—the rose Beauty brought to her father from the Beast’s garden.” Now she aspired to an essential kind of color. “I wanted something that would last. I was looking for Fresson even though I didn’t know they existed.” The Fresson family works outside of Paris and specializes in a labor-intensive four-color “process de charbon” method, which they invented in 1895. Some prints can go up to seven colors, and are pigment prints, the only true archival color print. Metzner is one of just ten American photographers with whom they are willing to work. Fresson prints are the perfect complement to Metzner’s style—soft, sensuous, and grainy, the prints resemble paintings, with a finish which Metzner describes as “a glaze on fine porcelain. The moment I saw the neutral gray,” she adds, “I knew it was perfect.” In 1980 Metzner showed her Fresson color prints at her second solo exhibition at the Daniel Wolf Gallery. This show led to commissioned editorial work for such magazines as Vanity Fair, Vogue, and Rolling Stone. She secured an exclusive contract with Vogue for the next eight years. Metzner considers her portrait of actress Jeanne Moreau for Vanity Fair a turning point in her career. “It gave me a chance to show my work to a broader audience. I wasn’t just producing photographs for the art world.” Of Sheila’s foray into fashion, critic Carol Squiers says, “At a time when fashion photography was caught between sterility and the snapshot, Metzner created a sumptuous vision that stimulated the entire field.” Metzner also started doing commercial photography around this time. Her first client was Valentino, soon to be followed by Bloomingdale’s, Perry Ellis, Revlon, Shiseido, Saks Fifth Avenue, Paloma Picasso, Victoria’s Secret, Levi’s, Ralph Lauren, and fragrances for Chloe and Fendi (the Fendi campaign won a Fragrance Foundation Recognition Award). Her work also appeared on John Mellencamp...

This piece is an original vintage photograph by Milton Greene in 1956. This photograph depicts Hollywood Icon Marilyn Monroe, who was a close friend and business partner of the artist. This piece is a part of Greene's series entitled "The Black Sitting...

Julius Shulman (October 10, 1910 – July 15, 2009) was an American architectural photographer best known for his photograph "Case Study House #22, Los Angeles, 1960. Pierre Koenig...

Deborah Kerr - Vintage Autographed Photograph  is a vintage photo, realized in the mid-20th century. Signature and dedication by the actress Deborah Kerr. "Al "Lancio" con i miei mi...

A-HA - Vintage Autographed Photograph is a vintage photo, realized in the 1980s. Signature and dedication by the band a-ha to the readers of the magazine Foto Music Good condition....

By photographer Reg Lancaster, English actress Jane Birkin and French singer-songwriter Serge Gainsbourg, at home in Paris, 1969. As an authorized Getty Images Gallery partner, we ...

This piece is an original chromogenic photograph that was developed from the original negative by Bert Stern. This photo is part of The Last Sitting portfolio, taken six weeks before...

This piece is an original photograph shot by Milton Greene circa 1950s. It depicts one of the most well known and influential musical artists of the 20th century, Frank Sinatra...

This piece is an original chromogenic print that was hand developed from the original negative by Bert Stern. This photo is part of The Last Sitting portfolio, taken six weeks before...

Pilotis House - Beach in Brazil - Vintage b/w Photo realized in the 1970s. With some handwriting on the rear. Stamped on the rear. Good conditions.

Old days Photo - The Tree is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical and Nostalgic album including h...

Old days Photo - Cityscape is a black and white vintage photo, realized in the early 20th century. Good conditions and aged. It belongs to a historical and Nostalgic album includin...

Old days Photo - Church is a black and white vintage photo, realized in the early 20th century. Good conditions and aged. It belongs to a historical and Nostalgic album including h...

Neal Slavin (American, b. 1941) The Wheelman, Swarthmore, PA Bicycle Riding Club. Antique Highwheeler Penny Farthing Bike club riders. Vintage C-print [Chromogenic development print; Ektacolor prints] Hand signed and numbered by the photographer 48/75 Photos made with 2.25 X 2.25 Hasselblad camera and 4 X 5 Calumet camera Contact printed on Kodak Ektacolor 74 RC-N paper Mat is 100% rag archival board Print measuring about 14 x 11 inches (33x26.7 cm.) or slightly smaller. image size varies a bit. Mat measures 18 X 14 In the 1970's, Neal Slavin captured a potpourri of various and sundry American groups of people: hobby groups, hot dog vendors, religious groups, social clubs, meetings, professional unions, and others. Neal Slavin (born 1941) is an American photographer and television/film director. He is the author of Portugal (1971), When Two or More are Gathered Together (1976) and Britons (1986). He directed and produced the film Focus (2001). Slavin was born in Brooklyn, New York. He graduated from the Cooper Union School of Art and Architecture in New York, where he obtained a Bachelor of Fine Arts degree. He was awarded an exchange student scholarship at Lincoln College, Oxford in the UK. Britons is a series of photographs of people from Britain, commissioned by the National Museum of Photography, Film and Television in the UK. It was published as a book in 1986 and exhibited at the International Center of Photography (ICP) in New York and at the National Museum of Photography, Film and Television that same year. His photography has been seen in publications and magazines, including The Sunday Times magazine, Stern, Town & Country, Esquire, The New York Times magazine, Life, House & Garden, and Geo Magazine. His photographs can be found in the Museum of Contemporary Photography in Chicago, USA. His work encompasses a professional career of over 40 years, during which he has photographed a myriad of subjects including such celebrities as Steven Spielberg, Harrison Ford, Barbra Streisand, and Phil Collins. He is most known for his group portraits, which have been a significant focus throughout his career. He recently created a group portrait for T Magazine of film celebrities that have their roots in NYC, which includes Willem Dafoe, Glenn Close, LaTanya Richardson, Ed Harris, and Loretta Devine, among others. Slavin has received a number of grants and awards. He was one of the first Fulbright Fellows in Photography. He received US National Endowment for the Arts grants and a number of awards from Communication Arts Magazine. In 1986, he was named as the Corporate Photographer of the Year by the American Society of Magazine Photographers. He was also awarded the 1988 Augustus Saint-Gaudens Medal and the 2005 President's Citation by his alma mater, the Cooper Union. He is among the first generation of photographers, along with William Eggleston, Stephen Shore, Richard Misrach...

1981, Chromogenic Print. It is supposed to be signed lower right recto but has not been examined out of frame. Provenance: Bernice Steinbaum Gallery, New York; ARCO Chemical Company, Newtown Square, PA. Sonja Bullaty (October 17, 1923 - October 5, 2000) was a Jewish American photographer. Bullaty is known for her "lyrical composition" and strong use of color during her fifty-year collaboration with her husband, Angelo Lomeo. Bullaty and Lomeo's photographs appeared in LIFE, Time and Audubon magazines and journal.They have both exhibited at the Metropolitan Museum of Art, the International Center of Photography, the George Eastman House, UMPRUM Museum in Prague, in the Nikon House galleries and other venues. Bullaty was born in Prague to a Jewish banking family. Her family gave her a camera when she turned fourteen. Since Bullaty had been forced to leave school at the time, the camera was a "consolation gift." When Bullaty was eighteen, she was deported by the Nazis to Poland, where she was kept in the Lodz ghetto, and then later taken to Auschwitz and Gross-Rosen concentration camps. During a death march near Dresden, she and a friend successfully hid in a barn and were able to escape and return to Prague. When she got back to her home city, she discovered that no one else in her family had survived the Holocaust. Bullaty, "her head shaved," saw and answered an advertisement to be the helper to Czech photographer, Josef Sudek. As his assistant, she mixed chemicals for the darkroom, organized his negatives and learned from his sense of composition.[1] Sudek called her his "apprentice-martyr." Sudek's work often focused on the Czech landscape and windows, such as in the series The Windows of My Studio (1940-1954). Bullaty also photographed windows, but unlike Sudek, who photographed his own windows looking out, Bullaty photographed windows looking into buildings. Bullaty published a book, Sudek (1978), about her mentor, and it was the first publication of his work in the West. Bullaty found work with a photographer on her third day in New York. Also in 1947, she met Angelo Lomeo. They were brought together when she was inquiring about a darkroom in a building he managed. Lomeo was intrigued by Bullaty's accent and went to see her. They started photographing together a year later, traveling and sharing resources; during their time together, they became close. Bullaty and Lomeo were married in 1951. Later, when she was married, she and her husband would visit Sudek and bring him photography supplies. They visited him in Czechoslovakia "almost yearly." In 1971, she helped mount an exhibition of Sudek's work in New York. As photographers, Bullaty and Lomeo started using studio cameras...

Medieval Relief-  Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions with foxing.

Women's Rights Movement - Historical Photos is a vintage black and white photograph realized in the 1960s in Italy, it belongs to an album of women rights, protests, manifestation fo...

Women's Rights Movement - Historical Photos is a vintage black and white photograph realized in the 1960s in Italy, it belongs to an album of women rights, protests, manifestation fo...

Historica Photo - Factory is a  vintage photo, realized in the 1960s. The artwork is a well-balanced composition.

Julius Shulman (October 10, 1910 – July 15, 2009) was an American architectural photographer best known for his photograph "Case Study House #22, Los Angeles, 1960. Pierre Koenig, Architect." The house is also known as the Stahl House. Shulman's photography spread California Mid-century modern around the world. Through his many books, exhibits and personal appearances his work ushered in a new appreciation for the movement beginning in the 1990s. His vast library of images currently resides at the Getty Center in Los Angeles. His contemporaries include Ezra Stoller and Hedrich Blessing Photographers. In 1947, Julius Shulman asked architect Raphael Soriano to build a mid-century steel home and studio in the Hollywood Hills. Some of his architectural photographs, like the iconic shots of Frank Lloyd Wright's or Pierre Koenig's remarkable structures, have been published countless times. The brilliance of buildings like those by Charles Eames, as well as those of his close friends, Richard Neutra and Raphael Soriano, was first brought to light by Shulman's photography. The clarity of his work demanded that architectural photography had to be considered as an independent art form. Each Shulman image unites perception and understanding for the buildings and their place in the landscape. The precise compositions reveal not just the architectural ideas behind a building's surface, but also the visions and hopes of an entire age. A sense of humanity is always present in his work, even when the human figure is absent from the actual photographs. Many of the buildings photographed...

This photograph was created by American artist and avid scuba diver Michael DeCamp. DeCamp's abstract photos have an enigmatic quality, and the interactions between shapes and colors...