(after) Josef Albers

Homage to the Square: La Tehuana (from "Albers")

1971

Gestural screenprint, number 12 from an edition of 20

Gestural screenprint, number 29 from an edition of 30

gestural screenprint, number 5 from an edition of 40

Untitled screenprint published in 1972 in an edition of 42. This is example number 4.

untitled (red) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25

untitled (blue) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25

untitled (orange) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25

Untitled (orange) 1980 screenprint by Richard Hunt measuring 22 by 30 inches. This example is designated 41 from an edition of 80. The work is professionally matted.

Robert Motherwell, American (1915 - 1991) Lincoln Center's Mostly Mozart Festival, 25th Anniversary. Lithograph, Edition of 800, unsigned and unnumber...

Gerd Leufert Title: Erebos Signed, titled, dated ‘91 and inscribed P/A in pencil (lower center) Screenprint on paper 23⅝ by 22⅜ in. / 60 by 56.8 cm. Executed in 1991, this work is an artist’s proof from an edition of 35 plus 1 artist’s proof. Provenance: Private Collection, Venezuela - Acquired from the above by the present owner - Sotheby's Auction “The first duty of the creator: restlessness,” Gerd Leufert wrote in 1985, looking back on his 30-year career as an artist, designer, museum worker, and professor of art in Venezuela.1 Bridging the worlds of commerce and culture in Caracas, Leufert’s impact on art and design owed to his interdisciplinary approach: the influence of cutting-edge developments in abstract art appeared in his graphic design, while the efficiency and bold contrast of mid-century design characterized his paintings. An immigrant born in German-controlled Lithuania at the cusp of the first World War, Leufert studied arts and design in Hannover, Mainz, and, finally, in Munich with the German typographer Fritz H...