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Art Subject: Tie
Blue Dog "Shades of the 50's Blue" Print Signed Numbered Artwork
Located in Mount Laurel, NJ
This Blue Dog work consists of 1 blue dog on a dark blue background with painted white eyeglasses donning a white tie with painted blue eyeglasses. Th...
Category
1990s Pop Art Animal Prints
Materials
Screen
Tie Me Up - White - Signed Silkscreen Blue Dog Print
Located in Mount Laurel, NJ
This Blue Dog work consists of a blue dog on a white background wearing a necktie decorated with blue dogs and alligators. The dog has soulful yellow eyes. This pop art animal original oil on canvas is hand-signed by the artist.
Artist: George Rodrigue
Title: Blue Dog “Tie...
Category
2010s Pop Art Animal Prints
Materials
Screen
Star Spangled Blue Dog - Signed Silkscreen Print Blue Dog
Located in Mount Laurel, NJ
This Blue Dog work consists of the dog donning a US flag motif necktie. The dog is sitting on a blue background with white stars. The dog has soulful yellow...
Category
1990s Pop Art Animal Prints
Materials
Screen
My Future's So Bright, I Gotta Wear Shades - Signed Silkscreen Blue Dog Print
Located in Mount Laurel, NJ
This Blue Dog work consists of a blue dog on a yellow background wearing a blue striped jacket, a white shirt, and a yellow necktie with black specks. The dog is also wearing an eye...
Category
1990s Pop Art Animal Prints
Materials
Screen
Untitled Blue Dog with Tie - Magenta Background - Silkscreen Signed Print
Located in Mount Laurel, NJ
This Blue Dog work consists of a solid magenta background. There is a single dog wearing a yellow and orange polka dot tie. The dog has soulful yellow eyes. This pop art animal origi...
Category
1990s Pop Art Animal Prints
Materials
Screen
Le Goût de Bonheur: one plate (portrait)
Located in Collonge Bellerive, Geneve, CH
Artist: Pablo Picasso (after)
Medium: lithograph, Arches paper
Portfolio: Le Goût de Bonheur
Year: 1970
Edition: Total of 1998 copies (666 each in G...
Category
1960s Modern Animal Prints
Materials
Lithograph
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Bob (Robert) Stanley (1932-1997) was a painter, photographer and printmaker whose early work was figurative painting about contemporary American life. In the 1960s and early 1970s, he based his paintings on photographs, which he manipulated from black and white or silkscreen colored shapes. In the early 1960's, he began to base his paintings on images clipped from newspapers and magazines, following the example of Pop artists like Andy Warhol and Roy Lichtenstein, who would become his brother-in-law. Enlarged and often simplified to two vibrant saturated colors Stanley's images could be reduced to the abstract or be powerfully explicit. His preferred subjects, including rock stars, athletes and pornography, always seemed to grate against the pretenses of high art. Similar in bold use of color to Malcolm Morley. In the late 1960's Mr. Stanley started using his own photographs, basing paintings on images of tree branches or the ground, and also using pictures of life-drawing models at the School of Visual Arts.
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SELECT INDIVIDUAL EXHIBITIONS
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Beatrice Conde Gallery, New York, NY, “Paintings, Drawings, Photographs”
The Painted Bride Art Center, Philadelphia, PA, 2 person exhibition with Patricia McCabe
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White Columns, New York, NY, “Overtalk: Bob Stanley, Öyvind Fahlström, Peter Nagy
Lyman Allyn Museum, New London, CT, “The Pop Decade: The Bianchini Gallery
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Centro Studi Pietro Mancini, Cosenza, Italy, “Progetto su Pace, Guerra e Altro”
The Fort Worth Art Museum, Fort Worth, TX, “The Pop Art Print”
The Madison Art Center, Madison, Wisconsin, “Recent Acquisitions”
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This listing is for just the one print in the photo here. there are three states of the same image image each with Progressively increasing detail and color. the edition size is 175. Hand signed, numbered and dated. on hand made French Arches paper.
Bob (Robert) Stanley (1932-1997) was a painter, photographer and printmaker whose early work was figurative painting about contemporary American life. In the 1960s and early 1970s, he based his paintings on photographs, which he manipulated from black and white or silkscreen colored shapes. In the early 1960's, he began to base his paintings on images clipped from newspapers and magazines, following the example of Pop artists like Andy Warhol and Roy Lichtenstein, who would become his brother-in-law. Enlarged and often simplified to two vibrant saturated colors Stanley's images could be reduced to the abstract or be powerfully explicit. His preferred subjects, including rock stars, athletes and pornography, always seemed to grate against the pretenses of high art. Similar in bold use of color to Malcolm Morley. In the late 1960's Mr. Stanley started using his own photographs, basing paintings on images of tree branches or the ground, and also using pictures of life-drawing models at the School of Visual Arts.
EDUCATION
The Brooklyn Museum of Art School, Brooklyn, NY
Columbia University, New York, NY
The High Museum Art School, Atlanta, GA
Columbia University, New York, NY
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SELECT INDIVIDUAL EXHIBITIONS
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The Mayor Gallery, London, England, “Bob Stanley – Works from the Sixties”
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White Columns, New York, NY, “Overtalk: Bob Stanley, Öyvind Fahlström, Peter Nagy
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The Art Museum, Princeton University, Princeton, NJ, “A Decade of Visual Arts at
Princeton: Faculty 1975-1985”’ Catalog text by Allen Rosenbaum and James Seawright
Centro Studi Pietro Mancini, Cosenza, Italy, “Progetto su Pace, Guerra e Altro”
The Fort Worth Art Museum, Fort Worth, TX, “The Pop Art Print”
The Madison Art Center, Madison, Wisconsin, “Recent Acquisitions”
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