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Tammy MackayEverlasting and The End2021/22
2021/22
$1,445.58
£1,050
€1,253.81
CA$1,979.13
A$2,226.71
CHF 1,179.80
MX$27,497.02
NOK 14,463.05
SEK 13,897
DKK 9,352.68
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About the Item
Everlasting and The End by Tammy Mackay [2021/22]
limited_edition
Photopolymer Plate and Chine Colle
Edition number 30
Image size: H:43.5 cm x W:59 cm
Complete Size of Unframed Work: H:43.5 cm x W:59 cm x D:0.5cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look
Complete size of diptych: H:87cm x W:118cm x D:0.5 Everlasting and The End are limited edition photopolymer prints with chine collé on Somerset paper by Tammy Mackay. Tammy Mackay frequently experiments with new techniques. Using photopolymer plates, often combining them with techniques such as hand drawing or hand colouring chine collé.
- Creator:Tammy Mackay (British)
- Creation Year:2021/22
- Dimensions:Height: 17.13 in (43.5 cm)Diameter: 23.23 in (59 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:1stDibs: LU632310127232
Tammy Mackay
Tammy Mackay works are available to buy with Wychwood art online and in our art gallery. Tammy Mackay's Dodo work and other works are available for sale online and in our art gallery but do call us to double check . Tammy Mackay comments "I have always had a passion for printmaking, which has always been my main form of expression. Although I have used etching and monoprint as my primary mediums, I have always experimented with new techniques. More recently I have used photopolymer plates and drypoint. These techniques are often combined with hand drawn or hand coloured chine collé. Exploring and developing new techniques opens up new possibilities which I feel is essential to my development as an artist and printmaker. Tammy Mackay's most recent body of work is entitled Love [loss] and Identity. This series has been a personal exploration of these themes. A journey of feelings often linked to an object, moment or past memory. Images have become both layered in process and layered in meaning. Animals and birds have become central to the theme and convey a subtle symbolism within their depiction. “Those Lost Forever” exhibited at the Royal Academy Summer Exhibition 2013 and “Gone but not Forgotten” exhibited in this year’s show are both from this series. I grew up on a farm in the Eastern Cape of South Africa
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