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Jules OlitskiMozart Night1992
1992
$2,750
$4,80042% Off
£2,084.57
£3,638.5342% Off
€2,433.95
€4,248.3442% Off
CA$3,851.97
CA$6,723.4342% Off
A$4,336.06
A$7,568.4042% Off
CHF 2,294.28
CHF 4,004.5642% Off
MX$53,783.55
MX$93,876.7542% Off
NOK 28,344.09
NOK 49,473.3242% Off
SEK 27,108.61
SEK 47,316.8542% Off
DKK 18,158.45
DKK 31,694.7542% Off
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About the Item
Jules Olitski (1922-2007) is one of Caviar20's favorite abstract artists of the 20th century. Over the course of his career his aesthetic evolved in startling and fascinating ways.
In the late 1980's Olitski embarked on a new chapter of art-making. Similar to previous eras, embracing an unconventional tool led to a distinct and new aesthetic. In the late 1960's using a spray gun led to his spray paintings...similarly at the end of the 80's Olitski took up the painter's mitt - typically used by household painters for affects using plaster on walls.
His work from the late 1980's and early 1990's is characterized by swirling interlocking forms created with a heavy impasto and thick brushwork in shimmering shades of purples, creams and orange highlights.
This large and impressive print is a great example from Olitski's "Mitt Paintings" period. It was commissioned by the illustrious Lincoln Center art program. Quite rare, this work rarely comes available on the secondary market.
Note: This work is sold unframed.
- Creator:Jules Olitski (1922-2007, American)
- Creation Year:1992
- Dimensions:Height: 47 in (119.38 cm)Width: 36 in (91.44 cm)
- More Editions & Sizes:Edition of 108Price: $4,800
- Medium:
- Movement & Style:
- Period:
- Condition:Signed, titled, dated, and numbered by the artist. Very good condition. Note: This work is sold unframed.
- Gallery Location:Toronto, CA
- Reference Number:Seller: 5-211stDibs: LU21528081402
Jules Olitski
Jules Olitski was an abstract Color Field painting in the mid-1960s, Olitski focused on the material qualities of surface and color in painting, rather than the personal expression of the artist. He pioneered a technique using an industrial spray gun to lightly apply paint on unprimed canvas, creating an effect of hazy color suspended midair. Even after returning to the brush, Olitski maintained this airy interaction of color and light. Olitski represented the United States in the 1966 Venice Biennale, and was given the first solo exhibition for a living American artist at the Metropolitan Museum of Art in 1969.
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