Colin Moore

Colin Moore, The Camel Trail In Spring, Seascape Art, Limited Edition Print

2020

Mark A Pearce Sunlight Through Trees Limited Edition Linocut Print Edition of 58 Size: H 40cm x W 80cm x D 0.5cm Sold Unframed (Please note that...

Cliff Edge is a limited edition reduction linocut print by Ian Phillips. Ian Phillips is available online and in our gallery at Wychwood Art. My printing process starts today, as it’...

Sailing at high tide at Blakeney, Norfolk with the Blakeney Hotel in the distance at the edge of the quay. Printed in Nautical Blue. Linocut Print – A relief printing technique where linoleum is cut, inked and rolled to create an inverse relief print, generating the image as seen.This work is sold mounted but not framed. Edition numbers may vary. Discover artwork by Kate Heiss with Wychwood Art online and in our Deddington gallery. Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge...

Kate Heiss Ely Cathedral Linocut Edition of 100 Printed with oil based relief inks on 300gsm soft white Somerset velvet paper. Mounted Sold Unframed Signed and dated on the front Ima...

DAVIES, Peter (b.1953) Guernsey Fort 2010 Linocut 17/30 15.0 x 10.5cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical, ra...

DAVIES, Peter (b.1953) ‘Pen-Olva Pool’ 2008 Linocut A/P 30.5 x 20.5 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical...

DAVIES, Peter (b.1953) Wing and Prayer 2013 Linocut 25/50 15.5 x 10.5 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical...

DAVIES, Peter (b.1953) ‘Solstice Sun’ 2019 Linocut on paper 15.0 x 10.0 cm (6 x 4 in.) Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical, rather than lyrical or painterly, approach. This probably puts my observational paint – by – numbers pictures at a creative and expressive disadvantage. But it doers prove conducive to a structural or compositional kind of drawing over which are applied layers of oil paint to deliver idiosyncratic textural and atmospheric effects. Furthermore, a Ben Nicholson – inspired dichotomy between foreground rooftops or architecture and a naturalistic marine or landscape background makes a chosen plastic and temperamental approach apt. So when in 2004 I was inspired by the much loved master relief printmaker John Liddell 1925-2005) to try my hand at linocut I found a process ideally suited to my mechanical bent it has been a love affair ever since. The workshop he founded in 1991 Poole Printmakers is a safe haven, an intimate co-operative near Poole Quay, and some of the most scenic terrain in Britain. It is also an area where my art career started in 1978 and inspired my early book Art in Poole and Dorset, published by Poole Historical Trust, 1987. Many blissful and absorbing hours over the last 13 years have yielded a large body of linocut prints in which I exercise those mechanical and reproductive qualities proper to the medium. Peter Davies...