Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Howard Norton Cook
Chrysler Building (Chrysler Building in Construction)

1931

$18,000
£13,693.86
€16,012.33
CA$25,173.80
A$28,279.91
CHF 15,050.24
MX$349,691.92
NOK 183,388.92
SEK 177,310.76
DKK 119,436.98
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Howard Cook (1901-1980), Chrysler Building (Chrysler Building in Construction) – –1930, Wood Engraving. Duffy 122. Edition 75, only 50 printed. 1931, signed in pencil, annotated “imp” and dated; printed by the artist Image size 10 1/16 x 6 11/16 inches (256 x 170 mm); sheet size 11 7/8 x 9 inches (302 x 229 mm). A superb, black impression, on thin cream wove Japan paper, in excellent condition. By the early 1930s, Cook’s prints of New York, especially its skyscrapers and bridges, were widely known and often reproduced in such magazines as Harpers and The Atlantic Monthly. The first solo exhibition of his prints was held in 1929 at the Weyhe Gallery in New York. While Cook’s lithographs of New York were made in collaboration with the printer George Miller, he insisted on printing his woodcuts and etchings himself. Cook lived in New Mexico for much of his life, and only took up residence in New York for varying periods between 1930 and 1938; nonetheless, he remains most renowned for the prints he produced of what he described as “the endearing serrated skyline of the most exciting modern city in the world”. Here Cook shows the Chrysler Building before the addition of its famous art deco “crown.” For a brief period after it was finished and before the completion of the Empire State Building in 1931, it was the tallest building in the world. Cook’s perspective of the illuminated building, seen from below, enhances a sense of its looming monumentality; this is further reinforced by the dark geometric forms of the smaller surrounding buildings.

More From This Seller

View All
Financial District
By Howard Norton Cook
Located in New York, NY
Howard Cook (1901-1980), Financial District, lithograph, 1931, signed and dated in pencil lower right and numbered 75 lower left. Reference: Duffy 155, from the stated edition of 75....
Category

1930s American Modern Landscape Prints

Materials

Lithograph

Coin de Rue Dans Soho
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1947), Coin de Rue Dans Soho, woodcut, 1909, signed in pencil lower left and numbered (15/15) [also initials in the plate]. Reference: Sylvain Laboureur 64...
Category

Early 1900s Modern Landscape Prints

Materials

Woodcut

Kreuzende Segelschiffe 2 (Cruising Sailing Ships 2)
By Lyonel Feininger
Located in New York, NY
Lyonel Feininger, “Kreuzende Segelschiffe 2 (Cruising Sailing Ships 2)” 1919, Woodcut. Prasse W175. Edition 275 unsigned for portfolio Die tunlte Jahresgabe des Kreises graphischer ...
Category

1910s Bauhaus Landscape Prints

Materials

Woodcut

Farm in the Woods
By Werner Drewes
Located in New York, NY
Werner Drewes (1899-1983), Farm in the Woods, woodcut, 1933, signed and dated in pencil lower right (also numbered 1-xxx and titled lower left). Reference: Rose 83. In very good cond...
Category

1930s American Realist Landscape Prints

Materials

Woodcut

Aux Approches de Madrid (also Aux Abords de la Ville)
By Adolphe Beaufrère
Located in New York, NY
Adolphe-Marie Beaufrere (1876-1960), Aux Approches de Madrid (also Aux Abords de la Ville), drypoint, 1927, signed and numbered (14/55), from the edition of 55, with the blindstamp of Sagot, publisher (Lugt 2254). Reference: Morane 27-19. In good condition, on very thin cream Japan paper, 6 1/2 x 9, the sheet 8 3/8 x 11 1/4 inches, archival matting. A fine impression, with the drypoint burr extremely rich and effective (due in part to the use of a Japan paper, which tends to diffuse the ink surrounding the drypoint lines). Beaufrere was born at Quimperle, in Brittany, and though he traveled widely he re-connected with this area throughout his life. As a teenager he decided that he wanted to become an artist and he traveled to Paris where, shortly after his arrival, he encountered the eminent Gustave Moreau, who took him on as a student. Moreau encouraged him to study old master prints, especially the prints of Rembrandt and Durer, which were available in the Cabinet des Estampes in Paris – this was to be critical in his development. Beaufrere began printmaking in about 1904, with some woodcuts, but soon got into etching and engraving. Curiously, one of his colleague/teachers at the time was the Canadian etcher Donald Shaw MacLaughlan. He began showing his prints, with some success, but after his marriage in 1905, and with the urging of his new wife, moved out of Paris and back to Brittany. This move had a mixed effect on his career – contacts with other artists became fewer, but he did maintain gallery relationships, and the French countryside and it’s inhabitants would provide a continuing source of inspiration. During the Great War Beaufrere served in the infantry, and had few opportunities to make art. But he did study a volume of Rembrandt’s prints...
Category

1920s Modern Landscape Prints

Materials

Drypoint

La Promenade Sur Le Port
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), La Promenade Sur Le Port, 1933, engraving, signed in pencil lower left. Reference: Godefry 482, Sylvain Laboureur 482, second state (of 2); from the...
Category

1930s Modern Landscape Prints

Materials

Engraving

You May Also Like

Three leaves (taro) - Landscape Print - Woodcut Print By Marc Zimmerman
By Marc Zimmerman
Located in Carmel, CA
Minimal image in black ink on buff rice paper. Taro leaves are a simple form inspiring this woodcut print. Three leaves (taro) - Landscape Print - Woodcut Print By Marc Zimmerman T...
Category

2010s American Modern Landscape Prints

Materials

Woodcut

A Handsome Woodcut on Paper of the Univ. of Chicago Chapel by Siegfried Weng
Located in Chicago, IL
A handsome woodcut on paper of the University of Chicago Chapel by artist Siegfried Weng. A perfect gift for your U of C grad! Arwork size: 9 3/4" x 7 1/2". Archivally matted to...
Category

1920s American Modern Landscape Prints

Materials

Paper, Woodcut

Junkyard Park
By Jim Stoker
Located in Dallas, TX
Jim Stoker was born in Nash, Texas, in 1935, and grew up in Atlanta, Texas. He graduated from The University of Texas at Austin with a BFA in Applied Art in 1957. His teaching career...
Category

1960s American Modern Landscape Prints

Materials

Woodcut

Shift Change, Social Realist Woodblock Print by Mike Goscinsky
Located in Long Island City, NY
Shift Change Mike Goscinsky, American (1933–2021) Woodblock on thin wove paper, signed, titled and numbered in pencil Edition of 15/75 Image Size: 14 x 19 inches Size: 22 x 26.5 in. ...
Category

1990s American Modern Landscape Prints

Materials

Woodcut

The Bridge
By Bror Julius Olsson Nordfeldt
Located in Santa Monica, CA
B. J. O. NORDFELDT (Bror Julius Olsson) 1878-1955) THE BRIDGE, 1906 Color woodcut signed, dated 1906 and numbered 150 in pencil. Image 8 x 10 - small margins as issued. 4 corners tipped to acid free support board. Nordfelt is one of the most important early twentieth century American Masters of the Color woodcut. This 1906 work predates many of the other woodcut masters. Nordfeldt had a peculiar numbering system. The number is not necessarily the edition number. Frances H. Gearhart, Blanche Lazzell, William S. Rice, Gustave Baumann, Margaret Patterson, Norma Basset Hall. Waldo Chase.
Category

Early 1900s American Modern Landscape Prints

Materials

Woodcut

QUEENSBRIDGE
Located in Portland, ME
Bernhardt, John (American 1921-1963. QUEENSBRIDGE. Color Woodcut, 1965. Ttiled, signed, dated and annotated "To Smitty" in pencil. 17 3/4 x 28 inches. In very good condition. Framed ...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Color, Woodcut

QUEENSBRIDGE
$700 Sale Price
36% Off