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Jean-Baptiste-Camille CorotSOUVENIR D'OSTIE1855
1855
About the Item
Corot, Jean-Baptiste-Camille. SOUVENIR D'OSTIE. Delteil 57, Melot 57. Cliche Verre, 1855. Second State of two, with the signature of Corot in reverse, lower left. 12 1/4 x 16 1/4 inches, 310x415 mm. (sheet), full margins. Corot was an enthusiastic practitioner of the cliche verre technique, producing about 65 images from the 1850s to the 1870s. A cliche verre is made in a manner somewhat similar to a drypoint: a coating is applied to the surface of a glass sheet, and the image is made by scratching through the coating with a tool. Unlike a drypoint though, it is printed like a photograph: the plate is placed face down on a sheet of light sensitive paper which is then exposed to light,causing the image to develop. Some losses at the sheet edges, not affecting the image, else in Very Good condition.
- Creator:Jean-Baptiste-Camille Corot (1796-1875, French)
- Creation Year:1855
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- Period:
- Condition:
- Gallery Location:Portland, ME
- Reference Number:Seller: 116741stDibs: LU36736016462
Jean-Baptiste-Camille Corot
Corot was a French landscape and portrait painter as well as a printmaker who is considered a great master of landscape painting in the 19th century. A pivotal figure in landscape painting, his vast output (over 3,000 paintings) simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. In the spring of 1829, Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830. The Barbizon school of painters were part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870.
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