Jim Stoker

Junkyard Park

1967

David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. In 1978, Everett was awarded a Faculty Travel Grant from So...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, wrote about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses t...

Matted in a 16 x 20 inch mat Paper size is 11 3/4 x 17 7/16 inches

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In the 1950s woodcuts started to get bigger and bigger as they competed with paintings for a space on the wall. This California print by Joseph Zirke...

Albert Abramovitz was an amazingly skilled wood engraver. This California Mission scene is unusual in his work, but carries the subject so well. It is signed and titled in pencil.

Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...

Paul Landacre, 'Laguna Cove', wood engraving, 1935; edition 60 (16 printed), 2nd edition 150 (6 printed), Woodcut Society 200, Wien 247. Signed and titled in pencil. A brilliant, black impression, on cream wove Japan, with full margins (3/4 to 1 3/4 inches), in excellent condition. Archivally matted to museum standards, unframed. This impression is from the edition published for the Twentieth Presentation Print of the Woodcut Society, 1941. Printed by Torch Press, Cedar Rapids. Literature: Reproduced in 'James Swann...